Chapter 8 No.8

In the morning the streets were covered with pink-breasted birds as well as grey. Besides this, there were breeds and species of pigeons that the villagers of M-- had never seen before. Wherever one turned, one saw pigeons. They were on the ground and in the sky, as well as upon the roofs. Their colours were mixed, and their leaders were lost.

Silly Peter ran joyfully about the streets waving a little white flag at the disorganized flying tribes, waving a white flag as though it were a truce to the sky.

For some reason or other, an extra large number of birds took refuge on the gable and chimney of the Captain's stone house on the hill.

Late in the afternoon, as the charming Vera was playing at the piano, a dark shadow crept over her page of music, and this was accompanied by a scrambling noise from outside. As she turned about, she could see through the corner of her eye a struggling figure across the window, clambering on the vines. The body was silhouetted against the sky.

One glance was sufficient-her throat let loose a piercing scream as she ran from the room into the kitchen. "A man! A man is climbing up the house-quick, send for the police!" she shouted breathlessly to the servants.

Holding her throbbing temples with both hands, she waited with the servants in the kitchen. Soon two policemen arrived, having been told that a robber had entered the house, but they found nothing excepting Silly Peter on top of the roof, propped against the chimney, waving his flag and signalling to his birds.

"He's harmless," said the officer. "I can't make him come down, madam. I'm a policeman, not a fireman." And with this they went away, leaving Vera with her servants and Peter with his pigeons.

Presently the Captain came home, raved and shouted as he swung his arms-but Peter sat with his back against the chimney, making bubbles with his mouth and holding two new-born birds close to his face in order that they might prick the bubbles with their little soft beaks and drink.

"Come down from my house, you beggar!" But this did not even frighten the birds that flocked about Silly Peter in ever increasing numbers.

At length he came into the house, and took a rifle from his case. "Just wait till it grows dark," he mumbled. But the lovely Vera jumped from her chair and, with tears in her eyes, cried: "No! No! God will see you. He will never forgive us. After all, what harm does the boy do? He did not intend to frighten me, I am sure, put it away, my dear-God will never forgive us if you don't."

Who could resist a pleading tear from lovely Vera? Surely not the Captain.

"You are right, my dear. He can do us no harm," he finally allowed.

At night there was a noise and commotion on the roof. Vera awoke, but then all was silent again. A fearful silence hung over the house, interrupted only by the heavy breathing of her devoted soldier husband.

She remained awake until morning and was glad when she heard the servants stir. Then thinking that a little music might be restful, she dressed herself lightly and went down to the drawing room, opened the piano and finally opened the shutter. There beneath her on the ground lay Peter, with his face up-dead. His round child-like eyes stared heavenward as his birds sat about in mournful groups of twos and fours.

The unfortunate Vera again rushed into the kitchen and sent for the police before she ran, terrified by the sight she had just beheld, to awaken her husband. In about an hour, although it seemed longer, the poor folk of the village arrived and carried the body from the yard. Fat Luba insisted upon halting the procession long enough so that she could kiss the white forehead of the little dead master of the sky. A ring of pigeons swirled around the procession as it marched down the hill.

Vera nursed up a little fever for herself and was put to bed, while Luba, the cook, stood in the market-place and with tears in her eyes told everybody that the Captain killed her little Major of the Birds-"and now nobody will look after them, and they will make dirt everywhere. And people will have to move away. And he is such a bad man to take the crumbs away from little doves. And if he has any children, I wish them the best of everything for they surely will be unfortunate."

Marking the spot where Peter fell were two new-born birds crushed beside the stone house on the hill. Through the air swung a grand flight describing an oval in the sky. At each end of the oval the pigeons beat their wings as they rounded the curve. With mournful thuds they beat, as they circled over the old farmer's house and again over the solid stone house on the hill.

All day they flapped a tattoo with their wings and beat their sorrowful dead sounds into lovely Vera's ears. In the evening the Captain sent for the doctor.

All night long the uncontrollable feathery tribes encircled the town with their monotonous beating and swishing of wings.

The next day Vera grew worse, as Luba in the market place kept insisting that the Captain killed her Little Master of the Birds; until a committee of three working-men took it upon themselves to investigate. They started for the hill, but stopped off in order to induce the schoolmaster to join them.

The schoolmaster, however, did not allow himself to be disturbed. He was playing chess with a friend, and kept tapping the dull-sounding table with his fingers, and repeating in a monotone: "If he disturbs that pawn, he may lose his queen."

As the committee went on to the hill, they were overtaken by the doctor in his carriage. At last they arrived at the stone house and found the doctor walking briskly up and down the drawing room smoking a cigarette-he had not yet told the Captain.

Upstairs they could hear the Captain in Vera's darkened room, kneel down beside the bed.

"Do you know, my darling," he spoke. "I have never kept anything from you-but the other day when I told you about the beggar, I should have told you that he was-Are you listening, my dear? I should have told you that he was the same boy-the poor boy that lived with the pigeons.

"See; we have already been-are you listening, my dear? God has already punished us-now you can get better and we will go away from here. We will go to some quiet place.-Are you listening, my dear? We will go to some-do you hear me, Vera? My darling girl, don't sleep now. Tell me, what did the doctor say? Wake up Vera."-But the hand of death had already passed over Vera.

The Little Master of the Sky didn't need a grave and didn't want one. But they dug one for him just the same, at the end of the town. While his pigeons encircled the sky and swished the air, the villagers straightened his twisted, little body and slipped it into a narrow box, and lowered him down. The poor folk gave him a little grave, but he doesn't need it for he never uses it.

* * *

THE MAN WITH THE GOOD FACE[16]

By FRANK LUTHER MOTT

(From The Midland)

A subway express train roared into the Fourteenth Street Station and came to a full stop, and the doors slid open. It was just at the lull of traffic before the rush of the late afternoon, and the cars were only comfortably filled. As the train stopped, a small, unobtrusive man, sitting near one end of the third car, quickly rose from his seat on the side of the car facing the station platform, and peered through the opposite windows. All the way up from Wall Street this little man had sat quietly observing through his deep-set grey eyes every man or woman who had entered or left the car. His figure was slight, and the office pallor that overspread his serious face seemed to give to his eyes a singular intensity of gaze. Now he peered intently out at the people on the Fourteenth Street platform.

Suddenly his eyes dilated; he leaned toward the window, and raised both hands as if to shade his eyes. Then he turned and ran toward the door, which was sliding shut. The little man's face was white as chalk; his eyes were round and blazing with excitement. Against the protests of the guard, he squeezed through the door and made his escape just as the train was beginning to move. Heedless of the commotion he caused, the man dodged wildly across the platform toward a local, which stood there, gongs ringing and doors closing. For all his haste, the little man was too late to enter. He pounded on the glass of one of the closed doors imperiously.

"Next train," said the guard shortly.

"Let me on!" demanded the little man, waving his arms wildly. "Let me on! You have time!"

"Next train," repeated the guard.

The train began to move swiftly. The little man ran alongside, peering in through the windows at something or somebody inside.

"Look out!" called the guard, watching him.

The man, however, paid no attention to the warning. It is strange that he was not hurt as he ran blindly alongside the train. Perilously near the end of the platform he stopped short and put his hand to his head. The train thundered away, its colored rear-lights vanishing far-off in the black tunnel. Oblivious to the interest of the spectators, oblivious to all the hurrying and running and crowding as other trains roared into the underground station, the little man leaned limply against a pillar.

"He's gone!" he muttered to himself. "He's gone!"

For upward of twenty years Mr. James Neal had been a clerk in the offices of Fields, Jones & Houseman on Lower Broadway. Every day of these twenty-odd years, if we except Sundays and holidays, Mr. Neal had spent an hour and a half on subway trains. An hour and a half every day for more than twenty years he had spent in the great underground system of the Interborough. Its ceaseless roar benumbed his senses as he was hurtled from the Bronx, where he had a room, to the Imperial Building, where he worked, and back again. This, as he had often computed, amounted to fifty-eight and a half working days each year, or about two months' time. Such was the fee he paid to Time for the privilege of using other hours for working and living. It had seemed a cruel loss at first-this hour and a half from every working day-but that was in the early days of his experience in the city. Then he had been driven by boundless energy and hope-the same energy and the same hope that had brought him here from his little mid-western community in the first place. Year by year, however, as custom calloused him to the only part in life he seemed fit to play, he forgot about the waste of time in the Interborough cars. Destiny, he said to himself, had hollowed out the subway as the rut in which his life was ordained to travel; destiny had condemned him inescapably to an underground roar.

He never confessed to anyone that he held the subway as the sign and symbol of the rut into which his life had grown. There was, indeed, nobody to whom he might impart such thoughts as he had about the deeper meanings of life. When Mr. Neal first came to Fields, Jones & Houseman's, timid and green from the country, he had been repelled by the lack of interest in his new problems on the part of his fellow clerks, and he had then put on for the first time that armor of indifference which now clung to him with the familiarity of an accustomed garment. Nor did he feel a greater kinship with the family in the Bronx with which he lodged. They were at pains not to annoy him; he kept apart from them.

Perhaps the pallid little clerk with the large grey eyes would have become very lonesome if he had not eventually found a real interest in life. This, then, was the manner and substance of his finding.

As he traveled back and forth on the subway morning and evening, day in and day out, week after week, he wasted the hours much more completely than most of his fellow travelers. The average subway passenger reads his newspaper and forgets the world; he knows by some sixth sense when the train has arrived at his station, and only then does he look up from his reading. Mr. Neal seldom read newspapers. The blatancy, the crassness of the daily prints revolted him. Perhaps there was another reason, too, which Mr. Neal himself did not realize; perhaps the settled selfishness which his manner of life had fixed upon him had destroyed a natural craving for the so-called "human interest" that is spread over the pages of the journals of the metropolis. He despised the little brawls aired in the papers, the bickerings of politics, the fights and strikes and broils of all humanity reflected in daily mirrors.

Self-deprived of the newspapers, it was natural that he should fall to watching the people on the cars. He got to studying faces. At first he did it unconsciously, and he had probably been analyzing features idly for years before he discovered and fully realized how extremely interesting this occupation was becoming. One half holiday he went up to the library and read a book on physiognomy, and after that he laid out his course of study carefully, classifying and laying away in his memory the various types of faces that he saw. He pursued his investigations in the detached, careful spirit of the scientist, but as time passed he was absorbingly interested. Every morning and every evening he worked in his laboratory-the subway trains.

He never had to stand up in the cars, for he boarded them, whether at one end of his trip or the other, before they were crowded; but as soon as crowds began to fill up the aisles he always gave up his seat. This naturally gained him repeated credit for courtesy, but the real reason for his apparent gallantry was that he could not see people's faces when he was sitting while others stood in the aisles. But when he hung to a strap and looked at the window in front of him, the blackness outside combined with the bright light of the car to make the glass of the windows an excellent mirror to reflect the faces of those who stood near him.

To classify faces according to nationality was not easy in the polyglot crowds of this East Side line. But Mr. Neal devised many schemes to help him. He watched the papers they read: everybody read papers! He even ventured when greatly curious, to ask a question of the object of his interest, so that the man might reveal his origin. Usually he was rebuffed, but sometimes he was successful. He read all the books on immigrants he could get his hands on. More than once he even followed a rare specimen-shadowed him to his work and there made guarded inquiries. Such investigations had several times made him late to work, so that his chief had made sarcastic remarks. The chief clerk at Fields, Jones & Houseman's was a tall, gaunt, old-young man with a hawk-like nose that carried eyeglasses perched perilously astride it, and he had a tongue that spit caustic. But the chief clerk's ugly words did not annoy Mr. Neal if his inquiry had been successful.

At length he became so skillful that he could separate the Slavic types into their various nationalities, and he could tell Polish, Lithuanian and Roumanian Jews apart. He could name the provinces from which Italians and Germans came with few errors.

But the most interesting set of categories, according to which he filed away the various faces he saw was that of their ruling passions. There was the scholar, the sport, the miser, the courtesan, the little shopkeeper, the clerk, the housewife, the artist, the brute, the hypocrite, the clergyman, the bar-hound, the gambler. The charm of this classification was that the categories were not mutually exclusive, and permitted infinite variation.

Mr. Neal became as devoted to this fascinating game as ever any enthusiast has been to billiards, golf, baseball or poker. He looked forward all day, while in the midst of the ancient grind of Fields, Jones & Houseman, to the moment when he could establish himself in a position of vantage on a subway car, and get back to his study of faces. All night long he dreamed of faces-faces wise and foolish, good and evil.

Yet more and more the ugliness in the subway faces oppressed Mr. Neal. Sometimes he looked into faces loosened by liquor and saw such an empty foulness looking out at him that he was heartsick. Then he would look at all the faces about him and see sin in manifold guise marking all of them. The sodden eyes of disillusion, the protruding underlip of lust, the flabby wrinkles of dissipation, the vacuous faces of women: it was a heart-breaking picture gallery.

Every face was stamped with the little passion peculiar to it-the mark of its peculiar spirit. The mouths, especially, betrayed the souls within. Somewhere Mr. Neal had once read weird stories of souls seen to escape from the bodies of dying persons, and always they had been seen to issue from the open mouths of the corpses. There was a singular appropriateness in this phenomenon, it seemed to Mr. Neal, for the soul stamped the mouth even before it marked the eyes. Lewd mouths, and cunning mouths, and hateful mouths there were aplenty. Even the mouths of children were old in evil.

"I'm sorry I've learned it," breathed Mr. Neal one day. "Now I must always look into a man's soul when I look into his face."

It was true. Men who could hide secret sins from bosom friends-even from their wives-were defenseless against this little clerk hanging to a strap-this man with the serious pale face and the large grey eyes who had learned by years of systematic observation to pierce every barrier of reserve.

His study and classification went on for several years before it occurred to him that there was one kind of face that he never saw-one type that he never found in all the Manhattan crowds. When he had first discovered that this face was missing he had called it "the good face;" and though he realized the insufficiency of this designation he could not think of a better, and the term stuck. It was not that he never saw faces with good qualities stamped upon them: he sometimes saw faces marked with benevolence, honesty and resolution, for example, and these were all good faces in a way. But they were not what Mr. Neal was looking for-what he searched for more intently with the passing months. He remembered the face of his own mother dimly through the years; it was a little like what he wanted to see here in the subway. He searched for simplicity, for transparent truth, for depth of spirituality, for meek strength and gentle power. But simplicity in the subway? Guileless transparency of any sort? Spirituality? Mockery!

The face he never saw became an obsession with Mr. Neal. He hunted for it in various parts of the city. He tried the Broadway line of the subway where the faces are notably pleasanter, more prosperous, and smugger. But neither there nor about the Universities on Morningside Heights and on the banks of the Harlem, nor in Brooklyn, nor anywhere he looked, did he find the face he sought. He could always see it when he closed his eyes. At night he dreamed of it continuously-of meeting it on the subway and looking into eyes of ineffable kindness.

It came finally to affect his life-this search for the unseen face. It gradually altered his attitude toward all his subway folk. He came to have a great pity for the ignorant, and pain filled his heart at all the marks of Cain he saw. He came to have an inexpressible hunger for the sight of spiritual quality lighting the faces of the people of the subway crowds. He did not express his hunger in words, as people do when they want to make a thing definite and tangible. It was perfectly clear and distinct to him when he closed his eyes; then he saw the face.

The time came when Mr. Neal could not sleep of nights for the evil faces that leered at him from every side out of the darkness. It was only when he slept that he could see, in his dreams, the "good face." Finally, he was driven to make a resolution. He would consciously seek for the good faces; evil ones he would pass over quickly. Thenceforward he was happier. As his train roared through the tunnels of night under New York, his eyes dwelt most upon the faces that were marked, however lightly, with the qualities that reached their united culmination in the "good face." He found his old faith in the perfectibility of man renewed, and often he would keep his eyes closed for many minutes together, so that he could see the face of his dreams.

So months went on, and joined together into years.

Then, one day in the subway, with his eyes full open, James Neal suddenly saw the face! He had been going home from work in the evening quite as usual. The express train on which he was riding was about to leave Fourteenth Street Station when a tall man who was about to enter the local train standing at the other side of the station platform turned and looked directly at him. Mr. Neal's heart almost stopped beating. His eyes were blinded, and yet he saw the face so distinctly that he could never forget it. It was just as he had known it would be, and yet gentler and stronger. A moment Mr. Neal stood spellbound. The door of his own car was sliding shut; he leaped toward it, and, as we have already seen, squeezed through and ran toward the other train. Though he was too late to get in, still he could see the face within the moving car. Thinking about it later, as he did very, very often, he realized that he could not tell how the man with the "good face" was dressed; he could see only his face, and that for a moment only, as the local moved swiftly out of the station. Suddenly he found himself alone and disconsolate.

He went home sick in spirit. As he lay in his bed that night, trying to go to sleep, he said to himself that if ever he should see the face again-and he prayed that he might-no merely physical barriers should keep him from seeking out the rare spirit that animated such features. Ah, but it had been much even to have seen that face; even that had been worth living for. At last he fell asleep peacefully.

The next morning Mr. Neal entered upon a new life. He had seen the face; it had not been a dream after all. He felt young again-not young with the ambition he had once felt so strongly, but glad and cleansed and strengthened by a sure faith in the supremacy of truth and goodness in the world. A happy smile lighted his serious face that morning; a faint flush touched the pallor of his cheeks; and his deep grey eyes were unusually luminous.

Even the roar of the subway did not pull his spirits down, and when he briskly entered the office of Fields, Jones & Houseman, the old-fashioned high desks and stools and all the worn, dingy furniture of the room seemed to the little clerk with the shining face to be strangely new. The chief clerk, sitting at a dusty old roll-top desk in the corner, looked up at Mr. Neal sharply as he entered. The chief clerk always looked up sharply. There was a preternatural leanness about the chief clerk which was accentuated by his sharp hawk's nose, and when he looked up quickly from his position hunched over his desk, his sharp little eyes pierced his subordinate through and through, and his glasses, perched halfway down his nose, trembled from the quickness of his movements.

"Morning!" he said briefly, and dived down again into his work, with his shoulders humped.

But Mr. Neal was more expansive.

"Good morning!" he called, so cheerily that the whole office felt the effect of his good humor.

A young man with a very blond pompadour was just slipping into a worn office coat.

"Well, Mr. Neal!" he exclaimed. "I swear you're getting younger every day!"

Mr. Neal laughed happily as he changed his own coat and climbed upon his familiar stool. His desk neighbor turned and regarded him good-naturedly.

"He'll be running off and getting married pretty soon," prophesied the neighbor, for the benefit of the whole office force.

Mr. Neal laughed again.

"You're judging me by your own case, Bob," he rejoined. Then in a lower tone, "That romance of yours now-how is it coming?"

That was enough to cause the young man to pour into Mr. Neal's willing ear all the latest developments of Bob's acquaintance with the only girl in the world.

For a long time Mr. Neal lived in daily hope of seeing the face again. He got into the habit of changing to a local at Fourteenth Street because it was at that station he had seen the face before, but he caught not a glimpse of any face resembling the one that he could see at any time he closed his eyes. Yet he was not discouraged. He was happy, because he felt that something big and noble had come into his life-that now he had something to live for. It was only a question of time, he told himself, until he should find the face. It was but a question of time-and he could wait.

So the weeks and months passed by. Mr. Neal never relaxed his search for the face; it had become a part of his life. There was no monotony in his great game. He always found new faces interesting to classify, some unusual combination, some degree of emotional development he had not seen before. But the face never.

Until one Saturday half holiday in December. This is the way it happened.

Mr. Neal employed this particular half holiday at Columbus Park. Long ago he had found this park, adjoining Chatham Square and near Chinatown, Mulberry Bend and the Bowery, a great gathering place for the lower types of humanity, and such half holidays as he did not spend at the library studying Lombroso, Darwin, Piderit, Lavater, and other physiognomists, he usually employed at Columbus Park. Sometimes he wandered over to Hester Street, or up Orchard or some other Ghetto street off Delancey, or sometimes he spent a few hours in Battery Park or in the tenement district of the lower West Side. On this particular Saturday he found Columbus Park less populous than it had been on his last visit a month before, for many of its habitues had sought warmer climes. The weather was seasonably cold, and Mr. Neal felt really sorry for some of the old, broken-down men and women he saw.

Toward the end of the short December afternoon, he found an old man, shaking with the cold, huddled up on one of the benches of the park. The haggard, unshaven face told the usual story of the derelict, but something in the face-perhaps the abject fear that glowered in the eyes-sounded before he knew it the depths of pity in the little clerk's heart. Mr. Neal tried to talk to him, but there was no ready beggar's tale to be poured into the ears of benevolence; there was only fear of the cold, and of misery, and of death. Yielding suddenly to an impulse so strong that it bore down all thoughts of prudence, Mr. Neal slipped out of his own overcoat and put it about the man's threadbare shoulders, and then hurried off toward the Worth Street Station of the subway.

The wintry breeze chilled him as he hastened along, a slight figure in worn business suit, leaning against the wind, but his heart was warm and light within him. Down he hurried into the subway station, and dropped his tithe of tribute into the multiple maw of the Interborough. The train was thundering in, its colored lights growing momentarily brighter as they came down the black tunnel. The train was crammed to the doors, for it was the rush hour and even down here the trains were crowded. Mr. Neal edged into the nearest door and then squirmed over to a place against the opposite door in the vestibule, where he could see people as they came out.

The train shot again into the dark tunnels. A thousand men and women were being hurtled at terrific thundering speed, by some strange power but half understood, through the black corridors of the night that reigned under old Manhattan, to some unseen goal. It was magnificent; it was colossal; but it was uncanny. Mr. Neal had always been moved by the romance of the subway, but tonight, in his elevation of spirit, it seemed something of epic quality, full of a strange, unreal grandeur. Faint red lights here and there revealed nothing of the tunnel; they but lent mystery to dimly seen arches and darkling bastions, fleeting by the roaring train.

They stopped a minute at Canal Street, and more people pushed into the overcrowded car, and then the train was off again. The man pushing against Mr. Neal was heavy-jowled as a prize-fighter, but if ever he had followed the ring his fighting days were over now. Good feeding had done for him; he breathed heavily in the fetid atmosphere of the car. He was almost squeezing the breath out of the little man with a heavy red mustache who stood just behind him. The red mustache made the little man's face seem out of proportion; there was not enough of chin to make a proper balance.

At Spring Street two women struggled to get off.

"Let 'em off!" came the familiar admonition of the guard.

Those about the women made every effort to give them room, but at the best they had a hard fight to make their way out. Both the women were modishly dressed, and their complexions were correctly made. There was, too, that hardness about the mouths of both of them that Mr. Neal found in the faces of most of the women he saw-a hardness that even the stress of their effort to get out of the car could not disturb. When they finally got out, others crowded in.

Mr. Neal was happy, and he looked about him to find other happy faces. But they were nowhere to be seen; the faces were stolid, or indifferent, or intent, or vacuous. None of them were glad. If their mouths would only turn up at the corners! Well, it was the same old story. Mouths that turned up at the corners were seldom met with in Mr. Neal's book of subway faces.

Bleecker Street, and a worse jam than ever, but there was encouragement in the thought that Fourteenth Street would soon relieve the pressure. Two girls crowded on at Bleecker, amid shrill laughter and many smothered exclamations. Their lips were carmined and their eyes bold. Every swerve of the train brought fresh giggles or stifled screams from them.

As the train was slowing down for Astor Place Station an express train passed it, speeding for Fourteenth Street. Mr. Neal turned with an effort (for he was wedged in tightly) and looked through the glass door at the brightly lighted cars as they passed, and then slowly gained upon, his own train. The express was crowded too, with people standing in the aisles, hanging to straps. The faces were very clearly distinguishable in the bright light; and Mr. Neal, strangely excited at this rapid panorama of faces, saw each one distinctly. Suddenly he leaned forward, close to the glass. He saw it! The face! It was there! But it was gone in a moment. It had been like a flash in the dark tunnel. His own train had come to a jarring stop, and the express was only thunder in the distance.

Mr. Neal felt that he must rush out of the car, must get out into the open. But the big prize-fighter still pressed against him, and in a moment they were rushing on again into the darkness.

Now the clerk had no eyes for the occupants of his car. His face was pressed against the glass door. He saw, out there in the darkness, that serenely beautiful face, beatific, transcendent. And even as he looked, he saw again the rear-lights of the express. They were going to overtake it-to pass it again. It had been halted by the block signals of the train ahead, perhaps-at any rate it was now moving very slowly. As the local shot by, the panorama of faces was unfolded much more rapidly than it had been before, but Mr. Neal caught a glimpse of the face once more. It looked directly at him, as it had before, and he thought it smiled upon him a little.

The little clerk was greatly excited. As soon as the local had come to a stop at the Fourteenth Street Station and the doors had been opened, he darted out and hurried to the other side of the platform. There he stood leaning out to watch for the approach of the express. In a moment it came, rumbling in quite as usual, mechanically and regularly, and the doors slid open to allow the flood of people to pour out. Mr. Neal squirmed through the crowd, looking in at the windows and watching the people coming out; but he did not see the face, and frantic lest he should lose it once more, he crowded into one of the cars again at the last minute. He tried at first to pass through the train searching for the man with the "good face," but the guards rebuffed him, and the usually good-natured crowd was provoked to impatience by his squirming efforts; and he himself soon became so exhausted in his attempt that he gave it up. At Grand Central Station he again hurried out upon the platform to watch the crowds getting off. The gong had begun to ring again when he caught sight of a tall figure mounting a short flight of stairs toward the upper platform, and he immediately knew that there was the man he sought. The face was turned away, yet he thought he could not be mistaken. He rushed toward the stairway, bumping into others so many times in his haste that he really made little speed. When he reached the top of the stairs he looked about. For one heartsick moment he thought he had lost the man after all. Then, away across the station, near one of the exits, he saw the tall figure again. The man was leaving the station, and as he passed out, for a moment he turned his face toward the crowd within; and Mr. Neal knew then that he had not been mistaken.

To the little clerk it seemed an age before he could reach the exit through which the tall figure had passed. He ran around people and dodged and ducked, oblivious of the curious watching of the crowd. At last he gained the exit. The tall man was nowhere to be seen.

Mr. Neal found himself on Forty-Second Street, east of Fourth Avenue. It was night, and the December wind pierced his clothing and cut to his very bones like a knife. He buttoned his sack coat up tightly and turned up the collar. He decided to walk east down Forty-Second Street, in the hope of seeing the face again. He walked very rapidly, impelled both by the desire to keep as warm as possible, and the thought that whatever chance he had of finding the man would be lost if he did not hurry.

As he stood for a moment on the curb before crossing Lexington Avenue, halted by a long string of passing automobiles, he thought he saw the tall man at about the middle of the next block. Taking his life in his hands, he scurried across the street, dodging in and out among the vehicles with the curses of drivers in his ears. But he got across safely, and now he was certain that he had been right: there was the tall figure he could not mistake. Now he gained on the man, who turned south into Third Avenue. As Mr. Neal breathlessly turned the corner he saw the tall man mounting the stoop of a shabby four-story apartment house a little way down the street. About to enter, he turned his face toward the running clerk, and even by the dim light at the entrance to the dingy house, Mr. Neal could see how ineffably spiritual and strong the face was. Joy filled the little clerk's heart so full that tears came to his eyes. At last he was to meet the man with the "good face"-after so long! He managed to find breath to call out.

"I say!" he shouted.

But he was too late, for the door had closed almost before the words left his mouth.

Leaping up the steps, he found that the door was not locked, and he entered a dark hallway. He heard a step on the landing above, and called out again, but there was no answer. He hurried up the creaking stairs, but he was just in time to see the first door on his left closed silently but firmly.

Mr. Neal hesitated. He took off his hat and wiped his forehead, which was damp with perspiration. Then he rang the bell.

The hallway was dimly lighted with one small gas jet over against the discolored wall. Mr. Neal waited. Presently he heard footsteps. Then the door was opened and a flood of warm light poured into the dim little hall. A short, white-bearded old man stood in the doorway. He seemed the very personification of serene happiness, and over his shoulder peered an old lady whose face was lighted by the same kindly joy. There was an atmosphere of quiet goodness about them both; it flooded out into the hallway as sensibly as the glow of light itself. The old couple looked questioningly at Mr. Neal. The little clerk was somewhat embarrassed.

"I-I wanted to see the gentleman who just came in here," he said.

The white-bearded old man seemed surprised.

"Why, nobody has come in here," he said in a gentle voice. "Not since I came home over an hour ago."

"Oh, the tall man, with-with-"

"But nobody has come in, sir," reiterated the old man.

"Just now, you know," insisted Mr. Neal. "A tall man-"

A shadow crossed the old man's face-a shade of alarm. The woman withdrew a little. Some of the happiness seemed to leave their faces, allowing the wrinkles of age to show themselves.

"I don't know what you mean, sir," the old man said slowly, "but we two are alone here. There is no tall man here, I assure you. Please-"

"But haven't you a lodger?" asked Mr. Neal hopefully. "This was a very tall man; that was the reason I could see him so well in the subway. He has a good face-a really wonderful face-"

Mr. Neal hesitated a moment, realizing that he had been led to reveal his secret to one who might not understand.

Pity came into the old gentleman's eyes.

"Ah," he said, and nodded. "If I could be of any help to you-Would you come in?"

"Didn't he come in here, really? Hasn't a tall man been here?"

"Nobody is here, sir, but us. But if I could do anything for you, I'd be glad to."

Mr. Neal saw that the old gentleman thought he was dealing with a demented man; he saw, too, that the denial was an honest one.

"Thank you," said Mr. Neal. "No. I must be going. I am very sorry I troubled you."

The old man bade him a cheery good-night, but he looked after Mr. Neal in solicitude as the clerk went slowly down the steps.

The air was bitter cold outside, and Mr. Neal realized for the first time that he did not have his overcoat. He shivered.

Hunching his shoulders up against the blast, he hurried back to the subway.

Heartbreaking though his disappointment was, Mr. Neal was not embittered. There was one thing that he knew now beyond all cavil or doubt: he knew that he should find the man with the good face. He knew that he should eventually meet him somewhere, sometime, and come to know him. How Mr. Neal longed for that time words cannot describe, but his settled faith that his desire would one day be fulfilled kept him tranquil and happy. Why should he be impatient? Perhaps today, or tomorrow-perhaps in this car he was entering, perhaps just around the next corner-he would see the face.

"It will be soon," he would say to himself. "I know it will be soon."

The beggars in front of the Imperial building came to know the little clerk and thank him in advance for his alms. The elevator men and the newsies came to watch for him. Mr. Neal himself took an interest in everybody. He formed the habit of watching crowds wherever they were greatest, partly because thereby his chance of discovering the face was enhanced, and partly because crowds thrilled him. What a tremendous mass of emotions-hopes, fears, ambitions, joys, sorrows-were in these thousand faces swirling about him in ceaseless tide! They were all individuals; that was the wonder of it! All were individuals with personalities of their own, with their own lives to live and their own problems to think out. He would like to help them all.

Mr. Neal at last formed the acquaintance of the members of the family with whom he had lodged so long. One evening just outside his room he met a red-cheeked boy whom he supposed to be the son of his landlord, and it came to him with a shock that he scarcely knew these people under whose roof he had lived for many years. The boy seemed surprised and a little frightened when Mr. Neal tried to talk to him, and the clerk resolved there and then to make amends for past neglect. The very next evening he made an excuse to visit the father of the household. A fine hearty fellow he found him, sitting in the kitchen with his stockinged feet up on a chair, smoking an old clay pipe and reading the evening paper. Mr. Neal learned he was a hard-working teamster. The man seemed pleased with his lodger's attentions, and invited him to come again, and Mr. Neal did come again and often, for he liked his landlord from the start. There were three children, two of them pictures of health, but the third thin and pale and unable to romp about because of a twisted leg.

Mr. Neal became a veritable member of the household, and when he discovered from a chance remark of the father that they were saving money, penny by penny, to buy a brace for the crooked leg, he insisted on "loaning" the money to make up the balance still lacking.

"Funny thing," commented the teamster one evening. "We used to think you wasn't human exactly." He laughed heartily. "Gotta get acquainted with a guy, ain't you?"

Then his wife, a thin, washed-out little woman, embarrassed the little clerk greatly by saying gravely:

"Mr. Neal, you're a good man."

Her eyes were on the little cripple.

In the same vein was the comment of the office force at Fields, Jones & Houseman's on the occasion of Arnold's injury in the elevator accident, when Mr. Neal took up a collection for the injured man, heading the subscription himself.

"Funny thing," exclaimed the chief clerk to a stenographer as they were leaving the office that afternoon. "Funny thing: when I first came here James Neal was close as a clam; never a word out of him. Paid no attention to anybody, all gloom. Now look at him helping everybody! Best old scout in the office!"

As he nodded his head in emphasis, his eyeglasses trembled on his nose-but they stuck.

"I've not got a better friend in the whole town than James Neal, and I know it," he added, "and I guess that's true of everybody in the office!"

It was true that Mr. Neal and the chief clerk had become fast friends. They had come to spend their Sundays together, and even to share confidences, and so it was natural that when Mr. Neal saw the face for the third time he should be moved to tell his friend about it. This telling of his secret was epochal in Mr. Neal's life.

The two men sat on a bench in a more or less secluded part of Bronx Park. Mr. Neal looked off among the trees as he told the story of the face hesitatingly, often in difficulty for the right word, the light of the mystic in his glowing eyes. The chief clerk listened attentively, his cane across his knees, his lean face serious. His eyes bored into the very mind of his friend with their keen gaze. When Mr. Neal told of his failure to find the man with the good face in the house on Third Avenue, his friend shook his head definitely.

"No!" he said. "No! I'll tell you what it is: it is what they call a hallucination."

"Oh, no," replied Mr. Neal calmly. "It is real, John. There's no doubt it's real."

The chief clerk shook his head sharply again, and there was a pause.

"I felt I must tell you," resumed Mr. Neal at length, "because I saw him again last night."

His friend looked quickly at the little clerk, who gazed away among the trees, his eyes luminous.

"I saw him in the Pennsylvania subway station, and I followed him out. There was no doubt about it: I saw his face. He went down Eighth Avenue, and I saw him turn in at a door. I wasn't far behind him. The door was right next to a pawnshop. It was unlatched, and I went in. I found myself in a dark hallway, but toward the other end there was light coming from a half opened door. I was excited, John. Tremendously. You see, John, it was the great experience of my life-no wonder I was trembling.

"I stepped quietly back to where the light was, and looked into the room that it came from. What do you think I saw, John? There was a young mother and two fresh-cheeked boys; one of the boys was reading at the table, and the other one sat in a low chair at his mother's knee and she was talking to him-telling him stories, I think. The room was poor, John, but the mother's face! It was wonderful! It reminded me of my own mother's. There is just one word to describe it, John: it was a Madonna's face-a Madonna of Eighth Avenue!"

Mr. Neal paused and glanced at his friend. The chief clerk said nothing, but dug at the turf with his stick.

"But the tall man was not there," resumed Mr. Neal. "I knocked at the door and asked about him. The woman didn't know; no man was in their rooms, she said. She was a poor widow. She wanted to know how I got in. I could see I was frightening her, so I left, and I could hear the door locked behind me."

The little clerk sighed, and passed his hand over his eyes.

His friend rose suddenly.

"Come," he said. "Let's walk-and talk about something else."

This was but the first of many talks the two clerks had about the face. Mr. Neal's friend became more and more sympathetic toward the quest. One afternoon Mr. Neal detained the chief clerk as he was leaving the office after work. The little clerk's eyes were very serious, and his voice was low as he said:

"John, I know that I am going to find him very soon. I know it."

"How do you know it?" asked the chief clerk. "Something-well-psychic?"

"Oh, no. It's not mysterious. It's just a-a certainty, John. I know I shall find him very, very soon."

"Well, you know-" and the chief clerk looked at Mr. Neal steadily, "you know that I-I should like to know him, too."

Mr. Neal wrung his friend's hand. They went down together in the elevator, and parted. Mr. Neal hurried down into his subway station. There were not many waiting on the platforms. Far down the black tunnels in either direction the little white lights glimmered. The echoing silence of a great cave was in the station. Then suddenly the red and green lights of a train appeared far away; then a rumble and a roar, the doors of the train slid open and Mr. Neal stepped in. All the way home he kept his eyes shut. The hurtling roar, the crush of people growing greater as they approached the great business sections, the calls of the guards, did not disturb Mr. Neal. He kept his eyes closed so he might see the face.

It was about one o'clock of the next day that the accident occurred of which James Neal was the victim. He had been trying to cross the street in defiance of traffic regulations, and had been struck by a heavily loaded truck and knocked down, with some injury to his skull. He had been taken, unconscious, to St. Cecilia's Hospital.

Little work was done by the clerks of Fields, Jones & Houseman that afternoon. One of the clerks had seen the accident; indeed he had been talking to Mr. Neal just before the latter had rushed into the street. He had seen the little clerk suddenly raise his hand and point across the street.

"I see it! There he is!" Mr. Neal had said in a voice exultant with joy, and then he had dodged into the traffic, reckless of life and limb.

The chief clerk was greatly distressed. He could not work. He would sit with his lank form huddled up in his office chair, gazing fixedly over his eyeglasses at nothing in particular. About two o'clock he bethought himself to look up the family with which Mr. Neal lodged in the telephone directory and to inform them of the accident. The whole office force listened to the conversation over the telephone, and heard the chief's voice break as he told of the seriousness of the injury. Then the chief clerk shut his books sharply, clapped on his street coat and rusty straw hat, and set out for the hospital.

Long before the chief clerk arrived at the hospital, a white-coated doctor, standing momentarily in a doorway of the ward in which Mr. James Neal lay, met a nurse coming out. The doctor's face was such a one as would have delighted Mr. Neal if he had been able to see it. It was a benevolent face. A profound knowledge of the problems of humanity had marked it with depth of understanding, and withal, a kindliness and sympathy, that made it worthy a second and a third glance in any company, however distinguished.

"How about the skull fracture?" asked the doctor in a low voice, as the nurse was passing out.

"He is dead," said the nurse.

"When?" asked the doctor.

"Just now. I just left him."

"There was no chance," said the doctor.

The nurse was about to pass on when the doctor detained her.

"That tall man," he said, "who was with him: where has he gone?"

The nurse looked at the doctor in surprise.

"There was no one with him but me," she said.

"Oh, yes," said the doctor. "I saw a man bending over the bed-a very tall man with a remarkable face. I wondered who he could be."

The nurse turned, and with the doctor looked over toward the bed where the body of James Neal lay.

"That is strange," said the nurse.

"I saw him there," said the doctor, "just as you were leaving the patient; now he is gone."

"Queer! I saw no one," said the nurse, and moved away to attend to other duties.

The doctor walked over to the bed where the body of the little clerk lay.

"It is strange," he mused. "I surely saw him.-The most beautiful face I ever saw."

Then he looked down at what had been James Neal.

"He was very fortunate," said the doctor in a low tone, "to die with a face like that looking into his."

There was a smile on the death-white lips of the little clerk.

* * *

MASTER OF FALLEN YEARS[17]

By VINCENT O'SULLIVAN

(From The Smart Set)

Several years ago, I was intimately acquainted with a young man named Augustus Barber. He was employed in a paper-box manufacturer's business in the city of London. I never heard what his father was. His mother was a widow and lived, I think, at Godalming; but of this I am not sure. It is odd enough that I should have forgotten where she lived, for my friend was always talking about her. Sometimes he seemed immensely fond of her; at other times almost to hate her; but whichever it was, he never left her long out of his conversation. I believe the reason I forget is that he talked so much about her that I failed at last to pay attention to what he said.

He was a stocky young man, with light-coloured hair and a pale, rather blotchy complexion. There was nothing at all extraordinary about him on either the material or spiritual side. He had rather a weakness for gaudy ties and socks and jewelry. His manners were a little boisterous; his conversation, altogether personal. He had received some training at a commercial school. He read little else than the newspapers. The only book I ever knew him to read was a novel of Stevenson's, which he said was "too hot for blisters."

Where, then, in this very commonplace young man, were hidden the elements of the extraordinary actions and happenings I am about to relate? Various theories offer; it is hard to decide. Doctors, psychologists whom I have consulted, have given different opinions; but upon one point they have all agreed-that I am not able to supply enough information about his ancestry. And, in fact, I know hardly anything about that.

This is not, either, because he was uncommunicative. As I say, he used to talk a lot about his mother. But he did not really inspire enough interest for anybody to take an interest in his affairs. He was there; he was a pleasant enough fellow; but when he had gone you were finished with him till the next time. If he did not look you up, it would never occur to you to go and see him. And as to what became of him when he was out of sight, or how he lived-all that, somehow, never troubled our heads.

What illustrates this is that when he had a severe illness a few years after I came to know him, so little impression did it make on anyone that I cannot now say, and nobody else seems able to remember, what the nature of the illness was. But I remember that he was very ill indeed; and one day, meeting one of his fellow clerks in Cheapside, he told me that Barber's death was only a question of hours. But he recovered, after being, as I heard, for a long time in a state of lethargy which looked mortal.

It was when he was out again that I-and not only myself but others-noticed for the first time that his character was changing. He had always been a laughing, undecided sort of person; he had a facile laugh for everything; he would meet you and begin laughing before there was anything to laugh at. This was certainly harmless, and he had a deserved reputation for good humor.

But his manners now became subject to strange fluctuations, which were very objectionable while they lasted. He would be overtaken with fits of sullenness in company; at times he was violent. He took to rambling in strange places at night, and more than once he appeared at his office in a very battered condition. It is difficult not to think that he provoked the rows he got into himself. One good thing was that the impulses which drove him to do such actions were violent rather than enduring; in fact, I often thought that if the force and emotion of these bouts ever came to last longer, he would be a very dangerous character. This was not only my opinion; it was the opinion of a number of respectable people who knew him as well as I did.

I recollect that one evening, as three or four of us were coming out of a music hall, Barber offered some freedom to a lady which the gentleman with her-a member of Parliament, I was told-thought fit to resent. He turned fiercely on Barber with his hand raised-and then suddenly grew troubled, stepped back, lost countenance. This could not have been physical fear, for he was a strongly built, handsome man-a giant compared to the insignificant Barber. But Barber was looking at him, and there was something not only in his face, but, so to speak, encompassing him-I can't well describe it-a sort of abstract right-an uncontrolled power-a command of the issues of life and death, which made one quail.

Everybody standing near felt it; I could see that from their looks. Only for a moment it lasted, and then the spell was broken-really as if some formidable spectacle had been swept away from before our eyes; and there was Barber, a most ordinary looking young man, quiet and respectable, and so dazed that he scarcely heeded the cuff which the gentleman managed to get in before we could drag our friend off-

It was about this time that he began to show occasionally the strangest interest in questions of art-I mean, strange in him whom we had never known interested in anything of the kind. I am told, however, that this is not so very remarkable, since not a few cases have been observed of men and women, after some shock or illness, developing hitherto unsuspected aptitude for painting or poetry or music. But in such cases the impulse lasts continuously for a year or two, and now and then for life.

With Barber the crisis was just momentary, never lasting more than half an hour, often much less. In the midst of his emphatic and pretentious talk, he would break off suddenly, remain for a minute lost and dreaming, and then, after spying at us suspiciously to see if we had noticed anything strange, he would give an undecided laugh and repeat a joke he had read in some comic paper.

His talk on these art subjects was without sense or connection, so far as I could discover. Sometimes he spoke of painting, but when we put to him the names of famous painters, he had never heard of them, and I don't believe he had ever been in an art gallery in his life. More often he spoke of theatrical matters. Coming back from a theatre, he would sometimes fall to abusing the actors, and show the strongest jealousy, pointing out how the parts should have been played, and claiming roundly that he could have played them better. Of course, there were other times-most times-when he was alike indifferent to plays and players, or summed them up like the rest of us, as just "ripping" or "rotten." It was only when the play had much excited him that he became critical, and at such times none of us seemed willing to dispute with him, though we hardly ever agreed with what he was saying.

Sometimes, too, he would talk of his travels, telling obvious lies, for we all knew well enough that he had never been outside the home counties, except once on a week-end trip to Boulogne-sur-mer. On one occasion he put me to some confusion and annoyed me considerably before a gentleman whom I had thoughtlessly brought him with me to visit. This gentleman had long resided in Rome as agent for an English hosiery firm, and he and his wife were kindly showing us some photographs, picture post-cards, and the like, when, at the sight of a certain view, Barber bent over the picture and became absorbed.

"I have been there," he said.

The others looked at him with polite curiosity and a little wonder. To pass it off I began to mock.

"No," he persisted, "I have seen it."

"Yes, at the moving-pictures."

But he began to talk rapidly and explain. I could see that the gentleman and his wife were interested and quite puzzled. It would seem that the place he described-Naples, I think it was-resembled broadly the place they knew, but with so many differences of detail as to be almost unrecognizable. It was, as Mrs. W. said afterward, "like a city perceived in a dream-all the topsy-turvydom, all the mingling of fantasy and reality."

After outbursts of this kind, he was generally ill-at least he kept his bed and slept much. As a consequence, he was often away from the office; and whenever I thought of him in those days, I used to wonder how he managed to keep his employment.

One foggy evening in January, about eight o'clock, I happened to be walking with Barber in the West End. We passed before a concert hall, brilliantly lighted, with a great crowd of people gathered about the doors, and I read on a poster that a concert of classical music was forward at which certain renowned artists were to appear. I really cannot give any sort of reason why I took it into my head to go in. I am rather fond of music, even of the kind which requires a distinct intellectual effort; but I was not anxious to hear music that night, and in any case, Barber was about the last man in the world I should have chosen to hear it with. When I proposed that we should take tickets, he strongly objected.

"Just look me over," he said. "I ain't done anything to you that you want to take my life, have I? I know the kind of merry-go-round that goes on in there, and I'm not having any."

I suppose it was his opposition which made me stick to the project, for I could not genuinely have cared very much, and there was nothing to be gained by dragging Barber to a concert against his will. Finally, seeing I was determined, he yielded, though most ungraciously.

"It'll be the chance of a lifetime for an hour's nap," he said as we took our seats, "if they only keep the trombone quiet."

I repeat his trivial sayings to show how little there was about him in manner or speech to prepare me for what followed.

I remember that the first number on the programme was Beethoven's Seventh Symphony. This work, as is well known, is rather long, and so, at the end of the third movement, I turned and looked at Barber to see if he was asleep. But his eyes were wide open, feverish, almost glaring; he was twining and untwining his fingers and muttering excitedly. Throughout the fourth movement he continued to talk incoherently.

"Shut up!" I whispered fiercely. "Just see if you can't keep quiet, or we shall be put out."

I was indeed very much annoyed, and some people near by were turning in their chairs and frowning.-

I do not know whether he heard what I said: I had no chance to talk to him. The applause had hardly died away at the end of the symphony when a singer appeared on the stage. Who he was, or what music he sang, I am utterly unable to say; but if he is still alive it is impossible that he should have forgotten what I relate. If I do not remember him, it is because all else is swallowed up for me in that extraordinary event.

Scarcely had the orchestra ceased preluding and the singer brought out the first notes of his song, than Barber slowly rose from his seat.

"That man is not an artist," he said in a loud and perfectly final voice, "I will sing myself."

"Sit down, for God's sake!-The management-the police"-

Some words like these I gasped, foreseeing the terrible scandal which would ensue, and I caught him by the arm. But he shook himself free without any difficulty, without even a glance at me, and walked up the aisle and across the front of the house toward the little stairs at the side which led up to the platform. By this time the entire audience was aware that something untoward was happening. There were a few cries of "Sit down! Put him out!" An usher hastened up as Barber was about to mount the steps.

Then a strange thing happened.

As the usher drew near, crying out angrily, I saw Barber turn and look at him. It was not, as I remember, a fixed look or a determined look; it was the kind of untroubled careless glance a man might cast over his shoulder who heard a dog bark. I saw the usher pause, grow pale and shamefaced feel like a servant who has made a mistake; he made a profound bow and then-yes, he actually dropped on his knees. All the people saw that. They saw Barber mount the platform, the musicians cease, the singer and the conductor give way before him. But never a word was said-there was a perfect hush. And yet, so far as my stunned senses would allow me to perceive, the people were not wrathful or even curious; they were just silent and collected as people generally are at some solemn ceremonial. Nobody but me seemed to realize the outrageousness and monstrosity of the vulgar-looking, insignificant Barber there on the platform, holding up the show, stopping the excellent music we had all paid to hear.

And in truth I myself was rapidly falling into the strangest confusion. For a certain time-I cannot quite say how long-I lost my hold on realities. The London concert hall, with its staid, rather sad-looking audience, vanished, and I was in a great white place inundated with sun-some vast luminous scene. Under a wide caressing blue sky, in the dry and limpid atmosphere, the white marble of the buildings and the white-clad people appeared as against a background of an immense blue veil shot with silver. It was the hour just before twilight, that rapid hour when the colors of the air have a supreme brilliance and serenity, and a whole people, impelled by some indisputable social obligation, seemed to be reverently witnessing the performance of one magnificent man of uncontrollable power, of high and solitary grandeur.-

Barber began to sing.

Of what he sang I can give no account. The words seemed to me here and there to be Greek, but I do not know Greek well, and in such words as I thought I recognized, his pronunciation was so different from what I had been taught that I may well have been mistaken.

I was so muddled, and, as it were, transported, that I cannot say even if he sang well. Criticism did not occur to me; he was there singing and we were bound to listen. As I try to hear it, now, it was a carefully trained voice. A sound of harps seemed to accompany the singing; perhaps the harpists in the orchestra touched their instruments.-

How long did it last? I have no idea. But it did not appear long before all began to waver. The spell began to break; the power by which he was compelling us to listen to him was giving out. It was exactly as if something, a mantle or the like, was falling from Barber.

The absurdity of the whole thing began to dawn on me. There was Barber, an obscure little Londoner, daring to interrupt a great musical performance so that the audience might listen to him instead! Probably because I was the only one on the spot personally acquainted with Barber, I was perceiving the trick put upon us sooner than the rest of the audience; but they, too, were becoming a little restless, and it would not be long ere they fully awoke. One thing I saw with perfect clearness and some terror, and that was that Barber himself realized that his power was dying within him. He appeared to be dwindling, shrinking down; in his eyes were suffering and a terrible panic-the distress of a beaten man appealing for mercy. The catastrophe must fall in a minute-

With some difficulty I rose from my place and made for the nearest exit. My difficulty came, not from the crowd or anything like that, but from an inexplicable sensation that I was committing some crime by stirring while Barber was on the stage, and even risking my life.

Outside it was raining.

I walked away rapidly, for although I was, to a certain extent, under the influence of the impression I have just described, some remains of common sense urged me to put a long distance between myself and the concert hall as soon as possible. I knew that the hoots and yells of fury and derision had already broken loose back there. Perhaps Barber would be taken to the police station. I did not want to be mixed up in the affair-

But suddenly I heard the steps of one running behind me. As I say, it was a wet night, and at that hour the street was pretty empty. Barber ran up against me and caught my arm. He was panting and trembling violently.

"You fool!" I cried furiously. "Oh, you fool!" I shook myself free of his hold. "How did you get out?"

"I don't know," he panted. "They let me go-that is, as soon as I saw that I was standing up there before them all, I jumped off the stage and bolted. Whatever made me do it? My God, what made me do it? I heard a shout. I think they are after me."

I hailed a passing cab and shoved Barber inside, and then got in myself. I gave the cabman a fictitious address in Kensington.

"Yes," I said fiercely. "What made you do it?"

He was bunched in a corner of the cab, shuddering like a man who has just had some great shock, or who has been acting under the influence of a drug which has evaporated and left him helpless. His words came in gasps.

"If you can tell me that!-God, I'm frightened! I'm frightened! I must be crazy. Whatever made me do it? If they hear of it at the office I'll lose my job."

"They'll hear of it right enough, my boy," I sneered, "and a good many other people too. You can't do these little games with impunity."

I caught sight of the clock at Hyde Park corner. It was near a quarter to ten.

"Why," I said, "you must have been up there over twenty minutes. Think of that!"

"Don't be so hard on me," said Barber miserably. "I couldn't help it."

And he added in a low voice: "It was the Other."

I paid off the cab, and we took a 'bus which passed by the street where Barber lived. All the way I continued to reproach him. It was not enough for him to play the fool on his own account, but he must get me into a mess, too. I might lose my work through him.

I walked with him to his door. He looked extremely ill. His hand trembled so badly that he could not fit his latchkey. I opened the door for him.

"Come up and sit with a fellow," he ventured.

"Why?"

"I'm frightened.-"

"I believe," I said roughly, "that you've been drinking-or drugging."

I shoved him inside the house, pulled the door closed, and walked away down the street. I was very angry and disturbed, but I felt also the need to treat Barber with contempt so as to keep myself alive to the fact that he was really a mere nothing, a little scum on the surface of London, of no more importance than a piece of paper on the pavement. For-shall I confess it?-I was even yet so much under the emotion of the scene back there in the concert hall that I could not help regarding him still with some mixture of respect and-yes, absurd as it may sound, of fear.

It was nearly a year before I saw Barber again. I heard that he had lost his place at his office. The cashier there, who told me this, said that although the young man was generally docile and a fair worker, he had in the last year become very irregular, and was often quarrelsome and impudent. He added that Barber could now and then influence the management-"when he was not himself," as the cashier put it-or they would not have tolerated him so long.

"But this was only momentary," said the cashier. "He was more often weak and feeble, and they took a good opportunity to get rid of him. He was uncanny," ended the cashier significantly.

I cannot imagine how Barber existed after he lost his place. Perhaps his mother was able to help a little. On the day I met him, by mere chance in the street, he looked sick and miserable; his sallow face was more blotchy than ever. Whether he saw me or not I don't know, but he was certainly making as if to go by when I stopped him. I told him he looked weak and unwell.

"Trust you to pass a cheery remark!" And he continued irritably:

"How can you expect a chap to look well if he has something inside him stronger than himself forcing him to do the silliest things? It must wear him out. I never know when it will take me next. I'm here in London looking for a job today, but even if I find one, I'm sure to do some tom-fool thing that will get me the sack."

He passed his hand across his face. "I'd rather not think about it."

I took pity on him, he looked so harassed, and I asked him to come on to a Lyons restaurant with me and have a bit of lunch. As we walked through the streets, we fell in with a great crowd, and then I remembered that some royal visitors were to proceed in great state to the Mansion House. I proposed to Barber that we should go and look at the procession, and he agreed more readily than I expected.

In fact, after a while, the crowd, and the rumor, and stirring of troops as they fell into position, evidently wrought on him to a remarkable degree. He began to talk loud and rather haughtily, to study his gestures; there was infinite superiority and disdain in the looks he cast on the people. He attracted the attention and, I thought, the derision of those close to us, and I became rather ashamed and impatient of those ridiculous airs. Yet I could not help feeling sorry for him. The poor creature evidently suffered from megalomania-that was the only way to account for his pretentious notions of his own importance, seeing that he was just a needy little clerk out of work.-

The place from which we were watching the procession was a corner of Piccadilly Circus. The street lay before our eyes bleached in the sun, wide and empty, looking about three times as large as usual, bordered with a line of soldiers and mounted police, and the black crowd massed behind. In a few minutes the procession of princes would sweep by. There was a hush over all the people.

What followed happened so quickly that I can hardly separate the progressive steps. Barber continued to talk excitedly, but all my attention being on the scene before me, I took no heed of what he said. Neither could I hear him very plainly. But it must have been the ceasing of his voice which made me look around, when I saw he was no longer by my side.

How he managed, at that moment, to get out there I never knew, but suddenly in the broad vacant space, fringed by police and soldiery, I saw Barber walking alone in the sight of all the people.

I was thunderstruck. What a madman! I expected to hear the crowd roar at him, to see the police ride up and drag him away.

But nobody moved; there was a great stillness; and before I knew it my own feelings blended with the crowd's. It seemed to me that Barber was in his right place there: this mean shabby man, walking solitary, was what we had all come to see. For his passage the street had been cleared, the guards deployed, the houses decked.

It all sounds wild, I know, but the whole scene made so deep an impression on my mind that I am perfectly certain as to what I felt while Barber was walking there. He walked slowly, with no trace of his usual shuffling uncertain gait, but with a balanced cadenced step, and as he turned his head calmly from side to side his face seemed transfigured. It was the face of a genius, an evil genius, unjust and ruthless-a brutal god. I felt, and no doubt everyone in the crowd felt, that between us and that lonely man there was some immense difference and distance of outlook and will and desire.

I could follow his progress for several yards. Then I lost sight of him. Almost immediately afterward I heard a tumult-shouts and uproar-

Then the royal procession swept by.

I said to Mr. G.M., "Whether he was arrested that day, or knocked down by the cavalry and taken to a hospital, I don't know. I have not seen or heard of him till I got that letter on Wednesday."

Mr. G.M., who is now one of the managers of a well-known tobacconist firm, had been in the same office as Barber, and notwithstanding the disparity of age and position, had always shown a kindly interest in him and befriended him when he could. Accordingly, when I received a letter from Barber begging in very lamentable terms to visit him at an address in Kent, I thought it prudent to consult this gentleman before sending any reply. He proposed very amiably that we should meet at Charing Cross Station on the following Saturday afternoon and travel in to Kent together. In the train we discussed Barber's case. I related all I knew of the young man and we compared our observations.

"Certainly," said Mr. G.M., "what you tell me is rather astonishing. But the explanation is simple as far as poor Barber is concerned. You say he has been often ill lately? Naturally, this has affected his brain and spirits. What is a little more difficult to explain is the impression left by his acts on you and other spectators. But the anger you always experienced may have clouded your faculties for the time being. Have you inquired of anybody else who was present on these occasions?"

I replied that I had not. I had shrunk from being identified in any way with Barber. I had to think of my wife and children. I could not afford to lose my post.

"No," rejoined Mr. G.M., "I can quite understand that. I should probably have acted myself as you did. Still, the effect his performances have had on you, and apparently on others, is the strangest element in Barber's case. Otherwise, I don't see that it offers anything inexplicable. You say that Barber acts against his will-against his better judgment. We all do that. All men and women who look back over their lives must perceive the number of things they have done which they had no intention of doing. We obey some secret command; we sail under sealed orders. We pass by without noticing it some tiny fact which, years later, perhaps, influences the rest of our lives. And for all our thinking, we seldom can trace this tiny fact. I myself cannot tell to this day why I did not become a Baptist minister. It seems to me I always intended to do this, but one fine afternoon I found I had ended my first day's work in a house of business.

"Much of our life is unconscious; even the most wide-awake of us pass much of our lives in dreams. Several hours out of every twenty-four we pass in a dream state we cannot help carrying some of those happy or sinister adventures into our waking hours. It is really as much our habit to dream as to be awake. Perhaps we are always dreaming. Haven't you ever for a moment, under some powerful exterior shock, become half conscious that you should be doing something else from what you are actually doing? But with us this does not last; and as life goes on such intimations become dimmer and dimmer. With subjects like Barber, on the other hand, the intimations become stronger and stronger, till at last they attempt to carry their dreams into action. That is the way I explain this case."

"Perhaps you are right."

The house where Barber was lodging stood high up on the side of a hill. We reached it after a rather breathless climb in the rain. It was a shepherd's cottage, standing quite lonely. Far down below the village could be seen with the smoke above the red roofs.

The woman told us that Barber was in, but she thought he might be asleep. He slept a lot.

"I don't know how he lives," she said. "He pays us scarce anything. We can't keep him much longer."

He was fast asleep, lying back in a chair with his mouth half open, wrapped in a shabby overcoat. He looked very mean; and when he awoke it was only one long wail on his hard luck. He couldn't get any work. People had a prejudice against him; they looked at him askance. He had a great desire for sleep-couldn't somehow keep awake.

"If I could tell you the dreams I have!" he cried fretfully. "Silliest rotten stuff. I try to tell 'em to the woman here or her husband sometimes, but they won't listen. Shouldn't be surprised if they think I'm a bit off. They say I'm always talking to myself. I'm sure I'm not.-I wish I could get out of here. Can't you get me a job?" he asked, turning to Mr. G.M.

"Well, Gus, I'll see. I'll do my best."

"Lummy!" exclaimed Barber excitedly, "you ought to see the things I dream. I can't think where the bloomin' pictures come from. And yet I've seen it all before. I know all those faces. They are not all white. Some are brown like Egyptians, and some are quite black. I've seen them somewhere. Those long terraces and statues and fountains and marble courts, and the blue sky and the sun, and those dancing girls with the nails of their hands and feet stained red, and the boy in whose hair I wipe my fingers, and the slave I struck dead last night-"

His eyes were delirious, terrible to see.

"Ah," he cried hoarsely, "I am stifling here. Let us go into the air."

And indeed he was changing so much-not essentially in his person, though his face had become broader, intolerant, domineering and cruel-but there was pouring from him so great an emanation of power that it seemed to crack and break down the poor little room. Mr. G.M. and myself had no desire to thwart him, and it never occurred to us to do so. We should as soon have thought of stopping a thunderstorm. We followed him outside on to the space of level ground before the house and listened humbly while he spoke.

As well as I can recollect, he was lamenting some hindrance to his impulses, some flaw in his power. "To have the instincts of the ruler and no slaves to carry out my will. To wish to reward and punish and to be deprived of the means. To be the master of the world, but only in my own breast-Oh, fury! The ploughboy there is happy, for he has no longings outside of his simple round life. While I-if I had the earth in my hand, I should want a star. Misery! Misery!"

He leaned upon a low stonewall and looked down on the town, over the pastures blurred with rain.

"And those wretches down there," he pronounced slowly, "who jeer at me when I pass and insult me with impunity, whose heads should be struck off, and I cannot strike them off! I loathe that town. How ugly it is! It offends my eyes."

He turned and looked us full in the face and our hearts became as water.

"Burn it," he said.

Then he turned away again and bowed his head in his arms on the wall.

I don't remember anything clearly till a long time afterward, when I found myself walking with Mr. G.M. in the wet night on a deserted road on the outskirts of the town. We were carrying some inflammable things, flax, tar, matches, etc., which we must have purchased.

Mr. G.M. stopped and looked at me. It was exactly like coming out of a fainting fit.

"What are we doing with this gear?" he said in a low voice.

"I don't know."

"Better chuck it over a hedge.-"

We made our way to the station in silence. I was thinking of that desolate figure up there on the hill, leaning over the wall in the dark and the rain.

We caught the last train to London. In the carriage Mr. G.M. began to shiver as though he were cold.

"Brrr! that fellow got on my nerves," he said; and we made no further allusion to the matter.

But as the train, moving slowly, passed a gap which brought us again in sight of the town, we saw a tongue of flame stream into the sky.

* * *

THE SHAME DANCE[18]

By WILBUR DANIEL STEELE

(From Harper's Magazine)

"Stories of New York life preferable."

Well, then, here is a story of New York. A tale of the night heart of the city, where the vein of Forty-Second touches the artery of Broadway; where, amid the constellations of chewing-gum ads and tooth paste and memory methods, rise the incandescent fa?ades of "dancing academies" with their "sixty instructresses," their beat of brass and strings, their whisper of feet, their clink of dimes.-Let a man not work away his strength and his youth. Let him breathe a new melody, let him draw out of imagination a novel step, a more fantastic tilt of the pelvis, a wilder gesticulation of the deltoid. Let him put out his hand to the Touch of Gold.-

It is a tale of this New York. That it didn't chance to happen in New York is beside the point. Where? It wouldn't help you much if I told you. Taai. That island. Take an imaginary ramrod into Times Square, push it straight down through the center of the earth; where it comes out on the other side will not be very many thousand miles wide of that earth speck in the South Seas. Some thousands, yes; but out here a few thousand miles and a month or so by schooner make less difference than they do where the trains run under the ground.-

"Glauber's Academy"-"Einstein's Restaurant"-"Herald Square"-

I can't tell you how bizarrely those half-fabulous names fell from Signet's lips in the turquoise and gold of the afternoon. It was like the babble of some monstrous and harmless mythology. And all the while, as he kicked his bare heels on the deckhouse and harassed me with his somnolent greed for "talk," one could see him wondering, wondering, in the back of his mind. So he would have been wondering through all the hours of weeks, months-it had come to the dignity of years, on the beach, in the bush-wondering more than ever under the red iron roof of the Dutchman: "What in hell am I doing here? What in hell?"

A guttersnipe, pure and simple. That's to say, impure and unpleasantly complex. It was extraordinary how it stuck. Even with nothing on but a pair of cotton pants swimming out to me among the flashing bodies of the islanders, men, women, girls, youths, who clung to the anchor cable and showed their white teeth for pilot biscuit, condensed milk, and gin-especially gin-even there you could see Signet, in imagination, dodging through the traffic on Seventh Avenue to pick the Telegraph Racing Chart out of the rubbish can under the Elevated.-

I hadn't an idea who the fellow was. He burst upon me unheralded. I sail out of west-coast ports, but once I had been in New York. That was enough for him. He was "pals" in ten minutes; in fifteen, from his eminence on the deckhouse, with a biscuit in one hand and a tumbler of much-diluted Hollands in the other, he gazed down at his erstwhile beach fellows with almost the disdainful wonder of a tourist from a white ship's rail.-

"Gi' me an article you can retail at a nickel-any little thing everybody needs-or gi' me a song with a catchy chorus-something you can turn out on them ten-cent records.-That makes me. Don't want any Wall Street stuff. That's for Rockefeller and the boobs. But just one time le' me catch on with one little old hunch that'll go in vaudeville or the pi'tures-get Smith and Jones diggin' for the old nickel.-That makes me. Then the line can move up one. That's the thing about New York. Say, man, len' me a cigarette.-But that's the thing about Broadway. When you make, you make big. I know a guy turned out a powder-puff looked like a lor'nette-a quarter of a dollar. You know how the Janes'll fall for a thing like that-"

It was completely preposterous, almost uncomfortable. It made a man look around him. On the schooner's port side spread the empty blue of the South Pacific; the tenuous snowdrift of the reef, far out, and the horizon. On the starboard hand, beyond the little space of the anchorage, curved the beach, a pink-white scimitar laid flat. Then the scattering of thatched and stilted huts, the red, corrugated-iron store, residence and godowns of the Dutch trader, the endless Indian-file of coco palms, the abrupt green wall of the mountain.-A twelve-year-old girl, naked as Eve and, I've no doubt, thrice as handsome, stood watching us from the mid-decks in a perfection of immobility, an empty milk tin propped between her brown palms resting on her breast. Twenty fathoms off a shark fin, blue as lapis in the shadow, cut the water soundlessly. The hush of ten thousand miles was disturbed by nothing but that grotesque, microscopic babbling:

"Say you play in bad luck. Well, you can't play in bad luck f'rever. Not if you're wise. One time I get five good wheezes. Good ones! Sure fire! One of 'em was the old one about the mother-'n-law and the doctor, only it had a perfectly novel turn to it. Did I make? I did not. Why? Well, a good friend o' mine lifts them five wheezes, writes a vaudeville turn around 'em, and makes big. Big! What does that learn me? Learns me to go bear on friendship. So next time I get an idea-"

The girl had put the milk tin down between her toes on deck and turned her head.

"Digger!" I called to the mate. "Clear the vessel! Shove them all overboard! Here comes the Dutchman!"

Before the advance of the trader's canoe, painted vermillion like his establishment and flying over the water under the paddle strokes of his six men, Signet took himself hastily overboard with the rest. There was no question of protest or false pride. Over he went. Rising and treading water under the taffrail, and seeing the trader still some fathoms off, he shook the wet from the rag of a beard with which long want of a razor had blurred his peaked chin and gathered up the ends of the conversation:

"No, Dole, you can't play in bad luck f'rever. One sure-fire hunch, that's all. That makes me. When I get back to Broadway-"

A paddle blade narrowly missed his head. He dived.

The Dutchman told me more about him that evening. I dined at the trader's house. He was a big-bodied tow-haired man who spoke English with the accent of a east-coast Scot, drank like a Swede, and viewed life through the eyes of a Spaniard-that is, he could be diabolical without getting red in the face.

"No, my dear sir, that Signet shall not 'get back to Broadway.' Too many have I seen. He is too tired. Quite too tired."

"But how in the world did he ever come here, Mynheer?"

"That is simple. This Signet got drunk in Papeete. He was on his way to Australia with a pugilist. How should he be in a pugilist's company, this crab? Because he plays a good game of pinochle-to keep the pugilist's mind bright. At any event, the steamship stops at Tahiti. This Signet gets drunk. 'Soused!' And the steamship is gone without him. No more pinochle for the pugilist, what?-From then, my dear sir, it is what it shall always be; one island throws him to another island. Here he shall stay for a while-"

"Till you decide to 'throw' him to another island, eh, Mynheer?"

"No, but I am alone. Sometimes to amuse myself I will invite him to dine with me. I put on him a suit of the evening clothes which belong to my nephew who is dead. But I will not allow him the razor, since his absurd beard is amusing to me. Afterward, however, I take away the evening clothes and I will kick him out. But he is talking continuously."

"I believe you, Mynheer."

"But at last I will say: 'My dear sir, suppose that you should have the most brilliant idea; that "hunch" of yours. "Sure-fire." What advantage will it do you here in the island of Taai? You are not here on Broadway. You are too many thousand miles. You cannot come here. You are too tired. It takes money. Now, my dear sir, I am putting a trench about the godowns. If you wish, I will let you work for me.'"

"What does he say to that, Mynheer?"

"He says, 'Do you take me for an Italian?'

"Then I will say: 'No; you see you are too tired. Also you are too soft. You are a criminal. That's natural to you. But you think of police. You have a wish, say. Well my dear sir, but would you kill a man-three-ten men-to have that wish? No, you are too tired, and you must have the police. But here there are no police. I am the police. Why do you not kill me? Ha-ha-ha! Then you could take my property. Then you would "make big," as you say. My dear sir, that is a "hunch!" That is "sure fire!" Ha-ha-ha!'-Then I will kick him out in his coolie cotton pants."

After coffee the trader said: "One gallon of the Hollands which you sent me ashore has disappeared. The kitchen boys are 'careless.' Also I wink one eye when a schooner arrives. Of course they will dance tonight, however. You would care to go up, my dear sir?"

Of course we went. There's no other amusement in an islet like Taai but the interminable native dance. The Dutchman led the way up a narrow, bushy ravine, guiding me by sound rather than by sight.

"Up this same very path," I heard him, "has gone one uncle of mine. They pulled him to the advance with one rope around his arms. Then they cut him up and ate him. But that was many years ago, my dear sir. Now I am the law. Maybe there shall come, now and then, a Dutch gunboat to have a look-in. I raise up that flag. The captain shall dine with me. All is good. But, my dear sir, I am the law."

The "music" began to be heard, a measured monotone of drums, a breath of voices in a recitative chant, slightly impassioned by that vanished gallon. The same old thing, indeed; one of the more than fifty-seven varieties of the island hula. Then that had died away.

The light from the "place" grew among the higher leaves. And the trader, becoming visible, halted. I saw him standing, listening.

"No, my dear sir, but that is a new thing."

He started forward. He stopped again. I heard it now. Out of the familiar, hollow tautophony of drumbeats there began to emerge a thread of actual melody-an untraditional rise and fall of notes-a tentative attack as it were, on the chromatic scale of the west. No he-goat's skin stretched on bamboo would do that.

We pushed on, curious. We came out into the "place." The scene under the candlenut torches was as familiar to us as the Ohio River of Uncle Tom to the small-town schoolboy; the meager rows of three-quarter naked Kanakas, yellow with saffron and blue with tattooer's ink; the old women in the background of sultry lights and enormous shadows compounding endless balls of popoi for the feast; the local and desceptered chieftain squatting on his hams and guarding the vanished gallon between his knees; this was all as it should have been. This was the convention.-But what was really happening on that sylvan, torchlit stage that night was something as new as anything can be under the sun, because it was something that had not happened for ten thousand years.-

We who are worn with novelty can never reconquer for ourselves the thrill of an unmitigated wonder. We have sold the birthright. But imagine the toppling of a hundred centuries! You could have seen it in the eyes of those watchers, in their rapt, rapacious attention, in the conflict that went on within them visibly; traitorous applause pent and pitted against all the instinctive protest of an established art.-

"Yes, but this isn't dancing!"

Yet their bodies, one here, one there, would begin to sway-

Three Kanaka men, strangers to the island, sat cross-legged on the turf. One had taken over a drum from a local musician. The other two had instruments fashioned of dried gourds with fingering pieces of bamboo and strings of gut-barbaric cousins to the mandolin. So, on this one night in history, the music of another tribe had come to Taai. It just escaped being an authentic "tune." How it escaped was indefinable. The sophisticated ear would almost have it, and abruptly it had got away in some provoking lapse, some sudden and bizarre disintegration of tone. And the drumbeat, bringing it back, ran like a fever pulse in a man's blood.

In the center of the sward, her back to the musicians, a solitary female danced; a Kanaka woman, clothed in a single shift of the sheerest crimson cotton, tied at one shoulder and falling to mid-thigh. Not from Taai did this woman come; one saw that; not from any near island or group. Her beauty was extraordinary, like that of the Marquesans, with that peculiar straightness of all the lines, at once Grecian, austere, and incalculably voluptuous.-

The dance, as I saw it for the first time that night, I will not speak of. I have traded to many islands in many groups-even the Low Archipelago-but the island where that dance was indigenous I am sure I've never touched. Compared with any of the hulas, set and fixed in each locality as the rites of Rome, it was sophisticated; it gave an illusion of continuous invention and spontaneity; it was flesh swept by a wind and shattered; it ravished the eyes.

I don't know how long I watched; how long all the immortal flame in me lent itself to the histrionic purposes of that woman. But I shall never forget it. Never! Never!

I looked away. I saw two faces. One of them hung over my shoulder. It was the trader's. It was the face of a man who has lived a very long while wielding power of life and death over unsatisfying satisfactions. A man awakened! The toppling of a hundred centuries, indeed.

The other was Signet's. Scarred by leaf shadows, thrust like a swimmer's from the meager sea of heads and naked shoulders, it held as still as a death mask, minute by minute, except that, in the penumbra cast by the veil of goat tuft on his chin, the Adam's apple was convulsed at intervals, as if he were swallowing, as if the man were drinking!

The night grew. The torches were consumed, the "place" deserted. Somewhere the amazing voyagers had taken themselves to rest. A half moon mutilated the island-long stripes of palms, shadow scars of defiles, mottles of bushes. It was like a sleeping animal, a tiger of deep blue and blue-white, an enormous leopard.

We sat on the veranda at the Residence, the trader and I. By and by, soft-footed, Signet was there, occupying the lowermost step.

The Dutchman talked. Like the able administrator he was, he had already all the data to be procured. Into his ears had poured the whispered trickles of a score of informants.

"You are right, my dear sir. Marquesan. You have been there?"

"No."

"She is called in Polynesian, 'Queen Daughter.' My people, who know nothing as a rule, of course-but they tell me the woman is in actuality the daughter of a queen. But what is a Kanaka queen? After all, Signet, my dear sir, down there, what is one queen, out here?"

The trader was obviously in a good humor. He had not been excited for years. The man was alive. I've said he was like a Spaniard in that he could be diabolical without getting red in the face. Diabolically devious and strategic! Before he resumed he blew three mouthfuls of cigar smoke out into the moonlight, where they burst from the shadow under the roof like mute cannon shots, round and silvery. Beneath them, from the step, Signet's eyes were fixed upon the trader's face, dry, rapt, glazed with some imperious preoccupation.

"But they tell me this woman has danced in a great many islands. She will go from here to another island to dance. The three men are her husbands. But she is no wife. A maid, that woman! They have the hardihood to tell me that. Ha-ha-ha! But, then, she is daughter to a queen. With those 'husbands' she crosses a hundred leagues of sea in her sailing canoe. That royal canoe! To dance at another island.-"

As the Dutchman talked, blowing his smoke bursts into the moonlight, the vision of that Marquesan woman came again before me. I perceived her, under the heavy procession of his words, a figure of astounding romance, an adventuress incomparable, a Polynesian bacchante. No, I saw her as the missionary of a strange thing, crossing oceans, daring thirst and gale and teeth of sharks, harrying deeper and deeper into the outseas of mystery that small, devoted, polyandrous company of husbands, at once her paddlers, cooks, flunkies, watchdogs, music makers. "Queen Daughter!" Royal and self-anointed priestess of that unheard-of dance, the tribal dance, no doubt, of some tiny principality rearing a cone in the empty hugeness of the sea.-I couldn't get away from my time and race. I found myself wondering what she got out of it-in some jungle-bowered, torch-lit "high place," to feel again the toppling of ten thousand years? Was it something to feel the voluptuous and abominable beauty of that rhythm going out of her flesh, beat by beat, and entering into the flesh of those astounded and half-hostile watchers? Perhaps.-

"They tell me that she has also danced at Papeete-before the white men of the steamships," the Dutchman was informing us.

At that, from the step, from the moon-blue huddle of the castaway, there came a sound. With a singular clarity of divination I built up the thought, the doubt, the bitter perturbation in the fellow's mind. The woman had danced then at Papeete, the cross roads, the little Paris of mid-seas. And before the white men from steamers-the white men that go back!

Moved by projects deeper and more devious than ours, the Dutchman made haste to cover up what seemed to have been an overshot. Frankly, he turned his attention to the outcast.

"By the God, then, my dear Signet, have you considered?"

He knew well enough that Signet had "considered." He could see as well as I that Signet was a changed man. But he must "pile it on."

"There, my dear sir, you have it. That 'hunch!' That 'sure fire!' Do you think I do not know that New York of yours? Such a dance as that! You must believe me. If you were but a man of energy, now-" With the utmost deliberation he launched upon a tirade of abuse. "But, no, you are not a man of energy, not a man to take things in your hands. The obstacles are too big. Those three husbands! You might even take that woman, that lovely, royal dancing woman-you, my dear sir, a common street snipe. What would a woman like that, with that novel, impassioned, barbaric, foreign dance, be worth to a man on your Broadway? Eh? But obstacles! Obstacles! You have her not on Broadway. It is too many thousand miles, and you have no money. But see, if you were a man to grasp things, a man to 'hit the nail in the head,' to 'boost,' to 'go big'-then would not a man like me, who turns everything to gold-would he not say to you quickly enough, 'See here, my dear sir, but let me put so much money into the undertaking myself?'"

Under the explosions of cigar smoke, Signet continued to hold the trader with his eyes; seemed to consume him with the fixed, dry fire of his gaze. Not fathoming, as with a singular intuition I had fathomed, the profound purposes of the Dutchman, Signet saw only the implied promise in his words.-The trader broke out once more with a sardonic and calculated spleen:

"But, no! Obstacles! A sniveling little animal sees only obstacles. The obstacle not to be mounted over-those three husbands. There they lie tonight on Nakokai's platform-this beautiful, incredible 'Queen Daughter'-this gold goddess of the 'Shame Dance'-and about her those three husbands. Ah, my dear sir, but their big, lithe muscles! That is too much! To imagine them leaping up at the alarm in the moonlight, the overpowering and faithful husbands. No, he cannot put out his hand to take the gift. Pah! He is a criminal in nature, but he is afraid of the police, even here. He is not a man for the big life in these islands. He will never do anything. Those faithful, strong watch-dogs of husbands! Those strong, destructive muscles! Dear, good God, that is too much to think of-Look, my dear sir!"

He was speaking to me, as if Signet were less than the very pebbles at the step. He got up, striking the floor heavily with his boots, and I followed him into the house, where he took a lighted candle from a stand. Buried in our shadows, silent footed, Signet pursued us as the trader had meant him to do. I persist in saying that I perceived the thing as a whole. From the first I had divined the maneuver of the Dutchman.

"Look!" he repeated, flinging open a door and thrusting in the candle to cast its light over ranks and ranges of metal. It was the gun room of the Residence. Here dwelt the law. Shotguns, repeating rifles, old-style revolvers, new, blue automatics. An arsenal!

"Big brown muscles!" he cried, with a ponderous disdain. "What are they? What is the strongest brown man? Puff! To a man of purpose and indomitable will like me! Obstacles? Three husbands? Puff-puff-puff! Like that!-But all that will never be of use to him. That Signet! No, he is a street snipe who will steal a pocketbook and call it a crime. He is afraid to grasp.-But it is close in here, is it not?"

It was too bald. He stepped across the floor, unlatched and threw open the blind of the window, letting the candlelight stream forth upon a mass of bougainvillaea vine without.

"I keep this door locked; you can imagine that," he laughed, returning and shutting us out of the gun room. He twisted the key; put it in his pocket. And there, at the back, that window blind stood open.

He stared at Signet, as if the beach comber were just discovered.

"You are hopeless, my dear sir."

"Let us have a drink," he shifted.

For Signet he poured out a tumblerful of raw gin. The fellow took it like a man in a daze-the daze of a slowly and fiercely solidifying resolution. It shivered in his hand. A habit of greed sucked his lips. Into his mouth he took a gulp of the spirits. He held it there. His eyes searched our faces with a kind of malignant defiance. Of a sudden he spat the stuff out, right on the floor. He said nothing. It was as if he said: "By God! if you think I need that! No! You don't know me!"

He stalked out of the door. When we followed as far as the veranda we saw him making off into the striped light to the left.-

"Why did you call it the 'Shame Dance,' Mynheer?" We were seated again.

"Of course, my dear sir, it is not that, but it has a sound so when the Kanakas speak it. The woman spoke the name. If it is a Polynesian word I have not heard it before. 'Shemdance.' Like that."

"A good name, though. By jingo! a darn good name. Eh, Mynheer?"

But the trader's head was turned in an attitude of listening. Triumphant listening-at the keyhole of the striped, moonlit night. I heard it, too-a faint disturbance of bougainvillaea foliage around two sides of the house, near the window standing open to the gun room.

Of course the amazing thing was that the man fooled us. In the Dutchman's heart, I believe, there was nothing but astonishment at his own success. Signet, on the face of it, was the typical big talker and little doer; a flaw in character which one tends to think imperishable. He fitted so precisely into a certain pigeonhole of human kind.-What we had not counted on was the fierceness of the stimulus-like the taste of blood to a carnivore or, to the true knight, a glimpse of the veritable Grail.

All the following day I spent on board, overseeing the hundred minor patchings and calkings a South Sea trader will want in port. When I went ashore that evening, after sundown, I found the Dutchman sitting in the same chair on the veranda, blowing smoke out into the afterglow. There was the illusion of perfect continuity with the past. Yesterday, today, tomorrow. Life flowed like a sleeping river, it would seem.

But this was the status of affairs. The three brown music makers, sons-in-law to an island queen, lay on a platform somewhere within the edge of the bush, heavier by ounces with thirty-two caliber slugs, awaiting burial. And Signet, guttersnipe, beach comber, and midnight assassin, was lodged in the "calaboose," built stoutly in a corner of the biggest and reddest of the Dutchman's godowns. As for the royal dancing woman, I was presently in the trader's phrase, to "have a look at her."

At his solicitation I followed around the house, past the gun-room window (locked fast enough now, you may be sure), and up steeply through a hedged, immaculate garden, which witnessed to the ordered quality of the owner's mind. At the upper end, under a wall of volcanic tufa, we came to a summerhouse done in the native style, stilts below, palmite thatch above, and walled on three sides only with hanging screens of bamboo. Striking through this screen from the west, the rose and green of the afterglow showed the woman as in a semi-luminous cavern, seated cross-legged in the center of the platform, her hands drooped between her knees, and her large, dark eyes fixed upon the sea beyond the roof of the Residence below.

Was it the perfect immobility of defiance and disdain? Not once did her transfixed gaze take us in. Was it the quiescence of defeat and despair-that level brooding over the ocean which had been to her, first and last, a cradle and roadway for her far, adventurious pilgrimages? She sat there before our peering eyes, the sudden widow, the daughter of potentates brought low, the goddess of an exuberant and passionate vitality struck with quietude; mute, astounded by catastrophe, yet unbowed. The beauty of that golden-skinned woman abashed me.

It did not abash the Dutchman. His was another and more indomitable fiber. It is fine to succeed, beyond expectation, detail by detail of strategy. His hands were clean. He remained the perfect administrator. Had there been no other way, he would not have flinched at any necessary lengths of wholesale or retail butchery. Still, it was nice to think that his hands were spotless. For instance, if that gunboat, with its purple-whiskered Amsterdammer of a captain, should just now happen in.

His face glowed in the dusk. His eyes shone with frank calculations. Fists on hips, head thrust out, one saw him casting up the sum of his treasure-trove.-But he was an epicure. He could wait. It was even delightful to wait. When I turned away he came down with me, his hands still on his hips and his eyes on the gently emerging stars.

The man was extraordinary. Sitting on the veranda, bombarding the direction of the foreshore with that huge deliberate fusillade of cigar smoke, he talked of home, of his boyhood on the dike at Volendam, and of his mother, who, bless her! was still alive to send him cheeses at Christmas-time.

It was midnight and the moon was rising when I got away and moved down toward the beach where the dinghy waited. The horizontal ray struck through the grating of the "calaboose" at the corner of the godown I was skirting. I saw the prisoner. The upright shadow of an iron bar cut his face in two, separating the high, soiled cheeks, each with an eye.

"You mustn't leave him get at her!"

I tell you it was not the same man that had come swimming and sniveling out to the schooner less than forty hours before. Here was a fierce one, a zealot, a flame, the very thin blade of a fine sword.

"Listen, Dole, if you leave that devil get at her-"

His eyes burned through me. He failed completely to accept the fact that he was done. His mind, ignoring the present, ran months ahead. With a flair of understanding, thinking of those three travesties of husbands and the wife who was no wife, I perceived what he meant.

I left him. He was a wild man, but the quality of his wildness showed itself in the fact that he squandered none of it in shaking the bars, shouting, or flinging about. His voice to the last, trailing me around the next corner, held to the same key, almost subdued.

"By God! if that-gets at her, I'll-I'll-"

"You'll what?" I mused. You see, even now I couldn't get rid of him as the drifter, the gutter Hamlet, the congenital howler against fate. "You'll what?" I repeated under my breath, and I had to laugh.

I got the vessel under way as soon as I came aboard. The Dutchman's shipment of copra was arranged for-a week, two, three weeks (as the wind allowed)-and I was to return from the lower islands, where my present cargo was assigned, and take it on.

As we stood offshore under the waxing moonlight, as I watched the island, gathering itself in from either extremity, grow small and smaller on the measureless glass of the sea, the whole episode seemed to swell up in my mind, explode, and vanish. It was too preposterous. Thirty-eight hours chosen at random out of ten thousand empty Polynesian years-that in that wink of eternity five human lives should have gone to pot simultaneously-a man wasn't to be taken in by that sort of thing.-

Through twelve days it remained at that. Discharging cargo in the furnace of Coco Inlet, if my thoughts went back to Taai, it was almost with the deprecating amusement a man will feel who has been had by a hoax. If those minstrel husbands were murdered and buried; if that Broadway imp sweated under the red-hot roof of the godown; if that incomparable, golden-skinned heiress of cannibal emperors sat staring seaward from the gilded cage of the Dutchman, awaiting (or no longer waiting) the whim of the epicure-if indeed any one of them all had ever so much as set foot upon that microscopic strand lost under the blue equator-then it was simply because some one had made it up in his head to while me away an empty hour. I give you my word, when at noon of the thirteenth day the mountain of Taai stood up once more beyond the bows, I was weary of the fantasy. I should have been amazed, really, to find a fellow named Signet housed in the Dutchman's private jail.

As a matter of fact, Signet was not in the jail.

When I went ashore in mid afternoon, wondering a little why no naked biscuit-beggars or gin swallowers had swum out to bother me that day, I found the trader of Taai sitting on his veranda, blowing puffs of smoke from those fine Manila Club perfectos out into the sunshine. Beside him leaned a shiny, twelve-gauge pump gun which he jostled with an elbow as he bade me by word and gesture to make myself at home.

I'm quite certain I looked the fool. My eyes must have stuck out. Half a dozen times I started to speak. With some vacant, fatuous syllable I tried to break the ice. Strange as it sounds, I was never so embarrassed in my life.-For the trader of Taai, the blatantly obvious proprietor of the island's industry and overlord of its destinies-sitting there before me now with a pump gun touching his elbow-was this fellow Signet.

Till now I don't know precisely what had happened; that is to say, none of the details of the act, horrid or heroic as they may have been. All I seemed to have was a memory of the Dutchman's voice: "Why do you not kill me? Ha-ha-ha! Then you could take my property." And again an echo of his disdainful laughter at that fool, "Ha-ha-ha!" as, on some midnight, he had kicked his dinner guest and his "coolie cotton pants" out into the rain.-Why not, indeed? But who now was the "fool?"

Signet, in the course of the afternoon, brought forth gravely a bill of sale, making over in an orderly fashion to B.R. Signet, New York, U.S.A., the real and personal property of the trading station at Taai, and "signed" in the identical, upright, Fourteenth Street grammar-school script, by "the Dutchman."-I understood Signet. Signet understood me. The thing was not even an attempt at forgery. It was something solely formal-as much as to say: "This is understood to be the basis of our mutual dealings. You will see I am owner of this place."

As for the Dutchman:

"Oh, the Dutchman? Well, he decided to go away. Go home."

Before the incalculable sang-froid of this rail bird, movie usher, alley dodger, and hanger-on at dancing academies, I could not so much as summon up the cheek to ask what he had done with the body. You'll say I ought to have acted; that I ought at least to have got up and left him. That shows two things-first, that you've never been a trader in the islands; second, that you cannot at all comprehend how-well, how stunning he was. Sitting there, a single fortnight removed from cotton pants and the beach, crime-stained, imperturbable, magnificent! Spawn of the White Lights! Emperor of an island! How's that?

"It's a rich island," he impressed upon me with an intention I was yet to plumb. "Dole," he exclaimed, "it's a gold mine!"

"Is-is she here?" I ventured to demand at last.

"Is she? Say! Come and have a look."

I was between laughing and wincing at that "have a look."

Going up the garden, Signet let me know that the woman was in love with him. I might believe it or not. She would do anything for him.

"Anything!" he exclaimed, standing squarely still in the path. And in his eyes I was somehow relieved to find a trace of wonder.

Obstacles! All his life had been a turning back from small, insurmountable obstacles. Of a sudden he beheld really vast obstacles tumbling down, verily at a touch. Here was just one more of them. By a lucky chance this "Queen Daughter" did not know by whose hand she had been made thrice a widow; it was the simplest thing to suppose it the trader, the same big, blond, European man who had presently removed her "for safety" to the summer house behind the Residence.-And from the trader, by a gesture of melodramatic violence, the other and slighter man had set her free.-Perhaps even that would not have intrigued her essentially barbaric interest as much as it did had it not been for his amazing attitude of, well, let's say, "refrainment." His almost absurdly fastidious concern for what the West would call "the sanctity of her person." You can imagine-to a Marquesan woman! That! She was not ugly!

As her gaze, from the platform, dwelt upon the shrewd, blade-sharp features of the man beside me, the elementary problem in her eyes seemed to redouble the peculiar, golden, Aryan beauty of her face. Let me tell you I am human. Perhaps Signet was human, too. Standing there, encompassed by the light of that royal and lovely woman's eyes, there was surely about him a glow-and a glow not altogether, it seemed to me, of "Smith's nickel and Jones's dime." I could have laughed. I could have kicked him. The impostor! Even yet I had failed to measure the man.

Back on the veranda again, dinner eaten, and dusk come down, Signet brought out an old guitar from among the Dutchman's effects (it had belonged probably to that defunct nephew of the dress clothes), and as he talked he picked at the thing with idle fingers. Not altogether idle, though, I began to think. Something began to emerge by and by from the random fingerings-a rhythm, a tonal theme.-Then I had it, and there seemed to stand before me again the swarded "high place," with torches flaring over upturned faces and mounting walls of green. Almost I sensed again the beat in my blood, the eye-ravishing vision of that gold-brown flame of motion, that voluptuous priestess.

"Oh, yes. That!" I murmured. "It's got something-something-that tune.-But how can you remember it?"

"She helps me out. I'm trying to put it in shape."

Indeed, when I left that night and before my oarsmen had got me a cable's length from the beach I heard the strumming resumed, very faintly, up in the dark behind the Residence; still tentatively, with, now and then through the flawless hush of the night, the guiding note of a woman's voice. (A woman profoundly mystified.)

A rehearsal? For what? For that almost mythical Broadway half around the bulge of the world? Had the fool, then, not got beyond that? Yet?

Here he was, lord of the daughter of a queen, proprietor of a "gold mine." For Signet was not to be hoodwinked about the commercial value of Taai. All afternoon and evening, as through the two days following, while my promised cargo was getting ferried out under the shining authority of the pump gun, he scarcely let a minute go by without some word or figure to impress upon me the extent of his "possessions." To what end?

Well, it all came out in a burst on the third evening, my last there. He even followed me to the beach; actually, regardless of the Dutchman's nephew's boots and trouser legs, he pursued me out into the shadows.

"A gold mine! Don't be a damned boob, Dole. You can see for yourself, a big proposition for a guy like you, with a ship and everything-"

Upon me he would heap all those priceless "possessions." Me! And in exchange he would ask only cabin passage for two from Taai beach to the Golden Gate. Only deck passage! Only anything!

"Set us down there, me and her, that's all. I'll give you a bill of sale. Why, from where you look at it, it's a find! It's a lead-pipe cinch! It's taking candy away from a baby, man!"

"Why don't you keep it, then?"

The soul of his city showed through. I saw him again as I had seen him swimming in his cotton pants, with that low-comedy whisker and that consuming little greedy nickel hope of paradise. Even the gestures.

"No, but can't you see, Dole? I got a bigger thing up my sleeve. God'l'mighty, d'you think I'm a farmer? You could go big here; I don't go at all. I ain't that kind. But put me down in New York with that woman there and that there dance-and that tune-Say! You don't understand. You can't imagine. Money? Say! And not only money. Say! I could take that up to Glauber's Academy, and I could say to Glauber, 'Glauber,' I could say-"

I had to leave him standing there, up to his knees in the inky water, heaping me frankly with curses. I shall not repeat the curses. At the end of them he bawled after me:

"But I'll get there! You watch me all the same, all the same, you damn-"

The reason I didn't up-anchor and get out that night was that, when I came aboard I discovered not far from my berth the unobtrusive loom of that Dutch gunboat, arrived for a "look-in" at last.

The only thing for me to do was to sit tight. If, when the state of the island's affairs had been discovered, there should be want of explanation or corroboration, it would be altogether best for me to give it. I wasn't yet through trading in those waters, you understand.

But Signet was no fool. He, too, must have seen the discreet shade of the visitor. When the morning dawned, neither he nor the royal dancer from the Marquesas was to be found. Some time in that night, from the windward beach, ill-manned and desperate, the royal sailing canoe must have set forth tumultuously upon its pilgrimage again.

I sat in a place in Honolulu. Soft drinks were served, and somewhere beyond a tidy screen of palm fronds a band of strings was playing. Even with soft drinks, the old instinct of wanderers and lone men to herd together had put four of us down at the same table. Two remain vague-a fattish, holiday-making banker and a consumptive from Barre, Vermont. For reasons to appear, I recall the third more in detail.

He let me know somewhere in the give-and-take of talk that he was a railway telegraph operator, and that, given his first long vacation, an old impulse, come down from the days of the Hawaiian hula phonograph records, had brought him to the isle of delight. He was disappointed in it. One could see in his candid eyes that he felt himself done out of an illusion, an illusion of continuous dancing by girls in rope skirts on moonlit beaches. It was an intolerable waste of money. Here, come so far and so expensively to the romantic goal, he was disturbed to find his imagination fleeing back to the incredible adventure of a Rock Island station, an iron-red dot on the bald, high plain of eastern Colorado-to the blind sun flare of the desert-to the immensity of loneliness-to the thundering nightly crisis of the "Eleven-ten," sweeping monstrous and one-eyed out of the cavern of the West, grating, halting, glittering, gossiping, yawning, drinking with a rush and gurgle from the red tank-and on again with an abrupt and always startling clangor into the remote night of the East.

He shifted impatiently in his chair and made a dreary face at the screening fronds.

"For the love o' Mike! Even the rags they play here are old."

The consumptive was telling the banker about the new co?perative scheme in Barre, Vermont.

"For the love o' Mike!" my friend repeated. "That ain't a band; it's a historical s'ciety. Dead and buried! Next they'll strike up that latest novelty rage, 'In the Shade of the Old Apple Tree!'-Now will you listen to that. Robbin' the cemetery!"

He needn't have asked me to listen. As a matter of fact I had been listening for perhaps a hundred seconds; listening, not as if with the ears, but with the deeper sensatory nerves. And without consciously grasping what the air was I had suffered an abrupt voyage through space. I saw a torch-lit sward, ringed with blue and saffron faces and high forest walls; I saw the half-nude, golden loveliness of a Polynesian woman shaken like a windy leaf. And the beat of a goat-hide drum was the beat of my blood. I felt my shoulders swaying.

I looked at the young man. His face expressed a facetious weariness, but his shoulders, too, were swaying.

"What tune is that?" I asked, in a level tone.

His contemptuous amazement was unfeigned.

"Holy Moses! man. Where you been?"

He squinted at me. After all, I might be "stringing him."

"That," he said, "is as old as Adam. It was run to death so long ago I can't remember. That? That's 'Paragon Park.' That is the old original first 'Shimmie' dance-with whiskers two foot long-"

"The original what?"

"Shimmie! Shimmie! Say, honest to God, don't you know-?" And with his shoulders he made a wriggling gesture in appeal to my wits, the crudest burlesque, it seemed, of a divinely abominable gesture in my memory.-"That?" he queried. "Eh?"

"Shimmie," I echoed, and, my mind skipping back: "Shemdance! Shame Dance!-I see!"

"Why?" he demanded, intrigued by my preoccupation.

"Nothing. It just reminded me of something."

Then he lifted a hand and smote himself on the thigh. "Me, too! By jinks! Say, I'd almost forgot that."

He hitched his chair upon me; held me down with a forefinger.

"Listen. That was funny. It was one night-last fall. It was just after Number Seventeen had pulled out, westbound, about one-forty in the morning. There wasn't anything else till six-one. Them are always the hardest hours. A fellow's got to stay awake, see, and nothin' to keep him-unless maybe a coyote howlin' a mile off, or maybe a bum knockin' around among the box cars on the sidin', or, if it's cold, the stove to tend. That's all. Unless you put a record on the old phonograph and hit 'er up a few minutes now and then. Dead? Say, boy!"

"Well, this night it was a bum. I'm sittin' there in the coop, countin' my fingers and listenin' to Limon calling off car numbers to Denver-just like that I'm sittin'-when I hear somethin' out in the waitin' room. Not very loud.-Well, I go out there, and there's the bum. Come right into the waitin' room.

"Bum! If he wasn't the father and mother and brother and sister of the original bum, I'll eat my hat. Almost a Jew-lookin' guy, and he'd saw hard service. But he's got a kind o' crazy glitter in his eye.

"'Well,' says I, just like that, 'Well, what do you want?'

"He don't whine; he don't handle the pan. He's got that look in his eye.

"'My woman is out in them box cars,' says he. 'I'm goin' to bring her in here where it's warm.' That's what he says. Not 'can I bring her in?' but 'goin' to bring her in!' From a hobo!

"Can you imagine? It makes me think. It comes to me the guy is really off his trolley. To keep him calm I says, 'Well-'

"He goes out. 'I'm shed o' him,' I says to myself. Not a bit. About three minutes and here he comes trottin' back, sure enough, bringin' a woman with him. Now Mister-What's-y'r-name-prepare to laugh. That there woman-listen-make up your face-she's a nigger!

"He says she ain't a nigger.

"'Mexican?' says I.

"'No,' says he.

"I give her another look, but I can't make much out of her, except she's some kind of a nigger, anyhow. She's sittin' on the bench far away from the light, and she's dressed in a second-hand horse blanket, a feed sack, and a bran' new pair of ar'tics. And she don't say a word.

"'Well,' says I, 'if she ain't some kind of nigger, I'll eat my-'

"But there he is, all of a sudden, squarin' off in front o' me, his mug stuck up and his eyes like a couple o' headlights. Imagine! The guy ain't got enough meat on his bones for a rest'rant chicken. Honest to God, he looked like he'd been through a mile o' sausage mill. But crazy as a bedbug. And there's somethin' about a crazy man-

"'Hold y'r gab!' says he. To me! That gets my goat.

"'Just for that,' says I, 'you can get out o' this station. And don't forget to take your woman along with you. Get out!'

"'Get out-hell!' says he. He sticks his mug right in my face.

"'That woman you speak so light of,' says he, 'is a queen. A Canuck queen,' say he.

"I had to laugh. 'Since when was there queens in Canada?' says I. 'And since when has the Canuck queens been usin' stove polish for talcum powder?'

"The guys grabs me by the coat. Listen. He was strong as a wire. He was deceivin'. A wire with ten thousand volts into it.

"'Look at me!' says he, breathin' hard between his teeth. 'And take care!' says he. 'I'm a man no man can monkey with. I'm a man that'll go through. I'm stained with crime. I've waded through seas o' blood. Nothin' in heaven or earth or hell can stop me. A month from now rubes like you'll be glad to crawl at my feet-an' wipe their dirty mugs on the hem o' that there woman's skirt.-Now listen,' says he. 'Get the hell into that there box o' yourn over there and be quiet.'

"Crazy as a loon. I hope to die! the guy was dangerous. I see that. It come to me it's best to humor him, and I go into the coop again. I sit there countin' my fingers and listenin' to Denver tellin' back them car numbers to Limon again. By and by I'm jumpy as a cat. I get up and stick a record in the old machine.-That's what brings the whole thing back to mind. That record is this 'Paragon Park.'

"First thing I know I'm out in the waitin' room again. And what you think I see? I give you a hundred guesses."

"I'll take one," I said to him. "What you saw was the finest exhibition of the 'Shimmie' you ever clapped an eye upon. Am I right?"

The young fellow's mouth hung open. He stared at me.

"Half undressed! Honest! That nigger woman! Horse blanket, feed sack, ar'tics-where was they? Shimmie? Say! Can you imagine, in that there prairie depot at three in the mornin', and a wind howlin' under the floor? Say! Well, I can't tell you, but talk about Shimmie! Say, she's like a dead one come to life."

"Yes," I agreed, "yes.-But what about the man?"

"Well, that man, now. The record's comin' to the end and I go back in to start it over. And, here's this hobo, come in behind me.

"'What's that?' says he, pointin' to the record I got in my hand.

"Then he grabs it and looks it over. He keeps turnin' it round and round and round, starin' at it.

"'I hope you'll know it again,' says I, with a laugh.

"My laugh seems to set him off into a shiver. Then down he throws that record o' mine onto the floor and stamps on it; busts it into a million pieces under his boots. I been tellin' you he's crazy.

"'Here there!' I yell at him.

"He looks at me. Looks right through me, it seems and beyond, with them there red-rimmed eyes.

"'Seas o' blood,' says he. That's all. 'Seas o' blood!'

"Then he turns around, walks out into the waitin' room, and sits down in a heap in the farthest corner. Never another peep. There he sits till daylight, and the nigger woman, with the horse blanket on again, she sits there beside him, holdin' his hand.

"'What's up with him?' I ask her.

"She says somethin' in Mexican-or some language, anyway. But I see she don't know any more 'n me.-It's just like this. The current's gone out o' the wire.-Last I ever see of 'em, she's leadin' him off in the sunrise toward the box cars-leadin' him by the hand.-Now did you ever hear a funnier experience than that to happen to a man?"

"No," I said, "I never did."

"You had to pity him," he added.

"Yes," I agreed.-And I could think of her leading him by the hand.

I saw Signet again. It was on my first and last voyage to the Marquesas. Under the shadow of a mountain, on a stone platform facing the sea, sat Signet, quite nude save for a loin cloth, and with an unequivocal black beard falling down on his breast. There was a calmness about him.

"How did you come here?" I asked, at length.

"She wanted it," he said.

"She's a wonderful woman," he said to me, "a wonderful woman. She would do anything for me, Dole. Anything! We've got a kid."

I made shift to get in a question I had carried long in mind. "Somebody beat you out at Papeete, then, after all?"

He turned upon me a faintly quizzical look.

"I mean, somebody saw her-some tourist-that time she danced at Papeete-Remember?-and got away with it?"

The thing seemed already so remote that he had to grope back. Then he laughed.

"Lord, no. Look here, Dole. It was her herself seen the thing at Papeete. On board a tourist boat. I found out about it since I learned her language good. Her and some others went aboard to dance the hula-same as always, you know. Then some of them, the tourists, understand-Well, they had to spring the latest thing from Broadway. And then this woman of mine-Well, you can imagine. Like a woman with a new hat. Got to run right off and show it to the whole damn length and breadth of the South Seas. That's all.-And once upon a time I thought I was bright.-"

Out of the half house at the rear of the platform came the daughter of a queen, bearing under one arm a prince of this island valley, and in the other hand a bowl of coconut wine for the visitor. And for her lord. For you will see that at last, despite the malignant thrusts and obstacles of destiny, this gutter snipe of Gotham had come to a certain estate.

When I left, he accompanied me slowly to the beach.

"You ought to like it here," I said. "After all, the city could never have given you so much."

"No," he said. Wide-eyed, he took in the azure immensity of the sea. "No. Here a guy has got time to think, think, without any hurry or worry.-I been thinking, Dole, a lot. I ain't going to say nothing about it, but Dole, I b'lieve I got an idea coming along. No flivver this time. A real, sure-fire hunch. Something that'll go big in the city. Big!"

And so I left him there in the shadow of the mountain, staring at the impassable sea.

* * *

KINDRED[19]

By HARRIET MAXON THAYER

(From The Midland)

If I had had a less positive sense of revulsion for him, I might have been able to treat him with more contempt, certainly with more indifference. It was a part of Con Darton's power that those who knew him should waver in their judgments of him, should in turn reproach themselves for their hardness of heart and then grow angry at their own lack of assuredness. Perhaps it was the disquieted gray eyes in the lean leathery face, or the thin-lipped mouth that I had seen close so foxly after some sanctimonious speech, or the voice which, when not savage with recrimination, could take on a sustained and calculated intonation of appeal,-perhaps these things aroused my interest as well as my disgust. Certain it is that other men of a like feather, sly, irascible, gone to seed in a disorderly Illinois town, I should have avoided. I made the excuse of Lisbeth, and it was true that her welfare, first as his daughter and later as the wife of my friend, was very dear to my heart. Yet that could not explain the hypnotism the man had for me, befogging, as it sometimes did, an honest estimate.

There were, of course, moments of certainty. I recalled village anecdotes of bitter wrangles among the Dartons with Con always coming out best. They were a quarreling pack of sentimentalists. From all accounts Miss Etta must have been at that time a rugged girl of twenty-eight, of striking, if ungentle, appearance; and only the unsteadied sensibilities and the too-ready acrimony could have foreshadowed the large blatant woman she was to become, a woman who alternated between a generous flow of emotion on the one hand and an unimaginative hardness on the other. Only Lin Darton could have given promise then of the middle-class, semi-prosperous business man who was to justify the Darton tradition. But from all that I could gather of those younger days, before Con's marriage to Selma Perkins, he was the cock of the walk, holding the reins over them all by virtue of his shrewdness, apparently understanding the robust, over-blooded strains of their temperament and not unwilling to sound these at his pleasure.

My own experience dates back to the first time that he stood out for me a vivid picture in that sagging barn-like old farmhouse behind the elms. I was ten years old then, and I was already beginning to think highly of my father's profession, which that winter had sent him into a nest of small asthma-ridden towns. It was my privilege to trot by his side, carrying his worn black medicine case and endeavoring vainly to keep pace with his long jerky strides. On this particular occasion he had been summoned suddenly to the Dartons'; and, being unable to leave promptly, had sent me ahead postehaste with instructions, and an envelope of white pills to be taken "only in case of extreme pain."

Arriving at the farmhouse, the peaked fa?ade of which, built to suggest an unbegotten third story, looked more hideous than ever among the bare branches, I knocked with reddened knuckles at the door. There was no response; at last, my half-frozen hand smarting with the contact of the wood, I pushed open the door and went in.

It was very still inside-a strange unnatural stillness. Even Grega and Martie, the two little plain-faced girls, were not to be seen; the drab, rose-patterned carpet muffled my footsteps, which, for some inexplicable reason, I made as light as possible. The room, faded, and scrubbed to the point of painfulness, gave only two signs of disorder, a crumpled book of verse open on the table and a Bible lying face down on the worn, orange-colored sofa. But there was something vaguely uncanny about the whole house; the very air seemed thin, like the atmosphere of approaching death. An unnameable terror took hold of me. I waited, fearing to call out. A door shut upstairs. There were footsteps, and the sound of voices,-a man's and a woman's-whispering. Then more footsteps. This time some one was taking no trouble to walk lightly.

"Quietly now," the woman's voice cautioned.

"Ye said it was a boy?" This was Mr. Darton's voice, unmistakable now.

"I didn't say," the woman's whisper floated down to me as a door creaked open. "But it is-a girl. You must be ver-"

Her words were cut off by the report of a door banging shut. There was the sibilant sound of a breath being drawn in and, at the same moment, Mr. Darton's voice again.

"What the hell made ye think I'd want to see another girl for?" he growled.

A pause followed, the emptier for the preceding stridor of his voice. Then-"You c'n get along now-we ain't got no more call fur neighbors."

With that he came stamping down the stairs and slouched into the front room, where, upon his catching sight of me, a frightened look crossed his face, followed, almost instantly, by a queer expression, a mixture of relief and cunning that gave his face a grotesqueness that I can recall to this very day.

"Well, boy," he said in that low drawl and wavelike inflection of the voice that I was to learn to know so well, "yer father sent ye, did he?"

I proffered the note and the pills, and he frowned at them a second before pocketing them.

"Come-he-re." He seemed to pull at the words, giving each a retarded emphasis. As I approached, he drew me towards him, where he had sunk on the dingy, orange-fringed sofa. "N-ow, y're a nice young fellow-a bit scrawny, though. Ye-gotta horse?"

I shook my head.

"N-ow, then-ye aughtta have a h-orse. Yer pappy should see to't."

His gray eyes, then almost blue against the loose brown skin of his face, held me speechless.

"N-ow I gotta horse-a fine horse fur a boy. Ye might ride her-like to? Then, if yer pappy wanted, he cou'd buy her fur ye?"

I looked at him in doubt.

"Yes, he could. Yer pappy has more money than anyone hereabouts, and it ain't right-I tell you, it ain't right to have a little boy like you and not give him-eve-ry thing he wants!"

His last words ended in that slow climactic inflection that made whatever he said so indisputable. It was not unlike the minister's voice, I thought; and, my glance chancing to fall on the opened Bible, I was about to question him, when the door was pushed back hurriedly, admitting my father's lank, wiry figure along with a stream of chilling air.

"G-ood morning, Mr. Breighton-a f-ine morning."

"Morning, Darton," said my father crisply. "Can I go directly upstairs?"

"No hurry n-ow, Doctor. It's all over. Mrs. Carn's been here all morning and-"

It was at this moment that Mrs. Carn, her eyelids red from weeping, an old bumpy, red worsted shawl over her head, came nervously into the room; and, without so much as even a nod to any of us, edged quicky out of the front door.

"Well-" began my father, his clear, scrutinizing eyes fixed on Darton.

"A-nother sign," expostulated Mr. Darton, "of what ye might call the smallness of human van-ity. We must forgive 'er. Ye see Selma was gettin' so upset with her rancorous gossipin'-perhaps I should have been more careful-but it was a question of Selma and-"

"Quite right, Darton," my father nodded to him. "I'm going up for a moment."

I had walked to the front window with its starched, lacy curtain; and stood still, looking out in a puzzled maze at the strangeness of the morning's happenings, a certain sense of disconsolateness stealing over me. Beyond the row of dark, spare trees I could see a gaunt figure in a black skirt and a bumpy red shawl moving along the road; and the picture of her, scurrying away, remained, as such apparently unimportant figures often will, sharply engraven on my mind. As I recall it in late years, I often wonder how my father could have mistaken the lying, rancorous woman of Con Darton's description for this stern-lipped creature, who had gone by wordlessly, shutting the door gently behind her, a door that she was never to re-open.

I turned to find myself alone in the room. Mr. Darton had disappeared as unexpectedly but more quietly than he had entered. I could hear my father's footsteps going softly about upstairs; and his voice, which though quick and crisp, had a soothing quality, talking in a gentle monotone to some one. After about ten minutes he came to the head of the steps and called to me.

"Mrs. Darton says will you come up, Tom?"

Knees quivering with the queerness of it all as well as with the icy frigidity of the hallway, I mounted the uncarpeted stairs.

Following in the direction of the voices, I came to a dark, low-ceilinged room with a pine bed, on which lay a withered-looking woman with sparsely lashed eyelids and fine, straight, straw-colored hair. Near her was a small oblong bundle, wrapped round with a bright patch-work quilt; and out of this bundle a cry issued. As I peered into it, a red weazened face stared back at me, the eyes opening startlingly round. I looked long in wonder. The woman sighed; and, my gaze reverting to her, I thought suddenly of what a neighbor had once said to my father, "Selma Perkins used to be the prettiest girl in school. She was like the first arbutus flowers." Surely this woman with her pallid skin and her faded spiritless eyes could not have been the one they meant!

There was some talk between my Father and his patient, the gist of which I could not get, absorbed as I was with the face inside the patch-work quilt. We went out silently, after I had taken a last, long look into the bundle.-Lisbeth had come into my world.

* * *

Some twenty years were to go by before I was to realize the significance of the scene that I had witnessed that winter morning at the old frame farmhouse. It was the year of my return to America with Jim Shepherd, whose career as a rising young painter had just begun to be heralded, that I felt impelled to revisit the place of my childhood. Not my least interest lay in seeing Lisbeth again. I remembered her as a fragile upstanding girl of twelve with soft hair the color of dead leaves and gray inquiring eyes. But whatever it was that I was to find I was conscious that I would see it with new appreciation of values. For if my eight years of medical work abroad had sharpened my discernment, even more had my intimacy with Jim Shepherd swept my mind clean of prejudice and casuistry.

To strangers Jim must often have appeared naive and undevious. The fact was that his passion for truth-probing and his worship of the undiscovered loveliness of life had obscured whatever self-consciousness had been born in him. Meeting him for the first time was like entering another element. It left you a little flat. That candor and eagerness of his at first balked you, it made negligible your traditions of thought and speech. One ended by loving him.

On our arrival at the sparse little village I told him of the Dartons. I had had no news of them for the past four years, and inquiries among the neighbors left me only the more at sea. Lisbeth they seldom saw, they said; she never went to church or meetings; and, especially since her mother, in an unprecedented flare of rebellion, had gone to live with a married sister in town, she had grown silent and taciturn. As for old Con Darton, he was going to seed, in spite of the remnants of an earlier erudition that still clung to him. That is, though he went about unshaven and in slovenly frayed clothing, he still quoted fluently from the Bible and Gray's "Elegy." Among the villagers he had come to have the reputation of a philosopher and an ill-used man. He was poor, it seemed, so poor that he had abandoned the white farmhouse and had come to live in a box-like, unpainted shack at the foot of the hill, the new boarding of which stood out harshly against the unturfed soil. Built just across the way from a disused mill, near the creek, it had become known as the "mill house." In spite of this thriftiness, Con always had money for a new horse, which he would soon trade off for a better; although these transactions had, of late, become fewer, as Con was feared as a "shrewd one." The fact seemed to call forth his neighbors' admiration, just as the tale that he had been "deserted" called forth their pity. Lisbeth, they averred, who had stuck to him, was "a hard piece to get close to."

She was standing at the bottom of the hill where the creek ran between the deserted mill and the new shack; and, as I came down the hill, I felt a sharp twinge of pain at the contrast of the fragile line of her profile against the coarse, dark sweater, at the slender grace of her body against that dead, barn-sprinkled background. I could observe her easily without her knowledge, for she was looking up, as we so often used to at twilight, to the old plank high above the sagging mill, where the turkeys fly to roost towards evening, so awkwardly and comically, with a great breathless whirring of wings. I saw her lift her arms to them with a swift, urging gesture, as though to steady their ungainly flight, and I could not be certain that she was not talking to them. Again a pang for the contracting loneliness of those bitter winters that she had lived through and must still live through, stabbed me.

She turned with a low cry and a momentary flush of gladness. But I noticed, as I questioned her as an old friend might, that the flush melted into a level pallor, and her eyes, deeper and more unquiet than I had remembered them, either wandered up the road or reverted to the last of the turkeys soaring heavily to rest.

"I used to do all those things, Tom," she said in answer to my question.

"Used to?" I laughed. "Why, it's only five years ago I was hearing that you were the best little lady on skis and skates at the West-Highlands."

Her eyelids quivered at the word.

"That year-yes," she said and averted her face.

"You mean-" I had to prod, there was no other way about it-"that you only stayed-one year?"

She nodded.

"My Freshman year prep school."

"And then-?"

"I was needed here."

"Your father-?"

"Yes,-he needed me."

"There was Grega," I insisted. "She was the man of the family."

"She's married, you know."

I recalled having heard of an unsatisfactory marriage. So she had escaped!

"And Martie?"

"Working at a store in town."

A dull rage charred at the inner fibres of my being. Here was Lisbeth, the most delicate and responsible of them all, with, I supposed, much of her mother's early gentleness and beauty, interred in this-. I did not like to dwell on it. I switched back to skating.

"Come now. One does not forget these things at twenty or twenty-one."

She smiled at me ever so faintly, a smile that sent the winter chill of that arid spot scurrying into my veins.

"One grows old fast-in the country," was all she said.

I thought of the flying figures that I had met in Norway and Sweden. It was a moment before I spoke, and then I said the wrong thing.

"But it's this very sort of air, they say, that makes for vigor-and-"

"Yes," she said thinly, "those who live in cities-say so."

She turned, her meagre dress flapping about her knees like a flag. But at the foot of the rickety outer steps that ran across the bare front of the shack crookedly, like a broken arm, I caught her by the wrist.

"You'll be going to Mrs. Carn's funeral tomorrow, Lisbeth?"

She shook her head and I thought she paled.

It was an unheard of thing for the whole population not to turn out for the funeral of one of the villagers, and Mrs. Carn, I knew, had befriended Lisbeth, in spite of Old Con's displeasure. She must have noted my surprise, for she turned on me squarely, facing me with what seemed at the time an unnecessary display of staunchness.

"Perhaps you didn't know," she said very softly, "that the Minister-couldn't come-and-"

She paused, while I made some inadequate reply, for I, too, seemed caught in the sort of mirthless evasion that engulfed her.

"He-" she made a slight backwards motion of the head towards the upper room of the shack-"is going to-preach."

My startled exclamation must have disclosed all the horror I felt at this announcement, but, before I could speak again, she had gone swiftly up the rickety steps and pushed shut the flimsy board door behind her.

The next afternoon was one that I have never been able to erase from my mind, for even more vividly than my earlier impressions of Con Darton, it marked the wizardry as well as the fearfulness of his power. A hundred times during that burial service the sound of a banged door and a rasped voice sounded in my ears and the sight of a tense, hurrying figure in a black dress and a bumpy red shawl moved before my eyes. The thin figure was lying there now and over it, his rusty black coat tails curving in the wind, like wings bent to trap the air, his gray eyes misty with emotion, hovered the man whose door she had never entered since that fateful day of Lisbeth's birth. I could not but feel that the vision of him standing there told the story of his triumphs more grimly than any recital.

The service began in a sharp, fine drizzle of rain, through which his voice sang in shifting cadences, now large and full, now drooping to a premonitory whisper with an undeniably dramatic quality. In spite of myself the words stirred within me. As he read and spoke he laid aside the turns of speech that had become his through years of association with country folk. Almost he was another man.

"Man that is born of woman-"

The words reached down through the overlying structure of thought and habit. I felt a giving and a drawing away; saw the crowd sway to his will.

"In the midst of life we are-in death."

Again the tones woke me to a sharper sense of the scene. Tears stood in many eyes. The people had melted at his touch. They were his. For a while I lost myself in watching them, until again a changed intonation drew me back to the man before us.

"We therefore commit her body to the ground-earth to earth-ashes to ashes-dust to dust-"

My will was powerless to resist the beautifully delivered lines, to doubt the integrity of the man who uttered them. The little lumps of wet earth that he threw against the coffin struck against my heart with a sense of the futility of all things. And then as suddenly, drawn by something compellingly alive and pervading, I glanced at Jim, who stood next to me; and catching the slant of his vision followed it to the edge of the crowd, where, her thin dress clinging to her knees, her face almost blue with cold, stood Lisbeth; and there was across her eyes and mouth an expression of contempt and loathing such as I had never seen in a girl so young. Jim was watching her intently, noting, with that certain appraisal of his, the etched profile; and, with all an artist's sensibility, reading life into the line of head and shoulders. What if-the idea went through my mind with the intensity of sudden pain-what if Jim and Lisbeth-? The sound of sobbing broke in upon my reverie. Con Darton was delivering the funeral oration.

"My friends," I heard him saying through the streams of thought that encompassed me, "we are here out of respect for a woman all of ye knew,-and whose life-and whose character-ye all-knew." He paused to give more weight to what he was about to say. "Margaret Carn was like the rest of us. She had her qualities-and she had her-failings. I want to say to you today that there's a time fur knowing these things-and a time fur-forgettin' them." His voice on the last words dropped abruptly away. There was the sound of rain spattering among the loosened lumps of clay. "Such a time is now." His left hand dropped heavily to his side. "I tell you there is more rejoicing in Heaven over one sinner who repenteth than over ninety-and-nine-"

I grabbed Jim's arm to assure myself of something warm and human. But his eyes were still fixed on Lisbeth, whose gaze was in turn riveted on her father's face. It occurred to me with a swift sense of helplessness that she and I were probably the only two who could even vaguely realize any of the inner motives of Con Darton's mind, as we certainly were the only persons who knew how great a wrong had been done to Margaret Carn's memory that day. To the rest she was stamped forever as a lying gossip, forgiven by the very man she had striven to harm. I shuddered; and Jim, feeling it, turned to me and drew me towards Lisbeth. Outside of the scattering crowd she saw us and greeted me gravely; then gave her hand to Jim with a little quickening gesture of trust.

We went down the road together, taking the longest way to the foot of the hill, Jim loquacious, eager; Lisbeth silent. The rain had melted into a soft mist, and through it her face took on a greater remoteness, a pallid, elfin quality. At the foot of the hill, which had to be climbed again to reach the old farmhouse, she stopped, glancing up to the plank where the turkeys were already roosting.

"Not going up the hill, Lisbeth?" I asked.

She shook her head.

"We live here now," she said.

"Not-?"

"All the year round.-It's cheaper," she added with that little touch of staunchness that had become hers.

"But it's too-"

I was cut short by the look of anguish in her eyes, the most poignant sign of emotion that I had seen her show since my return. There was an awkward silence, while I stood looking at her, thinking of nothing so much as how her head would look against a worn, gold Florentine background, instead of silhouetted against these flat unchanging stretches of unbending roads and red barns. It seemed that she and Jim were saying something to each other. Then just as she turned to go, he stopped her.

"You'll forgive me, because I'm an old friend of Tom's," he was urging, "if I ask you to drive to town with Tom and myself for supper."

There was an incongruity in the request that could not have escaped either of them. I could see the color mounting to her temples and then ebbing away, leaving her whiter than before. Her lips parted to answer, but closed again sturdily.

"It couldn't-be arranged. If it could, I should have liked to," she supplemented stiffly.

It was a stiffness that made me want to cry out to the hilltops in rebellion.

"But suppose it could be arranged?" suggested Jim.

She looked away from us.

"It couldn't be," she replied in that same inflectionless voice.

It was her voice that cut so sharply. I reflected that it was only in the very old that we could bear that look of dead desire, that absence of all seeking, that was settling over her face.

"But you'll try," insisted Jim. "You won't say no now?"

With one reddened hand she smoothed the surface of her dress. "I'll try," she promised faintly.

Dinner over, prompted perhaps by a desire to look the old place over by myself, perhaps half inclined to pay a visit to Con, I left Jim in the library to his own devices, and stepped out alone along the road. The air was clear now, and the sleet had frozen to a thin crystal layer, a presage of winter, which glistened under the clear stars and sent them shivering up at me again. As I neared the mill house, I could hear voices through its scanty boarding, and decided, for the moment, to go on, following the bed of the creek, when an intonation, oddly familiar, brought me up like the crack of a whip. It is strange the power that sounds have to transport us, and again I saw a withered woman with straw-colored hair and a small, oblong bundle in a patch-work quilt. But, as I drew nearer, my thoughts were all for Lisbeth.

"Have my girl in town with that young puppy!" Old Con was rasping at her. "I know these artist-fellows, I tell you and-"

He ripped out an oath that took me bounding up the steps. My hand on the front door knob, however, I paused, catching sight of Lisbeth through the window. She was standing with her back towards the inner door her moth-like dress blending oddly with the pallor of her cheeks, the smudgy glow of the lamp light laying little warm patches on her hair. But it was her eyes, wide and dark, that stopped me. There was pain in them, and purport, a certain fierce intention, that made me wonder if I could not serve her better where I was. And, as I waited, her voice seeped thinly through the boarding.

"I don't believe it."-Her voice came quietly, almost without intonation. "Tom Breighton wouldn't be his friend then.-They're both fine and straight-and-"

"They are, are they?" he jeered. "Ye've learned to tell such things out here in th' country, I suppose-"

"There are things," she retorted, "I've learned."

He began drawling his words again, as he always did when he had got himself under control.

"I suppose ye're insinuatin' ye don't like it here-don't like what ye're pore ol' Father c'n do fur ye?"

Her look of contempt would have cut short another man.

"Ye-wantta-go?" he finished.

She nodded mutely. And at that he flared at her terribly.

"It's like ye," he shouted, "like yere mother, like all the Perkinses. Word-breakers! cowards! shirkers!"

The words seared. The careful articulation of the afternoon was gone.

"Promised-if I sent ye to school, ye'd stay here winters to look after ye're pore ol' Father-didn't ye?" He looked at her through narrow, reddish lids, where she had backed against the door. "Didn't ye?" he repeated. "But soon's he's done fur-soon's his money's gone-"

"Stop!" she cried. "Stop i-" Her breath caught.

He stared at her, the words shaken from him by the sheer force of her. She had not moved, but, somehow, as she stood there against the unvarnished door facing him, fists at her side, eyes brilliant, she appeared to tower over him.

"I'll stay," she was saying in a queer, fierce monotone, "I'll stay here this winter anyhow if I freeze for it! I'll scrub and cook and haul wood for ye till I've paid ye back-paid ye," she repeated more softly, "till no one can say the Perkinses don't keep their word! And then-in the spring-I'm going-it'll be for good-. For always," she added, and turned limply towards the door.

To my surprise he sank heavily into the rickety chair by the stove.

"Go then," he muttered. "It's all I c'ld expect."

The door closed on her and still he sat there before the fire, head bent forward, as though he had an audience. I shrank back closer into the shadows, drawing my coat collar more snugly about my throat. It was incredible that he should play a part before her-and now alone! His very posture suggested a martyred, deserted old man. I felt myself in the presence of something inexplicable.-Then, in a frenzy of suppressed rancor, such as I had never felt before, I climbed the hill, the lumps of mud and ice seeming to cling against my footsteps as I went.

* * *

The winter was a bitter one that year, such as only the winters in that Northern, prostrate land can be. The countryside appeared to crouch under a passive, laden-colored sky. Then the snow came settling in deeper and deeper layers, and, as it packed down, a coating of thin ice formed on its surface. One could walk on it at times, this crust that had grown over the land like a new skin.

We smuggled sweaters and coats to Lisbeth, making them old lest Con suspect us. But, even with all we could do for her, her suffering must have been without comparison. There was no fire in the shack except that in the old rusty cook stove which she tended, and the cold made an easy entrance through the loose carpentry of the walls. With it all there were the loneliness and the mental agony. At first, when she did not know how deep was Jim's devotion, there must have been times when life held out no promise to her except that of escape.

All this time the rest of the Dartons gave no sign. Old Con, I discovered, made occasional obscure trips to the city where he saw Lin Darton and Miss Etta, the former established as a second-rate real-estate dealer, the latter, as buyer for a large department store. Later it became more apparent that it was after these trips of his that he was able to purchase another horse. He quoted more and more frequently from the Bible and the "Elegy." Such feeling as any of the neighbors may have had for Lisbeth was now completely turned aside by her tight-lipped reticence and her deft evasion of all references to her situation. Old Con was thoroughly established as a brilliant fellow, ruined by his family.

From the first I saw that the winter had to be endured like a famine. Keep Jim away of course I could not, though I did persuade him, by dint of much argument, that it would be for Lisbeth's good to meet her away from the mill house; and what pleading he may have had with her to leave all and come with him, then and there, I could only imagine. Each time Lisbeth came back from these encounters a little paler, her lips a little firmer, her eyes burning with a steadier purpose. But it was the sort of purpose that robs instead of giving life, that strikes back on itself while it still clings to a sort of bitter triumph. Knowing her, I knew that it had to be so, for to despoil her of this high integrity would be to take from her something as essentially hers as was her sensitive spirit, her fine sureness of vision.

So we kept silence until, as the first signs of spring came on again, while the country alternately was flooded or lay under rigid pools of ice, the line of her mouth seemed to soften and a glow crept into her eyes and a dreaming. I held my breath and waited. Thin she was, like something worn to the thread. The fine color had given place to a blue tint in the cold, and to a colorless gray as she bent over the old stove within. But the exquisitely moulded line of cheek and chin, the grace of motion and the deep questing light in her eyes nothing could destroy. I believe that, to Jim, she grew more lovely as she appeared to fade.

At last the day came when the water ran in yellowed torrents in the creek or stood in stagnant pools under a new sun, when the blood bounded, overwarm, in the tired body. That day Old Con caught sight of them, walking arm in arm at the top of the hill, looking down as though to find a footing, and talking earnestly. They had never before ventured so near the mill. Catching sight of them from some distance, I foresaw the meeting before I could reach them. When I came close enough to see, Lisbeth was trembling visibly, as though from a chill, and Jim stood glowering down at Old Con.

Suddenly Lisbeth edged herself sidewise between them, shouldering Jim away.

"Don't touch him!" she cried. "It's what he's waiting for you to do! Can't you see the look on his face-that wronged look of a man that's done nothing but wrong all his life?"

She stopped, the words swelling within her, too big for utterance. Jim put a quieting arm about her; and just then Old Con made an abrupt motion towards her wrist.

"I guess," he said, "that a father-"

But she was before him.

"Father! He's not my father, d'ye hear? I've kept my word to him and now I'm going to keep it to myself! You see that sun over the hills?"-She turned to Con.-"It's the spring sun-it's summer-summer, d'ye hear? And it's mine-and I'm going to have it, before I'm dead like my mother died with her body still living! You're no more my father than that dead tree the sun can't ever warm again!-It's for good-I said it would be for good-and it is!"

We took her, sobbing dryly, between us, up the road.

That night in our house Lisbeth was married to Jim. A deep serenity seemed to hang about her as though for the moment the past had been shut away from her by a mist. As for Jim, there was a wonder in his eyes, not unlike that I had seen when he came upon an old Lippo Lippi, and a great comprehending reverence. There were tears at the back of my eyes-then the beauty of the scene drove all else back before it.

* * *

There is one more episode in the life of Con Darton and Lisbeth. Knowing him, it would be incredible that there should not be. It happened some five years later and I was concerned in it from the moment that I was summoned unexpectedly to Mr. Lin Darton's office in the city, a dingy though not unprosperous menage located in the cheaper part of the down town district. I found him sitting amid an untidy litter of papers at the table, talking through the telephone to some one who later developed to be Miss Etta; and I had at once a feeling of suffocation and closeness, due not alone, I believe, to the barred windows and the steaming radiator. The family resemblance that Mr. Lin Darton bore to Old Con threw into relief the former's honesty, and made more bearable his heavy sentimentalism, upon which Con had played as surely as on a bagpipe, sounding its narrow range with insistent evenness of response.

"I want to talk to you about Con," he said gravely, as soon as the receiver had been hung up, "and-Lisbeth." He uttered his niece's name as though it were a thing of which he could not but be ashamed.

I said nothing to this, and waited.

"As you are still in touch with her; and, as the situation is probably already partly known to you, I thought you might be able-willing-" He hesitated, paused; and a grieved look came into his eyes that was quite genuine. I realized the fact coldly.

"Whatever I can do," I assured him, "I shall be glad to."

"None of us," he continued, "have seen Lisbeth since that terrible night four years ago, when she turned Con away from her house."

I hesitated for a moment and then said: "It was three o'clock in the morning, if I remember, and he had written that he was coming to take her little son into the country, to give him a chance," I added bitingly, "of some real country air."

"It was a cold night," continued Lin Darton, as though he had not heard me, "and she has all she needs-while he-"

"To my mind, he had no business there!" I flared.

"He was her father."

He stared at me hard, as though he had uttered the final, indisputable word.

"He forfeited all right to that title years ago."

"When?" demanded Mr. Darton.

"On the day of her birth," I snapped back at him.

"I do not understand you," he said coldly. And, when I remained silent, he added: "There is no greater crime than that of a child towards a father."

"Unless it be, perhaps, that of a father towards a child."

His sadness seemed to weigh him against the desk. I relented.

"To go against one's own-against one's own," he repeated, "and Con so sick now-"

"You must forgive me, Mr. Darton, for my views," I said more gently, "and tell me what I can do."

He pulled himself together at that.

"Con's all gone to pieces, you know-at the old mill house-no money-no one to care for him. We wanted you to come out with us. Perhaps medical care might, even now-We thought maybe," he interrupted himself hastily, "that you could get Lisbeth to help out too-and maybe come herself-"

"Come herself!" I repeated, and my voice must have sounded the sick fear that struck me.

"Money's not the only thing that counts when it comes to one's own blood," he said sententiously.

There were no two ways about it, that was his final stand. So, having assumed them of my services that afternoon, I went straight to Lisbeth.

I found her bending over the youngest baby, and, when I told her, her body became rigid for an instant, then she stooped lower that I might not see the shadow that had fallen across her face. Finally she left the child and came to me with that old look of misery in her face that I had not seen there for so long, but with far more gentleness.

"Sit down here, Tom," she said, leading me to the window seat, where the strands of sunlight struck against her head, giving fire to her dull-brown hair. She had changed but slightly in appearance, I thought, from the girl that I had known five years before; still there was a change, a certain assurance was there, and a graciousness that came from the knowledge that she was loved.

"I think you know," she began, her eyes looking not at me but straight ahead, "that I've been happy-these five years-though perhaps not how happy. But in spite of it all-there is always that something-that fear here-clutching at me-that it may not all be real-that it can't last."

Again she looked at me and turned away, but not before I had caught a flash of terror in her eyes.

"Even with them all against me, Tom, I've stuck to it-to what I feel is my right. This is my home-and it's Jim's home-and the children's as well as it's mine-and, in a way, it's-inviolate. I've sworn that nothing ugly shall come into it-nothing shall ruin it-the way our lives were ruined out there!"

Her voice trembled, but her eyes, as she turned to me at the last, were steady.

"I'll send something, of course," she said; "you will take it to them. But I'll-not go."

With her message and her money I sought out Lin Darton and Miss Etta, and together we rambled in their open Ford along those flat, dead Illinois roads that I had not seen for so long.

It is a doctor's profession to save life, and there was a life to be saved, if it were possible. But he was nearer to the end than I had thought. Grega was there in that same barren room of the mill-house, doing things in a stolid, undeft sort of way. The bed had been pulled near the stove and the room was stuffier, more untidy than in the days when Lisbeth had been there. The creaky bed, the unvarnished walls, and the rusty alarm clock, that ticked insistently, all added to the sense of flaccidity. The afternoon was late and already dark; sagging clouds had gathered, shutting out what was left of the daylight. Miss Etta lit a smudgy lamp, sniffling as she did so.

From under the torn quilt the man stared back at me, with much of his old penetration, despite the fever that racked him.

"I-want-Lisbeth," were his first words to me.

I shook my head. "She cannot come just now," I told him, hand on his wrist. "But we are here to do everything for you."

"Tel-e-phone her," he said with his old emphasis on each syllable, "and tell-her that I'm-dy-ing. Don't answer me. You know that-I-am dy-ing and I-want-her."

Miss Etta, the tears streaming over her large face, went to do his bidding. I could hear her lumbersome footsteps going down the crazy outside stairway. He gave me a triumphant look as I lifted his arm, then abruptly he drew away from me. He had an ingrained fear of drugs of any sort. There was no gainsaying his fierce refusals, so I made him as comfortable as I could while we waited. The end was very near. His face, thin almost to emaciation, was flushed to a deep, feverish red, but his lips took on a more unbending line than ever and his eyes burned like bits of phosphorescence in the semidarkness. For an hour he lay there motionless with only the shadow of a smile touching his lips at intervals.

Miss Etta had returned, letting in a gust of damp air, but bringing no definite answer from Lisbeth. Would she come? I remembered her unyielding decision, her unflinching sincerity. The rain broke now suddenly, and came roaring down the hill towards the creek. Outside the branches of elms dragged, with a snapping of twigs, across the brittle roof. A rusty stream of water crawled sizzling down the pipe of the stove. It was hot-hot with the intolerable hotness of steam. The patchwork quilt looked thick and unsmoothed. I reflected that it never could look smoothed. And how their personalities bore down upon one with a swamping sensation! Miss Etta and Grega and Mr. Lin Darton were gathered into a corner of the room and an occasional whispering escaped them. The oppression was terrific. I began to want Lisbeth, to long for her to come, as she would come, like a cool blade cutting through density. And yet-I was not sure. I found myself staring through the black, shiny surface of the window, seeking relief in the obscuring dark. It gave little vision, except its own distorted reflections, but I could distinguish vaguely the outlines of the old mill with the shadowly raft in the high branches and the smudgy round spots that I knew to be the turkeys roosting.

A fiercer current tore at the framework of the mill-house. The water rapped pitilessly against the pane. The brownish stream thickened, as it made its way down the stovepipe and fell in flat puddles on the tin plate beneath it.-Would she come?

"If she doesn't come now!" whimpered Miss Etta. "An awful girl-awful!"

I began hoping of a sudden that she would not come. Though I craved her presence in that insufferable room, I was afraid for her. A sort of nameless terror had seized me that would not be dismissed. Yet what worse thing than she had already endured could come from that bundle of loose clothes on the bed? The figure moved uneasily under the covers and made an indefinite motion. I could only guess at the words addressed to Miss Etta as she bent over him. She shook her head.

"No," she said audibly, "not yet."

With one brown, fleshless hand, that lay outside the covers, he made a gesture of resignation, but the gray eyes, turning towards me, burned black.

I could make out fragmentary bits of conversation that issued from the corner of the room.

"When it comes to one's own blood-"

The rest was lost in a surge of wind and rain.

"An awful girl-"

"She ought to be-"

A low rumble came down the hill, followed by a more terrific onslaught of rain. Outside the clap of a door came as a relief. There were steps, then, just as I had expected, the door was thrust back and she stood there letting in the fresh air of heaven, a slender sheaf of gray in her long coat and small fur toque.

A satirical gleam of triumph gleamed across the sick man's face and vanished, leaving him a wronged and silently passive creature.

"You can shut the door tight, now you've come," said Miss Etta. "A draft won't do him any good."

With this greeting she turned her back. There was a moment's silence, while Lisbeth pushed shut the flimsy door, and I, to cover her embarrassment, helped her make it fast. I noticed then that she was carrying a small leather case.

"Thermos bottles," she explained, as an aroma of comfort escaped them. But the man on the bed shook his head, as she approached.

"Not now," he said plaintively. His look reproached her. Tears stood thickly in Miss Etta's eyes. She pulled Lisbeth aside with a series of jerks at her elbow.

"Too late for that now," I heard her whisper sententiously. And then: "You had your chance."

I saw the hand, that disengaged Miss Etta's clutch, tremble; and for an instant I thought the girl would break down under the benumbing thickness of their emotion. But she merely unfastened her coat, walking towards the window as though seeking composure, as I had, in the cold shadows without, in the blurred outlines of the old mill and the intrepid row of turkeys.

He beckoned to her, but she did not see him. Rapidly failing as he was, I was certain that he was by no means without power of speech. I touched her on the arm. His words came finally in monotonous cadences.

"I am dy-ing," he said. "You will-pray?"

I saw her catch her breath. My own hung in my throat and choked me. He was watching her intently now with overweighted gray eyes, that could not make one entirely forget the long cunning line of the mouth. What courage did she have to withstand this? He was dying-of that there could be little doubt. She had grown white to the roots of her hair.

"I do not pray," she said steadily.

His eyebrows met. "You-do not pray? Who-taught-you-not to p-ray?"

"You did," she said quietly.

He lay back with a sigh.

"Outrageous!" murmured Miss Etta through her tears. "An awful girl-awful!"

The man on the bed smiled. He lifted his hand and let it fall back on the cover.

"It's all right-all right-all-right." The reddish-brown eyelids closed slowly.

Involuntarily a wave of pity shook me. It was consummate acting. That a man should play a part upon the very edge of life held in it something awesome, compelling attention. I drew myself together, feeling his eyes, sharp for all their floating sadness, upon me. Was he-? Was I-?-A crackling of thunder shook the ground. When it had passed, the rain came down straight and hard and windless like rapier thrusts. The room seemed, if possible, closer, more suffocating. He beckoned to Lisbeth and she went and stood near him. He was to put her through a still harder ordeal.

"You have never cared for me," he whispered.

There was no sound except for the steady pour outside and the rustle of Miss Etta's garments as she made angry motions to Lisbeth. Even at this moment, I believe, had he shown sign of any honest wish for affection, she would have given all she had.

"Not for many years," she said, and for the first time her voice shook.

"Ah-h!" His breath went inwards.

Suddenly he began to fumble among the bed clothes.

"The picture," he said incoherently, "your mother's picture. Pick it up," he ordered, his eyelids drooping strangely. "No-no-under the bed."

Before I could stop her she had dropped to her knees and was fumbling among the rolls of dust under the bed. An overpowering dread had clutched at me, forcing the air from my lungs. But in that instant he had raised himself, by what must have been an almost incredible exercise of will, and grabbed her by the throat.

"Curse you!" he cried, shaking her as one would a rat, "you and your mother-cur-"

His hands dropped away, limp and brittle like withered leaves. He fell back.-

* * *

Of course they will always find excuses for the dead, and eulogies. Even as I helped her into Jim's small curtained car and took my place at the wheel, I knew that the things that they would say about her would be more than I could bear. We plunged forward, and a moment later, rounding a curve, our headlights came full upon the outlines of the old farm with its hideous false fa?ade. I could not resist glancing at her, though I said nothing. Her eyes were on her hands, held loosely in her lap. She did not look at me until, with another lurch, we had swung about again, and all but the road in front of us was drawn back swiftly into obscurity. I found that she had turned towards me then, and, as I laid one hand across her arm, I felt her relax to a relieved trembling. Before us the night crowded down over the countryside, masking its ugliness like a film, through which our lights cut a white fissure towards town.

* * *

SHELBY[20]

By CHARLES HANSON TOWNE

(From The Smart Set.)

When I sit down to write of Shelby-Lucien Atterwood Shelby, the author, whose romantic books you must have read, or at least heard of-I find myself at some difficulty to know where to begin. I knew him so well at one time-so little at another; and men, like houses, change with the years. Today's tenant in some old mansion may not view the garden as you did long ago; and the friend of a man's later years may not hold the same opinions the acquaintance of an earlier period once formed.

I think it best to begin with the time I met Shelby on the newspaper where we both, as cub reporters, worked. That was exactly twenty years ago.

The boys didn't take to Shelby. He was too dapper, too good-looking, and he always carried a stick, as he called it; we were unregenerate enough to say cane. And, most loathsome of all, he had an English accent-though he was born in Illinois, we afterwards learned. You can imagine how this accent nettled us, for we were all unassuming lads-chaps, Shelby would have called us-and we detested "side."

But how this new acquisition to the staff could write! It bothered us to see him hammer out a story in no time, for most of us had to work over our copy, and we made Hanscher, the old managing editor, raving mad sometimes with our dilatoriness. I am afraid that in those sadly distant days we frequented too many bars, and no doubt we wasted some of our energy and decreased our efficiency. But every young reporter drank more or less; and when Shelby didn't mix with us, and we discovered that he took red wine with his dinner at Mouqin's-invariably alone-we hated him more than ever.

I remember well how Stanton, the biggest-hearted fellow the Lord ever let live, announced one night in the copy room that he was going to get Shelby tight or die in the attempt, and how loud a laugh went up at his expense.

"It can't be done," was the verdict.

The man hadn't enough humanity, we figured. He was forever dramatizing himself, forever attitudinizing. And those various suits of his-how they agonized us! We were slouches, I know, with rumpled hair and, I fear not overparticular as to our linen during the greater part of the week. Some of us had families to support, even in those young days-or at least a father or a mother up the State to whom we had to send a monthly cheque out of our meagre wages.

I can't say that we were envious of Shelby because of his single-blessedness-he was only twenty-two at that time; but it hurt us to know that he didn't really have to work in Herald Square, and that he had neat bachelor quarters down in Gramercy Park, and a respectable club or two, and week-ended almost where he chose. His blond hair was always beautifully plastered over a fine brow, and he would never soil his forehead by wearing a green shade when he bent over his typewriter late at night. That would have robbed him of some of his dignity, made him look anything but the English gentleman he was so anxious to appear.

I think he looked upon us as just so much dust beneath his feet. He would say "Good evening" in a way that irritated every one of us-as though the words had to be got out somehow, and he might as well say them and get them over with, and as though he dreaded any reply. You couldn't have slapped him on the back even if you had felt the impulse; he wasn't the to-be-slapped kind. And of course that means that he wouldn't have slapped any of us, either. And he was the type you couldn't call by his first name.

Looking back, I sometimes think of all that he missed in the way of good-fellowship; for we were the most decent staff in New York, as honest and generous and warmly human a bunch as anyone could hope to find. We were ambitious, too, mostly college men, and we had that passion for good writing, perhaps not in ourselves, but in others, which is so often the newspaper man's special endowment. We were swift to recognize a fine passage in one another's copy; and praise from old Hanscher meant a royal little dinner at Engel's with mugs of cream ale, and an hour's difference in our arrival at the office next day. Oh, happy, vanished times! Magic moments that peeped through the grayness of hard work, and made the whole game so worth while.

Well, Stanton won out. He told us about it afterwards.

On the pretext that he wanted to ask Shelby's advice about some important personal matter, he urged him to let him give him as good a meal as Mouqin could provide, with a certain vintage of French wine which he knew Shelby was fond of. There were cocktails to begin with, though Shelby had intimated more than once that he abominated the bourgeois American habit of indulging in such poison. And there was an onion soup au gratin, a casserole, and artichokes, and special coffee, and I don't know what else.

"He got positively human," Stanton put it, later, as we clustered round him in the copy room. (Shelby hadn't turned up.) "I don't like him, you know; and at first it was hard to get through the soup; but I acted up, gave him a song and dance about my mythical business matter-I think he feared I was going to 'touch him'-and finally got a little tipsy myself. From then on it was easy. It was like a game."

It seems that afterwards, arm in arm, they walked out into Sixth Avenue in the soft snow-it was winter, and the Burgundy had done the trick-and Shelby, his inhibitions completely gone, began to weep.

"Why are you crying?" Stanton asked, his own voice thick.

"Because you fellers don't like me!" Shelby choked out.

The accent and the stick went together into the gutter, Stanton laughingly told us. An immortal moment! The poseur with his mask off, at last! Beneath all that grease-paint and charlatanism there was a solid, suffering, lonely man; and even in his own dazed condition Stanton was quick to recognize it, and to rejoice in the revelation.

Moreover, he was flattered, as we always are, when our judgments have proved right. Stanton had deliberately set out to find the real Shelby-and he had.

"A man who can write as he can has something in him-that I know," he had said generously more than once. He made us see that he had not been wrong.

But it was not the real Shelby that returned to the office. That is where he missed his great opportunity. Back strutted the pompous, stained-glass, pitiful imitation of an Englishman, in a louder suit than ever, and with a big new cane that made the old one look flimsy.

We despised him more than ever. For we would have taken him within our little circle gladly after Stanton's sure report; and there would have been chance after chance for him to make good with us. But no; he preferred the pose of aloofness, and his face betrayed that he was ashamed of that one night's weakness. He never alluded to his evening with Stanton; and when Minckle, who was certain the ice had been broken, put his arm around his shoulder the next day, he looked and drawled,

"I say, old top, I wish you wouldn't."

Of course that finished him with us.

"He can go to the devil," we said.

We wanted him fired, obliterated; but the very next evening there was a murder in Harlem, and old Hanscher sent Shelby to cover it, and his first-page story was the talk of the town. We were sports enough to tell him what a wonderful thing he had done. He only smiled, said "Thanks," and went on at his typewriter.