Chapter 4 No.4

The room moves up the dimension of time. Hour and hour and hour. Bearing its freight toward sleep. Thick hot room, torn by the burr of two lights, choked by the strain of two bound souls, moving along the night. Writhing in dream. Singing.-

-My flesh sings for silk and rich jewels;

My flesh cries for the mouth of a king.

My hair, why is it not a canopy of love,

Why does it not cover sweet secrets of love?

My hair cries to be laid upon white linen.

I have brought misery into the world.-

I have lived with a small man and my dreams have shrunk him,

Who in my dreams enlarged the glory of princes.

He looks upon me with soft eyes, and my flesh is hard against them.

He beats upon me with warm heart, and my breasts do not rise up for him.

They are soft and forgetful of his beating heart.

My breasts dream far when he is near to them-

They droop, they die.

His hands are a tearful prayer upon my body-

I sit: there is no way between my man and my dream,

There is no way between my life and life,

There is no way between my love and my child.

I lie: and my eyes are shut. I sleep: and they open.

A world of mountains

Plunges against my sleep.-

-Lord, Lord: this is my daughter before me, her cheeks that have not bloomed are wilting. Preserve her, Lord. This is my wife before me, her love that has not lived is dead.-Time is a barren field that has no end. I see no horizon. My feet walk endlessly, I see no horizon.-I am faithful, Lord.-

* * *

The tailor-shop is black. It has moved up three hours into midnight. It is black.

Esther and Meyer walk the grey street. In the arms of the man sleeps Flora. His arm aches. He dares not change her to his other arm. Lest she wake.

He has undressed her. Gentle hands of a man. He holds her little body, naked, near his eyes. Her face and her hands, her feet and her knees are soiled. The rest of her body is white-very white-no bloom upon her body. He kisses her black hair.

He lays her away beneath her coverlet.

There is his wife before him. She is straight. Her naked body rises, column of white flame, from her dun skirt. Esther-his love-she is in a case of fire. Within her breasts as within hard jewels move the liquids of love. Within her body, as within a case, lies her soul, pent, which should pour forth its warmth upon them.

He embraces her.

"Esther.-Esther-" He can say no more.

His lips are at her throat. Can he not break her open?

She sways back, yielding. Her eyes swerve up. They catch the cradle of her child.

-Another child-another agony of glory-another misery to the world?

She is stiff in the unbroken case of a vast wound all about her.

So they lie down in bed. So they sleep.

* * *

She has cooked their breakfast.

They walk, a man and a woman, down the steep street to work. A child between them, holding the hand of a man.

They are grey, they are sullen. They are caught up in the sullen strife of their relentless life. There is no let to them. Time is a barren field with no horizon.

* * *

FRENCH EVA[9]

By KATHARINE FULLERTON GEROULD

(From Scribner's Magazine)

The real dramatis person? are three (for Schneider was only a sign-post pointing): Follet, the remittance-man, Stires, and French Eva. Perhaps I should include Ching Po-but I hate to. I was the man with his hands in his pockets who saw the thing steadily and saw it whole-to filch a windy phrase. I liked Stires, who had no social standing, even on Naapu, and disliked Follet, who had all the standing there was. Follet dined with magnates; and, believe me, the magnates of Naapu were a multicolored lot. A man might have been made by copra or by pearls-or by blackbirding. We were a plutocracy; which means that so long as a man had the house and the drinks, you asked no questions. The same rule holds-allowing for their dizzier sense of figures-in New York and Chicago. On the whole, I think we were more sensible. There is certainly more difference between good food and bad than between five millions and fifty (which, I take it, is a figure that buys immunity over here). I don't think any man's hospitality would have ranked him permanently on Naapu if his dinners had been uneatable. Though perhaps-to be frank-drinks counted more than food as a measuring-rod of aristocracy.

Well, Follet trained with the people who received consignments of champagne and good whiskey. And Stires did not. Anyhow, Stires was a temperance man: he took only one or two drinks a day, and seldom went beyond a modest gin-fizz. With the remarkable native punch, compounded secretly and by unknown ways, but purchasable, and much esteemed by the knowing, he never would have anything to do. Stires looked like a cowboy and was, in truth, a melancholy New Englander with a corner-grocery outlook on life, and a nasal utterance that made you think of a barrel of apples and a corn-cob pipe. He was a ship-chandler in a small-a very small-way. Follet lived at the ramshackle hotel, owned by the ancient Dubois and managed, from roof to kitchen-midden, by Ching Po. French Eva dwelt alone in a thatched cottage built upon poles, and sold eggs and chickens and fish. The poultry she raised herself; for the fish, she was a middleman between fishermen and householders. As she owned a gramophone and one silk dress, it was clear that her business prospered. Even Ching Po bought eggs of her, though there was a nameless, uninterpreted hostility between them.

Let me give you, at once, the few facts I could gather about French Eva. There were rumors a-plenty, but most of them sifted down to a little residual malice. I confined my questionings to the respectable inhabitants of Naapu; they were a very small circle. At last, I got some sort of "line" on French Eva.

None within our ken fathered or mothered her. Old Dubois knew most about her, but old Dubois, a semi-paralyzed colossus, "doped" most of the time, kept his thick lips closed. "An excellent girl" was all that any one could wring from him. As she had begun life on Naapu by being dame de comptoir for him, he had some right to his judgment. She had eventually preferred independence, and had forsaken him; and if he still had no quarrel with her, that speaks loudly for her many virtues. Whether Dubois had sent for her originally, no one knew. His memory was clouded by opium, and you could get little out of him. Besides, by the time I arrived on Naapu, French Eva belonged to the landscape and to history. She was generally supposed to be pure French, and her accent supported the theory, though she was in a small way a linguist. Her English was as good as any one's-on Naapu, where we were by no means academic. She could speak the native tongue after a fashion, and her bêche-de-mer was at least fluent.

I had heard of the lady before I ever saw her, and had wondered why Naapu chose to distinguish a female fish-vender-even if she had begun with old Dubois. As soon as I clapped eyes on her, I perceived her distinction, her "difference"-the reason for the frequent "Mam'selle." She was, at first glimpse, unusual. To begin with, never was so white a face matched with hair and brows and eyes so black. In the ordinary pursuit of her business she wore her hair half loose, half braided, down her back; and it fell to her knees like a heavy crape veil. A bad simile, you will say; but there are no words to express the unrelieved blackness of her hair. There were no lights in it; no "reflets," to use the French phrase. It might have been "treated" with ink. When, on rare occasions-not often, for the weight of it, as she freely explained, made her head ache-she put it up in coils, it was like a great mourning bonnet under which her white face seemed to shrink away. Her eyes were nearly as black as her hair. Her figure was very lovely, whether in forming the loose native garment or laced into her silk dress.

You will say that I have painted for you a person who could not, by any possibility, be beautiful; and yet French Eva was beautiful. You got used to that dull curtain of her hair; it made Madame Maür's lustrous raven locks look oily. It came to seem, after a time, all that hair should be. Her features were nearly perfect from our finicking European point of view, and she grew in grace even while I, a newcomer, watched; for the effect of the tropic sun upon her skin was curious and lovely: it neither blotched nor reddened nor tanned her, but rather gilded her pallor, touching it with the faintest brown in the world. I must, in the interests of truth, mention one more fact. Mam'selle Eva was the sort of woman who has a direct effect on the opposite sex. Charm hardly expresses it; magnetism, rather, though that is a poor word. A man simply wanted to be near her. She intrigued you, she drew you on, she assailed your consciousness in indefinable ways-all without the sweep of an eyelash or the pout of a lip. French Eva was a good girl, and went her devious ways with reticent feet. But she was not in "society," for she lived alone in a thatched hut, and attended native festivals, and swore-when necessary-at the crews of trading barques. I am not sure that she did not, of all tongues possible to her, prefer bêche-de-mer; which is not, at its most innocent, an elegant language. She had no enemies except Ching Po-for reasons unknown; and she paid her occasional respects to any and all religions that Naapu boasted. When there was a row, she was always, of course, on the European side; though she would stretch a point now and then in favor of the native constabulary.

So much for French Eva-who was by no means so important in the Naapu scheme of things as my long description may imply. She had her eminently respectable, her perfectly recognized niche, and we all bought eggs and fish of her when we could. She was a curious figure, to be sure; but you must remember that on Naapu every one, nearly, was unaverage, if not abnormal. Even the agents and officials were apt to be the least promising of their kind-or they would have been somewhere else. It was a beautiful refuge for utter bounders and men who, though not bounders, had a very low limit of achievement. The jetsam of officialdom was washed up on that lonely, lovely shore. The magnates of Naapu were not to be trusted. Naapu was a rich island, the richest of its group; and, being off the main lines of traffic, was an excellent field for the unscrupulous. Tourists did not bother us, for tourists do not like eighty-ton schooners; maps did not particularly insist upon us; we were well known in places where it was profitable to know us, and not much talked about anywhere. Our copra was of the best; there were pearls to be had in certain waters if you could bribe or fight your way to them; and large groups of natives occasionally disappeared over night from one of the surrounding islands. Naapu was, you might say, the clasp of a necklace. How could we be expected to know what went on in the rest of the string-with one leaky patrol-boat to ride those seas? Sometimes there were fights down by the docks; strangers got arrested and were mysteriously pardoned out; there were always a good many people in the landscape who had had too much square-face. We were very far away from everything, and in spite of all these drawbacks we were happy, because the climate was, most of the year, unexceptionable. When you recall what most civilized climates are like, "unexceptionable," that cold and formal word, may well take your breath away. Lest any one should suspect me of blackbirding or gin-selling, I will say at once that I had come to Naapu by accident and that I stayed because, for reasons that I will not go into here, I liked it. I lived in a tiny bungalow with an ex-ship's cook whom I called Joe, and several thousand cockroaches. I had hired Joe to cook for me, but his chief duty soon became to keep the cockroaches out of my bedroom. As a matter of fact, I usually dined at Dubois's hotel or at some private house.

Why so idle a person as I should have looked down-as I did, from the first-on Follet, I cannot explain. The money I lived on was certainly not of my own making. But, strictly speaking, I could have gone home if I had chosen, and I more than suspected that Follet could not have. Follet was not enamoured of Naapu, and talked grandiloquently of Melbourne and Batavia and Hong-Kong. He continued, however, to be a resident of the island, and none of his projects of removal to a better place ever went beyond mere frothy talk. He lived at Dubois's, but spent much of his time with the aforesaid magnates. He had an incorruptible manner; some grace that had been bred in him early never forsook him, and the ladies of Naapu liked him. Even good Madame Maür, who squinted, squinted more painfully at Follet than at any one else. But his idleness was beginning to tell on him; occasionally he had moody fits, and there were times when he broke out and ran amuck among beach-combers and tipsy natives along the water-front. More than once, Ching Po sought him out and fetched him home.

My first intimation of trouble came from Stires. I had nothing to do with this particular Yankee in the way of business, but I lingered occasionally by his door in the cool of the afternoon, just to feed my eyes on his brawn and my ears on his homely and pleasant nasality. Stires's eyes were that disconcerting gray-blue which seems to prevail among men who have lived much in the desert or on the open sea. You find it in Arizona; and in the navies of all the northern countries. It added to his cowboy look. I knew nothing about Stires-remember that on Naapu we never asked a man questions about himself-but I liked him. He sat about on heaps of indescribable junk-things that go into the bowels of ships-and talked freely. And because Follet and I were both in what Naapu would have called its best circles, I never talked about Follet, though I liked him no better than Stires did. I say it began with Stires; but it began really with Schneider, introduced by Stires into our leisurely conversation. This is Schneider's only importance: namely, that, mixing himself up in French Eva's context, he made other men speak of her.

The less said about Schneider, the better; which means always that there is a great deal to say. In this case, there was perhaps less to say than to surmise. He did not give himself away-to us. Schneider had turned up on a trading schooner from Melbourne, was stopping at the hotel in one of the best rooms, and had a general interest in the potentialities of Naapu. I say potentialities advisedly, for he was not directly concerned, so far as I know, with any existing business there. He frequented everybody, and asked questions in the meticulous German way. He wandered all over the island-islands, I should say, for once or twice I saw him banging off in a creaky motor-boat to the other jewels of the necklace. Guesses as to his real business were free and frequent. He was a pearl-smuggler; the agent of a Queensland planter; a fugitive from justice; a mad scientist; a servant of the Imperial German Government. No one presumed to certitude-which was in itself a tribute to German efficiency. Schneider was blond and brush-haired and thick-lipped; he was unpleasant from the crown of his ill-shaped head to the soles of his ill-shaped shoes; but, though lacking in every charm, he was not sinister. He had seen curious places and amusing things, and could cap most adventures with something relevant; but his type and temperament prevented him from being a "good mixer," and he was not popular.

Stires, however, had his own grievance, and his judgment of Schneider went deep. He did not mind the shape of Schneider's skull, or the hint of goose-step in Schneider's gait; but he minded, very much, the kind of interest that Schneider took in French Eva. He told me that, straight, emphasizing his statements with a rusty spanner, which he wielded in a curious, classical way, like a trident. According to him, Schneider was bothering the life out of the girl. "Always asking her to dress up and come over to chow with him at the hotel." And the spanner went down as if Neptune were rebuking the seas.

"Does she go?"

"No."

"Well, then-can't you leave the lady to discourage him in her own way?"

"She won't go to the ho-tel, because she hates Ching Po. But she walks out with him Sunday afternoons. He gives her gimcracks."

"Then she likes him?"

"There's no telling. She's a real lady." And the discouraged Stires beat, with his spanner, a refrain to his involuntary epigram.

"She can take care of herself, can't she?" I had watched her deal with a drunken Solomon Islander, and did not see how Schneider could be a match for her.

"I don't know." Stires's lazy drawl challenged the sunset.

"Anything I can do?" I asked as I rose.

"Unless you go in and cut him out," he meditated with a grin.

"But I'm not in love with her," I protested.

"You might take her to church."

But I refused. Philandering was not my forte, and church, in any case, was the last thing I should venture to propose.

"Why don't you go in yourself?"

Stires scratched his head. The trident trailed upon the ground. "It's serious or nothing with me, I guess. And she's got something against me. I don't know what. Thinks I don't blarney the Kanakas enough, perhaps. Then there's Follet."

"Oh, is he in it?" I forgot to go.

"He's more in it than I am, and I'm darned if I know what she's up to with the three of us. I'm playing 'possum, till I find out."

"If you can stand Follet butting in, why can't you stand Schneider? Safety in numbers, you know."

"Well, Mr. Follet belongs here. I can have it out with him any time. He'll have to play the game. But if I know Schneider, there's no wedding bells in his. And Mam'selle Eva hasn't, as you might say, got a chaperon."

The spectacle of "Mam'selle Eva," as I had last seen her, perspiring, loosely girdled, buying a catch of fish at a fair price from three mercenary natives adorned with shark's-tooth necklaces, rose before me.

"Man alive, you don't have to chaperon her," I cried. "She's on to everything."

The sun-and-wind-whipt eyes flashed at me. The spanner trembled a little.

"Don't misunderstand me," I insisted. "But it stands to reason that, here on Naapu, she's learned a good many things they don't teach in little red schoolhouses. I have a great respect for her, and, between you and me, I shouldn't wonder if she had sized Schneider up already."

The eyes were appeased. "Maybe, maybe," he grunted. "But lies come easy to him, I guess. Miss Eva wouldn't be the first he'd fooled."

"Do you know anything about him?"

"Not a thing, except what sticks out all over him. For a man's eyes, that is. You never can tell what a woman will see."

I left him poking in the dust with his spanner.

I dined that night at Lockerbie's. There was no Mrs. Lockerbie, and it was a man's party. Follet was there, of course, and Schneider, too, his teeth and his clothes whiter than the rest of ours. I was surprised to see Schneider, for Lockerbie had suspected the Teuton of designs on his very privately and not too authentically owned lagoon. Lockerbie did a fair business in pearls; no great beauties or values among them, but a good marketable cheap product. But no one held out very long against any one on Naapu.

Schneider was drunk before he ever got to Lockerbie's that night. It was part of the Naapu ritual not to drink just before you reached your host's house, and that ritual, it soon became evident, Schneider had not observed. I saw Lockerbie scowl, and Follet wince, and some of the others stare. I could not help being amused, for I knew that no one would object to his being in that condition an hour later. The only point was that he should not have arrived like that. If Schneider had had anything resembling a skin, he would have felt about as comfortable as Mother Eve at a woman's club. Lockerbie's scowl was no joke; and Follet had a way of wriggling his backbone gracefully.-It was up to me to save Schneider, and I did. The honor of Naapu was nothing to me; and by dint of almost embracing him, I made myself a kind of absorbent for his worst breaks. It was not a pleasant hour for me before the rest began to loosen up.

In my eagerness to prevent Lockerbie from insulting his guest, I drank nothing, myself, after the first cocktail. So it came to pass that by the time I could safely leave Schneider to the others, I found myself unwontedly incarnating the spirit of criticism.

They were a motley crowd, coalesced for the moment into a vinous solidarity. Follet spat his words out very sweetly; his poisonous grace grew on him in his cups. Lockerbie, warmed by wine, was as simple-and charming-as a wart-hog. Old Maskell, who had seen wind-jammer days and ways and come very close, I suspected, to piracy, always prayed at least once. Pasquier, the successful merchant who imported finery for the ladies of Naapu, rolled out socialistic platitudes-he was always flanked, at the end of the feast, by two empty chairs. Little Morlot began the endless tale of his conquests in more civilized lands: all patchouli and hair-oil. Anything served as a cue for all of them to dive into the welter of their own preoccupations. Just because they knew each other and Naapu so well, they seemed free to wander at will in the secret recesses of their predilections and their memories. I felt like Circe-or perhaps Ulysses; save that I had none of that wise man's wisdom.

The reward of my abstinence, I found, was to be the seeing home of Schneider. It would have come more naturally to Follet, who also lived at Dubois's, but Follet was fairly snarling at Schneider. French Eva's name had been mentioned. On my word, as I saw Follet curving his spinal column, and Schneider lighting up his face with his perfect teeth, I thought with an immense admiration of the unpolished and loose-hung Stires amid the eternal smell of tar and dust. It was a mere discussion of her hair, incoherent and pointless enough. No scandal, even from Schneider. There had been some sense, of a dirty sort, in his talk to me; but more wine had scattered his wits.

I took Schneider home, protesting to myself that I would never be so caught again. He lurched rather stiffly along, needing my help only when we crossed the unpaved roads in the darkness. Follet went ahead, and I gave him a good start. When we reached the hotel, Ching Po surged up out of the black veranda and crooked his arm for Schneider to lean upon. They passed into the building, silently, like old friends.

A stupid indisposition housed me for a little after Lockerbie's feast. I resented the discomfort of temporary illness, but rather liked being alone, and told Joe to refuse me to callers-even the Maürs, who were more like friends and neighbors than any one else in the place. My own affairs should not obtrude on this tale at all; and I will not go into them more than to say that I came to the end of my dosing and emerged upon the world after three days. The foolish thought came to me that I would have a look at French Eva's hair, of which little Morlot had spoken in such gallant hiccoughs.

The lady was not upon her veranda, nor yet in her poultry-yard, as I paced past her dwelling. I had got nearly by, when I heard myself addressed from the unglazed window.

"Monsieur!"

I strolled back, wondering if at last I should be invited to hear the gramophone-her chiefest treasure. The mass of hair spread out of the crude opening in the bamboo wall, for all the world like Rapunzel's. I faced a great curtain of black. Then hands appeared and made a rift in it, and a face showed in the loose black frame.

"Monsieur, what is the German for 'cochon'?"

My German is scanty, and I reflected. "'Schweinhund' will do, I think," I answered after consideration.

"A thousand thanks." The face disappeared, and the hair was pulled after it.

I waited. I could hear nothing distinctly, but in a moment Schneider came running quickly and stiffly down the creaky ladder from the door. He saw me-of that I am sure-but I did not blame him for not greeting one who had doubtless been giving aid and comfort to the enemy. I squatted on the low railing of French Eva's compound, but she herself was not forthcoming. After ten minutes I heard a commotion in the poultry yard, and found her at the back among her chickens. Her hair was piled up into an amazing structure: it looked as if some one had placed the great pyramid on top of the sphinx.

"Do you need my further services?"

She smiled. "Not in the least. But I like to speak to animals, when possible, in their own language. It saves time." By way of illustration, she clucked to a group of hens. She turned her back to me, and I was dismissed from her barefoot presence.

Stires was my logical goal after that, and I found him busy with the second mate of a tramp just in from Papua and bound for the Carolines. After the man had gone, I informed Stires of the episode. For a man who had damned Schneider up and down for making presents to a lady, Stires reacted disappointingly.

"He got his, eh?" was all he said.

"Evidently. You don't seem to be much affected."

"So long as she's shipped him, that's all right," he drawled.

"I can't make out what your interest in the matter is," I suggested.

"Sure you can't," Stires began to whistle creakily, and took up some nameless object to repair.

"How long is Schneider staying round these parts?"

"Not long, I guess. I heard he was leaving on the Sydney packet next week."

"So you're only up against Follet?" I pressed him.

"I ain't up against anybody. Miss Eva'll settle her own affairs."

"Excuse me." And I made the gesture of withdrawing.

"Don't get het up under the collar," he protested. "Only I never did like this discussing ladies. She don't cotton to me for some reason. I'm free to say I admire her very much. I guess that's all."

"Nothing I can do for you, then?"

Stires lighted a pipe. "If you're so set on helping me, you might watch over Ching Po a little."

"What is he up to?"

"Don't know. But it ain't like him to be sitting round idle when there's harm to be done. He's got something up his sleeve-and a Chink's sleeve's big enough to hold a good-sized crime," he finished, with a grim essay of humor.

"Are these mere suspicions on your part, or do you know that something's up?"

"Most things happen on Naapu before there's been any time for suspicion," he rejoined, squinting at his pipe, which had stopped drawing. "These folks lie low and sing little songs, and just as you're dropping off there's a knife somewhere.-Have you heard anything about the doings up yonder?" He indicated the mountain that rose, sharply cut and chasmed, back of the town.

"Trouble with the natives? No."

"This is the time o' year when the heathen begin to feel their oats. Miss Eva, she's interested in their superstitions. They don't usually come to anything-just a little more work for the police if they get drunk and run amuck. The constabulary is mostly off on the spree. They have gods of wood and stone up in the caves yonder, you know. But it's always a kind of uneasy feel to things till they settle down again."

I leaned against a coil of rope and pursued the subject. "But none of the people you and I are interested in are concerned with native orgies. We are all what you might call agnostics."

"Speak for yourself, sir. I'm a Methodist. 'Tain't that they mix themselves up in the doings. But-well, you haven't lived through the merry month of May on Naapu. I tell you, this blessed island ain't big enough to hold all that froth without everybody feeling it. Just because folks don't know what's going on up yonder it kind of relaxes 'em. I don't say the Kanakas do anything they shouldn't, except get drunk, and joy-ride down waterfalls, and keep up an infernal tom-toming. But it sort of gets on your nerves. And I wouldn't call Naapu straitlaced, either. Everybody seems to feel called on to liquor up, this time o' year. If it isn't one pretext it's another. Things folks have been kind of hesitating over, in the name of morals, they start out and perform, regardless. The authorities, they get worried because a Kanaka's spree lands him, like as not, in a blackbirder. Mighty queer craft hang round at this season. There ain't supposed to be anything doing in these blessed islands that ain't aboveboard, but 'tisn't as though the place was run by Americans."

"And I am to watch Ching Po? Where does he come in?"

"I wish't I knew. He makes money out of it somehow. Dope, I suppose. Old man Dubois ain't his only customer, by a long shot."

"Ching Po isn't likely to go near French Eva, is he? They don't speak, I've noticed."

"No, they don't. But that Chink's little ways are apt to be indirect. She's afraid of him-afraid of the dust under her feet, as you might say."

Stires puffed meditatively at his pipe. Then a piratical-looking customer intervened, and I left.

Leisurely, all this, and not significant to the unpeeled eye. And then, within twenty-four hours of the time when I had left Stires, things began to happen. It was as if a tableau had suddenly decided to become a "movie." All those fixed types began to dash about and register the most inconvenient emotions. Let me set down a few facts diary fashion.

To begin with, when I got up the next morning, Joe had disappeared. No sign of breakfast, no smell of coffee. It was late for breakfast at Dubois's, and I started out to get my own. There were no eggs, and I sauntered over to French Eva's to purchase a few. The town looked queer to me as I walked its grassy streets. Only when I turned into the lane that led to French Eva's did I realize why. It was swept clean of natives. There weren't any. Not a stevedore, not a fisherman, not a brown fruit-vender did I see.

French Eva greeted me impatiently. She was not doing business, evidently, for she wore her silk dress and white canvas shoes. Also, a hat. Her face was whiter than ever, and, just offhand, I should have said that something had shaken her. She would not let me in, but made me wait while she fetched the eggs. I took them away in a little basket of plaited palm-fronds, and walked through the compound as nonchalantly as I could, pretending that I had not seen what I knew I had seen-Ching Po's face within, a foot or two behind the window opening. It startled me so much that I resolved to keep away from Stires: I wished to digest the phenomenon quite alone.

At ten o'clock, my breakfast over, I opened my door to a knock, and Follet's bloodshot eyes raked me eagerly. He came in with a rush, as if my hit-or-miss bungalow were sanctuary. I fancied he wanted a drink, but I did not offer him one. He sat down heavily-for all his lightness-like a man out of breath. I saw a pistol-butt sticking out of his pocket and narrowed my eyes upon him. Follet seldom looked me up in my own house, though we met frequently enough in all sorts of other places. It was full five minutes before he came to the point. Meanwhile I remarked on Joe's defection.

"Yes," he said, "the exodus has begun."

"Is there really anything in that?"

"What?" he asked sharply.

"Well-the exodus."

"Oh, yes. They do have some sort of shindy-not interesting to any one but a folk-lorist. Chiefly an excuse, I fancy, for drinking too much. Schneider says he's going to investigate. I rather wish they'd do him in."

"What have you got against him-except that he's an unpleasant person?"

By this roundabout way Follet had reached his point. "He's been trying to flirt with my lady-love."

"French Eva?"

"The same." His jauntiness was oppressive, dominated as it was by those perturbed and hungry eyes.

"Oh-" I meditated. But presently I decided. "Then why do you let Ching Po intrude upon her in her own house?"

"Ching Po?" He quivered all over as if about to spring up from his chair, but he did not actually rise. It was just a supple, snake-like play of his body-most unpleasant.

"I saw him there an hour ago-when I fetched my eggs. My cook's off, you see."

Still that play of muscles underneath the skin, for a moment or two. Then he relaxed, and his eyes grew dull. Follet was not, I fancy, what the insurance men call a good risk.

"She can take care of herself, I expect," he said. They all seemed surer of that than gentlemen in love are wont to be.

"She and Ching Po don't hit it off very well, I've noticed."

"No, they don't." He admitted it easily, as if he knew all about it.

"I wonder why." I had meant to keep my hands off the whole thing, but I could not escape the tension in the Naapu air. Those gods of wood and stone were not without power-of infection, at the least.

"Better not ask." He bit off the words and reached for a cigarette.

"Does any one know?"

"An old inhabitant can guess. But why she should be afraid of him-even the old inhabitant doesn't know. There's Dubois; but you might as well shriek at a corpse as ask Dubois anything."

"You don't think that I'd better go over and make sure that Ching Po isn't annoying her?"

Follet's lips drew back over his teeth in his peculiar smile. "If I had thought he could annoy her, I'd have been over there myself a short time ago. If he really annoyed French Eva any day, he'd be nothing but a neat pattern of perforations, and he knows it."

"Then what has the oldest inhabitant guessed as to the cause of the quarrel?" I persisted. Since I was in it-well, I hate talk that runs in circles.

"She hasn't honored me with her confidence. But, for a guess, I should say that in the happy time now past he had perhaps asked her to marry him. And-Naapu isn't Europe, but, you know, even here a lady might resent that."

"But why does she let him into her house?"

"That I can't tell you. But I can almost imagine being afraid of Ching Po myself."

"Why don't you settle it up, one way or the other?" I was a newcomer, you see.

Follet laughed and took another cigarette. "We do very well as we are, I think. And I expect to go to Auckland next year." His voice trailed off fatuously in a cloud of smoke, and I knew then just why I disliked him. The fibre was rotten. You couldn't even hang yourself with it.

I was destined to keep open house that day. Before Follet's last smoke-puff had quite slid through the open window, Madame Maür, who was perpetually in mourning, literally darkened my doorway. Seeing Follet she became nervous-he did affect women, as I have said. What with her squint and her smile, she made a spectacle of herself before she panted out her staccato statement. Doctor Maür was away with a patient on the other side of the island; and French Eva had been wringing her hands unintelligibly on the Maürs' porch. She-Madame Maür-couldn't make out what the girl wanted.

Now, this was nothing to break in on me for; and Madame Maür, in spite of her squint and her smile, was both sensible and good-broke, moreover, to the ridiculous coincidences and unfathomable dramas of Naapu. Why hadn't she treated the girl for hysterics? But I gathered presently that there was one element in it that she couldn't bear. That element, it appeared, was Ching Po, perfectly motionless in the public road-no trespasser, therefore-watching. She had got Eva into the house to have her hysterics out in a darkened room. But Ching Po never stirred. Madame Maür thought he never would stir. She couldn't order him off the public thoroughfare, and there was no traffic for him to block. He was irreproachable and intolerable. After half an hour of it, she had run out across her back garden to ask my help. He must go away or she, too, would have hysterics. And Madame Maür covered the squint with a black-edged handkerchief. If he would walk about, or whistle, or mop his yellow face, she wouldn't mind. But she was sure he hadn't so much as blinked, all that time. If a man could die standing up, she should think he was dead. She wished he were. If he stayed there all day-as he had a perfect right to do-she, Madame Maür, would have to be sent home to a maison de santé.-And she began to make guttural noises. As Félicité Maür had seen, in her time, things that no self-respecting maison de santé would stand for, I began to believe that I should have to do something. I rose reluctantly. I was about fed up with Ching Po, myself.

I helped Madame Maür out of her chair, and fetched my hat. Then I looked for Follet, to apologize for leaving him. I had neither seen nor heard him move, but he was waiting for us on the porch. He could be as noiseless on occasion as Ching Po.

"You'd better not come into this," I suggested; for there was no staying power, I felt, in Follet.

He seemed to shiver all over with irritation. "Oh, damn his yellow soul, I'll marry her!" He spat it out-with no sweetness, this time.

Madame Maür swung round to him like a needle to the pole. "You may save yourself the corvée. She won't have you. Not if any of the things she has been sobbing out are true. She loves the other man-down by the docks. Your compatriot." She indicated me. Her French was clear and clicking, with a slight provincial accent.

"Oh-" He breathed it out at great length, exhaling. Yet it sounded like a hiss. "Stires, eh?" And he looked at me.

I had been thinking, as we stood on the steps. "How am I to move Ching Po off?" I asked irritably. It had suddenly struck me that, inspired by Madame Maür, we were embarking on sheer idiocy.

"I'll move him," replied Follet with a curious intonation.

At that instant my eye lighted again on the pistol. "Not with that." I jerked my chin ever so slightly in the direction of his pocket.

"Oh, take it if you want it. Come on." He thrust the weapon into my innocent hand and began to pull at my bougainvillea vine as if it were in his way. Some of the splendid petals fluttered about Madame Maür's head.

We reached the Maürs' front porch by a circuitous route-through the back garden and the house itself-and paused to admire the view. Yes, we looked for Ching Po as if we were tourists and he were Niagara.

"He hasn't moved yet." This was Madame Maür's triumphant whimper. Inarticulate noises somewhere near indicated that French Eva was still in sanctuary.

Follet grunted. Then he unleashed his supple body and was half way to the gate in a single arrow flight. I followed, carrying the pistol still in my hand. My involuntary haste must have made me seem to brandish it. I heard a perfectly civilized scream from Madame Maür, receding into the background-which shows that I was, myself, acquiring full speed ahead. By the time Follet reached the gate, Ching Po moved. I saw Follet gaining on him, and then saw no more of them; for my feet acting on some inspiration of their own which never had time to reach my brain, took a short cut to the water front. I raced past French Eva's empty house, pounding my way through the gentle heat of May, to Stires's establishment. I hoped to cut them off. But Ching Po must have had a like inspiration, for when I was almost within sight of my goal-fifty rods ahead-the Chinaman emerged from a side lane between me and it. He was running like the wind. Follet was nowhere to be seen. Ching Po and I were the only mites on earth's surface. The whole population, apparently, had piously gone up the mountain in order to let us have our little drama out alone. I do not know how it struck Ching Po; but I felt very small on that swept and garnished scene.

I was winded; and with the hope of reaching Stires well dashed, my legs began to crumple. I sank down for a few seconds on the low wall of some one's compound. But I kept a keen eye out for Follet. I thought Stires could look out for himself, so long as it was just Ching Po. It was the triangular mix-up I was afraid of; even though I providentially had Follet's pistol. And, for that matter, where was Follet? Had he given up the chase? Gone home for that drink, probably.

But in that I had done him injustice; for in a few moments he debouched from yet a third approach. Ching Po had evidently doubled, somehow, and baffled him.

I rose to meet him, and he slowed down to take me on. By this time the peaceful water front had absorbed the Chinaman; and if Stires was at home, the two were face to face. I made this known to Follet.

"Give me back my pistol," he panted.

"Not on your life," I said, and jammed it well into my pocket.

"What in hell have you got to do with it?" he snarled.

"Stires is a friend of mine." I spoke with some difficulty, for though we were not running, we were hitting up a quick pace. Follet was all colors of the rainbow, and I looked for him to give out presently, but he kept on.

"Ching Po, too?" he sneered.

"Not a bit of it. But they won't stand for murder in open daylight-even your friends."

We were very near Stires's place by this time. There was no sign of any one in the yard; it was inhabited solely by the familiar rusty monsters of Stires's trade. As we drew up alongside, I looked through the window. Stires and Ching Po were within, and from the sibilant noise that stirred the peaceful air, I judged that Ching Po was talking. Their backs were turned to the outer world. I pushed open the door, and Follet and I entered.

For the first time I found myself greeted with open hostility by my fellow countryman. "What the devil are you doing here?" I was annoyed. The way they all dragged me in and then cursed me for being there! The Chinaman stood with his hands folded in his wicked sleeves, his eyes on the ground. In the semi-gloom of Stires's warehouse, his face looked like a mouldy orange. He was yellower even than his race permitted-outside and in.

"If I can't be of any service to you or Miss Eva, I should be only too glad to go home," I retorted.

"What about her?" asked Stires truculently. He advanced two steps towards me.

"I'm not looking for trouble-" It seemed to me just then that I hated Naapu as I had never hated any place in the world. "She's having hysterics up at Madame Maür's. I fancy that's why we're here. Your yellow friend there seems to have been responsible for the hysterics. This other gentleman and I"-I waved a hand at Follet, who stood, spent and silent, beside me-"resented it. We thought we would follow him up."

How much Ching Po understood of plain English, I do not know. One always conversed with him in the pidgin variety. But he certainly looked at peace with the world: much as the devil must have looked, gazing at Pompeii in the year '79.

"You can do your resenting somewheres else," snapped Stires. "Both of you."

"I go," murmured Ching Po. He stepped delicately towards the door.

"No, you don't!" Follet's foot shot out to trip him. But the Chinaman melted past the crude interruption.

"I go," he repeated, with ineffable sadness, from the threshold.

The thing was utterly beyond me. I stood stock-still. The two men, Follet and Stires, faced each other for an instant. Then Follet swung round and dashed after Ching Po. I saw him clutch the loose black sleeve and murmur in the flat ear.

Stires seemed to relent towards me now that Follet was gone. "Let 'em alone," he grunted. "The Chink won't do anything but tell him a few things. And like as not, he knows 'em already, the-" The word indicated his passionate opinion of Follet.

"I was called in by Madame Maür," I explained weakly. "Ching Po wouldn't leave the road in front of her compound. And-Miss Eva was inside, having hysterics. Ching Po had been with her earlier. Now you know all I know, and as I'm not wanted anywhere, I'll go. I assure you I'm very glad to."

I was not speaking the strictest truth, but I saw no reason to pour out Madame Maür's revelations just then upon Stires's heated soul. Nor would I pursue the subject of Follet.

Stires sank down on something that had once been an office-chair. Thence he glowered at me. I had no mind to endure his misdirected anger, and I turned to go. But in the very instant of my turning from him I saw tragedy pierce through the mask of rage. The man was suffering; he could no longer hold his eyes and lips to the expression of anger. I spoke to him very gently.

"Has Miss Eva really anything to fear from that miserable Chinaman?"

Stires bowed his head on his hands. "Not a thing, now. He's done his damnedest. It only took a minute for him to spit it out."

"Will he spit it out to Follet?"

"You bet he will. But I've got a kind of a hunch Follet knew all along."

"I'm sure he didn't-whatever it is."

"Well, he does by now. They must be nearly back to the ho-tel. I'm kind of busy this morning"-he waved his hand round that idle scene-"and I guess-"

"Certainly. I'm going now." I spared him the effort of polishing off his lie. The man wanted to be alone with his trouble, and that was a state of mind I understood only too well.

The circumstantial evidence I had before me as I walked back to my own house led inevitably to one verdict. I could almost reconstruct the ignoble pidgin-splutter in which Ching Po had told Stires, and was even now telling Follet. The wonder to me was that any one believed the miserable creature. Truth wouldn't be truth if it came from Ching Po. Yet if two men who were obviously prepossessed in the lady's favor were so easily to be convinced by his report, some old suspicions, some forgotten facts must have rushed out of the dark to foregather with it. French Eva had been afraid of the Chinaman; yet even Follet had pooh-poohed her fears; and her reputation was-or had been-well-nigh stainless on Naapu, which is, to say the least, a smudgy place. Still-there was only one road for reason to take, and in spite of these obstacles it wearily and doggedly took it.

Joe, of course, was still absent; and though I was never more in need of food, my larder was empty. I would not go to Dubois's and encounter Follet and Ching Po. Perhaps Madame Maür would give me a sandwich. I wanted desperately to have done with the whole sordid business; and had there been food prepared for me at home, I think I should have barricaded myself there. But my hunger joined hands with a lurking curiosity. Between them they drove me to Madame Maür's.

The lady bustled about at once to supply my needs. Her husband was still away, and lunch there was not in any proper sense. But she fed me with odd messes and endless cups of coffee. Hunger disappeared leaving curiosity starkly apparent.

"How's Eva?" I asked.

Madame Maür pursed her lips. "She went away an hour ago."

"Home?"

The lady shrugged her shoulders. "It looked like it. I did not ask her. She would go-with many thanks, but with great resolution.-What has happened to you?" she went on smoothly.

I deliberated. Should I tell madame anything or should I not? I decided not to. "Ching Po went back to the hotel," I said. "I don't believe he meant to annoy you."

She let the subject drop loyally. And, indeed, with Ching Po and French Eva both out of the way, she had become quite normal again. Of course, if I would not let her question me, I could not in fairness question her. So we talked on idly, neither one, I dare say, quite sure of the other, and both ostensibly content to wait. Or she may have had reasons as strong as mine for wishing to forget the affair of the morning.

I grew soothed and oblivious. The thing receded. I was just thinking of going home when Follet appeared at the gate. Then I realized how futile had been our common reticence.

"Is Eva here?" he shouted before he reached us.

"She went home long ago." Madame Maür answered quietly, but I saw by her quick shiver that she had not been at peace, all this time.

"She's not there. The place is all shut up."

"Doesn't she usually attend these festivities up the hill?" I asked.

His look went through me like a dagger. "Not today, you fool!"

"Well, why worry about her?" It was I who put it calmly. Six hours before, I had not been calm; but now I looked back at that fever with contempt.

"She's been to Stires's," he went on; and I could see the words hurt him.

"Well, then, ask him."

"He was asleep. She left her beloved gramophone there. He found it when he waked."

"Her gramophone?" I ejaculated. "Where is Stires?"

"Looking for her-and hoping he won't find her, curse him!"

Follet took hold of me and drew me down the steps. "Come along," he said. Then he turned to Madame Maür. "Sorry, madame. This is urgent. We'll tell you all about it later."

Félicité Maür did not approve of Follet, but he could do no wrong when she was actually confronted with him. She took refuge in a shrug and went within.

When we were outside the gate, I stood still and faced Follet. "What did Ching Po tell you and Stires?"

"Don't you know?" Sheer surprise looked out at me from his eyes.

"Of course, I think I know. Do you really want to tear the place up, looking for her?"

"It's not that!" he shouted. "If it had been, every one would have known it long since. Ching Po got it out of old Dubois. I shook Dubois out of his opium long enough to confirm it. I had to threaten him.-Ching Po's a dirty beast, but, according to the old man he told the truth. Ching Po did want to marry her once. She wouldn't, of course, and he's just been waiting to spike her guns. When he found out she really wanted that impossible Yankee, he said he'd tell. She had hysterics. He waited for her outside the Maürs', hoping, I suppose, it would work out another way. When we appeared, he decided to get his work in. He probably thought she had sent for us. And he was determined no one should stop him from telling. Now do you see? Come on." He pulled at my arm.

"In heaven's name, man, what did he tell?" I almost shrieked.

"Just the one thing you Yankees can't stand," Follet sneered. "A touch of the tar-brush. She wasn't altogether French, you see. Old Dubois knows her pedigree. Her grandmother was a mulatto, over Penang way. She knew how Stires felt on the subject-a damn, dirty ship-chandler no self-respecting officer deals with-"

"None of that!" I said sharply. "He's a good man, Stires. A darned sight too good for the Naapu grafters. A darned sight too good to go native-" Then I stopped, for Follet was hardly himself, nor did I like the look of myself as a common scold.

We did not find Stires, and after an hour or two we gave up the search. By dusk, Follet had got to the breaking-point. He was jumpy. I took him back myself to the hotel, and pushed him viciously into Ching Po's arms. The expressionless Chinese face might have been a mask for all the virtues; and he received the shaking burden of Follet as meekly as a sister of charity.

I bought some tinned things for my dinner and took my way home. I should not, I felt sure, be interrupted, and I meant to turn in early. Madame Maür would be telling the tale to her husband; Follet would, of a certainty, be drunk; and Stires would be looking, I supposed, for French Eva. French Eva, I thought, would take some finding; but Stires was the best man for the job. It was certainly not my business to notify any one that night. So I chowed alone, out of the tins, and smoked a long time-alone-in the moonlight.

* * *

It was not Stires, after all, who found her, though he must have hunted the better part of that night. It was three days before she was washed ashore. She was discovered by a crew of fishermen whom she had often beaten down in the way of business. They brought her in from the remote cove, with loud lamentations and much pride. She must have rocked back and forth between the shore and the reef, for when they found her, her body was badly battered. From the cliff above, they said, she looked at first like a monstrous catch of seaweed on the sand Her hair-

Follet had treated himself to a three days' drinking-bout, and only emerged, blanched and palsied, into a town filled with the clamor of her funeral. Stires had shut up his junk-shop for a time and stayed strictly at home. I went to see him, the day after they found her. His face was drawn and gloomy, but it was the face of a man in his right mind. I think his worst time was that hour after Follet had followed Ching Po out of his warehouse. He never told me just how things had stood between French Eva and him, but I am sure that he believed Ching Po at once, and that, from the moment Ching Po spoke, it was all over. It was no longer even real to him, so surely had his inborn prejudice worked. Stires was no Pierre Loti.

In decency we had to mention her. There was a great to-do about it in the town, and the tom-toms had mysteriously returned from the hillsides.

"I've been pretty cut up about it all," he admitted. "But there's no doubt it's for the best. As I look back on it, I see she never was comfortable in her mind. On and off, hot and cold-and I took it for flightiness. The light broke in on me, all of a sudden, when that dirty yellow rascal began to talk. But if you'll believe me, sir, I used to be jealous of Follet. Think of it, now." He began to whittle.

Evidently her ravings to Madame Maür had not yet come to his ears. Madame Maür was capable of holding her tongue; and there was a chance Follet might hold his. At all events, I would not tell Stires how seriously she had loved him. He was a very provincial person, and I think-considering her pedigree-it would have shocked him.

French Eva's cerebrations are in some ways a mystery to me, but I am sure she knew what she wanted. I fancy she thought-but, as I say, I do not know-that the mode of her passing would at least make all clear to Stires. Perhaps she hoped for tardy regrets on his part; an ex-post-facto decision that it didn't matter. The hot-and-cold business had probably been the poor girl's sense of honor working-though, naturally, she couldn't have known (on Naapu) the peculiar impregnability of Stires's prejudices. When you stop to think of it, Stires and his prejudices had no business in such a place, and nothing in earth or sky or sea could have foretold them to the population of that landscape. Perhaps when she let herself go, in the strong seas, she thought that he would be at heart her widower. Don't ask me. Whatever poor little posthumous success of the sort she may have hoped for, she at least paid for it heavily-and in advance. And, as you see, her ghost never got what her body had paid for. It is just as well: why should Stires have paid, all his life? But if you doubt the strength of her sincerity, let me tell you what every one on Naapu was perfectly aware of: she could swim like a Kanaka; and she must have let herself go on those familiar waters, against every instinct, like a piece of driftwood. Stires may have managed to blink that fact; but no one else did.

Lockerbie gave a dinner-party at the end of the week, and Follet got drunk quite early in the evening. He embarrassed every one (except me) by announcing thickly, at dessert, that he would have married French Eva if she hadn't drowned herself. I believed it no more the second time than I had believed it the first. Anyhow, she wouldn't have had him. Schneider left us during those days. We hardly noticed his departure. Ching Po still prospers. Except Stires, we are not squeamish on Naapu.

* * *

THE PAST[10]

By ELLEN GLASGOW

(From Good Housekeeping)

I had no sooner entered the house than I knew something was wrong. Though I had never been in so splendid a place before-it was one of those big houses just off Fifth Avenue-I had a suspicion from the first that the magnificence covered a secret disturbance. I was always quick to receive impressions, and when the black iron doors swung together behind me, I felt as if I were shut inside of a prison.

When I gave my name and explained that I was the new secretary, I was delivered into the charge of an elderly lady's maid, who looked as if she had been crying. Without speaking a word, though she nodded kindly enough, she led me down the hall, and then up a flight of stairs at the back of the house to a pleasant bedroom in the third story. There was a great deal of sunshine, and the walls, which were painted a soft yellow, made the room very cheerful. It would be a comfortable place to sit in when I was not working, I thought, while the sad-faced maid stood watching me remove my wraps and hat.

"If you are not tired, Mrs. Vanderbridge would like to dictate a few letters," she said presently, and they were the first words she had spoken.

"I am not a bit tired. Will you take me to her?" One of the reasons, I knew, which had decided Mrs. Vanderbridge to engage me was the remarkable similarity of our handwriting. We were both Southerners, and though she was now famous on two continents for her beauty, I couldn't forget that she had got her early education at the little academy for young ladies in Fredericksburg. This was a bond of sympathy in my thoughts at least, and, heaven knows, I needed to remember it while I followed the maid down the narrow stairs and along the wide hall to the front of the house.

In looking back after a year, I can recall every detail of that first meeting. Though it was barely four o'clock, the electric lamps were turned on in the hall, and I can still see the mellow light that shone over the staircase and lay in pools on the old pink rugs, which were so soft and fine that I felt as if I were walking on flowers. I remember the sound of music from a room somewhere on the first floor, and the scent of lilies and hyacinths that drifted from the conservatory. I remember it all, every note of music, every whiff of fragrance; but most vividly I remember Mrs. Vanderbridge as she looked round, when the door opened, from the wood fire into which she had been gazing. Her eyes caught me first. They were so wonderful that for a moment I couldn't see anything else; then I took in slowly the dark red of her hair, the clear pallor of her skin, and the long, flowing lines of her figure in a tea-gown of blue silk. There was a white bearskin rug under her feet, and while she stood there before the wood fire, she looked as if she had absorbed the beauty and colour of the house as a crystal vase absorbs the light. Only when she spoke to me, and I went nearer, did I detect the heaviness beneath her eyes and the nervous quiver of her mouth, which drooped a little at the corners. Tired and worn as she was, I never saw her afterwards-not even when she was dressed for the opera-look quite so lovely, so much like an exquisite flower, as she did on that first afternoon. When I knew her better, I discovered that she was a changeable beauty, there were days when all the colour seemed to go out of her, and she looked dull and haggard, but at her best no one I've ever seen could compare with her.

She asked me a few questions, and though she was pleasant and kind, I knew that she scarcely listened to my responses. While I sat down at the desk and dipped my pen into the ink, she flung herself on the couch before the fire with a movement which struck me as hopeless. I saw her feet tap the white fur rug, while she plucked nervously at the lace on the end of one of the gold-coloured sofa cushions. For an instant the thought flashed through my mind that she had been taking something-a drug of some sort-and that she was suffering now from the effects of it. Then she looked at me steadily, almost as if she were reading my thoughts, and I knew that I was wrong. Her large radiant eyes were as innocent as a child's.

She dictated a few notes-all declining invitations-and then, while I still waited pen in hand, she sat up on the couch with one of her quick movements, and said in a low voice, "I am not dining out to-night, Miss Wrenn. I am not well enough."

"I am sorry for that." It was all I could think of to say, for I did not understand why she should have told me.

"If you don't mind, I should like you to come down to dinner. There will be only Mr. Vanderbridge and myself."

"Of course I will come if you wish it." I couldn't very well refuse to do what she asked me, yet I told myself, while I answered, that if I had known she expected me to make one of the family, I should never, not even at twice the salary, have taken the place. It didn't take me a minute to go over my slender wardrobe in my mind and realize that I had nothing to wear that would look well enough.

"I can see you don't like it," she added after a moment, almost wistfully, "but it won't be often. It is only when we are dining alone."

This, I thought, was even queerer than the request-or command-for I knew from her tone, just as plainly as if she had told me in words, that she did not wish to dine alone with her husband.

"I am ready to help you in any way-in any way that I can," I replied, and I was so deeply moved by her appeal that my voice broke in spite of my effort to control it. After my lonely life I dare say I should have loved any one who really needed me, and from the first moment that I read the appeal in Mrs. Vanderbridge's face I felt that I was willing to work my fingers to the bone for her. Nothing that she asked of me was too much when she asked it in that voice, with that look.

"I am glad you are nice," she said, and for the first time she smiled-a charming, girlish smile with a hint of archness. "We shall get on beautifully, I know, because I can talk to you. My last secretary was English, and I frightened her almost to death whenever I tried to talk to her." Then her tone grew serious. "You won't mind dining with us. Roger-Mr. Vanderbridge-is the most charming man in the world."

"Is that his picture?"

"Yes, the one in the Florentine frame. The other is my brother. Do you think we are alike?"

"Since you've told me, I notice a likeness." Already I had picked up the Florentine frame from the desk, and was eagerly searching the features of Mr. Vanderbridge. It was an arresting face, dark, thoughtful, strangely appealing, and picturesque-though this may have been due, of course, to the photographer. The more I looked at it, the more there grew upon me an uncanny feeling of familiarity; but not until the next day, while I was still trying to account for the impression that I had seen the picture before, did there flash into my mind the memory of an old portrait of a Florentine nobleman in a loan collection last winter. I can't remember the name of the painter-I am not sure that it was known-but this photograph might have been taken from the painting. There was the same imaginative sadness in both faces, the same haunting beauty of feature, and one surmised that there must be the same rich darkness of colouring. The only striking difference was that the man in the photograph looked much older than the original of the portrait, and I remembered that the lady who had engaged me was the second wife of Mr. Vanderbridge and some ten or fifteen years younger, I had heard, than her husband.

"Have you ever seen a more wonderful face?" asked Mrs. Vanderbridge. "Doesn't he look as if he might have been painted by Titian?"

"Is he really so handsome as that?"

"He is a little older and sadder, that is all. When we were married it was exactly like him." For an instant she hesitated and then broke out almost bitterly, "Isn't that a face any woman might fall in love with, a face any woman-living or dead-would not be willing to give up?"

Poor child, I could see that she was overwrought and needed some one to talk to, but it seemed queer to me that she should speak so frankly to a stranger. I wondered why any one so rich and so beautiful should ever be unhappy-for I had been schooled by poverty to believe that money is the first essential of happiness-and yet her unhappiness was as evident as her beauty, or the luxury that enveloped her. At that instant I felt that I hated Mr. Vanderbridge, for whatever the secret tragedy of their marriage might be, I instinctively knew that the fault was not on the side of the wife. She was as sweet and winning as if she were still the reigning beauty in the academy for young ladies. I knew with a knowledge deeper than any conviction that she was not to blame, and if she wasn't to blame, then who under heaven could be at fault except her husband?

In a few minutes a friend came in to tea, and I went upstairs to my room, and unpacked the blue taffeta dress I had bought for my sister's wedding. I was still doubtfully regarding it when there was a knock at my door, and the maid with the sad face came in to bring me a pot of tea. After she had placed the tray on the table, she stood nervously twisting a napkin in her hands while she waited for me to leave my unpacking and sit down in the easy chair she had drawn up under the lamp.

"How do you think Mrs. Vanderbridge is looking?" she asked abruptly in a voice, that held a breathless note of suspense. Her nervousness and the queer look in her face made me stare at her sharply. This was a house, I was beginning to feel, where everybody, from the mistress down, wanted to question me. Even the silent maid had found voice for interrogation.

"I think her the loveliest person I've ever seen," I answered after a moment's hesitation. There couldn't be any harm in telling her how much I admired her mistress.

"Yes, she is lovely-every one thinks so-and her nature is as sweet as her face." She was becoming loquacious. "I have never had a lady who was so sweet and kind. She hasn't always been rich, and that may be the reason she never seems to grow hard and selfish, the reason she spends so much of her life thinking of other people. It's been six years now, ever since her marriage, that I've lived with her, and in all that time I've never had a cross word from her."

"One can see that. With everything she has she ought to be as happy as the day is long."

"She ought to be." Her voice dropped, and I saw her glance suspiciously at the door, which she had closed when she entered. "She ought to be, but she isn't. I have never seen any one so unhappy as she has been of late-ever since last summer. I suppose I oughtn't to talk about it, but I've kept it to myself so long that I feel as if it was killing me. If she was my own sister, I couldn't be any fonder of her, and yet I have to see her suffer day after day, and not say a word-not even to her. She isn't the sort of lady you could speak to about a thing like that."

She broke down, and dropping on the rug at my feet, hid her face in her hands. It was plain that she was suffering acutely, and while I patted her shoulder, I thought what a wonderful mistress Mrs. Vanderbridge must be to have attached a servant to her so strongly.

"You must remember that I am a stranger in the house, that I scarcely know her, that I've never even seen her husband," I said warningly, for I've always avoided, as far as possible, the confidences of servants.

"But you look as if you could be trusted." The maid's nerves, as well as the mistress's, were on edge, I could see. "And she needs somebody who can help her. She needs a real friend-somebody who will stand by her no matter what happens."

Again, as in the room downstairs, there flashed through my mind the suspicion that I had got into a place where people took drugs or drink-or were all out of their minds. I had heard of such houses.

"How can I help her? She won't confide in me, and even if she did, what could I do for her?"

"You can stand by and watch. You can come between her and harm-if you see it." She had risen from the floor and stood wiping her reddened eyes on the napkin. "I don't know what it is, but I know it is there. I feel it even when I can't see it."

Yes, they were all out of their minds; there couldn't be any other explanation. The whole episode was incredible. It was the kind of thing, I kept telling myself, that did not happen. Even in a book nobody could believe it.

"But her husband? He is the one who must protect her."

She gave me a blighting look. "He would if he could. He isn't to blame-you mustn't think that. He is one of the best men in the world, but he can't help her. He can't help her because he doesn't know. He doesn't see it."

A bell rang somewhere, and catching up the tea-tray, she paused just long enough to throw me a pleading word, "Stand between her and harm, if you see it."

When she had gone I locked the door after her, and turned on all the lights in the room. Was there really a tragic mystery in the house, or were they all mad, as I had first imagined? The feeling of apprehension, of vague uneasiness, which had come to me when I entered the iron doors, swept over me in a wave while I sat there in the soft glow of the shaded electric light. Something was wrong. Somebody was making that lovely woman unhappy, and who, in the name of reason, could this somebody be except her husband? Yet the maid had spoken of him as "one of the best men in the world," and it was impossible to doubt the tearful sincerity of her voice. Well, the riddle was too much for me. I gave it up at last with a sigh-dreading the hour that would call the downstairs to meet Mr. Vanderbridge. I felt in every nerve and fibre of my body that I should hate him the moment I looked at him.

But at eight o'clock, when I went reluctantly downstairs, I had a surprise. Nothing could have been kinder than the way Mr. Vanderbridge greeted me, and I could tell as soon as I met his eyes that there wasn't anything vicious or violent in his nature. He reminded me more than ever of the portrait in the loan collection, and though he was so much older than the Florentine nobleman, he had the same thoughtful look. Of course I am not an artist, but I have always tried, in my way, to be a reader of personality; and it didn't take a particularly keen observer to discern the character and intellect in Mr. Vanderbridge's face. Even now I remember it as the noblest face I have ever seen; and unless I had possessed at least a shade of penetration, I doubt if I should have detected the melancholy. For it was only when he was thinking deeply that this sadness seemed to spread like a veil over his features. At other times he was cheerful and even gay in his manner; and his rich dark eyes would light up now and then with irrepressible humour. From the way he looked at his wife I could tell that there was no lack of love or tenderness on his side any more than there was on hers. It was obvious that he was still as much in love with her as he had been before his marriage, and my immediate perception of this only deepened the mystery that enveloped them. If the fault wasn't his and wasn't hers, then who was responsible for the shadow that hung over the house?

For the shadow was there. I could feel it, vague and dark, while we talked about the war and the remote possibilities of peace in the spring. Mrs. Vanderbridge looked young and lovely in her gown of white satin with pearls on her bosom, but her violet eyes were almost black in the candlelight, and I had a curious feeling that this blackness was the colour of thought. Something troubled her to despair, yet I was as positive as I could be of anything I had ever been told that she had breathed no word of this anxiety or distress to her husband. Devoted as they were, a nameless dread, fear, or apprehension divided them. It was the thing I had felt from the moment I entered the house; the thing I had heard in the tearful voice of the maid. One could scarcely call it horror, because it was too vague, too impalpable, for so vivid a name; yet, after all these quiet months, horror is the only word I can think of that in any way expresses the emotion which pervaded the house.

I had never seen so beautiful a dinner table, and I was gazing with pleasure at the damask and glass and silver-there was a silver basket of chrysanthemums, I remember, in the centre of the table-when I noticed a nervous movement of Mrs. Vanderbridge's head, and saw her glance hastily toward the door and the staircase beyond. We had been talking animatedly, and as Mrs. Vanderbridge turned away, I had just made a remark to her husband, who appeared to have fallen into a sudden fit of abstraction, and was gazing thoughtfully over his soup-plate at the white and yellow chrysanthemums. It occurred to me, while I watched him, that he was probably absorbed in some financial problem, and I regretted that I had been so careless as to speak to him. To my surprise, however, he replied immediately in a natural tone, and I saw, or imagined that I saw, Mrs. Vanderbridge throw me a glance of gratitude and relief. I can't remember what we were talking about, but I recall perfectly that the conversation kept up pleasantly, without a break, until dinner was almost half over. The roast had been served, and I was in the act of helping myself to potatoes, when I became aware that Mr. Vanderbridge had again fallen into his reverie. This time he scarcely seemed to hear his wife's voice when she spoke to him, and I watched the sadness cloud his face while he continued to stare straight ahead of him with a look that was almost yearning in its intensity.

Again I saw Mrs. Vanderbridge, with her nervous gesture, glance in the direction of the hall, and to my amazement, as she did so, a woman's figure glided noiselessly over the old Persian rug at the door, and entered the dining-room. I was wondering why no one spoke to her, why she spoke to no one, when I saw her sink into a chair on the other side of Mr. Vanderbridge and unfold her napkin. She was quite young, younger even than Mrs. Vanderbridge, and though she was not really beautiful, she was the most graceful creature I had ever imagined. Her dress was of gray stuff, softer and more clinging than silk, and of a peculiar misty texture and colour, and her parted hair lay like twilight on either side of her forehead. She was not like any one I had ever seen before-she appeared so much frailer, so much more elusive, as if she would vanish if you touched her. I can't describe, even months afterwards, the singular way in which she attracted and repelled me.

At first I glanced inquiringly at Mrs. Vanderbridge, hoping that she would introduce me, but she went on talking rapidly in an intense, quivering voice, without noticing the presence of her guest by so much as the lifting of her eyelashes. Mr. Vanderbridge still sat there, silent and detached, and all the time the eyes of the stranger-starry eyes with a mist over them-looked straight through me at the tapestry on the wall. I knew she didn't see me and that it wouldn't have made the slightest difference to her if she had seen me. In spite of her grace and her girlishness I did not like her, and I felt that this aversion was not on my side alone. I do not know how I received the impression that she hated Mrs. Vanderbridge-never once had she glanced in her direction-yet I was aware from the moment of her entrance, that she was bristling with animosity, though animosity is too strong a word for the resentful spite, like the jealous rage of a spoiled child, which gleamed now and then in her eyes. I couldn't think of her as wicked any more than I could think of a bad child as wicked. She was merely wilful and undisciplined and-I hardly know how to convey what I mean-elfish.

After her entrance the dinner dragged on heavily. Mrs. Vanderbridge still kept up her nervous chatter, but nobody listened, for I was too embarrassed to pay any attention to what she said, and Mr. Vanderbridge had never recovered from his abstraction. He was like a man in a dream, not observing a thing that happened before him, while the strange woman sat there in the candlelight with her curious look of vagueness and unreality. To my astonishment not even the servants appeared to notice her, and though she had unfolded her napkin when she sat down, she wasn't served with either the roast or the salad. Once or twice, particularly when a course was served, I glanced at Mrs. Vanderbridge to see if she would rectify the mistake, but she kept her gaze fixed on her plate. It was just as if there were a conspiracy to ignore the presence of the stranger, though she had been, from the moment of her entrance, the dominant figure at the table. You tried to pretend she wasn't there, and yet you knew-you knew vividly that she was gazing insolently straight through you.

The dinner lasted, it seemed, for hours, and you may imagine my relief when at last Mrs. Vanderbridge rose and led the way back into the drawing-room. At first I thought the stranger would follow us, but when I glanced round from the hall she was still sitting there beside Mr. Vanderbridge, who was smoking a cigar with his coffee.

"Usually he takes his coffee with me," said Mrs. Vanderbridge, "but tonight he has things to think over."

"I thought he seemed absent-minded."

"You noticed it, then?" She turned to me with her straightforward glance. "I always wonder how much strangers notice. He hasn't been well of late, and he has these spells of depression. Nerves are dreadful things, aren't they?"

I laughed. "So I've heard, but I've never been able to afford them."

"Well, they do cost a great deal, don't they?" She had a trick of ending her sentences with a question. "I hope your room is comfortable, and that you don't feel timid about being alone on that floor. If you haven't nerves, you can't get nervous, can you?"

"No, I can't get nervous." Yet while I spoke, I was conscious of a shiver deep down in me, as if my senses reacted again to the dread that permeated the atmosphere.

As soon as I could, I escaped to my room, and I was sitting there over a book, when the maid-her name was Hopkins, I had discovered-came in on the pretext of inquiring if I had everything I needed. One of the innumerable servants had already turned down my bed, so when Hopkins appeared at the door, I suspected at once that there was a hidden motive underlying her ostensible purpose.

"Mrs. Vanderbridge told me to look after you," she began. "She is afraid you will be lonely until you learn the way of things."

"No, I'm not lonely," I answered. "I've never had time to be lonely."

"I used to be like that; but time hangs heavy on my hands now. That's why I've taken to knitting." She held out a gray yarn muffler. "I had an operation a year ago, and since then Mrs. Vanderbridge has had another maid-a French one-to sit up for her at night and undress her. She is always so fearful of overtaxing us, though there isn't really enough work for two lady's-maids, because she is so thoughtful that she never gives any trouble if she can help it."

"It must be nice to be rich," I said idly, as I turned a page of my book. Then I added almost before I realized what I was saying, "The other lady doesn't look as if she had so much money."

Her face turned paler if that were possible, and for a minute I thought she was going to faint. "The other lady?"

"I mean the one who came down late to dinner-the one in the gray dress. She wore no jewels, and her dress wasn't low in the neck."

"Then you saw her?" There was a curious flicker in her face as if her pallor came and went.

"We were at the table when she came in. Has Mr. Vanderbridge a secretary who lives in the house?"

"No, he hasn't a secretary except at his office. When he wants one at the house, he telephones to his office."

"I wondered why she came, for she didn't eat any dinner, and nobody spoke to her-not even Mr. Vanderbridge."

"Oh, he never speaks to her. Thank God, it hasn't come to that yet."

"Then why does she come? It must be dreadful to be treated like that, and before the servants, too. Does she come often?"

"There are months and months when she doesn't. I can always tell by the way Mrs. Vanderbridge picks up. You wouldn't know her, she is so full of life-the very picture of happiness. Then one evening she-the Other One, I mean-comes back again, just as she did tonight, just as she did last summer, and it all begins over from the beginning."

"But can't they keep her out-the Other One? Why do they let her in?"

"Mrs. Vanderbridge tries hard. She tries all she can every minute. You saw her tonight?"

"And Mr. Vanderbridge? Can't he help her?"

She shook her head with an ominous gesture. "He doesn't know."

"He doesn't know she is there? Why, she was close by him. She never took her eyes off him except when she was staring through me at the wall."

"Oh, he knows she is there, but not in that way. He doesn't know that any one else knows."

I gave it up, and after a minute she said in a suppressed voice, "It seems strange that you should have seen her. I never have."

"But you know all about her."

"I know and I don't know. Mrs. Vanderbridge lets things drop sometimes-she gets ill and feverish very easily-but she never tells me anything outright. She isn't that sort."

"Haven't the servants told you about her-the Other One?"

At this, I thought, she seemed startled. "Oh, they don't know anything to tell. They feel that something is wrong; that is why they never stay longer than a week or two-we've had eight butlers since autumn-but they never see what it is."

She stooped to pick up the ball of yarn which had rolled under my chair. "If the time ever comes when you can stand between them, you will do it?" she asked.

"Between Mrs. Vanderbridge and the Other One?"

Her look answered me.

"You think, then, that she means harm to her?"

"I don't know. Nobody knows-but she is killing her."

The clock struck ten, and I returned to my book with a yawn, while Hopkins gathered up her work and went out, after wishing me a formal good night. The odd part about our secret conferences was that as soon as they were over, we began to pretend so elaborately to each other that they had never been.

"I'll tell Mrs. Vanderbridge that you are very comfortable," was the last remark Hopkins made before she sidled out of the door and left me alone with the mystery. It was one of those situations-I am obliged to repeat this over and over-that was too preposterous for me to believe even while I was surrounded and overwhelmed by its reality. I didn't dare face what I thought, I didn't dare face even what I felt; but I went to bed shivering in a warm room, while I resolved passionately that if the chance ever came to me I would stand between Mrs. Vanderbridge and this unknown evil that threatened her.

In the morning Mrs. Vanderbridge went out shopping, and I did not see her until the evening, when she passed me on the staircase as she was going out to dinner and the opera. She was radiant in blue velvet, with diamonds in her hair and at her throat, and I wondered again how any one so lovely could ever be troubled.

"I hope you had a pleasant day, Miss Wrenn," she said kindly. "I have been too busy to get off any letters, but tomorrow we shall begin early." Then, as if from an afterthought, she looked back and added, "There are some new novels in my sitting-room. You might care to look over them."

When she had gone, I went upstairs to the sitting-room and turned over the books, but I couldn't, to save my life, force an interest in printed romances after meeting Mrs. Vanderbridge and remembering the mystery that surrounded her. I wondered if "the Other One," as Hopkins called her, lived in the house, and I was still wondering this when the maid came in and began putting the table to rights.

"Do they dine out often?" I asked.

"They used to, but since Mr. Vanderbridge hasn't been so well, Mrs. Vanderbridge doesn't like to go without him. She only went tonight because he begged her to."

She had barely finished speaking when the door opened, and Mr. Vanderbridge came in and sat down in one of the big velvet chairs before the wood fire. He had not noticed us, for one of his moods was upon him, and I was about to slip out as noiselessly as I could when I saw that the Other One was standing in the patch of firelight on the hearth rug. I had not seen her come in, and Hopkins evidently was still unaware of her presence, for while I was watching, I saw the maid turn towards her with a fresh log for the fire. At the moment it occurred to me that Hopkins must be either blind or drunk, for without hesitating in her advance, she moved on the stranger, holding the huge hickory log out in front of her. Then, before I could utter a sound or stretch out a hand to stop her, I saw her walk straight through the gray figure and carefully place the log on the andirons.

So she isn't real, after all, she is merely a phantom, I found myself thinking, as I fled from the room, and hurried along the hall to the staircase. She is only a ghost, and nobody believes in ghosts any longer. She is something that I know doesn't exist, yet even, though she can't possibly be, I can swear that I have seen her. My nerves were so shaken by the discovery that as soon as I reached my room I sank in a heap on the rug, and it was here that Hopkins found me a little later when she came to bring me an extra blanket.

"You looked so upset I thought you might have seen something," she said. "Did anything happen while you were in the room?"

"She was there all the time-every blessed minute. You walked right through her when you put the log on the fire. Is it possible that you didn't see her?"

"No, I didn't see anything out of the way." She was plainly frightened. "Where was she standing?"

"On the hearthrug in front of Mr. Vanderbridge. To reach the fire you had to walk straight through her, for she didn't move. She didn't give way an inch."

"Oh, she never gives way. She never gives way living or dead."

This was more than human nature could stand. "In Heaven's name," I cried irritably, "who is she?"

"Don't you know?" She appeared genuinely surprised. "Why, she is the other Mrs. Vanderbridge. She died fifteen years ago, just a year after they were married, and people say a scandal was hushed up about her, which he never knew. She isn't a good sort, that's what I think of her, though they say he almost worshipped her."

"And she still has this hold on him?"

"He can't shake it off, that's what's the matter with him, and if it goes on, he will end his days in an asylum. You see, she was very young, scarcely more than a girl, and he got the idea in his head that it was marrying him that killed her. If you want to know what I think, I believe she puts it there for a purpose."

"You mean-?" I was so completely at sea that I couldn't frame a rational question.

"I mean she haunts him purposely in order to drive him out of his mind. She was always that sort, jealous and exacting, the kind that clutches and strangles a man, and I've often thought, though I've no head for speculation, that we carry into the next world the traits and feelings that have got the better of us in this one. It seems to me only common sense to believe that we're obliged to work them off somewhere until we are free of them. That is the way my first lady used to talk anyhow, and I've never found anybody that could give me a more sensible idea."

"And isn't there any way to stop it? What has Mrs. Vanderbridge done?"

"Oh, she can't do anything now. It has got beyond her, though she has had doctor after doctor, and tried everything she could think of. But, you see, she is handicapped because she can't mention it to her husband. He doesn't know that she knows."

"And she won't tell him?"

"She is the sort that would die first-just the opposite from the Other One-for she leaves him free, she never clutches and strangles. It isn't her way." For a moment she hesitated, and then added grimly-"I've wondered if you could do anything?"

"If I could? Why, I am a perfect stranger to them all."

"That's why I've been thinking it. Now, if you could corner her some day-the Other One-and tell her up and down to her face what you think of her."

The idea was so ludicrous that it made me laugh in spite of my shaken nerves. "They would fancy me out of my wits! Imagine stopping an apparition and telling it what you think of it!"

"Then you might try talking it over with Mrs. Vanderbridge. It would help her to know that you see her also."

But the next morning, when I went down to Mrs. Vanderbridge's room, I found that she was too ill to see me. At noon a trained nurse came on the case, and for a week we took our meals together in the morning-room upstairs. She appeared competent enough, but I am sure that she didn't so much as suspect that there was anything wrong in the house except the influenza which had attacked Mrs. Vanderbridge the night of the opera. Never once during that week did I catch a glimpse of the Other One, though I felt her presence whenever I left my room and passed through the hall below. I knew all the time as well as if I had seen her that she was hidden there, watching, watching-

At the end of the week Mrs. Vanderbridge sent for me to write some letters, and when I went into her room, I found her lying on the couch with a tea table in front of her. She asked me to make the tea because she was still so weak, and I saw that she looked flushed and feverish, and that her eyes were unnaturally large and bright. I hoped she wouldn't talk to me, because people in that state are apt to talk too much and then to blame the listener; but I had hardly taken my seat at the tea table before she said in a hoarse voice-the cold had settled on her chest:

"Miss Wrenn, I have wanted to ask you ever since the other evening-did you-did you see anything unusual at dinner? From your face when you came out I thought-I thought-"

I met this squarely. "That I might have? Yes, I did see something."

"You saw her?"

"I saw a woman come in and sit down at the table, and I wondered why no one served her. I saw her quite distinctly."

"A small woman, thin and pale, in a grey dress?"

"She was so vague and-and misty, you know what I mean, that it is hard to describe her; but I should know her again anywhere. She wore her hair parted and drawn down over her ears. It was very dark and fine-as fine as spun silk."

We were speaking in low voices, and unconsciously we had moved closer together while my idle hands left the tea things.

"Then you know," she said earnestly, "that she really comes-that I am not out of my mind-that it is not an hallucination?"

"I know that I saw her. I would swear to it. But doesn't Mr. Vanderbridge see her also?"

"Not as we see her. He thinks that she is in his mind only." Then after an uncomfortable silence, she added suddenly, "She is really a thought, you know. She is his thought of her-but he doesn't know that she is visible to the rest of us."

"And he brings her back by thinking of her?"

She leaned nearer while a quiver passed over her features and the flush deepened in her cheeks. "That is the only way she comes back-the only way she has the power to come back-as a thought. There are months and months when she leaves us in peace because he is thinking of other things, but of late, since his illness, she has been with him almost constantly." A sob broke from her, and she buried her face in her hands. "I suppose she is always trying to come-only she is too vague-and she hasn't any form that we can see except when he thinks of her as she used to look when she was alive. His thought of her is like that, hurt and tragic and revengeful. You see, he feels that he ruined her life because she died when the child was coming-a month before it would have been born."

"And if he were to see her differently, would she change? Would she cease to be revengeful if he stopped thinking her so?"

"God only knows. I've wondered and wondered how I might move her to pity."

"Then you feel that she is really there? That she exists outside of his mind?"

"How can I tell? What do any of us know of the world beyond? She exists as much as I exist to you or you to me. Isn't thought all that there is-all that we know?"

This was deeper than I could follow; but in order not to appear stupid, I murmured sympathetically.

"And does she make him unhappy when she comes?"

"She is killing him-and me. I believe that is why she does it."

"Are you sure that she could stay away? When he thinks of her isn't she obliged to come back?"

"Oh, I've asked that question over and over! In spite of his calling her so unconsciously, I believe she comes of her own will. I have always the feeling-it has never left me for an instant-that she could appear differently if she would. I have studied her for years until I know her like a book, and though she is only an apparition, I am perfectly positive that she wills evil to us both. Don't you think he would change that if he could? Don't you think he would make her kind instead of vindictive if he had the power?"

"But if he could remember her as loving and tender?"

"I don't know. I give it up-but it is killing me."

It was killing her. As the days passed I began to realize that she had spoken the truth. I watched her bloom fade slowly and her lovely features grow pinched and thin like the features of a starved person. The harder she fought the apparition, the more I saw that the battle was a losing one, and that she was only wasting her strength. So impalpable yet so pervasive was the enemy that it was like fighting a poisonous odour. There was nothing to wrestle with, and yet there was everything. The struggle was wearing her out-was, as she had said, actually "killing her"; but the physician who dosed her daily with drugs-there was need now of a physician-had not the faintest idea of the malady he was treating. In those dreadful days I think that even Mr. Vanderbridge hadn't a suspicion of the truth. The past was with him so constantly-he was so steeped in the memories of it that the present was scarcely more than a dream to him. It was, you see, a reversal of the natural order of things; the thought had become more vivid to his perceptions than any object. The phantom had been victorious so far, and he was like a man recovering from the effects of a narcotic. He was only half awake, only half alive to the events through which he lived and the people who surrounded him. Oh, I realize that I am telling my story badly!-that I am slurring over the significant interludes! My mind has dealt so long with external details that I have almost forgotten the words that express invisible things. Though the phantom in the house was more real to me than the bread I ate or the floor on which I trod, I can give you no impression of the atmosphere in which we lived day after day-of the suspense, of the dread of something we could not define, of the brooding horror that seemed to lurk in the shadows of the firelight, of the feeling always, day and night, that some unseen person was watching us. How Mrs. Vanderbridge stood it without losing her mind, I have never known; and even now I am not sure that she could have kept her reason if the end had not come when it did. That I accidentally brought it about is one of the things in my life I am most thankful to remember.

It was an afternoon in late winter, and I had just come up from luncheon, when Mrs. Vanderbridge asked me to empty an old desk in one of the upstairs rooms. "I am sending all the furniture in that room away," she said, "it was bought in a bad period, and I want to clear it out and make room for the lovely things we picked up in Italy. There is nothing in the desk worth saving except some old letters from Mr. Vanderbridge's mother before her marriage."

I was glad that she could think of anything so practical as furniture, and it was with relief that I followed her into the dim, rather musty room over the library, where the windows were all tightly closed. Years ago, Hopkins had once told me, the first Mrs. Vanderbridge had used this room for a while, and after her death her husband had been in the habit of shutting himself up alone here in the evenings. This, I inferred, was the secret reason why my employer was sending the furniture away. She had resolved to clear the house of every association with the past.

For a few minutes we sorted the letters in the drawers of the desk, and then, as I expected, Mrs. Vanderbridge became suddenly bored by the task she had undertaken. She was subject to these nervous reactions, and I was prepared for them even when they seized her so spasmodically. I remember that she was in the very act of glancing over an old letter when she rose impatiently, tossed it into the fire unread, and picked up a magazine she had thrown down on a chair.

"Go over them by yourself, Miss Wrenn," she said, and it was characteristic of her nature that she should assume my trustworthiness. "If anything seems worth saving you can file it-but I'd rather die than have to wade through all this."

They were mostly personal letters, and while I went on, carefully filing them, I thought how absurd it was of people to preserve so many papers that were entirely without value. Mr. Vanderbridge I had imagined to be a methodical man, and yet the disorder of the desk produced a painful effect on my systematic temperament. The drawers were filled with letters evidently unsorted, for now and then I came upon a mass of business receipts and acknowledgements crammed in among wedding invitations or letters from some elderly lady, who wrote interminable pale epistles in the finest and most feminine of Italian hands. That a man of Mr. Vanderbridge's wealth and position should have been so careless about his correspondence amazed me until I recalled the dark hints Hopkins had dropped in some of her midnight conversations. Was it possible that he had actually lost his reason for months after the death of his first wife, during that year when he had shut himself alone with her memory? The question was still in my mind when my eyes fell on the envelope in my hand, and I saw that it was addressed to Mrs. Roger Vanderbridge. So this explained, in a measure at least, the carelessness and the disorder! The desk was not his, but hers, and after her death he had used it only during those desperate months when he barely opened a letter. What he had done in those long evenings when he sat alone here it was beyond me to imagine. Was it any wonder that the brooding should have permanently unbalanced his mind?

At the end of an hour I had sorted and filed the papers, with the intention of asking Mrs. Vanderbridge if she wished me to destroy the ones that seemed to be unimportant. The letters she had instructed me to keep had not come to my hand, and I was about to give up the search for them, when, in shaking the lock of one of the drawers, the door of a secret compartment fell open and I discovered a dark object, which crumbled and dropped apart when I touched it. Bending nearer, I saw that the crumbled mass had once been a bunch of flowers, and that a streamer of purple ribbon still held together the frail structure of wire and stems. In this drawer some one had hidden a sacred treasure, and moved by a sense of romance and adventure, I gathered the dust tenderly in tissue paper, and prepared to take it downstairs to Mrs. Vanderbridge. It was not until then that some letters tied loosely together with a silver cord caught my eyes, and while I picked them up, I remember thinking that they must be the ones for which I had been looking so long. Then, as the cord broke in my grasp and I gathered the letters from the lid of the desk, a word or two flashed back at me through the torn edges of the envelopes, and I realized that they were love letters written, I surmised, some fifteen years ago, by Mr. Vanderbridge to his first wife.

"It may hurt her to see them," I thought, "but I don't dare destroy them. There is nothing I can do except give them to her."

As I left the room, carrying the letters and the ashes of the flowers, the idea of taking them to the husband instead of to the wife, flashed through my mind. Then-I think it was some jealous feeling about the phantom that decided me-I quickened my steps to a run down the staircase.

"They would bring her back. He would think of her more than ever," I told myself, "so he shall never see them. He shall never see them if I can prevent it." I believe it occurred to me that Mrs. Vanderbridge would be generous enough to give them to him-she was capable of rising above her jealousy, I knew-but I determined that she shouldn't do it until I had reasoned it out with her. "If anything on earth would bring back the Other One for good, it would be his seeing these old letters," I repeated as I hastened down the hall.

Mrs. Vanderbridge was lying on the couch before the fire, and I noticed at once that she had been crying. The drawn look in her sweet face went to my heart, and I felt that I would do anything in the world to comfort her. Though she had a book in her hand, I could see that she had not been reading. The electric lamp on the table by her side was already lighted, leaving the rest of the room in shadow, for it was a grey day with a biting edge of snow in the air. It was all very charming in the soft light; but as soon as I entered I had a feeling of oppression that made me want to run out into the wind. If you have ever lived in a haunted house-a house pervaded by an unforgettable past-you will understand the sensation of melancholy that crept over me the minute the shadows began to fall. It was not in myself-of this I am sure, for I have naturally a cheerful temperament-it was in the space that surrounded us and the air we breathed.

I explained to her about the letters, and then, kneeling on the rug in front of her, I emptied the dust of the flowers into the fire. There was, though I hate to confess it, a vindictive pleasure in watching it melt into the flames and at the moment I believe I could have burned the apparition as thankfully. The more I saw of the Other One, the more I found myself accepting Hopkins' judgment of her. Yes, her behaviour, living and dead, proved that she was not "a good sort."

My eyes were still on the flames when a sound from Mrs. Vanderbridge-half a sigh, half a sob-made me turn quickly and look up at her.

"But this isn't his handwriting," she said in a puzzled tone. "They are love letters, and they are to her-but they are not from him." For a moment or two she was silent, and I heard the pages rustle in her hands as she turned them impatiently. "They are not from him," she repeated presently, with an exultant ring in her voice. "They are written after her marriage, but they are from another man." She was as sternly tragic as an avenging fate. "She wasn't faithful to him while she lived. She wasn't faithful to him even while he was hers-"

With a spring I had risen from my knees and was bending over her.

"Then you can save him from her. You can win him back? You have only to show him the letters, and he will believe."

"Yes, I have only to show him the letters." She was looking beyond me into the dusky shadows of the firelight, as if she saw the Other One standing there. "I have only to show him the letters," I knew now that she was not speaking to me, "and he will believe."

"Her power over him will be broken," I cried out. "He will think of her differently. Oh, don't you see? Can't you see? It is the only way to make him think of her differently. It is the only way to break for ever the thought that draws her back to him."

"Yes, I see, it is the only way," she said slowly; and the words were still on her lips when the door opened and Mr. Vanderbridge entered.

"I came for a cup of tea," he began, and added with playful tenderness, "What is the only way?"

It was the crucial moment, I realized-it was the hour of destiny for these two-and while he sank wearily into a chair, I looked imploringly at his wife and then at the letters lying scattered loosely about her. If I had had my will I should have flung them at him with a violence which would have startled him out of his lethargy. Violence, I felt was what he needed-violence, a storm, tears, reproaches-all the things he would never get from his wife.

For a minute or two she sat there, with the letters before her, and watched him with her thoughtful and tender gaze. I knew from her face, so lovely and yet so sad, that she was looking again at invisible things-at the soul of the man she loved, not at the body. She saw him, detached and spiritualized, and she saw also the Other One-for while we waited I became slowly aware of the apparition in the firelight-of the white face and the cloudy hair and the look of animosity and bitterness in the eyes. Never before had I been so profoundly convinced of the malignant will veiled by that thin figure. It was as if the visible form were only a spiral of grey smoke covering a sinister purpose.

"The only way," said Mrs. Vanderbridge, "is to fight fairly even when one fights evil." Her voice was like a bell, and as she spoke, she rose from the couch and stood there in her glowing beauty confronting the pale ghost of the past. There was a light about her that was almost unearthly-the light of triumph. The radiance of it blinded me for an instant. It was like a flame, clearing the atmosphere of all that was evil, of all that was poisonous and deadly. She was looking directly at the phantom, and there was no hate in her voice-there was only a great pity, a great sorrow and sweetness.

"I can't fight you that way," she said, and I knew that for the first time she had swept aside subterfuge and evasion, and was speaking straight to the presence before her. "After all, you are dead and I am living, and I cannot fight you that way. I give up everything. I give him back to you. Nothing is mine that I cannot win and keep fairly. Nothing is mine that belongs really to you."

Then, while Mr. Vanderbridge rose, with a start of fear, and came towards her, she bent quickly, and flung the letters into the fire. When he would have stooped to gather the unburned pages, her lovely flowing body curved between his hands and the flames; and so transparent, so ethereal she looked, that I saw-or imagined that I saw-the firelight shine through her. "The only way, my dear, is the right way," she said softly.

The next instant-I don't know to this day how or when it began-I was aware that the apparition had drawn nearer, and that the dread and fear, the evil purpose, were no longer a part of her. I saw her clearly for a moment-saw her as I had never seen her before-young and gentle and-yes, this is the only word for it-loving. It was just as if a curse had turned into a blessing, for, while she stood there, I had a curious sensation of being enfolded in a kind of spiritual glow and comfort-only words are useless to describe the feeling because it wasn't in the least like anything else I had ever known in my life. It was light without heat, glow without light-and yet it was none of these things. The nearest I can come to it is to call it a sense of blessedness-of blessedness that made you at peace with everything you had once hated.

Not until afterwards did I realize that it was the victory of good over evil. Not until afterwards did I discover that Mrs. Vanderbridge had triumphed over the past in the only way that she could triumph. She had won, not by resisting, but by accepting, not by violence, but by gentleness, not by grasping, but by renouncing. Oh, long, long afterwards, I knew that she had robbed the phantom of power over her by robbing it of hatred. She had changed the thought of the past, in that lay her victory.

At the moment I did not understand this. I did not understand it even when I looked again for the apparition in the firelight, and saw that it had vanished. There was nothing there-nothing except the pleasant flicker of light and shadow on the old Persian rug.

* * *

HIS SMILE[11]

By SUSAN GLASPELL

(From The Pictorial Review)

Laura stood across the street waiting for the people to come out from the picture-show. She couldn't have said just why she was waiting, unless it was that she was waiting because she could not go away. She was not wearing her black; she had a reason for not wearing it when she came on these trips, and the simple lines of her dark-blue suit and the smart little hat Howie had always liked on her, somehow suggested young and happy things. Two soldiers came by; one of them said, "Hello, there, kiddo," and the other, noting the anxiety with which she waited, assured her, "You should worry." She looked at them, and when he saw her face the one who had said, "You should worry," said, in sheepish fashion, "Well, I should worry," as if to get out of the apology he didn't know how to make. She was glad they had gone by. It hurt so to be near the soldiers.

The man behind her kept saying, "Pop-corn! Pop-corn right here." It seemed she must buy pop-corn if she stood there. She bought some. She tried to do the thing she was expected to do-so she wouldn't be noticed.

Then the people came pushing out from the theater. They did it just as they did it in the other towns. A new town was only the same town in a different place; and all of it was a world she was as out of as if it were passing before her in a picture. All of it except that one thing that was all she had left! She had come so far to have it tonight. She wouldn't be cheated. She crossed the street, and as the last people were coming out of the theater she went in.

A man, yawning, was doing something to a light. He must belong to the place. His back was to her, and she stood there trying to get brave enough to speak. It had never been easy for her to open conversations with strangers. For so many years it was Howie who had seemed to connect her with the world. And suddenly she thought of how sorry Howie would be to see her waiting around in this dismal place after every one else had gone, trying to speak to a strange man about a thing that man wouldn't at all understand. How well Howie would understand it! He would say, "Go on home, Laura." "Don't do this, sweetheart." Almost as if he had said it, she turned away. But she turned back. This was her wedding anniversary.

She went up to the man. "You didn't give all of the picture tonight, did you?" Her voice was sharp; it mustn't tremble.

He looked round at her in astonishment. He kept looking her up and down as if to make her out. Her trembling hands clutched the bag of pop-corn and some of it spilled. She let it all fall and put one hand to her mouth.

A man came down from upstairs. "Lady here says you didn't give the whole show tonight," said the first man.

The young man on the stairs paused in astonishment. He, too, looked Laura up and down. She took a step backward.

"What was left out wasn't of any importance, lady," said the man, looking at her, not unkindly, but puzzled.

"I think it was!" she contended in a high, sharp voice. They both stared at her. As she realized that this could happen, saw how slight was her hold on the one thing she had, she went on, desperately, "You haven't any right to do this! It's-it's cheating."

They looked then, not at her, but at each other-as the sane counsel together in the presence of what is outside their world. Oh, she knew that look! She had seen her brother and his wife doing it when first she knew about Howie.

"Now I'll tell you, lady," said the man to whom she had first spoken, in the voice that deals with what has to be dealt with carefully, "you just let me give you your money back, then you won't have the feeling that you've been cheated." He put his hand in his pocket.

"I don't want my money back!" cried Laura. "I-want to see what you left out!"

"Well, I'll tell you what I'll do," proposed the young man, taking his cue from the older one. "I'll tell you just exactly what happened in the part that was left out."

"I know exactly what happened," cut in Laura. "I-I want to see-what happened."

It was a cry from so deep that they didn't know what to do.

"Won't you do it for me?" she begged of the young man, going up to him. "What you left out-won't you show it for me-now?"

He just stood there staring at her.

"It means-! It-" But how could she tell them what it meant? She looked from one to the other, as if to see what chance there was of their doing it without knowing what it meant. When she couldn't keep sobs back, she turned away.

Even in her room at the hotel she had to try to keep from crying. She could hear the man moving around in the next room-so he, of course, could hear her, too. It was all as it was in the pictures-people crowded together, and all of it something that seemed life and really wasn't. Even that-the one thing, the one moment-really wasn't life. But it was all she had! If she let herself think of how little that all was-it was an emptiness she was afraid of.

The people who had tried to comfort her used to talk of how much she had had. She would wonder sometimes why they were talking on her side instead of their own. For if you have had much-does that make it easy to get along with nothing? Why couldn't they see it? That because of what Howie had been to her-and for ten years!-she just didn't know any way of going on living without Howie!

Tonight made fresh all her wedding anniversaries-brought happiness to life again. It almost took her in. And because she had been so near the dear, warm things in which she had lived, when morning came she couldn't get on the train that would take her back to that house to which Howie would never come again. Once more it all seemed slipping from her. There must be something. As a frightened child runs for home, she turned to that place where-for at least a moment-it was as if Howie were there.

She went to the telegraph office and wired the company that sent out "The Cross of Diamonds," asking where that film could be seen. She had learned that this was the way to do it. She had known nothing about such things at first; it had been hard to find out the ways of doing. It was a world she didn't know the ways of.

When she got her answer, and found that the place where "The Cross of Diamonds" would be shown that night was more than a hundred miles away-that it meant going that much farther away from home-she told herself this was a thing she couldn't do. She told herself this must stop-that her brother was right in the things he said against it. It wouldn't do. He hadn't said it was crazy, but that was what he meant-or feared. She had told him she would try to stop. Now was the time to do it-now when she would have to go so much farther away. But-it was going farther away-this glimpse of Howie-all that was left of Howie was moving away from her! And after the disappointment of the night before-She must see him once more! Then-yes, then she would stop.

She was excited when she had decided to do this. It lifted her out of the nothingness. From this meager thing her great need could in a way create the feeling that she was going to meet Howie. Once more she would see him do that thing which was so like him as to bring him back into life. Why should she turn from it? What were all the other things compared with this thing? This was one little flash of life in a world that had ceased to be alive.

So again that night, in the clothes he had most liked, she went for that poor little meeting with her husband-so pitifully little, and yet so tremendous because it was all she would ever have. Again she sat in a big, noisy place with many jostling, laughing people-and waited to see Howie. She forgot that the place had ugly red walls and sickly green lights; she could somehow separate herself from harsh voices and smells-for she was here to meet Howie!

She knew just the part of the house to sit in. Once she had sat where she couldn't see him as he passed from sight! After that she had always come very early. So she had to sit there while other people were coming in. But she didn't much mind that; it was like sitting in a crowded railway station when the person you love is coming soon.

But suddenly something reached over that gulf between other people and her. A word. A terrible word. Behind her some one said "munitions." She put her hand to her eyes and pressed tight. Not to see. That was why she had to keep coming for this look at Howie. She had to see him-that she might shut out that-the picture of Howie-blown into pieces.

She hated people. They were always doing something like this to her. She hated all these people in the theater. It seemed they were all, somehow, against her. And Howie had been so good to them! He was so good to people like the people in this theater. It was because he was so good and kind to them that he was-that he was not Howie now. He was always thinking of people's comfort-the comfort of people who had to work hard. From the time he went into his father's factory he had always been thinking up ways of making people more comfortable in their work. To see girls working in uncomfortable chairs, or standing hour after hour at tables too low or too high for them-he couldn't pass those things by as others passed them by. He had a certain inventive faculty, and his kindness was always making use of that. His father used to tell him he would break them all up in business if his mind went on working in that direction. He would tell him if he was going to be an inventor he had better think up some money-making inventions. Howie would laugh and reply that he'd make it all up some day. And at last one of the things he had thought out to make it better for people was really going to make it better for Howie. It was a certain kind of shade for the eyes. It had been a relief to the girls in their little factory, and it was being tried out elsewhere. It was even being used a little in one of the big munition plants. Howie was there seeing about it. And while he was there-He went in there Howie. There wasn't even anything to carry out.

The picture had begun. She had to wait until almost half of it had passed before her moment came. The story was a tawdry, meaningless thing about the adventures of two men who had stolen a diamond cross-a strange world into which to come to find Howie. Chance had caught him into it-he was one of the people passing along a street which was being taken for the picture. His moment was prolonged by his stopping to do the kind of thing Howie would do, and now it was as if that one moment was the only thing saved out of Howie's life. They who made the picture had apparently seen that the moment was worth keeping-they left it as a part of the stream of life that was going by while the detective of their story waited for the men for whom he had laid a trap. The story itself had little relation to real things-yet chance made it this vehicle for keeping something of the reality that had been Howie-a disclosing moment captured unawares.

She was thinking of the strangeness of all this when again the people seated back of her said a thing that came right to her. They were saying "scrap-heap." She knew-before she knew why-that this had something to do with her. Then she found that they were talking about this film. It was ready for the scrap-heap. It was on its last legs. They laughed and said perhaps they were seeing its "last appearance."

She tried to understand what it meant. Then even this would cease to be in the world. She had known she ought to stop following the picture around, she had even told herself this would be the last time she would come to see it-but to feel it wouldn't any longer be there to be seen-that even this glimpse of Howie would go out-go out as life goes out-scrap-heap! She sat up straight and cleared her throat. She would have to leave. She must get air. But she looked to see where they were. Not far now. She might miss Howie! With both hands she took hold of the sides of the seat. She was not going to fall forward! Not suffocating. Not until after she had seen him.

Now. The detective has left the hotel-he is walking along the street. He comes to the cigar-store door, and there steps in to watch. And there comes the dog! Then it was not going to be cut out tonight! Along comes the little dog-pawing at his muzzle. He stops in distress in front of the cigar-store. People pass and pay no attention to the dog-there on the sidewalk. And then-in the darkened theater her hands go out, for the door has opened-and she sees her husband! Howie. There. Moving as he always moved! She fights back the tears that would blur him. That dear familiar way he moves! It is almost as if she could step up and meet him, and they could walk away together.

He starts to go the other way. Then he sees the dog. He goes up to him; he is speaking to him, wanting to know what is the matter. She can fairly hear the warmth and kindness of his voice as he speaks to the little dog. He feels of the muzzle-finds it too tight; he lets it out a notch. Dear Howie. Of course he would do that. No one else had cared, but he would care. Then he speaks to the dog-pats him-tells him he is all right now. Then Howie turns away.

But the dog thinks he will go with this nice person! Howie laughs and tells him he can't come. A little girl has come across the street. Howie tells her to keep the dog from following him. Then again he turns to go. But just before he passes from sight the child calls something to him, and he looks back over his shoulder and smiles. She sees again the smile that has been the heart of her life. Then he passes from sight.

And he always leaves friends behind him-just as he always did leave friends behind him. There will be little murmurs of approval; sometimes there is applause. Tonight a woman near Laura said, "Say, I bet that's an awful nice fellow."

She never left her seat at once, as if moving would break a spell. For a little while after she had seen it, his smile would stay with her. Then it would fade, as things fade in the motion pictures. Somehow she didn't really have it. That was why she had to keep coming-constantly reaching out for something that was not hers to keep.

When her moment had gone, she rose and walked down the aisle. It was very hard to go away tonight. There had been all the time the fear that what happened the night before would happen again-that she would not see Howie, after all. That made her so tense that she was exhausted now. And then "munitions"-and "scrap-heap." Perhaps it was because of all this that tonight her moment had been so brief. Only for an instant Howie's smile had brought her into life. It was gone now. It had passed.

She was so worn that when, at the door, her brother Tom stepped up to her she was not much surprised or even angry. Tom had no business to be following her about. She had told him that she would have to manage it her own way-that he would have to let her alone. Now here he was again-to trouble her, to talk to her about being brave and sane-when he didn't know-when he didn't have any idea what he was talking about! But it didn't matter-not tonight. Let him do things-get the tickets-and all that. Even let him talk to her. That didn't matter either.

But he talked very little. He seemed to think there was something wrong with her. He looked at her and said, "O, Laura!" reproachfully, but distressed.

"I thought you weren't going to do this any more, Laura," he said gently, after they had walked a little way.

"How did you know I was here?" she asked listlessly.

"They sent me word you had left home. I traced you."

"I don't see why you should trace me," she said, but not as if it mattered.

"O, Laura!" he said again. "Well, I must say I don't think Mrs. Edmunds was much of a friend!"

It was Mrs. Edmunds who had told Laura that there was this glimpse of her husband in "The Cross of Diamonds." She had hesitated about telling her, but had finally said it was so characteristic and beautiful a moment she felt Laura should see it.

From the first Tom had opposed her seeing it, saying it would be nothing but torture to her. Torture it was, but it was as if that torture were all there was left of life.

Tonight everything was as a world of shadows. She knew that her brother was taking her to his home instead of back to her own. He had wanted to do this before, but she had refused. There was nothing in her now that could refuse. She went with him as if she were merely moving in a picture and had no power of her own to get out of it.

And that was the way it was through the next few weeks. Tom and his wife would talk to her about trying to interest herself in life. She made no resistance, she had no argument against this; but she had no power to do it. They didn't know-they didn't know how it had been with her and Howie.

She herself had never been outgoing. It was perhaps a habit of reserve built out of timidity, but she had been a girl whose life did not have a real contact with other lives. Perhaps there were many people like that-perhaps not; she did not know. She only knew that before Howie came the life in her was more as a thing unto itself than a part of the life of the world.

Then Howie came! Howie, who could get on with any one, who found something to like in every one; and in the warmth and strength of his feeling for people he drew her into that main body of life where she had not been before. It had been like coming into the sunshine!

Now he was gone; and they asked her to be alone what she had been through him. It was like telling one to go into the sunshine when the sun is not shining.

And the more these others tried to reach her, the more alone she felt, for it only made her know they could not reach her. When you have lived in the sunshine, days of cold mist may become more than you can bear. After a long struggle not to do so, she again went to the long-distance telephone to find out where that picture was being shown-that picture into which was caught one moment of Howie's life as he moved through the world.

Worn by the struggle not to do what she was doing, and tormented by the fear that she had waited too long, that this one thing which was left to her might no longer be, she had to put every bit of her strength into establishing this connection with the people who could tell her what she must know. Establishing the connection with living was like this. She was far off and connected only by a tenuous thing which might any moment go into confusion and stop.

At the other end some one was making fun of her. They doubted if "The Cross of Diamonds" could be seen anywhere at all. "The Cross of Diamonds" had been double-crossed. Wasn't it too much of a cross, anyway, to see "The Cross of Diamonds"?

Finally another man came to the phone. "The Cross of Diamonds" could be seen at a certain town in Indiana. But she'd better hurry! And she'd better look her last look. Why did she want to see it-might he ask? But Laura hung up the receiver. She must hurry!

All the rest of it was a blur and a hurry. Through the unreal confusion drove the one idea-she must get there in time! And that whole life of the world seemed pitted against her-it was as if the whole of that main body of life was thrown in between her and Howie. The train was late. It was almost the hour for pictures to begin when she got down at that lonely, far-away station. And the town, it seemed, was a mile from the station! There was a bus she must take. Every nerve of her being was hurrying that bus on-until that very anxiety made it seem it was Howie himself she would see if only she could get there in time.

And being late, the downstairs at the theater was full. "Balcony only," said a man as she came in. "Oh, won't you find me a good seat?" Laura besought him. "Like to know how I'll find you a seat when there ain't no seat," was the answer-the whole big life of the world in between her and Howie!

Upstairs, too, it was hard to find a place. And all those people seated there-for them it meant only a few hours' silly entertainment!

But after a moment a man directed her to a seat. There was another place beside it, and just as Laura was being seated a woman came along with two children. "We can't all sit together," she was saying, "so you just sit in here, Mamie. You sit right in here-beside the nice lady."

The mother looked at Laura, as if expecting her to welcome her child. Laura did nothing. She must be alone. She was there to be with Howie.

She was not as late as she had feared. There would be time for getting ready-getting ready for Howie! She knew this would be the last time she would see Howie as he had moved through the world. For the last time she would see his face light to a smile. If she did not reach him tonight, she would never reach him. She had a feeling that she could reach him, if only something in her-if only something in her-

She could not finish that; it brought her to a place into which she could not reach, but as never before she had a feeling that he could be reached. And so when the little girl beside her twisted in her seat and she knew that the child was looking up at her she tried not to know this little girl was there-tried not to know that any of those people were there. If only she could get them all out of the way-she could reach into the shadow and feel Howie near!

But there was one thing she kept knowing-try her best not to know it! The little girl beside her, too young to be there, was going to sleep. When it came right up to the moment for her to see Howie, she was knowing that that little girl had fallen asleep in an uncomfortable position. Her head had been resting on the side of the seat-the side next Laura-and as she fell asleep it slipped from its support in a way that-Could she help it if this child was not comfortable? Angry, she tried to brush this from her consciousness as we brush dust from our eyes. This was her moment with Howie-her chance.

But when her moment came, a cruel thing happened. Something was wrong with the machine that was showing the picture. At just that moment-of all the moments!-the worn-out film seemed to be going to pieces before her eyes. After the little dog came along, and just as Howie should come out from the cigar-store, there was a flash-a blur-a jumble of movements. It was like an earthquake-it looked like life ceasing to be life. "No!" she gasped under her breath. "No!" The people around her were saying things of a different sort. "Cut it!" "What you givin' us?" "Whoa, boy!" They laughed. They didn't care. It got a little better; she could make out Howie bending down to fix the dog's muzzle-but it was all dancing crazily-and people were laughing. And then-then the miracle! It was on Howie's smile the picture steadied-that smile back over his shoulder after he had turned to go. And, as if to bring to rights what had been wrong, the smile was held, and it was as if Howie lingered, as if in leaving life he looked back over his shoulder and waited-waited for his smile to reach Laura. Out of the jumble and blur-out of the wrong and meaningless-Howie's beautiful steady smile making it all right.

She could not have told how it happened. As Howie passed, she turned to the little girl beside her whose head was without support and, not waking her, supported the child's head against her own arm. And after she had done this-it was after she had done it that she began to know, as if doing it let down bars.

Now she was knowing. She had wanted to push people aside and reach into the shadows for Howie. She began to see that it was not so she would reach him. It was in being as he had been-kind, caring-that she could have a sense of him near. Here was her chance-among the people she had thought stood between her and her chance. Howie had always cared for these people. On his way through the world with them he had always stopped to do the kind thing-as he stopped to make it right for the badly muzzled dog. Then there was something for her to do in the world. She could do the kind things Howie would be doing if he were there! It would somehow-keep him. It would-fulfill him. Yes, fulfill him. Howie had made her more alive-warmer and kinder. If she became as she had been before-Howie would have failed. She moved so that the little girl who rested against her could rest the better. And as she did this-it was as if Howie had smiled. The one thing the picture had never given her-the sense that it was hers to keep-that stole through her now as the things come which we know we can never lose. For the first moment since she lost him, she had him. And all the people in that theater, and all the people in the world-here was the truth! It cleared and righted as Howie's smile had righted the picture. In so far as she could come close to others she would come closer to him.

* * *

THE HARBOR MASTER[12]

By RICHARD MATTHEWS HALLET

(From Harper's Magazine)

Coming ashore one summer's night from Meteor Island, Jethro Rackby was met by Peter Loud-Deep-water Peter he was called, because even so early he had gone one foreign voyage. Peter was going round with a paper containing the subscription to a dance.

"Come, Harbor Master," he said; "put your thumb mark in the corner along with the rest of us."

Rackby drew back. "Why should I dance?" he muttered.

He was town clerk as well as harbor master-a scholarly man with visionary, pale eyes, and a great solitary, as Peter knew.

"Why? I'll tell you why," said Peter. "To bring joy to Caddie Sill's heart, if nothing more. The girl would throw all the rest of us in a heap tomorrow for a firm hold of you, Rackby."

He winked at Zinie Shadd, who swayed on his heels soberly.

Rackby turned his eyes toward the black mound of Meteor, which lay like a shaggy stone Cerberus at the harbor's mouth.

The star-pointed harbor was quiet at his feet. Shadows in the water were deep and languid, betokening an early fall of rain through the still air. But from the rim of the sea, where the surf was seen only as a white glow waxing and waning, a constant drone was borne in to them-a thunder of the white horses' hoofs trampling on Pull-an'-be-Damned; the vindictive sound of seas falling down one after another on wasted rocks, on shifting sand bars-a powerful monotone seeming to increase in the ear with fuller attention. The contrast was marked between the heavy-lying peace of the inner harbor and that hungry reverberation from without of waters seeking fresh holds along a mutilated coast. On damp nights when the wind hauled to the southeast, men stood still in their tracks, and said, simply, "There's the Old Roke," as if it was the Old Man of the Sea himself. The sound was a living personality in their ears.-Women whom the sea had widowed shivered and rattled irons when the Old Roke came close to their windows; but the men listened, as if they had been called-each by his own name.

"What's the ringle jingle of feet by the side of that?" Rackby said, his mystified face turned toward the water. "I'm a man for slow tunes, Peter. No, no, no; put your paper up again."

"No? You're a denying sort of a crab, and no mistake. Always seeing how fast you can crawl backward out of pleasure."

"I mistrust women."

"You cleave to the spirit and turn from the flesh, that I know. But here's a woman with a voice to waken the dead."

"That's the voice on the seaward side of Meteor," answered Rackby.

"Cad Sills is flesh and blood of the Old Roke, I'm agreed," said Deep-water Peter. "She's a seafaring woman, that's certain. Next door to ending in a fish's tail, too, sometimes I think, when I see her carrying on-Maybe you've seen her sporting with the horse-shoe crabs and all o' that at Pull-an'-be-Damned?"

"No, I can't say that."

"No, it wasn't to be expected, you with your head and shoulders walking around in a barrel of jam."

The harbor master smiled wistfully.

"More I don't require," he said.

"Ah, so you say now-Well, marry the sea, then. It's a slippery embrace, take the word of a man who has gone foreign voyages."

"I mistrust the sea," said Jethro.

"So you do.-You mistrust the sea and the like o' that, and you mistrust women and the like o' that. There's too much heaving and tossing in such waters for a harbor master, hey?"

"I'm at home here, that's a fact," said Jethro. "I know the tides and the buoys. I can find my way in the dark, where another man would be at a total loss. I'm never suffering for landmarks."

"Landmarks!" roared Deep-water Peter. "What's a landmark good for but to take a new departure?"

To the sea-goers, tilted on a bench in the shadow of the Customs House, he added, "What life must be without a touch of lady fever is more than I can tell."

A red-bearded viking at the end of the bench rose and took Peter's shoulders in a fearful grip.

"What's all this talk of lady fever?"

"Let be, Cap'n Dreed!" cried Peter. His boisterousness failed him like wind going out of a sail. He twisted out of the big seaman's grip and from a distance shouted, "If you weren't so cussed bashful, you might have had something more than a libel pinned to your mainmast by now, with all this time in port."

There was a general shifting along the bench, to make room for possible fray. It was a sore point with Sam Dreed that the ship chandler had that day effected a lien for labor on his ship, and the libel was nailed to the mast.

"Now they'll scandalize each other," murmured Zinie Shadd.

They were turned from that purpose only by the sudden passing at their backs of the woman in question, Caddie Sills.

Quiet reigned. The older men crossed their legs, sat far down on their spines, and narrowed their eyes. The brick wall of the Customs House, held from collapsing by a row of rusty iron stars, seemed to bulge more than its wont for the moment-its upper window, a ship's deadlight, round and expressionless as the eye of a codfish.

Cad Sills ran her eye over them deftly, as if they were the separate strings of an instrument which could afford gratification to her only when swept lightly all at one time by her tingling finger tips, or, more likely, by the intangible plectrum in her black eye.

The man she selected for her nod was Sam Dreed, however.

Peter Loud felt the walls of his heart pinch together with jealousy.

It was all in a second's dreaming. "Gape and swallow," as Zinie Shadd said, from his end of the bench. The woman passed with a supercilious turn of her head away from them.

"That's a foot-loose woman if ever there was one."

With all her gift of badinage, she was a solitary soul. The men feared no less than they admired her. They were shy of that wild courage, fearful to put so dark a mystery to the solution. The women hated her, backbit and would not make friends, because of the fatal instantaneous power she wielded to spin men's blood and pitch their souls derelict on that impassioned current. Who shall put his finger on the source of this power? There were girls upon girls with eyes as black, cheeks as like hers as fruit ripened on the same bough, hair as thick and lustrous-yet at the sound of Caddie Sills's bare footfall eyes shifted and glowed, and in the imaginations of these men the women of their choice grew pale as the ashes that fringe a fallen fire.

"She's a perilous woman," muttered the collector of the port. "Sticks in the slant of a man's eye like the shadow of sin. Ah! there he goes, like the leaves of autumn."

Samuel Dreed trod the dust of the road with a wonderful swaying of his body, denominated the Western Ocean roll. He was a mighty man, all were agreed; not a nose of wax, even for Cad Sills to twist.

"Plump she'll go in his canvas bag, along with his sea boots and his palm and needle, if she's not precious careful, with her shillyshallying," said Zinie Shadd. "I know the character of the man, from long acquaintance, and I know that what he says he'll do he'll do, and no holding off at arm's length, either, for any considerable period of time."

Such was the situation of Cad Sills. A dark, lush, ignorant, entrancing woman, for whose sake decent men stood ready to drop their principles like rags-yes, at a mere secret sign manifested in her eye, where the warmth of her blood was sometimes seen as a crimson spark alighted on black velvet. She went against the good government of souls.

Even Rackby had taken note of her once, deep as his head was in the clouds by preference and custom. It was a day in late November. No snow had fallen, and she floated past him like a cloud shadow as he plodded in the yellow road which turned east at the Preaching Tree. She passed, looked back, slashed a piece of dripping kelp through the air so close that salt drops stung his pale eyes, laughed aloud, and at the top of her laugh, broke into a wild, sweet song unfamiliar to him. It was a voice unlike the flat voices of women thereabouts-strong, sweet, sustained, throbbing with a personal sense of the passion which lurked in the warm notes.

Her foot was bare, and more shapely in consequence than if she had had a habit of wearing shoes. Its shape was the delicate shape of strength native to such a foot, and each toe left its print distinct and even in the dust. With his eye for queer details, he remembered that print and associated with it the yellow-rutted road, the rusty alders in the meadow beyond, and the pale spire of the church thrust into a November sky.

He called this to mind when on the night of the dance information came to his ear that she had sold her pearls to lift the lien on Cap'n Sam Dreed's ship, with her own hands tearing down the libel from the mast and grinding it under her heel.

No man whom she had once passed and silently interrogated could quite forget her, not even Jethro Rackby. The harbor master swayed on his oars, collected himself, and looked forward across the dimpled floor of his harbor, which in its quietude was like a lump of massy silver or rich ore, displaying here and there a spur of light, a surface sparkle. The serenity of his own soul was in part a reflection of this nightly calm, when the spruce on the bank could not be known from its fellow in the water by a man standing on his head. Moreover, to maintain this calm was the plain duty of the harbor master. For five years he had held that office by an annual vote of the town meeting. With his title went authority to say where were the harbor lines, to order the removal of hulks, to provide for keeping open a channel through winter ice-in a word, to keep the peace. This peace was of his own substance.

It was rudely shattered. On the night following the dance Cad Sills put herself in his path for the second time and this time she gave him short shrift. He was pushing forward, near sundown, to take the impulse of an eddy at the edge of Pull-an'-be-Damned when he saw that predatory, songful woman balanced knee-deep in rushing water, her arms tossing.

"She's drowning herself after her quarrel with Sam Dreed," was his first thought. He had just heard a fine tale of that quarrel. The truth was not quite so bold. She had been caught by the tide, which, first peering over the rim of that extended flat, had then shot forth a frothy tongue, and in a twinkling lapped her up.

Jethro presently brought up the webs of his two thumbs hard at her armpits, and took her into his boat, dripping.

"She's not so plump as she was ashore," he said to himself with a vague astonishment. She was as lean as a man at the hips, and finned away like a mermaid, as became a daughter of the Old Roke.

"Steady now, my girl-. Heave and away."

There they stood confronting each other. Enraptured, life given into her hand again, Cad Sills flung her arms about his neck and kissed him-a moist, full-budded, passionate, and salty kiss. Even on the edge of doom, it was plain, she would not be able to modulate, tone, or contain these kisses, each of which launched a fiery barb into the recipient's bosom.

The little fisherman had not known what elemental thing was in a kiss before. He bit his lip and fell back slowly. Then, after a second's vain reflection, he seized the butts of his oars, which had begun to knock together. Caddie Sills sank across a thwart and shivered a little to mark the crowding together of white horses at the very place where she had stood. Contrary currents caused the tide to horse in strongly over Pull-an'-be-Damned.

"What a ninny!" she whispered. "Was I sick with love, I wonder?"

The harbor master answered with the motion of his oars.

She glanced at him shrewdly, then struck her hands together at her breast, which she caused to rise and fall stormily. She was, in fact, a storm petrel in the guise of woman.

"You have saved my life," she cried out, "when not another man in all this world would have lifted so much as his little finger. Do what you will with me after this. Let me be your slave, your dog-. I am a lost woman if you will not take pity on me."

Rackby's heart came into his throat with the slow surge of a sculpin on a hook.

"Nothing-. Nothing at all. Nothing in the world. I happened along-. Just a happen so."

The girl stood up, looked at him long and long, cried, "Thank you for nothing, then, Mr. Happen-so," and from the humility of gratitude she went to the extreme of impudence, and laughed in his face-a ringing, brazen laugh, with the wild sweetness in it which he had noted in the song she sang on that November hillside.

"You're a caution, little man, you're a caution," she said, slanting her lashes. "You certainly are. I've heard of you. Yes, I have, only this morning. I'm a solitary like yourself. See here. You and I could set the world on fire if we joined hands. Do you know that?"

The little man was struck dumb at his oars for very fear of the boldness of her advance. He recognized this for an original and fearsome, not to say delectable, vein of talk. She came on like the sea itself, impetuous and all-embracing. Unfathomed, too. Could fancy itself construct a woman so, pat to his hand?

"Is it true that you despise women as they say?" she whispered. She breathed close, and electrified the tip of his ear with a tendril of hair. He saw that she wore coral now, in place of the pearls. But her lips were redder than the coral. He raised his head.

"Yesterday morning you sold pearls for the benefit of Sam Dreed," he said, in dull tones. "And here you are with your brimstone fairly in my boat."

He looked at her as if the Old Roke himself had clambered into the boat, with his spell of doom.

"I am not afraid of helping honest men in trouble that I know of," said Cad Sills, sucking in her lower lip. "But do you throw that up to me?"

Jethro felt the wickedness of his position like a breath of fire fanning his cheek. Perilously tempted, he sagged back on the oars without a word.

"Soho! you're setting me ashore," said that dark woman, laughing. "I don't wear very well in the eye and that's a plain conclusion."

She laid a finger to her breast, and her eye mocked him. This brazen hardness put him from his half-formed purpose. He addressed himself to the oars, and the dory grated on the shore.

"Good-bye, then, little man," she said, springing past him.

But even now she lingered and looked back, biting the coral and letting it fall, intimating that a word, a whispered syllable, might lay her low.

He sat like a man crushed to earth. When he raised his head she was gone.

Was this the voice from the seaward side of Meteor? True, the sea had yielded this wild being up, but did she speak with the sea's voice? She had at least the sea's inconstancy, the sea's abandonment.

Her words were hot and heavy in little Rackby's heart. Serene harbor master that he was, the unearthly quiet of his harbor was an affront upon him in his present mood. Now that she was lost to him, he could not, by any makeshift of reason, be rid of the impulse that had come upon him to jump fairly out of his own skin in an effort to recapture that tormenting woman-.

He drifted down upon Meteor Island, bowed and self-reproachful, like a spirit approaching the confines of the dead. He stepped ashore and passed the painter of his dory through its ring.

On the crest of the island, at the very spot where, scientists averred, a meteorite had fallen in some prehistoric age, there stood a thick grove, chiefly of hemlock trees. Here on this night he paused. A strange inertness filled all nature. Not a whisper from the branches overhead, not a rustle from the dark mold underfoot. Moonlight in one place flecked the motionless leaves of an alder. Trunk and twigs were quite dissolved in darkness-nothing but the silver pattern of the leaves was shown in random sprays. He felt for an instant disembodied, like these leaves-as if, taking one step too many, he had floated out of his own body and might not return.

"Bear and forbear," he thought. "You wouldn't have stirred, let her say what she would," his heart whispered to the silver leaves.

But he could not forget that wild glance, the wet hand clinging to his wrist, the laugh repeated like an echo from the symphony of that November hillside. He reproached himself withal. What was known of Cad Sills? Little known, and nothing cared to be known. A waif, pursuing him invisibly with a twinkle or flare from her passionate eyes. She was the daughter of a sea captain by his fifth wife. He had escaped the other four. They had died or been deserted in foreign ports, but this one he could not escape. Tradition had it that he lost the figurehead from his ship on the nuptial voyage, attributed this disaster to his bride, and so left her at Rosario, only to find her, after all sail was set, in the forechains, at the very stem of his ship, half drowned, her arms outstretched, a living figurehead. She had swum after him. She outlived him, too, and died in giving birth to Cad Sills, whose blood had thus a trace of sea water-.

He entered his house. In his domestic arrangements he was the very figure of a bachelor. His slimsy silver spoon, dented with toothmarks of an ancestor who had died in a delirium, was laid evenly by his plate. The hand lamps on the shelf wore speckled brown-paper bags inverted over their chimneys. A portrait of a man playing the violin hung out, in massive gilt, over the table, like a ship's figurehead projecting over a wharf's end. His red couch bore northeast and southwest, so that he might not lose good sleep by opposing his body to the flow of magnetic currents.

On this night he drew out from a hole in the upholstery of the couch a bag of stenciled canvas, which chinked. It was full of money, in gold and silver pieces. He counted it, and sat thoughtful. Later he went out of the house and stood looking at the sea as if for a sign. But the sea gave him no sign; and on that night at least had no voice.

It was three days before he came up with Cad Sills again. Then he spied her at nightfall, reclining under the crab-apple tree at Hannan's Landing.

The little man came close enough to tread on her shadow, cleared his throat, and almost shouted:

"Did you mean what you said? Did you mean what you said, girl?"

She laughed and threw the core of an apple in his direction.

"I did when I said it, Mr. Happen-so. I did when I said it."

"I'm ready-. I'm ready now. We'll be married tomorrow, if you don't mind."

"But will I sell my cabbages twice, I wonder? I've had a change of heart since, if I must tell you."

"Surely not in this short space of time," Rackby gasped, dismayed.

A light throbbed in her eye. "Well, perhaps I haven't."

The storm petrel hovered high, swooped close, her lips parted. Her teeth shone with a native luster, as if she had lived on roots and tough things all her life. Again little Rackby felt that glow of health and hardness in her person, as if one of the cynical and beautiful immortals of the Greeks confronted him. He was heartily afraid of her mystifying power of enchantment, which seemed to betray him to greater lengths than he had dreamed. Even now perhaps all was lost.

"I will meet you tonight, then-at the top of the hill. See? By the Preaching Tree."

She nodded her head toward the church corner. "At eight sharp, by the west face of the clock. And, mind you, Mr. Man, not one jot late or early."

Although he heard the quick fall of her feet in the dust grow fainter, it pleased him not to turn. There was a prickling above his heart and at the cords of his throat. The harbor was as blue as a map suddenly unrolled at his feet. Clouds with a purple warp were massing in the east.

The harbor master stared hard at the low ridge of an outlying island where a cow had been put to pasture. The hillocky back of that lone ruminant grew black as ink in the glow of sunset. The creature exhibited a strange fixity of outline, as if it had been a chance configuration of rocks. Rackby in due time felt a flaming impatience shoot upward from his heels. Water soughed and chuckled at the foot of the crab-apple tree, but these eager little voices could no longer soothe or even detain him with their familiar assurances.

He jumped up and stared hard at the west face of the clock, whose gilt hands were still discernible in the fading light. It was five minutes of eight.

When he slipped into the shadow of the Preaching Tree it had grown dark. Fitful lightning flashed. In the meadow fireflies were thick. They made him think of the eager beating of many fiery little hearts, exposed by gloom, lost again in that opalescent glare on the horizon against which the ragged leaves of elm and maple were hung like blobs of ink or swarms of bees.

He breathed fast; he heard mysterious fluted calls. A victim of torturing uncertainty, he strained his ear for that swift footfall. Suddenly he felt her come upon him from behind, buoyant, like a warm wave, and press firm hands over his eyelids. Her hair stung his cheek like wire.

"Guess three times."

Rackby felt the strong beat of that adventurous heart like drums of conquest. He crushed her in his arms until she all but cried out. There was nothing he could say. Her breath carried the keen scent of crushed checkerberry plums. She had been nibbling at tender pippins by the way, like a wild thing.

The harbor master remembered later that he seemed to have twice the number of senses appointed to mortals in that hour. A heavy fragrance fell through the dusk out of the thick of the horse-chestnut tree. A load of hay went by, the rack creaking, the driver sunk well out of sight. He heard the dreaming note of the tree toad; frogs croaked in the lush meadow, water babbled under the crazy wooden sidewalk.-The meadow was one vast pulse of fireflies. He felt this industrious flame enter his own wrists.

Then the birches over the way threshed about in a gust of wind. Almost at once rain fell in heavy drops; blinds banged to and fro, a strong smell of dust was in his nostrils, beat up from the road by driving rain.

The girl first put the palm of her hand hard against his cheek, then yielded, with a pliant and surprising motion of the whole body. Her eyes were full of a strange, bright wickedness. Like torches they seemed to cast a crimson light on the already glowing cheek.

Fascinated by this thought, Rackby bent closer. The tented leaves of the horse-chestnut did not stir. Surely the dusky cheek had actually a touch of crimson in the gloom.

This effect, far from being an illusion was produced by a lantern in the fist of a man swinging toward them with vast strides. And now the clock, obeying its north face, struck eight.

Before the last stroke had sounded the girl was made aware of the betraying light. She whirled out of Rackby's arms and ran toward Sam Dreed. The big viking stood with his feet planted well apart, and a mistrustful finger in his beard.

"Touch and go!" cried Caddie Sills, falling on his neck. "Do we go at the top of the tide, mister?"

"What hellion is that under the trees?" he boomed at her, striking the arm down savagely.

"You will laugh when you see," said Cad Sills, wrung with pain, but returning to him on the instant.

"On the wrong side of my face, maybe."

"Can't you see? It's the little harbor master."

"Ah! and standing in the same piece of dark with you, my girl."

Cad Sills laughed wildly. "Did ever I look for more thanks than this from any mortal man? Then I'm not disappointed. But let me ask you, have you taken your ship inside the island to catch the tide?"

"Yes."

"Oh, you have. And would you have done that with the harbor master looking on? Hauled short across the harbor lines? Maybe you think I have a whole chest of pearls at your beck and call, Sam Dreed. Oh, what vexation! Here I hold the little man blindfolded by my wiles-and this is my thanks!"

The voice was tearful with self-pity.

"Is that so, my puss?" roared the seaman, melted in a flash. He swung the girl by the waist with his free arm. "You have got just enough natural impudence for the tall water and no mistake. Come along."

"Wait!" cried Jethro Rackby. He stepped forward. He felt the first of many wild pangs in thus subjecting himself to last insult. "Where are you going?"

The words had the pitiful vacuity of a detaining question. For what should it matter to Jethro where she went, if she went in company with Sam Dreed?

"How can I tell you that, little man?" Cad Sills flung over her shoulder at him. "The sea is wide and uncertain."

Her full cheek, with its emphatic curve, was almost gaunt in the moment when she fixed her eyes on the wolfish face of that tousle-headed giant who encircled her. Her shoulder blades were pinched back; the line of the marvelous full throat lengthened; she devoured the man with a vehemence of love, brief and fierce as the summer lightning which played below the dark horizon.

She was gone, planting that aerial foot willfully in the dust. Raindrops ticked from one to another of the broad, green leaves over the harbor master's head. Water might be heard frothing in a nearby cistern.

Suddenly the moon glittered on the parson's birch-wood pile, and slanted a beam under the Preaching Tree. Sunk in the thick dust which the rain had slightly stippled in slow droppings, he saw the tender prints of a bare foot and the cruel tracks of the seaman's great, square-toed boots pointing together toward the sea.

He raised his eyes only with a profound effort. They encountered a blackboard affixed to the fat trunk of the Preaching Tree, on which from day to day the parson wrote the text for its preachments in colored chalk. The moon was full upon it, and Rackby saw in crimson lettering the words, "Woman, hath no man damned thee?" The rest of the text he had rubbed out with his own shoulders in turning to take the girl into his arms.

"I damn ye!" he cried, raising his arms wildly. "Yes, by the Lord, I damn ye up and down. May you burn as I burn, where the worm dieth not, and the fires are not quenched."

So saying, he set his foot down deliberately on the first of the light footprints she had made in springing from his side-as if he might as easily as that blot out the memory of his enslavement.

Thereafter the Customs House twitted him, as if it knew the full extent of his shame. Zinie Shadd called after him to know if he had heard that voice from the sea yet, in his comings and goings.

"Peter Loud was not so easy hung by the heels," that aged loiterer affirmed, "shipping as he did along with the lady herself, as bo's'n for Cap'n Sam Dreed."

Jethro Rackby took to drink somewhat, to drown these utterances, or perhaps to quench some stinging thirst within him which he knew not to be of the soul.

When certain of the elders asked him why he did not cut the drink and take a decent wife, he laughed like a demon, and cried out:

"What's that but to swap the devil for a witch?"

Others he met with a counter question:

"Do you think I will tie a knot with my tongue that I can't untie with my teeth?"

So he sat by himself at the back windows of a water-front saloon, and when he caught a glimpse of the water shining there low in its channels he would shut his lips tight.-Who could have thought that it would be the sea itself to throw in his path the woman who had set this blistering agony in his soul? There it lay like rolled glass; the black piles under the footbridge were prolonged to twice their length by their own shadows, so that the bridge seemed lifted enormously high out of water. Beyond the bridge the seine pockets of the mackerel men hung on the shrouds like black cobwebs, and the ships had a blighting look of funeral ships.-

He had mistrusted the sea. It was life; it was death; flow, slack, and ebb-and his pulse followed it.

Officials of the Customs House could testify that for better than a year, if he mentioned women at all, it was in a tone to convey that his fingers had been sorely burned in that flame and smarted still.

The second autumn, from that moment under the Preaching Tree, found him of the same opinion still. He trod the dust a very phantom, while little leaves of cardinal red spun past his nose like the ebbing heart's blood of full-bodied summer. The long leaves of the sumach, too, were like guilty fingers dipped in blood. But the little man paid no heed to the analogies which the seasons presented to his conscience in their dying. Though he thought often of his curse, he had not lifted it. But when he saw a cluster of checkerberry plums in spring gleam withered red against gray moss, on some stony upland, he stood still and pondered.

Then, on a night when the fall wind was at its mightiest, and shook the house on Meteor Island as if clods of turf had been hurled against it, he took down his Bible from its stand. At the first page to which he turned, his eye rested on the words, "Woman, hath no man damned thee?"

He bent close, his hand shook, and his blunt finger traced the remainder of that text which he and Cad Sills together had unwittingly erased from the Preaching Tree.

"No man, Lord."-"Neither do I damn thee: go, and sin no more."

He left the Bible standing open and ran out-of-doors.

The hemlock grove confronted him a mass of solid green. Night was coming on, as if with an ague, in a succession of coppery cold squalls which had not yet overtaken the dying west. In that quarter the sky was like a vast porch of crimson woodbine.

When this had sunk, night gave a forlorn and indistinguishable look to everything. A spark of ruddy light glowed deep in the valley. The rocking outlines of the hills were lost in rushing darkness. At his back sounded the pathetic clatter of a dead spruce against its living neighbor, bespeaking the deviltry of woodland demons.-It was the hour which makes all that man can do seem as nothing in the mournful darkness, causing his works to vanish and be as if they had not been.

At this hour the heart of man may be powerfully stirred, by an anguish, a prayer, or perhaps-a fragrance.

The harbor master, uttering a brief cry, dropped to his knees and remained mute, his arms extended toward the sea in a gesture of reconcilement.

On that night the Sally Lunn, Cap'n Sam Dreed, was wrecked on the sands of Pull-an'-be-Damned.

Rackby, who had fallen into a deep sleep, lying northeast and southwest, was awakened by a hand smiting his door in, and a wailing outside of the Old Roke busy with his agonies. In a second his room was full of crowding seamen, at their head Peter Loud, bearing in his arms the dripping form of Caddie Sills. He laid her gently on the couch.

"Where did you break up?" whispered Rackby. He trembled like a leaf.

"Pull-an'-be-Damned," said Deep-water Peter. "The Cap'n's gone. He didn't come away. Men can say what they like of Sam Dreed; he wouldn't come into the boat. I'll tell all the world that."

The crew of the wrecked ship stood heaving and glittering in their oils, plucking their beards with a sense of trespass, hearing the steeple clock tick, and water drum on the worn floor.

"All you men clear out," said Caddie Sills, faintly. "Leave me here with Jethro Rackby."

They set themselves in motion, pushing one against the other with a rasp and shriek of oilskins-and Peter Loud last of all.

The harbor master, not knowing what to say, took a step away from her, came back, and, looking into her pale face, cried out, horror-struck, "I damned ye." He dropped on his knees. "Poor girl! I damned ye out and out."

"Hold your horses, Mr. Happen-so," said Cad Sills. "There's no harm in that. I was damned and basted good and brown before you ever took me across your little checkered apron."

She looked at him almost wistfully, as if she had need of him. With her wet hair uncoiling to the floor, she looked as if she had served, herself, for a fateful living figurehead, like her mother before her. The bit of coral was still slung round her throat. The harbor master recalled with what a world of meaning she had caught it between her teeth on the night of his rescue-the eyes with a half-wistful light as now.

"Come," she said, "Harbor Master. I wasn't good to you, that's true; but still you have done me a wrong in your turn, you say?"

"I hope God will forgive me," said the harbor master.

"No doubt of that, little man. But maybe you would feel none the worse for doing me a favor, feeling as you do."

"Yes, yes."

Her hand sought his. "You see me-how I am. I shall not survive my child, for my mother did not before me. Listen. You are town clerk. You write the names of the new born on a sheet of ruled paper and that is their name?"

Rackby nodded.

"So much I knew-Come. How would it be if you gave my child your name-Rackby? Don't say no to me. Say you will. Just the scratching of a pen, and what a deal of hardship she'll be saved not to be known as Cad Sills over again."

Her hand tightened on his wrist. Recollecting how they had watched the tide horse over Pull-an'-be-Damned thus, he said, eagerly, "Yes, yes, if so be 'tis a she," thinking nothing of the consequences of his promise.

"Now I can go happy," murmured Cad Sills.

"Where will you go?" said the harbor master, timorously, feeling that she was whirled out of his grasp a second time.

"How should I know?" lisped Caddie Sills, with a remembering smile. "The sea is wide and uncertain, little man."

The door opened again. A woman appeared and little Rackby was thrust out among the able seamen.

Three hours later he came and looked down on Cad Sills again. Rain still beat on the black windows. Her lips were parted, as if she were only weary and asleep. But in one glance he saw that she had no need to lie northeast and southwest to make certain of unbroken sleep.

To the child born at the height of the storm the harbor master gave a name, his own-Rackby. He was town clerk, and he gave her this name when he came to register her birth on the broad paper furnished by the government. And for a first name, Day, as coming after that long night of his soul, perhaps.

When this was known, he was fined by the government two hundred dollars. Such is the provision in the statutes, in order that there may be no compromise with the effects of sin.

The harbor master did not regret. He reckoned his life anew from that night when he sat in the dusk with the broad paper before him containing the names of those newly born.

So the years passed, and Day Rackby lived ashore with her adoptive father. When she got big enough they went by themselves and reopened the house on Meteor Island.

The man was still master of the harbor, but he could not pretend that his authority extended to the sea beyond. There he lost himself in speculation, sometimes wondering if Deep-water Peter had found a thing answering his quest. But Peter did not return to satisfy him on this point.

The harbor master was content to believe that he had erred on the side of the flesh, and that the sea, a jealous mistress, had swept him into the hearing of the gods, who were laughing at him.

As for the child of Cad Sills, people who did not know her often said that her eyes were speaking eyes. Well if it were so, since this voice in the eyes was all the voice she had. She could neither speak nor hear from birth. It was as if kind nature had sealed her ears against those seductive whisperings which-so the gossips said-had been the ruination of her mother.

As she grew older, they said behind their hands that blood would tell, in spite of all. Then, when they saw the girl skipping along the shore with kelp in her hands they said, mistrustfully, that she was "marked" for the sea, beyond the shadow of a doubt.

"She hears well enough, when the sea speaks," Zinie Shadd averred. He had caught her listening in a shell with an intent expression.

"She will turn out to be a chip of the old block," said Zinie Shadd's wife, "or I shall never live to see the back of my neck."

Jethro Rackby heard nothing of such prophecy. He lived at home. Here in his estimation was a being without guile, in whose innocence he might rejoice. His forethought was great and pathetic. He took care that she should learn to caress him with her finger tips alone. He remembered the fatal touch of Cad Sills's kiss at Pull-an'-be-Damned, which had as good as drawn the soul out of his body in a silver thread and tied it in a knot.

Once, too, he had dreamed of waking cold in the middle of the night and finding just a spark on the ashes of his hearth. This he nursed to flame; the flame sprang up waist-high, hot and yellow. Fearful, he beat it down to a spark again. But then again he was cold. He puffed at this spark, shivering; the flame grew, and this time, with all he could do, it shot up into the rafters of his house and devoured it.-

So it was that the passion of Cad Sills lived with him still.

He taught the child her letters with blue shells, and later to take the motion of his lips for words. She waylaid him everywhere-on the rocks, on the sands, in the depths of the hemlock grove, on tiny antlers of gray caribou moss, with straggling little messages and admonishings of love. Her apron pocket was never without its quota of these tiny shells of brightest peacock blue. They trailed everywhere. He ground them under heel at the threshold of his house. From long association they came to stand for so many inquisitive little voices in themselves, beseeching, questioning, defying.

But for his part, he grew to have a curious belief, even when her head was well above his shoulder, that the strong arch of her bosom must ring out with wild sweet song one day, like that which he had heard on the November hillside, when Caddie Sills had run past him at the Preaching Tree. This voice of Day's was like the voice sleeping in the great bronze horn hanging in a rack, which his father had used to call the hands to dinner. A little wind meant no sound, but a great effort, summoning all the breath in the body, made the brazen throat ring out like a viking's horn, wild and sweet.

So with Day, if an occasion might be great enough to call it forth.

"He always was a notional little man," the women said, on hearing this. The old bachelor was losing his wits. Such doctrine as he held made him out not one whit better off than Zinie Shadd, who averred that the heart of man was but a pendulum swaying in his bosom-though how it still moved when he stood on his head was more than even Zinie Shadd could fathom, to be sure.

"It's the voice of conscience he's thinking of, to my judgment," said one. "That girl is deafer than a haddock and dumb as the stone."

Untouched by gossip, the harbor master felt with pride that his jewel among women was safe, and that here, within four humble walls, he treasured up a being literally without guile, one who grew straight and white as a birch sapling. "Pavilioned in splendor" were the words descriptive of her which he had heard thunderously hymned in church. The hair heavy on her brow was of the red gold of October.

If they might be said to be shipmates sailing the same waters, they yet differed in the direction of their gaze. The harbor master fixed his eyes upon the harbor; but little Day turned hers oftenest upon the blue sea itself, whose mysterious inquietude he had turned from in dismay.

True, the harbor was not without its fascination for her. Leaning over the side of his dory, the sea girl would shiver with delight to descry those dismal forests over which they sailed, dark and dizzying masses full of wavering black holes, through which sometimes a blunt-nosed bronze fish sank like a bolt, and again where sting ray darted, and jellyfish palpitated with that wavering of fringe which produced the faintest of turmoil at the surface of the water.

This would be at the twilight hour when warm airs alternated with cold, like hopes with despairs. Sparbuoys of silver gray were duplicated in the water, wrinkled like a snout at the least ripple from the oars. Boats at anchor seemed twice their real size by reason of their dark shadows made one with them. One by one the yellow riding lights were hung, far in. They shone like new-minted coins; the harbor was itself a purse of black velvet, to which the harbor master held the strings. The quiet-the immortal quiet-operated to restore his soul. But at such times Day would put the tips of her fingers mysteriously to her incarnadined dumb lips and appear to hearken on the seaward side. If a willful light came sometimes in her eyes he did not see it.

But even on the seaward side there would not be heard, on such nights, the slightest sound to break the quiet, unless that of little fish jumping playfully in the violet light, and sending out great circles to shimmer toward the horizon.

So it drew on toward Day Rackby's eighteenth birthday.

One morning in October they set out from Meteor for the village. A cool wind surged through the sparkling brown oak leaves of the oaks at Hannan's Landing.

"They die as the old die," reflected Jethro Rackby, "gnarled, withered, still hanging on when they are all but sapless."

Despite the melancholy thought, his vision was gladdened by a magic clarity extending over all the heavens, and even to the source of the reviving winds. The sea was blown clear of ships. In the harbor a few still sat like seabirds drying plumage. Against the explosive whiteness of wind clouds, their sails looked like wrinkled parchment, or yellowing Egyptian cloth; the patches were mysterious hieroglyphs.

Day sat sleepily in the stern of the dory, her shoulders pinched back, her heavy braid overside and just failing the water, her eyes on the sway of cockles in the bottom of the boat.

Rackby puckered his face, when the square bell tower of the church, white as chalk, came into view, dazzling against the somber green upland. The red crown of a maple showed as if a great spoke of the rising sun had passed across that field and touched the tree to fire with its brilliant heat.

So he had stood-so he had been touched. His heart beat fast, and now he stood under the Preaching Tree again, and drew a whiff of warm hay, clover-spiced, as it went creaking past, a square-topped load, swishing and dropping fragrant tufts.-This odor haunted him, as if delights forgotten, only dreamed, or enjoyed in other lives, had drifted past him.-Then the vivid touch of Cad Sills's lips.

He glanced up, and at once his oars stumbled, and he nearly dropped them in his fright. For the fraction of a second he had, it seemed, surprised Cad Sills herself looking at him steadily out of those blue, half-shut lazy eyes of his scrupulously guarded foster child. The flesh cringed on his body. Was she lurking there still? Certainly he had felt again, in that flash, the kiss, the warm tumult of her body, the fingers dove-tailed across his eyes; and even seen the scented hay draw past him, toppling and quivering.

He stared more closely at the girl. She looked nothing like the wild mother. There was no hint of Cad Sills in that golden beauty unless, perhaps, in a certain charming bluntness of sculpturing at the very tip of her nose, a deft touch. Nevertheless, some invisible fury had beat him about the head with her wings there in the bright sunshine.

Disquieted, he resumed the oars. They had drifted close to the bank, and a shower of maple leaves, waxen red, all but fell into the boat.

"These die as the young die," thought the harbor master, sadly. "They delight to go, these adventurers, swooping down at a breath. They are not afraid of the mystery of mold."

His glance returned to the wandlike form of his daughter, whose eyes now opened upon his archly.

"So she would adventure death," he reflected. "Almost at as light a whisper from the powers of darkness, too."

They were no sooner ashore than the girl tugged at his hand to stay him. The jeweler's glass front had intrigued her eye, for there, displayed against canary plush, was a string of pearls, like winter moons for size and luster. Her speaking eye flashed on them and her slim fingers twisted and untwisted at her back. She lifted her head and with her forefinger traced a pleading circle round her throat.

A dark cloud came over Rackby's features. These were the pearls, he knew at once, which Caddie Sills had sold in the interest of Cap'n Dreed so long ago. They were a luckless purchase on the part of the jeweler. All the women were agreed that such pearls had bad luck somewhere on the string, and no one had been found to buy.

"Why does he display them at this time of all times, in the face and eyes of everybody?" thought the harbor master.

A laugh sounded behind him. It was Deep-water Peter, holding a gun in one hand, and a dead sheldrake in the other. The red wall of the Customs House bulged over him.

"Ah, there, Jethro!" he said. "Have you married the sea at last and taken a mermaid home to live?"

"This is my daughter, if you please," said Jethro Rackby. An ugly glint was in his usually gentle eye, but he did not refuse the outstretched hand. "You have prospered seemingly."

"Oh, I have enough to carry me through," said Peter. "I picked up a trifle here, and a trifle there, and a leetle pinch from nowhere, just to salt it down. And so all this time you've been harbor master here?"

His tone was between contempt and tolerance, as befitted the character formed in a harder school, and the harbor master was bitterly silent.

Day had turned from the jewels and was coming toward her father. When she saw the strange man beside him she stopped short and averted her face, not before observing that Rackby might have passed for Peter's father.

"Not so shy-not so shy," murmured Deep-water Peter, as if she had been a wild filly coming up to his hand.

"She cannot hear you," Rackby interposed. The gleam of triumph in his eye was plain.

"Can't hear?"

"Neither speak nor hear."

Peter Loud turned toward the girl again-and this time her blue eye met his, and a spark was struck, not dying out instantly, such a spark as might linger on the surface of a flint struck by steel.

Was it a certain trick of movement, or only the quickened current of his blood that made Deep-water Peter know the truth?

"This is strange," he said.

That wind-blown voice of his, with its deepwater melodiousness, had dropped to a whisper.

"Even providential," the harbor master returned, and his eye glittered.

Peter would have said something to that, but Rackby, with a stern hand at his daughter's elbow, passed out of hearing.

Peter Loud was promptly taken in the coils of that voiceless beauty whose speaking eye had met his so squarely. The mother had played him false, as she had Jethro-but with Peter these affairs were easier forgotten.

Within the week, as he was striding over the bare flats of Pull-an'-be-Damned, he saw the flash of something white inside a weir. The sun was low and dazzled him. He came close and saw that this was Rackby's daughter. She had slipped into the weir to tantalize a crab with the sight of her wriggling toes and so had stepped on a sharp shell and cut her foot to the bone.

Peter cried amazedly. The shadow of the weir net on her face and body trembled, but she uttered no slightest sound. It was as if some wild swan had fallen from the azure.

In falling she had hurt her leg and could not walk. Peter tore the sleeves from her arms and bound the foot, then bent eagerly and lifted her out of the weir.

Immediately she hid her cheek in his coat, shivered, set her damp lips with their flavor of sweet salt, full against his.

Deep-water Peter held her tighter yet. How could he know that here, on Pull-an'-be-Damned, within a biscuit's toss of the weirs, Cad Sills had served the same fare to Rackby. He turned and ran, holding her close, and the tide hissed at his heels like a serpent.

The harbor master, lately returned from evening inspection of the harbor, heard the rattle of oars under his wharf, and in no great while he saw Peter advancing with Day limp in his arms.

The sailor brushed past him into the kitchen, and laid the girl down, as he had laid her mother, northeast and southwest. Rackby at his side muttered:

"How come you here like this? How come you?"

A fearful misgiving caused him to drop to his knees. The girl opened her eyes; a new brilliance danced there. With a shiver, the harbor master perceived those signs of a fire got beyond control which had consumed the mother.

"She has cut her foot, friend Rackby," said Peter. "I took the liberty to bring her here-so."

Wrath seized the little man. "Thank you for nothing, Peter Loud!" he cried, and these again were the very words Cad Sills had hurled at him when he had saved her life at Pull-an'-be-Damned.

"That's as you say," said Deep-water Peter.

"You have done your worst now," said Jethro. "If I find you here again I will shoot you down like a dog."

Peter laughed very bitterly. "You have got what is yours, Harbor Master," he said, "and it takes two to make a quarrel."

But as he was going through the door he looked back. The girl unclosed her eyes, and a light played out of them that followed him into the dark and streamed across the heavens like the meteorite that had once fallen on Meteor Island.

Peter had taken a wreath of fire to his heart. The girl attended him like something in the corner of his eye. Times past count, he plied his oars among the cross currents to the westward of that island, hoping to catch a glimpse of his siren on the crags.

Sometimes for long moments he lay on his oars, hearing the blue tide with a ceaseless motion heave and swirl and gutter all round its rocky border, and the serpents' hiss come from some Medusa's head of trailing weed uttered in venomous warning. Under flying moons the shaggy hemlock grove was like a bearskin thrown over the white and leprous nakedness of stony flanks. At the approach of storm the shadows stealing forth from that sullen, bowbacked ridge were blue-filmed, like the languid veil which may be seen to hang before blue, tear-dimmed eyes.

Deep-water Peter felt from the first that he could not dwell for long on the mysteries of that island without meeting little Rackby's mad challenge. Insensibly he drew near-and at last set foot on its shores again. Late on a clear afternoon he landed in the very lee of the island, at a point where the stone rampart was fifty feet in height, white as a bone, and pitted like a mass of grout. This cliff was split from top to bottom, perhaps by frosts, perhaps by the fall of the buried meteor. A little cove lay at the base of this crevasse, and here a bed of whitest sand had sifted in, rimmed by a great heap of well-sanded, bright-blue shells of every size and shape. This was the storehouse from which Day Rackby drew her speaking shells.

He looped the painter of his dory under a stone and ascended the rock. His heart was in his throat. All the world hitherto had not proffered him such choice adventure, if he had read the signs aright. As if directed by the intuition of his heart, he slipped into the shadows of the grove. Fragrance was broadcast there, the clean fragrance of nature at her most alone. Crows whirred overhead; their hoarse plaint, with its hint of desolation, made a kind of emptiness in the wood, and he went on, step by step, as in a dream, wrapt, expectant. Was she here? Could Rackby's will detain her here, a presence so swift, mischievous, and aerial? Such a spirit could not be held in the hollow of a man's hand. He remembered how in his youth a man had tried to keep wild foxes on this same island, for breeding purposes, but they had whisked their brushes in his face and swum ashore.

The green dusk was multiplied many times now by tiny spruces, no thicker than a man's thumb, which grew up in racks and created a dense blackness, its edges pierced by quivering shafts of the sun, some of which, as if by special providence, fell between all the outer saplings, and struck far in. A certain dream sallowness was manifested in that sunlit glimpse. The air was quiet. Minutest things seemed to marshal themselves as if alone and unobserved, so that it was strange to spy them out.

"She is not here," he thought. His footfall was nothing on the soft mold. Portly trunks of the hemlocks began to bar his way. The thick shade entreated secrecy; he stood still, and saw his dryad, a green apparition, kneeling at the foot of a beech tree, and looking down. In the stillness, which absorbed all but the beating of his heart, he heard the dry tick, tick of a beech leaf falling. Those that still clung to the sleek upper boughs were no more than a delicate yellow cloud or glowing autumnal atmosphere suffusing the black bole of the tree with a light of pure enchantment. He was surprised that anything so vaporous and colorful should come from the same sap that circulated through the bark and body of the thick tree itself. But then he reflected that, after all, the crown and flame of Sam Dreed's life was Day Rackby.

Had she, perhaps, descended from that yellow cloud above her? Deep-water Peter had a moment of that speechless joy which comes when all the doors in the house of vision are flung open at one time.

His feet sank unheeded in a patch of mold. He saw now that her eye was on the silent welling of a spring into a sunken barrel. She had one hand curled about the rim. The arm was of touching whiteness against that cold, black round, which faithfully reflected the silver sheen of the flesh on its under parts. Red and yellow leaves, crimped and curled, sat or drifted to her breath in the pool, as if they had been gaudy little swans.

Suddenly the sun sent a pale shaft, tinctured with lustrous green, through the hemlock shades. This shaft of light moved over the forest floor, grew ruddy, spied out a secret sparkle hidden in a fallen leaf, shone on twisting threads of gossamer-like lines of running silver on which the gloom was threaded, and, last of all, blazing in the face of that fascinating dryad, caused her to draw back.

Peter, as mute as she, stretched out his arms. She darted past him in a flash, putting her finger to her lips and looking back. The light through the tiny spruces dappled her body; she stopped as if shot; he came forward, humble and adoring, thinking to crush into this moment, within these arms, all that mortal beauty, the ignis fatuus of romance.

His lips were parted. He seemed now to have her with her back against a solid wall of rock outcropping, green-starred; but next instant she had slipped into a cleft where his big shoulders would not go. Her eyes shone like crystals in that inviting darkness.

"What can I do for you?" said Peter, voicelessly.

Day Rackby pinched her shoulders back, leaned forward, and drew a mischievous finger round her throat.

* * *

On that night Jethro stole more than one look at the girl while she was getting supper. Of late, when she came near him, she adopted a beloved-old-fool style of treatment which was new to him.

She was more a woman than formerly, perhaps. He did not understand her whimsies. But still they had talked kindly to each other with their eyes. They communed in mysterious ways-by looks, by slight pressures, by the innumerable intuitions which had grown up, coral-wise, from the depths of silence.

But this intercourse was founded upon sympathy. That once gone, she became unfathomable and lost to him, as much so as if visible bonds had been severed.-

A certain terror possessed him at the waywardness she manifested. Evidently some concession must be made.

"Come," he said, turning her face toward him with a tremulous hand. "I will make you a little gift for your birthday. What shall it be?"

She stood still-then made the very gesture to her bosom and around her neck, which had already sent Peter scurrying landward.

The movement evoked a deadly chill in Rackby's heart. Was the past, then, to rise against him, and stretch out its bloodless hands to link with living ones? That sinister co-tenant he had seen peering at him through the blue eyes would get the better of him yet.

Conscious of his mood, she leaped away from him like a fawn. A guilty light was in her eye, and she ran out of the house.

Rackby followed her in terror, not knowing which way to go in the lonely darkness to come up with her. In his turn he remembered the man who had tried to keep wild foxes on Meteor.

The harbor was calm, wondrous calm, with that blackness in the water which always precedes the rigor mortis of winter itself. All calm, all in order-not a ship of all those ships displaying riding lights to transgress the harbor lines he had decreed. How, then, should his own house not be in order?

But this was just what he had thought when Caddie Sills first darted the affliction of love into his bosom. Somewhere beyond the harbor mouth were the whispers of the tide's unrest, never to be quite shut out. Let him turn his back on that prospect as he would, the Old Roke would scandalize him still.

A man overtaken by deadly sickness, he resolved upon any sacrifice to effect a cure. On the morrow he presented himself at the jeweler's and asked to be shown the necklace.

"It is sold at last," said the jeweler, going through the motions of washing his hands.

"Sold? Who to?"

"To Peter Loud," said the jeweler.

Jethro Rackby pressed the glass case hard with his finger ends. What should Deep-water Peter be doing with a string of pearls? He must go at once. Yet he must not return empty-handed. He bought a small pendant, saw it folded into its case, and dropped the case into his pocket.

When he came to the harbor's edge he found a fleecy fog had stolen in. The horn at the harbor's mouth groaned like a sick horse. As he pulled toward Meteor the fog by degrees stole into his very brain until he could not rightly distinguish the present from the past, and Caddie Sills, lean-hipped and dripping, seemed to hover in the stern.

At one stroke he pulled out of the fog. Then he saw a strong, thick rainbow burning at the edge of the fog, a jewel laid in cotton wool. Its arch just reached the top of the bank, and one brilliant foot was planted on Meteor Island.

"That signifies that I shall soon be out of my trouble," he thought, joyfully.

The fog lifted; the green shore stood out again mistily, then more vividly, like a creation of the brain. He saw the black piles of the herring wharf, and next the west face of the church clock, the hands and numerals glittering like gold.

The harbor was now as calm as a pond, except for the pink and dove color running vaporously on the back of a long swell from the south. A white light played on the threshold of the sea, and the dark bank of seaward-rolling fog presently revealed that trembling silver line in all its length, broken only where the sullen dome of Meteor rose into it.

High above, two wondrous knotty silver clouds floated, whose image perfectly appeared in the water.

"Glory be!" said Jethro Rackby, aloud. He hastened his stroke.

Rackby, returning to the gray house with his purchase, peered past its stone rampart before going in. His eye softened in anticipation of welcome. Surely no angel half so lovely was ever hidden at the heart of night.

The kitchen was empty. So were all the rooms of the house, he soon enough found out. Not a sound but that of the steeple clock on the kitchen shelf, waddling on at its imperfect gait, loud for a few seconds, and then low.

Jethro went outside. The stillness rising through the blue dusk was marvelous, perfect. But an icy misgiving raced through his frame. He began to walk faster, scanning the ground. At first in his search he did not call aloud, perhaps because all his intercourse with her had been silent, as if she were indeed only the voice of conscience in a radiant guise. And when at length he did cry out, it was only as agony may wring from the lips a cry to God.

He called on her in broken phrases to come back. Let her only come, she might be sure of forgiveness. He was an old man now, and asked for nothing but a corner in her house. Then again, he had here a little surprise for her. Ah! Had she thought of that? Come; he would not open the package without a kiss from her finger ends.

He hurried forward, hoarse breathing. A note of terrible joy cracked his voice when the thought came to him that she was hiding mischievously. That was it-she was hiding-just fooling her old father. Come; it wouldn't do to be far from his side on these dark nights. The sea was wide and uncertain-wide and uncertain.

But he remembered that ominous purchase of the pearls by Deep-water Peter, and shivered. His voice passed into a wail. Little by little he stumbled through the hemlock grove, beseeching each tree to yield up out of obdurate shadow that beloved form, to vouchsafe him the lisp of flying feet over dead beech leaves. But the trees stood mournfully apart, unanswering, and rooted deep.

Now he was out upon the pitted crags, calling madly. She should have all his possessions, and the man into the bargain. Yes, his books, his silver spoons, that portrait of a man playing on the violin which she had loved.

With a new hope, he pleaded with her to speak to him, if only once, to cry out. Had he not said she would, one day? Yes, yes, one little cry of love, to show that she was not so voiceless as people said.-

He stood with awful expectation, a thick hand bending the lobe of his ear forward. Then through silver silences a muttering was borne to him, a great lingering roar made and augmented by a million little whispers.-The Old Roke himself, taking toll at the edge of his dominions.

Nothing could approach the lonely terror of that utterance. He ran forward and threw himself on his knees at the very brink of that cracked and mauled sea cliff.

It was true that Peter, in his absence, had disembarked a second time on Meteor-a fit habitation for such a woman as Day Rackby. But did that old madman think that he could coop her up here forever? How far must he be taken seriously in his threat?

Peter advanced gingerly. Blue water heaved eternally all round that craggy island, clucked and jabbered in long corridors of faulted stone, while in its lacy edge winked and sparkled new shells of peacock blue, coming from the infinite treasury of the sea to join those already on deposit here.

What, then, was he about? He loved her. What was love? What, in this case, but an early and late sweetness, a wordless gift, a silent form floating soft by his side-something seeking and not saying, hoping and not proving, burning and as yet scarce daring-and so, perhaps, dying.

Then he saw her.

She lay in an angle of the cover, habited in that swimming suit she had plagued Jethro into buying, for she could swim like a dog. There, for minutes or hours, she had lain prone upon the sands, nostrils wide, legs and arms covered with grains of sand in black and gold glints. Staring at the transfigured flesh, she delighted in this conversion of herself into a beautiful monster.-

Suddenly the sea spoke in her blood, as the gossips had long prophesied, or something very like it. Lying with her golden head in her arms, the splendid shoulders lax, she felt a strong impulse toward the water shoot through her form from head to heel at this wet contact with the naked earth. She felt that she could vanish in the tide and swim forever.

At that moment she heard Peter's step, and sprang to her feet. She could not be mistaken. Marvelous man, in whose arms she had lain; fatal trespasser, whom her father had sworn to kill for some vileness in his nature. What could that be? Surely, there was no other man like Peter. She interpreted his motions no less eagerly than his lips.

The sun sank while they stared at each other. Flakes of purple darkness seemed to scale away from the side of the crag whose crest still glowed faintly red. It would be night here shortly. Deep-water Peter gave a great sigh, fumbled with his package, and next the string of pearls swayed from his finger.

"Yours," he uttered, holding them toward her.

Silence intervened. A slaty cloud raised its head in the east, and against that her siren's face was pale. Her blue eyes burned on the gems with a strange and haunted light. There was wickedness here, she mistrusted, but how could it touch her?

Peter came toward her, bent over her softly as that shadow in whose violet folds they were wrapped deeper moment by moment. His fingers trembled at the back of her neck and could not find the clasp. Her damp body held motionless as stone under his attempt.

"It is done," he cried, hoarsely.

She sprang free of him on the instant.

"Is this all my thanks?" Peter muttered.

She stooped mischievously and dropped a handful of shells deftly on the sand, one by one. Peter, stooping, read what was written there; he cried for joy, and crushed her in his arms, as little Rackby had crushed her mother, once, under the Preaching Tree.

A strong shudder went through her. The yellow hair whipped about her neck. Then for one instant he saw her eyes go past him and fix themselves high up at the top of that crag. Peter loosened his hold with a cry almost of terror at the light in those eyes. He thought he had seen Cad Sills staring at him.

There was no time to verify such notions. Day Rackby had seen Jethro on his knees, imploring her, voicelessly, with his mysterious right reason, which said, plainer than words, that the touch of Peter's lips was poison to her soul. It seemed to Jethro in that moment that a ringing cry burst from those dumb lips, but perhaps it was one of the voices of the surf. The girl's arms were lifted toward him; she whirled, thrust Peter back, and fled over soft and treacherous hassocks of the purple weed. In another instant she flashed into the dying light on the sea beyond the headland, poised.

The weed lifted and fell, seething, but the cry, even if the old man had heard it once, was not repeated.

* * *

GREEN GARDENS[13]

By FRANCES NOYES HART

(From Scribner's Magazine)

Daphne was singing to herself when she came through the painted gate in the back wall. She was singing partly because it was June, and Devon, and she was seventeen, and partly because she had caught a breath-taking glimpse of herself in the long mirror as she had flashed through the hall at home, and it seemed almost too good to be true that the radiant small person in the green muslin frock with the wreath of golden hair bound about her head, and the sea-blue eyes laughing back at her, was really Miss Daphne Chiltern. Incredible, incredible luck to look like that, half Dryad, half Kate Greenaway-she danced down the turf path to the herb-garden, swinging her great wicker basket and singing like a small mad thing.

"He promised to buy me a bonnie blue ribbon,"

carolled Daphne, all her own ribbons flying,

"He promised to buy me a bonnie blue ribbon,

He promised to buy me a bonnie blue ribbon

To tie up-"

The song stopped as abruptly as though some one had struck it from her lips. A strange man was kneeling by the beehive in the herb-garden. He was looking at her over his shoulder, at once startled and amused, and she saw that he was wearing a rather shabby tweed suit and that his face was oddly brown against his close-cropped, tawny hair. He smiled, his teeth a strong flash of white.

"Hello!" he greeted her, in a tone at once casual and friendly.

Daphne returned the smile uncertainly. "Hello," she replied gravely. The strange man rose easily to his feet, and she saw that he was very tall and carried his head rather splendidly, like the young bronze Greek in Uncle Roland's study at home. But his eyes-his eyes were strange-quite dark and burned out. The rest of him looked young and vivid and adventurous-but his eyes looked as though the adventure were over, though they were still questing.

"Were you looking for any one?" she asked, and the man shook his head, laughing.

"No one in particular, unless it was you."

Daphne's soft brow darkened. "It couldn't possibly have been me," she said in a rather stately small voice, "because, you see, I don't know you. Perhaps you didn't know that there is no one living in Green Gardens now?"

"Oh, yes, I knew. The Fanes have left for Ceylon, haven't they?"

"Sir Harry left two weeks ago, because he had to see the old governor before he sailed, but Lady Audrey only left last week. She had to close the London house, too, so there was a great deal to do."

"I see. And so Green Gardens is deserted?"

"It is sold," said Daphne, with a small quaver in her voice, "just this afternoon. I came over to say good-by to it, and to get some mint and lavender from the garden."

"Sold?" repeated the man, and there was an agony of incredulity in the stunned whisper. He flung out his arm against the sun-warmed bricks of the high wall as though to hold off some invader. "No, no; they'd never dare to sell it."

"I'm glad you mind so much," said Daphne softly. "It's strange that nobody minds but us, isn't it? I cried at first-and then I thought that it would be happier if it wasn't lonely and empty, poor dear-and then, it was such a beautiful day, that I forgot to be unhappy."

The man bestowed a wretched smile on her. "You hardly conveyed the impression of unrelieved gloom as you came around that corner," he assured her.

"I-I haven't a very good memory for being unhappy," Daphne confessed remorsefully, a lovely and guilty rose staining her to her brow at the memory of that exultant chant.

He threw back his head with a sudden shout of laughter.

"These are glad tidings! I'd rather find a pagan than a Puritan at Green Gardens any day. Let's both have a poor memory. Do you mind if I smoke?"

"No," she replied, "but do you mind if I ask you what you are doing here?"

"Not a bit." He lit the stubby brown pipe, curving his hand dexterously to shelter it from the little breeze. He had the most beautiful hands that she had ever seen, slim and brown and fine-they looked as though they would be miraculously strong-and miraculously gentle. "I came to see-I came to see whether there was 'honey still for tea,' Mistress Dryad!"

"Honey-for tea?" she echoed wonderingly; "was that why you were looking at the hive?"

He puffed meditatively, "Well-partly. It's a quotation from a poem. Ever read Rupert Brooke?"

"Oh, yes, yes." Her voice tripped in its eagerness. "I know one by heart-

"'If I should die think only this of me:

(That there's some corner of a foreign field

(That is forever England. There shall be-"

He cut in on the magical little voice roughly.

"Ah, what damned nonsense! Do you suppose he's happy, in his foreign field, that golden lover? Why shouldn't even the dead be homesick? No, no-he was sick for home in Germany when he wrote that poem of mine-he's sicker for it in Heaven, I'll warrant." He pulled himself up swiftly at the look of amazement in Daphne's eyes. "I've clean forgotten my manners," he confessed ruefully. "No, don't get that flying look in your eyes-I swear that I'll be good. It's a long time-it's a long time since I've talked to any one who needed gentleness. If you knew what need I had of it, you'd stay a little while, I think."

"Of course, I'll stay," she said. "I'd love to, if you want me to."

"I want you to more than I've ever wanted anything that I can remember." His tone was so matter-of-fact that Daphne thought that she must have imagined the words. "Now, can't we make ourselves comfortable for a little while? I'd feel safer if you weren't standing there ready for instant flight! Here's a nice bit of grass-and the wall for a back-"

Daphne glanced anxiously at the green muslin frock. "It's-it's pretty hard to be comfortable without cushions," she submitted diffidently.

The man yielded again to laughter. "Are even Dryads afraid to spoil their frocks? Cushions it shall be. There are some extra ones in the chest in the East Indian room, aren't there?"

Daphne let the basket slip through her fingers, her eyes black through sheer surprise.

"But how did you know-how did you know about the lacquer chest?" she whispered breathlessly.

"'Oh, devil take me for a blundering ass!" He stood considering her forlornly for a moment, and then shrugged his shoulders, with the brilliant and disarming smile. "The game's up, thanks to my inspired lunacy! But I'm going to trust you not to say that you've seen me. I know about the lacquer chest because I always kept my marbles there."

"Are you-are you Stephen Fane?"

At the awed whisper the man bowed low, all mocking grace, his hand on his heart-the sun burnishing his tawny head.

"Oh-h!" breathed Daphne. She bent to pick up the wicker basket, her small face white and hard.

"Wait!" said Stephen Fane. His face was white and hard too. "You are right to go-entirely, absolutely right-but I am going to beg you to stay. I don't know what you've heard about me-however vile it is, it's less than the truth-"

"I have heard nothing of you," said Daphne, holding her gold-wreathed head high, "but five years ago I was not allowed to come to Green Gardens for weeks because I mentioned your name. I was told that it was not a name to pass decent lips."

Something terrible leaped in those burned-out eyes-and died.

"I had not thought they would use their hate to lash a child," he said. "They were quite right-and you, too. Good night."

"Good night," replied Daphne clearly. She started down the path, but at its bend she turned to look back-because she was seventeen, and it was June, and she remembered his laughter. He was standing quite still by the golden straw beehive, but he had thrown one arm across his eyes, as though to shut out some intolerable sight. And then, with a soft little rush she was standing beside him.

"How-how do we get the cushions?" she demanded breathlessly.

Stephen Fane dropped his arm, and Daphne drew back a little at the sudden blaze of wonder in his face.

"Oh," he whispered voicelessly. "Oh, you Loveliness!" He took a step toward her, and then stood still, clinching his brown hands. Then he thrust them deep in his pockets, standing very straight. "I do think," he said carefully, "I do think you had better go. The fact that I have tried to make you stay simply proves the particular type of rotter that I am. Good-by-I'll never forget that you came back."

"I am not going," said Daphne sternly. "Not if you beg me. Not if you are a devil out of hell. Because you need me. And no matter how many wicked things you have done, there can't be anything as wicked as going away when some one needs you. How do we get the cushions?"

"Oh, my wise Dryad!" His voice broke on laughter, but Daphne saw that his lashes were suddenly bright with tears. "Stay, then-why, even I cannot harm you. God himself can't grudge me this little space of wonder-he knows how far I've come for it-how I've fought and struggled and ached to win it-how in dirty lands and dirty places I've dreamed of summer twilight in a still garden-and England, England!"

"Didn't you dream of me?" asked Daphne wistfully, with a little catch of reproach.

He laughed again, unsteadily. "Why, who could ever dream of you, my Wonder? You are a thousand, thousand dreams come true."

Daphne bestowed on him a tremulous and radiant smile. "Please let us get the cushions. I think I am a little tired."

"And I am a graceless fool! There used to be a pane of class cut out in one of the south casement windows. Shall we try that?"

"Please, yes. How did you find it, Stephen?" She saw again that thrill of wonder on his face, but his voice was quite steady.

"I didn't find it; I did it! It was uncommonly useful, getting in that way sometimes, I can tell you. And, by the Lord Harry, here it is. Wait a minute, Loveliness-I'll get through and open the south door for you-no chance that way of spoiling the frock." He swung himself up with the swift, sure grace of a cat, smiled at her-vanished-it was hardly a minute later that she heard the bolts dragging back in the south door, and he flung it wide.

The sunlight streamed into the deep hall and stretched hesitant fingers into the dusty quiet of the great East Indian room, gilding the soft tones of the faded chintz, touching very gently the polished furniture and the dim prints on the walls. He swung across the threshold without a word, Daphne tiptoeing behind him.

"How still it is," he said in a hushed voice. "How sweet it smells!"

"It's the potpurri in the Canton jars," she told him shyly. "I always made it every summer for Lady Audrey-she thought I did it better than any one else. I think so too." She flushed at the mirth in his eyes, but held her ground sturdily. "Flowers are sweeter for you if you love them-even dead ones," she explained bravely.

"They would be dead indeed, if they were not sweet for you." Her cheeks burned bright at the low intensity of his voice, but he turned suddenly away. "Oh, there she sails-there she sails still, my beauty. Isn't she the proud one though-straight into the wind!" He hung over the little ship model, thrilled as any child. "The Flying Lady-see where it's painted on her? Grandfather gave it to me when I was seven-he had it from his father when he was six. Lord, how proud I was!" He stood back to see it better, frowning a little. "One of those ropes is wrong; any fool could tell that-" His hands hovered over it for a moment-dropped. "No matter-the new owners are probably not seafarers! The lacquer chest is at the far end, isn't it? Yes, here. Are three enough-four? We're off!" But still he lingered, sweeping the great room with his dark eyes. "It's full of all kinds of junk-they never liked it-no period, you see. I had the run of it-I loved it as though it were alive; it was alive, for me. From Elizabeth's day down, all the family adventurers brought their treasures here-beaten gold and hammered silver-mother-of-pearl and peacock feathers, strange woods and stranger spices, porcelains and embroideries and blown glass. There was always an adventurer somewhere in each generation-and however far he wandered, he came back to Green Gardens to bring his treasures home. When I was a yellow-headed imp of Satan, hiding my marbles in the lacquer chest, I used to swear that when I grew up I would bring home the finest treasure of all, if I had to search the world from end to end. And now the last adventurer has come home to Green Gardens-and he has searched the world from end to end-and he is empty-handed."

"No, no," whispered Daphne. "He has brought home the greatest treasure of all, that adventurer. He has brought home the beaten gold of his love, and the hammered silver of his dreams-and he has brought them from very far."

"He had brought greater treasures than those to you, lucky room," said the last of the adventurers. "You can never be sad again-you will always be gay and proud-because for just one moment he brought you the gold of her hair and the silver of her voice."

"He is talking great nonsense, room," said a very small voice, "but it is beautiful nonsense, and I am a wicked girl, and I hope that he will talk some more. And please, I think we will go into the garden and see."

All the way back down the flagged path to the herb-garden they were quiet-even after he had arranged the cushions against the rose-red wall, even after he had stretched out at full length beside her and lighted another pipe.

After a while he said, staring at the straw hive: "There used to be a jolly little fat brown one that was a great pal of mine. How long do bees live?"

"I don't know," she answered vaguely, and after a long pause, full of quiet, pleasant odors from the bee-garden, and the sleepy happy noises of small things tucking themselves away for the night, and the faint but poignant drift of tobacco smoke, she asked: "What was it about 'honey still for tea'?"

"Oh, that!" He raised himself on one elbow so that he could see her better. "It was a poem I came across while I was in East Africa; some one sent a copy of Rupert Brooke's things to a chap out there, and this one fastened itself around me like a vise. It starts where he's sitting in a cafe in Berlin with a lot of German Jews around him, swallowing down their beer; and suddenly he remembers. All the lost, unforgettable beauty comes back to him in that dirty place; it gets him by the throat. It got me, too.

"'Ah, God! to see the branches stir

Across the moon at Grantchester!

To smell the thrilling-sweet and rotten

Unforgettable, unforgotten

River-smell, and hear the breeze

Sobbing in the little trees.

Oh, is the water sweet and cool,

Gentle and brown, above the pool?

And laughs the immortal river still

Under the mill, under the mill?

Say, is there Beauty yet to find?

And Certainty? and Quiet kind?

Deep meadows yet, for to forget

The lies, and truths, and pain?-oh, yet

Stands the Church clock at ten to three?

And is there honey still for tea?'"

"That's beautiful," she said, "but it hurts."

"Thank God you'll never know how it hurts, little Golden Heart in quiet gardens. But for some of us, caught like rats in the trap of the ugly fever we called living, it was black torture and yet our dear delight to remember the deep meadows we had lost-to wonder if there was honey still for tea."

"Stephen, won't you tell me about it-won't that help?"

And suddenly some one else looked at her through those haunted eyes-a little boy, terrified and forsaken. "Oh, I have no right to soil you with it. But I came back to tell some one about it-I had to, I had to. I had to wait until father and Audrey went away. I knew they'd hate to see me-she was my stepmother, you know, and she always loathed me, and he never cared. In East Africa I used to stay awake at night thinking that I might die, and that no one in England would ever care-no one would know how I had loved her. It was worse than dying to think that."

"But why couldn't you come back to Green Gardens-why couldn't you make them see, Stephen?"

"Why, what was there to see? When they sent me down from Oxford for that dirty little affair, I was only nineteen-and they told me I had disgraced my name and Green Gardens and my country-and I went mad with pride and shame, and swore I'd drag their precious name through the dirt of every country in the world. And I did-and I did."

His head was buried in his arms, but Daphne heard. It seemed strange indeed to her that she felt no shrinking and no terror; only great pity for what he had lost, great grief for what he might have had. For a minute she forgot that she was Daphne, the heedless and gay-hearted, and that he was a broken and an evil man. For a minute he was a little lad, and she was his lost mother.

"Don't mind, Stephen," she whispered to him, "don't mind. Now you have come home-now it is all done with, that ugliness. Please, please don't mind."

"No, no," said the stricken voice, "you don't know, you don't know, thank God. But I swear I've paid-I swear, I swear I have. When the others used to take their dirty drugs to make them forget, they would dream of strange paradises, unknown heavens-but through the haze and mist that they brought, I would remember-I would remember. The filth and the squalor and vileness would fade and dissolve-and I would see the sun-dial, with the yellow roses on it, warm in the sun, and smell the clove pinks in the kitchen border, and touch the cresses by the brook, cool and green and wet. All the sullen drums and whining flutes would sink to silence, and I would hear the little yellow-headed cousin of the vicar's singing in the twilight, singing, 'There is a lady, sweet and kind' and 'Weep you no more, sad fountains' and 'Hark, hark, the lark.' And the small painted yellow faces and the little wicked hands and perfumed fans would vanish and I would see again the gay beauty of the lady who hung above the mantel in the long drawing-room, the lady who laughed across the centuries in her white muslin frock, with eyes that matched the blue ribbon in her wind-blown curls-the lady who was as young and lovely as England, for all the years! Oh, I would remember, I would remember! It was twilight, and I was hurrying home through the dusk after tennis at the rectory; there was a bell ringing quietly somewhere and a moth flying by brushed against my face with velvet-and I could smell the hawthorn hedge glimmering white, and see the first star swinging low above the trees, and lower still, and brighter still, the lights of home.-And then before my very eyes, they would fade, they would fade, dimmer and dimmer-they would flicker and go out, and I would be back again, with tawdriness and shame and vileness fast about me-and I would pay."

"But now you have paid enough," Daphne told him. "Oh, surely, surely-you have paid enough. Now you have come home-now you can forget."

"No," said Stephen Fane. "Now I must go."

"Go?" At the small startled echo he raised his head.

"What else?" he asked. "Did you think that I would stay?"

"But I do not want you to go." Her lips were white, but she spoke very clearly.

Stephen Fane never moved but his eyes, dark and wondering, rested on her like a caress.

"Oh, my little Loveliness, what dream is this?"

"You must not go away again, you must not."

"I am baser than I thought," he said, very low. "I have made you pity me, I who have forfeited your lovely pity this long time. It cannot even touch me now. I have sat here like a dark Othello telling tales to a small white Desdemona, and you, God help me, have thought me tragic and abused. You shall not think that. In a few minutes I will be gone-I will not have you waste a dream on me. Listen-there is nothing vile that I have not done-nothing, do you hear? Not clean sin, like murder-I have cheated at cards, and played with loaded dice, and stolen the rings off the fingers of an Argentine Jewess who-" His voice twisted and broke before the lovely mercy in the frightened eyes that still met his so bravely.

"But why, Stephen?"

"So that I could buy my dreams. So that I could purchase peace with little dabs of brown in a pipe-bowl, little puffs of white in the palm of my hand, little drops of liquid on a ball of cotton. So that I could drug myself with dirt-and forget the dirt and remember England."

He rose to his feet with that swift grace of his, and Daphne rose too, slowly.

"I am going now; will you walk to the gate with me?"

He matched his long step to hers, watching the troubled wonder on her small white face intently.

"How old are you, my Dryad?"

"I am seventeen."

"Seventeen! Oh, God be good to us, I had forgotten that one could be seventeen. What's that?"

He paused, suddenly alert, listening to a distant whistle, sweet on the summer air.

"Oh, that-that is Robin."

"Ah-" His smile flashed, tender and ironic. "And who is Robin?"

"He is-just Robin. He is down from Cambridge for a week, and I told him that he might walk home with me."

"Then I must be off quickly. Is he coming to this gate?"

"No, to the south one."

"Listen to me, my Dryad-are you listening?" For her face was turned away.

"Yes," said Daphne.

"You are going to forget me-to forget this afternoon-to forget everything but Robin whistling through the summer twilight."

"No," said Daphne.

"Yes; because you have a very poor memory about unhappy things! You told me so. But just for a minute after I have gone, you will remember that now all is very well with me, because I have found the deep meadows-and honey still for tea-and you. You are to remember that for just one minute-will you? And now good-by-"

She tried to say the words, but she could not. For a moment he stood staring down at the white pathos of the small face, and then he turned away. But when he came to the gate, he paused and put his arms about the wall, as though he would never let it go, laying his cheek against the sun-warmed bricks, his eyes fast closed. The whistling came nearer, and he stirred, put his hand on the little painted gate, vaulted across it lightly, and was gone. She turned at Robin's quick step on the walk.

"Ready, dear? What are you staring at?"

"Nothing! Robin-Robin, did you ever hear of Stephen Fane?"

He nodded grimly.

"Do you know-do you know what he is doing now?"

"Doing now?" He stared at her blankly. "What on earth do you mean? Why, he's been dead for months-killed in the campaign in East Africa-only decent thing he ever did in his life. Why?"

Daphne never stirred. She stood quite still, staring at the painted gate. Then she said, very carefully: "Some one thought-some one thought that they had seen him-quite lately."

Robin laughed comfortingly. "No use looking so scared about it, my blessed child. Perhaps they did. The War Office made all kinds of ghastly blunders-it was a quick step from 'missing in action' to 'killed.' And he'd probably would have been jolly glad of a chance to drop out quietly and have every one think he was done for."

Daphne never took her eyes from the gate. "Yes," she said quietly, "I suppose he would. Will you get my basket, Robin? I left it by the beehive. There are some cushions that belong in the East Indian room, too. The south door is open."

When he had gone, she stood shaking for a moment, listening to his footsteps die away, and then she flew to the gate, searching the twilight desperately with straining eyes. There was no one there-no one at all-but then the turn in the lane would have hidden him by now. And suddenly terror fell from her like a cloak.

She turned swiftly to the brick wall, straining up, up on tiptoes, to lay her cheek against its roughened surface, to touch it very gently with her lips. She could hear Robin whistling down the path but she did not turn. She was bidding farewell to Green Gardens-and the last adventurer.

* * *

SHE WALKS IN BEAUTY[14]

By FANNIE HURST

(From The Cosmopolitan)

By that same mausolean instinct that was Artimesia's when she mourned her dear departed in marble and hieroglyphics; by that same architectural gesture of grief which caused Jehan at Agra to erect the Taj Mahal in memory of a dead wife and a cold hearthstone, so the Bon Ton Hotel, even to the pillars with red-freckled monoliths and peacock-backed lobby chairs, making the analogy rather absurdly complete, reared its fourteen stories of "Elegantly furnished suites, all the comforts and none of the discomforts of home."

A mausoleum to the hearth. And as true to form as any that ever mourned the dynastic bones of an Augustus or a Hadrian.

It is doubtful if in all its hothouse garden of women the Hotel Bon Ton boasted a broken finger-nail or that little brash place along the forefinger that tattles so of potato peeling or asparagus scraping.

The fourteenth story, Manicure, Steam-bath, and Beauty Parlors, saw to all that. In spite of long bridge-table, lobby-divan and table d'hote séances, "tea" where the coffee was served with whipped cream and the tarts built in four tiers and mortared in mocha filling, the Bon Ton Hotel was scarcely more than an average of fourteen pounds over-weight.

Forty's silhouette, except for that cruel and irrefutable place where the throat will wattle, was almost interchangeable with eighteen's. Indeed, Bon Ton grandmothers with backs and French heels that were twenty years younger than their throats and bunions, vied with twenty's profile.

Whistler's kind of mother, full of sweet years that were richer because she had dwelt in them, but whose eyelids were a little weary, had no place there.

Mrs. Gronauer, who occupied an outside, southern-exposure suite of five rooms and three baths, jazz-danced on the same cabaret floor with her granddaughters.

Fads for the latest personal accoutrements gripped the Bon Ton in seasonal epidemics.

The permanent wave swept it like a tidal one.

The beaded bag, cunningly contrived, needleful by needleful, from little colored strands of glass caviar, glittered its hour.

Filet lace came then, sheerly, whole yokes of it for crepe de Chine nightgowns and dainty scalloped edges for camisoles.

Mrs. Samstag made six of the nightgowns that winter, three for herself and three for her daughter. Peach-blowy pink ones with lace yokes that were scarcely more to the skin than the print of a wave edge running up sand, and then little frills of pink satin ribbon, caught up here and there with the most delightful and unconvincing little blue satin rosebuds.

It was bad for her neuralgic eye, the meanderings of the filet pattern, but she liked the delicate threadiness of the handiwork, and Mr. Latz liked watching her.

There you have it! Straight through the lacy mesh of the filet to the heart interest!

Mr. Louis Latz, who was too short, slightly too stout, and too shy of likely length of swimming arm ever to have figured in any woman's inevitable visualization of her ultimate Leander, liked, fascinatedly, to watch Mrs. Samstag's nicely manicured fingers at work. He liked them passive, too. Best of all, he would have preferred to feel them between his own, but that had never been.

Nevertheless, that desire was capable of catching him unawares. That very morning as he had stood, in his sumptuous bachelor's apartment, strumming on one of the windows that overlooked an expensive tree and lake vista of Central Park, he had wanted very suddenly and very badly to feel those fingers in his and to kiss down on them. He liked their taper and the rosy pointedness, those fingers, and the dry, neat way they had of slipping in between the threads.

On this, one of a hundred such typical evenings in the Bon Ton lobby, Mr. Latz, sighing out a satisfaction of his inner man, sat himself down on a red velvet chair opposite Mrs. Samstag. His knees wide-spread, taxed his knife-pressed gray trousers to their very last capacity, but he sat back in none the less evident comfort, building his fingers up into a little chapel.

"Well, how's Mr. Latz this evening?" asked Mrs. Samstag, her smile encompassing the question.

"If I was any better I couldn't stand it"-relishing her smile and his reply.

The Bon Ton had just dined, too well, from fruit-flip à la Bon Ton, mulligatawny soup, filet of sole, sauté, choice of, or both, Poulette émincé and spring lamb grignon and on through to fresh strawberry ice-cream in fluted paper boxes, petit fours and demi-tasse. Groups of carefully corseted women stood now beside the invitational plush divans and peacock chairs, paying twenty minutes after-dinner standing penance. Men with Wall Street eyes and blood pressure, slid surreptitious celluloid toothpicks, and gathered around the cigar stand. Orchestra music flickered. Young girls, the traditions of demure sixteen hanging by one inch shoulder-straps and who could not walk across a hardwood floor without sliding the last three steps, teetered in bare arm-in-arm groups, swapping persiflage with pimply, patent-leather haired young men who were full of nervous excitement and eager to excel in return badinage.

Bell hops scurried with folding tables. Bridge games formed.

The theater group got off, so to speak. Showy women and show-off men. Mrs. Gronauer, in a full length mink coat that enveloped her like a squaw, a titillation of diamond aigrettes in her Titianed hair and an aftermath of scent as tangible as the trail of a wounded shark, emerged from the elevator with her son and daughter-in-law.

"Foi!" said Mr. Latz, by way of-somewhat unduly perhaps-expressing his own kind of cognizance of the scented trail.

"Fleur de printemps," said Mrs. Samstag in quick olfactory analysis. "Eight ninety-eight an ounce." Her nose crawling up to what he thought the cunning perfection of a sniff.

"Used to it from home-not? She is not. Believe me, I knew Max Gronauer when he first started in the produce business in Jersey City and the only perfume he had was seventeen cents a pound, not always fresh killed at that. Cold storage de printemps."

"Max Gronauer died just two months after my husband," said Mrs. Samstag, tucking away into her beaded hand-bag her filet lace handkerchief, itself guilty of a not inexpensive attar.

"Thu-thu," clucked Mr. Latz for want of a fitting retort.

"Heigh-ho! I always say we have so little in common, me and Mrs. Gronauer. She revokes so in bridge, and I think it's terrible for a grandmother to blondine so red; but we've both been widows for almost eight years. Eight years," repeated Mrs. Samstag on a small scented sigh.

He was inordinately sensitive to these allusions, reddening and wanting to seem appropriate.

"Poor, poor little woman!"

"Heigh-ho," she said, and again, "Heigh-ho."

It was about the eyes that Mrs. Samstag showed most plainly whatever inroads into her clay the years might have gained. There were little dark areas beneath them like smeared charcoal and two unrelenting sacs that threatened to become pouchy.

Their effect was not so much one of years, but they gave Mrs. Samstag, in spite of the only slightly plump and really passable figure, the look of one out of health.

What ailed her was hardly organic. She was the victim of periodic and raging neuralgic fires that could sweep the right side of her head and down into her shoulder blade with a great crackling and blazing of nerves. It was not unusual for her daughter Alma to sit up the one or two nights that it could endure, unfailing, through the wee hours, with hot applications.

For a week sometimes, these attacks heralded their comings with little jabs, like the pricks of an exploring needle. Then the under-eyes began to look their muddiest. They were darkening now and she put up two fingers with little pressing movement to her temple.

"You're a great little woman," reiterated Mr. Latz, rather riveting even Mrs. Samstag's suspicion that here was no great stickler for variety of expression.

"And a great sufferer, too," he said, noting the pressing fingers.

She colored under this delightful impeachment.

"I wouldn't wish one of my neuralgia spells to my worst enemy, Mr. Latz."

"If you were mine-I mean-if-the-say-was mine, I wouldn't stop until I had you to every specialist in Europe. I know a thing or two about those fellows over there. Some of them are wonders."

Mrs. Samstag looked off, her profile inclined to lift and fall as if by little pulleys of emotion.

"That's easier said than done, Mr. Latz, by a-a widow who wants to do right by her grown daughter and living so-high since the war."

"I-I-" said Mr. Latz, leaping impulsively forward on the chair that was as tightly upholstered in effect as he in his modish suit, then clutching himself there as if he had caught the impulse on the fly-"I just wish I could help."

"Oh!" she said, and threw up a swift, brown look from the lace making.

He laughed, but from nervousness.

"My little mother was an ailer too."

"That's me, Mr. Latz. Not sick-just ailing. I always say that it's ridiculous that a woman in such perfect health as I am should be such a sufferer."

"Same with her and her joints."

"Why, I can outdo Alma when it comes to dancing down in the grill with the young people of an evening, or shopping."

"More like sisters than any mother and daughter I ever saw."

"Mother and daughter, but which is which from the back, some of my friends put it," said Mrs. Samstag, not without a curve to her voice, then hastily: "But the best child, Mr. Latz. The best that ever lived. A regular little mother to me in my spells."

"Nice girl, Alma."

"It snowed so the day of-my husband's funeral. Why, do you know that up to then I never had an attack of neuralgia in my life. Didn't even know what a headache was. That long drive. That windy hill-top with two men to keep me from jumping into the grave after him. Ask Alma. That's how I care when I care. But of course, as the saying is, time heals. But that's how I got my first attack. Intenseness is what the doctors called it. I'm terribly intense."

"I-guess when a woman like you-cares like-you-cared, it's not much use hoping you would ever-care again. That's about the way of it, ain't it?"

If he had known it, there was something about his own intensity of expression to inspire mirth. His eyebrows lifted to little gothic arches of anxiety, a rash of tiny perspiration broke out over his blue shaved face and as he sat on the edge of his chair, it seemed that inevitably the tight sausage-like knees must push their way through mere fabric.

"That's about the way of it, ain't it?" he said again into the growing silence.

"I-when a woman cares for-a man like-I did-Mr. Latz, she'll never be happy until-she cares again-like that. I always say, once an affectionate nature, always an affectionate nature."

"You mean," he said, leaning forward the imperceptible half-inch that was left of chair, "you mean-me?"

The smell of bay rum came out greenly then as the moisture sprang out on his scalp.

"I-I'm a home woman, Mr. Latz. You can put a fish in water but you cannot make him swim. That's me and hotel life."

At this somewhat cryptic apothegm Mr. Latz's knee touched Mrs. Samstag's, so that he sprang back full of nerves at what he had not intended.

"Marry me, Carrie," he said more abruptly than he might have, without the act of that knee to immediately justify.

She spread the lace out on her lap.

Ostensibly to the hotel lobby, they were casual as, "My mulligatawny soup was cold tonight" or "Have you heard the new one that Al Jolson pulls at the Winter Garden?" But actually, the roar was high in Mrs. Samstag's ears and he could feel the plethoric red rushing in flashes over his body.

"Marry me, Carrie," he said, as if to prove that his stiff lips could repeat their incredible feat.

With a woman's talent for them, her tears sprang.

"Mr. Latz-"

"Louis," he interpolated, widely eloquent of posture.

"You're proposing-Louis!" She explained rather than asked, and placed her hand to her heart so prettily that he wanted to crush it there with his kisses.

"God bless you for knowing it so easy, Carrie. A young girl would make it so hard. It's just what has kept me from asking you weeks ago, this getting it said. Carrie, will you?"

"I'm a widow, Mr. Latz-Louis-"

"Loo-"

"L-Loo. With a grown daughter. Not one of those merry widows you read about."

"That's me! A bachelor on top but a home-man underneath. Why, up to five years ago, Carrie, while the best little mother a man ever had was alive, I never had eyes for a woman or-"

"It's common talk what a grand son you were to her, Mr. La-Louis-"

"Loo!"

"Loo."

"I don't want to seem to brag, Carrie, but you saw the coat that just walked out on Mrs. Gronauer? My little mother, she was a humpback, Carrie, not a real one, but all stooped from the heavy years when she was helping my father to get his start. Well, anyway, that little stooped back was one of the reasons why I was so anxious to make it up to her. Y'understand?"

"Yes-Loo."

"But you saw that mink coat? Well, my little mother, three years before she died, was wearing one like that in sable. Real Russian. Set me back eighteen thousand, wholesale, and she never knew different than that it cost eighteen hundred. Proudest moment of my life when I helped my little old mother into her own automobile in that sable coat."

"I had some friends lived in the Grenoble Apartments when you did-the Adelbergs. They used to tell me how it hung right down to her heels and she never got into the auto that she didn't pick it up so as not to sit on it."

"That there coat is packed away in cold storage, now, Carrie, waiting, without me exactly knowing why, I guess, for-the one little woman in the world besides her I would let so much as touch its hem."

Mrs. Samstag's lips parted, her teeth showing through like light.

"Oh," she said, "sable. That's my fur, Loo. I've never owned any, but ask Alma if I don't stop to look at it in every show window. Sable!"

"Carrie-would you-could you-I'm not what you would call a youngster in years, I guess, but forty-four ain't-"

"I'm-forty-one, Louis. A man like you could have younger."

"No. That's what I don't want. In my lonesomeness, after my mother's death, I thought once that maybe a young girl from the West, nice girl with her mother from Ohio-but I-funny thing, now I come to think about it-I never once mentioned my little mother's sable coat to her. I couldn't have satisfied a young girl like that or her me, Carrie, any more than I could satisfy Alma. It was one of those mama-made matches that we got into because we couldn't help it and out of it before it was too late. No, no, Carrie, what I want is a woman near to my own age."

"Loo, I-I couldn't start in with you even with the one little lie that gives every woman a right to be a liar. I'm forty-three, Louis-nearer to forty-four. You're not mad, Loo?"

"God love it! If that ain't a little woman for you! Mad? Just doing that little thing with me raises your stock fifty per cent."

"I'm-that way."

"We're a lot alike, Carrie. At heart, I'm a home man, Carrie, and unless I'm pretty much off my guess, you are, too-I mean a home woman. Right?"

"Me all over, Loo. Ask Alma if-"

"I've got the means, too, Carrie, to give a woman a home to be proud of."

"Just for fun, ask Alma, Loo, if one year since her father's death I haven't said, 'Alma, I wish I had the heart to go back housekeeping.'"

"I knew it!"

"But I ask you, Louis, what's been the incentive? Without a man in the house I wouldn't have the same interest. That first winter after my husband died I didn't even have the heart to take the summer-covers off the furniture. You can believe me or not, but half the time with just me to eat it, I wouldn't bother with more than a cold snack for supper and every one knew what a table we used to set. But with no one to come home evenings expecting a hot meal-"

"You poor little woman. I know how it is. Why, if I used to so much as telephone that I couldn't get home for supper right away I knew my little mother would turn out the gas under what was cooking and not eat enough herself to keep a bird alive."

"Housekeeping is no life for a woman alone. On the other hand, Mr. Latz-Louis-Loo, on my income, and with a daughter growing up, and naturally anxious to give her the best, it hasn't been so easy. People think I'm a rich widow and with her father's memory to consider and a young lady daughter, naturally I let them think it, but on my seventy-four hundred a year it has been hard to keep up appearances in a hotel like this. Not that I think you think I'm a rich widow, but just the same, that's me every time. Right out with the truth from the start."

"It shows you're a clever little manager to be able to do it."

"We lived big and spent big while my husband lived. He was as shrewd a jobber in knit underwear as the business ever saw, but-well, you know how it is. Pneumonia. I always say he wore himself out with conscientiousness."

"Maybe you don't believe it, Carrie, but it makes me happy what you just said about money. It means I can give you things you couldn't afford for yourself. I don't say this for publication, Carrie, but in Wall Street alone, outside of my brokerage business, I cleared eighty-six thousand last year. I can give you the best. You deserve it, Carrie. Will you say yes?"

"My daughter, Loo. She's only eighteen, but she's my shadow-I lean on her so."

"A sweet, dutiful girl like Alma would be the last to stand in her mother's light."

"She's my only. We're different natured. Alma's a Samstag through and through, quiet, reserved. But she's my all, Louis. I love my baby too much to-to marry where she wouldn't be as welcome as the day itself. She's precious to me, Louis."

"Why, of course. You wouldn't be you if she wasn't. You think I would want you to feel different?"

"I mean-Louis-no matter where I go, more than with most children, she's part of me, Loo. I-why that child won't so much as go to spend the night with a girl friend away from me. Her quiet ways don't show it, but Alma has character! You wouldn't believe it, Louis, how she takes care of me."

"Why, Carrie, the first thing we pick out in our new home will be a room for her."

"Loo!"

"Not that she will want it long the way I see that young rascal Friedlander sits up to her. A better young fellow and a better business head you couldn't pick for her. Didn't that youngster go out to Dayton the other day and land a contract for the surgical fittings for a big new hospital out there before the local firms even rubbed the sleep out of their eyes? I have it from good authority, Friedlander & Sons doubled their excess-profits tax last year."

A white flash of something that was almost fear seemed to strike Mrs. Samstag into a rigid pallor.

"No! No! I'm not like most mothers, Louis, for marrying their daughters off. I want her with me. If marrying her off is your idea, it's best you know it now in the beginning. I want my little girl with me-I have to have my little girl with me!"

He was so deeply moved that his eyes were moist.

"Why, Carrie, every time you open your mouth, you only prove to me further what a grand little woman you are."

"You'll like Alma, when you get to know her, Louis."

"Why, I do now. Always have said she's a sweet little thing."

"She is quiet and hard to get acquainted with at first, but that is reserve. She's not forward like most young girls nowadays. She's the kind of a child that would rather sit upstairs evenings with a book or her sewing than here in the lobby. She's there now."

"Give me that kind every time, in preference to all these gay young chickens that know more they oughtn't to know about life before they start than my little mother did when she finished."

"But do you think that girl will go to bed before I come up? Not a bit of it. She's been my comforter and my salvation in my troubles. More like the mother, I sometimes tell her, and me the child. If you want me, Louis, it's got to be with her too. I couldn't give up my baby-not my baby."

"Why, Carrie, have your baby to your heart's content. She's got to be a fine girl to have you for a mother and now it will be my duty to please her as a father. Carrie will you have me?"

"Oh, Louis-Loo!"

"Carrie, my dear!"

And so it was that Carrie Samstag and Louis Latz came into their betrothal.

None the less, it was with some misgivings and red lights burning high on her cheek-bones that Mrs. Samstag, at just after ten that evening, turned the knob of the door that entered into her little sitting-room, but in this case, a room redeemed by an upright piano with a green silk and gold-lace shaded floor lamp glowing by it. Two gilt-framed photographs and a cluster of ivory knickknacks on the white mantel. A heap of hand-made cushions. Art editions of the gift-poets and some circulating library novels. A fireside chair, privately owned and drawn up, ironically enough, beside the gilded radiator, its head rest worn from kindly service to Mrs. Samstag's neuralgic brow.

From the nest of cushions in the circle of lamp glow, Alma sprang up at her mother's entrance. Sure enough she had been reading and her cheek was a little flushed and crumpled from where it has been resting in the palm of her hand.

"Mama," she said, coming out of the circle of light and switching on the ceiling bulbs, "you stayed down so late."

There was a slow prettiness to Alma. It came upon you like a little dawn, palely at first and then pinkening to a pleasant consciousness that her small face was heart-shaped and clear as an almond, that the pupils of her gray eyes were deep and dark like cisterns and to young Leo Friedlander, rather apt his comparison, too, her mouth was exactly the shape of a small bow that had shot its quiverful of arrows into his heart.

And instead of her eighteen she looked sixteen. There was that kind of timid adolescence about her, yet when she said, "Mama, you stayed down so late," the bang of a little pistol-shot was back somewhere in her voice.

"Why-Mr. Latz-and I-sat and talked."

An almost imperceptible nerve was dancing against Mrs. Samstag's right temple. Alma could sense, rather than see the ridge of pain.

"You're all right, mama?"

"Yes," said Mrs. Samstag, and plumped rather than sat herself down on a divan, its naked greenness relieved by a thrown scarf of black velvet, stenciled in gold.

"You shouldn't have remained down so long if your head is hurting," said her daughter, and quite casually took up her mother's beaded hand-bag where it had fallen in her lap, but her fingers feeling lightly and furtively as if for the shape of its contents.

"Stop that," said Mrs. Samstag, jerking it back, a dull anger in her voice.

"Come to bed, mama. If you're in for neuralgia, I'll fix the electric pad."

Suddenly Mrs. Samstag shot out her arm, rather slim looking in the invariable long sleeve she affected, drawing Alma back toward her by the ribbon sash of her pretty chiffon frock.

"Alma, be good to mama tonight! Sweetheart-be good to her."

The quick suspecting fear that had motivated Miss Samstag's groping along the beaded hand-bag shot out again in her manner.

"Mama-you haven't?"

"No, no. Don't nag me. It's something else, Alma. Something mama is very happy about."

"Mama, you've broken your promise again."

"No. No. No. Alma, I've been a good mother to you, haven't I?"

"Yes, mama, yes, but what-"

"Whatever else I've been hasn't been my fault-you've always blamed Heyman."

"Mama, I don't understand."

"I've caused you worry, Alma-terrible worry. But everything is changed now. Mama's going to turn over a new leaf that everything is going to be happiness in this family."

"Dearest, if you knew how happy it makes me to hear you say that."

"Alma, look at me."

"Mama, you-you frighten me."

"You like Louis Latz, don't you, Alma?"

"Why yes, mama. Very much."

"We can't all be young and handsome like Leo, can we?"

"You mean-"

"I mean that finer and better men than Louis Latz aren't lying around loose. A man who treated his mother like a queen and who worked himself up from selling newspapers on the street to a millionaire."

"Mama?"

"Yes, baby. He asked me tonight. Come to me, Alma, stay with me close. He asked me tonight."

"What?"

"You know. Haven't you seen it coming for weeks? I have."

"Seen what?"

"Don't make mama come out and say it. For eight years I've been as grieving a widow to a man as a woman could be. But I'm human, Alma, and he-asked me tonight."

There was a curious pallor came over Miss Samstag's face, as if smeared there by a hand.

"Asked you what?"

"Alma, it don't mean I'm not true to your father as I was the day I buried him in that blizzard back there, but could you ask for a finer, steadier man than Louis Latz? It looks out of his face."

"Mama, you-what-are you saying?"

"Alma?"

There lay a silence between them that took on the roar of a simoon and Miss Samstag jumped then from her mother's embrace, her little face stiff with the clench of her mouth.

"Mama-you-no-no. Oh, mama-Oh-"

A quick spout of hysteria seemed to half strangle Mrs. Samstag, so that she slanted backward, holding her throat.

"I knew it. My own child against me. Oh, God! Why was I born? My own child against me!"

"Mama-you can't marry him. You can't marry-anybody."

"Why can't I marry anybody? Must I be afraid to tell my own child when a good man wants to marry me and give us both a good home? That's my thanks for making my child my first consideration-before I accepted him."

"Mama, you didn't accept him. Darling, you wouldn't do a-thing like that!"

Miss Samstag's voice thickened up then, quite frantically, into a little scream that knotted in her throat and she was suddenly so small and stricken, that with a gasp for fear she might crumple up where she stood, Mrs. Samstag leaned forward, catching her again by the sash.

"Alma!"

It was only for an instant, however. Suddenly Miss Samstag was her coolly firm little self, the bang of authority back in her voice.

"You can't marry Louis Latz."

"Can't I? Watch me."

"You can't do that to a nice, deserving fellow like him!"

"Do what?"

"That!"

Then Mrs. Samstag threw up both her hands to her face, rocking in an agony of self-abandon that was rather horrid to behold.

"Oh, God, why don't you put me out of it all? My misery! I'm a leper to my own child!"

"Oh-mama-"

"Yes, a leper. Hold my misfortune against me. Let my neuralgia and Doctor Heyman's prescription to cure it ruin my life. Rob me of what happiness with a good man there is left in it for me. I don't want happiness. Don't expect it. I'm here just to suffer. My daughter will see to that. Oh, I know what is on your mind. You want to make me out something-terrible-because Dr. Heyman once taught me how to help myself a little when I'm nearly wild with neuralgia. Those were doctor's orders. I'll kill myself before I let you make me out something terrible. I never even knew what it was before the doctor gave his prescription. I'll kill-you hear-kill myself."

She was hoarse, she was tear splotched so that her lips were slippery with them, and while the ague of her passion shook her, Alma, her own face swept white and her voice guttered with restraint, took her mother into the cradle of her arms, and rocked and hushed her there.

"Mama, mama, what are you saying? I'm not blaming you, sweetheart. I blame him-Dr. Heyman-for prescribing it in the beginning. I know your fight. How brave it is. Even when I'm crossest with you, I realize. Alma's fighting with you, dearest, every inch of the way until-you're cured! And then-maybe-some day-anything you want! But not now. Mama, you wouldn't marry Louis Latz now!"

"I would. He's my cure. A good home with a good man and money enough to travel and forget myself. Alma, Mama knows she's not an angel-sometimes when she thinks what she's put her little girl through this last year, she just wants to go out on the hill-top where she caught the neuralgia and lay down beside that grave out there and-"

"Mama, don't talk like that!"

"But now's my chance, Alma, to get well. I've too much worry in this big hotel trying to keep up big expenses on little money and-"

"I know it, mama. That's why I'm so in favor of finding ourselves a sweet, tiny little apartment with kitch-"

"No! Your father died with the world thinking him a rich man and it will never find out from me that he wasn't. I won't be the one to humiliate his memory-a man who enjoyed keeping up appearances the way he did. Oh, Alma, Alma, I'm going to get well now. I promise. So help me God, if I ever give in to-to it again."

"Mama, please. For God's sake, you've said the same thing so often only to break your promise."

"I've been weak, Alma; I don't deny it. But nobody who hasn't been tortured as I have, can realize what it means to get relief just by-"

"Mama, you're not playing fair this minute. That's the frightening part. It isn't only the neuralgia any more. It's just desire. That's what's so terrible to me, mama. The way you have been taking it these last months. Just from-desire."

Mrs. Samstag buried her face, shuddering down into her hands.

"Oh, God, my own child against me!"

"No, mama. Why, sweetheart, nobody knows better than I do how sweet and good you are when you are away-from it. We'll fight it together and win! I'm not afraid. It's been worse this last month because you've been nervous, dear. I understand now. You see, I-didn't dream of you and-Louis Latz. We'll forget-we'll take a little two room apartment of our own, darling, and get your mind on housekeeping and I'll take up stenography or social ser-"

"What good am I anyway? No good. In my own way. In my child's way. A young man like Leo Friedlander crazy to propose and my child can't let him come to the point because she is afraid to leave her mother. Oh, I know-I know more than you think I do. Ruining your life! That's what I am, and mine too!"

Tears now ran in hot cascades down Alma's cheeks.

"Why, mama, as if I cared about anything-just so you-get well."

"I know what I've done. Ruined my baby's life and now-"

"No!"

"Then help me, Alma. Louis wants me for his happiness. I want him for mine. Nothing will cure me like having a good man to live up to. The minute I find myself getting the craving for-it-don't you see, baby, fear that a good husband like Louis could find out such a thing about me would hold me back. See, Alma?"

"That's a wrong basis to start married life on-"

"I'm a woman who needs a man to baby her, Alma. That's the cure for me. Not to let me would be the same as to kill me. I've been a bad, weak woman, Alma, to be so afraid that maybe Leo Friedlander would steal you away from me. We'll make it a double wedding, baby!"

"Mama, mama, I'll never leave you."

"All right then, so you won't think your new father and me want to get rid of you. The first thing we'll pick out in our new home, he said it himself tonight, is Alma's room."

"I tell you it's wrong. It's wrong!"

"The rest with Leo can come later, after I've proved to you for a little while that I'm cured. Alma, don't cry! It's my cure. Just think, a good man. A beautiful home to take my mind off-worry. He said tonight he wants to spend a fortune if necessary to cure-my neuralgia."

"Oh, mama, mama, if it were only-that!"

"Alma, if I promise on my-my life! I never felt the craving so little as I do-now."

"You've said that before-and before."

"But never, with such a wonderful reason. It's the beginning of a new life. I know it. I'm cured!"

"Mama, if I thought you meant it."

"I do. Alma, look at me. This very minute I've a real jumping case of neuralgia. But I wouldn't have anything for it except the electric pad. I feel fine. Strong! Alma, the bad times with me are over."

"Oh, mama, mama, how I pray you're right."

"You'll thank God for the day that Louis Latz proposed to me. Why, I'd rather cut off my right hand than marry a man who could ever live to learn such a-thing about me."

"But it's not fair. We'll have to explain to him, dear that we hope you're cured now, but-"

"If you do-if you do-I'll kill myself! I won't live to bear that! You don't want me cured. You want to get rid of me, to degrade me until I kill myself! If I was ever anything else than what I am now-to Louis Latz-anything but his ideal-Alma, you won't tell! Kill me, but don't tell-don't tell!"

"Why, you know I wouldn't, sweetheart, if it is so terrible to you. Never."

"Say it again."

"Never."

"As if it hasn't been terrible enough that you should have to know. But it's over, Alma. Your bad times with me are finished. I'm cured."

"But wait a little while, mama, just a year."

"No. No."

"A few months."

"Now. He wants it soon. The sooner the better at our age. Alma, mama's cured! What happiness. Kiss me, darling. So help me God, to keep my promises to you. Cured, Alma, cured."

And so in the end, with a smile on her lips that belied almost to herself the little run of fear through her heart, Alma's last kiss to her mother that night was the long one of felicitation.

And because love, even the talk of it, is so gamey on the lips of woman to woman, they lay in bed that night heart-beat to heart-beat, the electric pad under her pillow warm to the hurt of Mrs. Samstag's brow and talked, these two, deep into the stillness of the hotel night.

"My little baby, who's helped me through such bad times, it's your turn now, Alma, to be care-free, like other girls."

"I'll never leave you mama, even if-he shouldn't want me."

"He will, darling, and does! Those were his words. 'A room for Alma.'"

"I'll never leave you!"

"You will! Much as Louis and me want you with us every minute, we won't stand in your way! That's another reason I'm so happy, Alma. I'm not alone, any more now. Leo's so crazy over you, just waiting for the chance to-pop-"

"Shh-sh-h-h."

"Don't tremble so, darling. Mama knows. He told Mrs. Gronauer last night when she was joking him to buy a ten dollar carnation for the Convalescent Home Bazaar, that he would only take one if it was white, because little white flowers reminded him of Alma Samstag."

"Oh, mama-"

"Say, it is as plain as the nose on your face. He can't keep his eyes off you. He sells goods to Doctor Gronauer's clinic and he says the same thing about him. It makes me so happy, Alma, to think you won't have to hold him off any more."

"I'll never leave you. Never!"

None the less she was the first to drop off to sleep, pink, there in the dark, with the secret of her blushes.

Then for Mrs. Samstag the travail set in. Lying there with her raging head tossing this way and that on the heated pillow, she heard with cruel awareness, the minuti?, all the faint but clarified noises that can make a night seem so long. The distant click of the elevator, depositing a night-hawk. A plong of the bed spring. Somebody's cough. A train's shriek. The jerk of plumbing. A window being raised. That creak which lies hidden in every darkness, like a mysterious knee-joint. By three o'clock she was a quivering victim to these petty concepts, and her pillow so explored that not a spot but what was rumpled to the aching lay of her cheek.

Once Alma, as a rule supersensitive to her mother's slightest unrest, floated up for the moment out of her young sleep, but she was very drowsy and very tired and dream-tides were almost carrying her back, as she said:

"Mama, are you all right?"

Simulating sleep, Mrs. Samstag lay tense until her daughter's breathing resumed its light cadence.

Then at four o'clock, the kind of nervousness that Mrs. Samstag had learned to fear, began to roll over her in waves, locking her throat and curling her toes and her fingers, and her tongue up dry against the roof of her mouth.

She must concentrate now-must steer her mind away from the craving!

Now then: West End Avenue. Louis liked the apartments there. Luxurious. Quiet. Residential. Circassian walnut or mahogany dining room? Alma should decide. A baby-grand piano. Later to be Alma's engagement gift from, "Mama and-Papa." No, "Mama and Louis." Better so.

How her neck and her shoulder-blade, and now her elbow, were flaming with the pain! She cried a little, far back in her throat with the small hissing noise of a steam-radiator, and tried a poor futile scheme for easing her head in the crotch of her elbow.

Now then: She must knit Louis some neckties. The silk-sweater-stitch would do. Married in a traveling-suit. One of those smart dark-blue twills like Mrs. Gronauer Junior's. Top-coat-sable. Louis' hair thinning. Tonic. Oh God, let me sleep. Please, God. The wheeze rising in her closed throat. That little threatening desire that must not shape itself! It darted with the hither and thither of a bee bumbling against a garden wall. No. No. Ugh! The vast chills of nervousness. The flaming, the craving chills of desire!

Just this last giving-in. This once. To be rested and fresh for him tomorrow. Then never again. The little beaded handbag. Oh God, help me. That burning ache to rest and to uncurl of nervousness. All the thousand, thousand little pores of her body, screaming each one, to be placated. They hurt the entire surface of her. That great storm at sea in her head; the crackle of lightning down that arm-

Let me see-Circassian walnut-baby-grand-the pores demanding, crying-shrieking-

It was then that Carrie Samstag, even in her lovely pink night-dress, a crone with pain, and the cables out dreadfully in her neck, began by infinitesimal processes to swing herself gently to the side of the bed, unrelaxed inch by unrelaxed inch, softly and with the cunning born of travail.

It was actually a matter of fifteen minutes, that breathless swing toward the floor, the mattress rising after her with scarcely a whisper of its stuffings and her two bare feet landing patly into the pale blue room-slippers, there beside the bed.

Then her bag, the beaded one on the end of the divan. The slow taut feeling for it and the floor that creaked twice, starting the sweat out over her.

It was finally after more tortuous saving of floor creaks and the interminable opening and closing of a door that Carrie Samstag, the beaded bag in her hand, found herself face to face with herself in the mirror of the bathroom medicine chest.

She was shuddering with one of the hot chills, the needle and little glass piston out of the hand-bag and with a dry little insuck of breath, pinching up little areas of flesh from her arm, bent on a good firm perch, as it were.

There were undeniable pock-marks on Mrs. Samstag's right forearm. Invariably it sickened her to see them. Little graves. Oh, oh, little graves. For Alma. Herself. And now Louis. Just once. Just one more little grave-

And Alma, answering her somewhere down in her heart-beats: "No, mama, no, mama. No. No. No."

But all the little pores gaping. Mouths! The pinching up of the skin. Here, this little clean and white area.

"No, mama. No, mama. No. No. No."

"Just once, darling?" Oh-oh-graves for Alma and Louis. No. No. No.

Somehow, some way, with all the little mouths still parched and gaping and the clean and quite white area unblemished, Mrs. Samstag found her way back to bed. She was in a drench of sweat when she got there and the conflagration of neuralgia curiously enough, was now roaring in her ears so that it seemed to her she could hear her pain.

Her daughter lay asleep, with her face to the wall, her flowing hair spread in a fan against the pillow and her body curled up cozily. The remaining hours of the night, in a kind of waking faint she could never find the words to describe, Mrs. Samstag, with that dreadful dew of her sweat constantly out over her, lay with her twisted lips to the faint perfume of that fan of Alma's flowing hair her toes curling in and out. Out and in. Toward morning she slept. Actually, sweetly and deeply as if she could never have done with deep draughts of it.

She awoke to the brief patch of sunlight that smiled into their apartment for about eight minutes of each forenoon.

Alma was at the pretty chore of lifting the trays from a hamper of roses. She places a shower of them on her mother's coverlet with a kiss, a deeper and dearer one somehow, this morning.

There was a card and Mrs. Samstag read it and laughed:

Good morning, Carrie.

Louis.

They seemed to her, poor dear, these roses, to be pink with the glory of the coming of the dawn.

* * *

On the spur of the moment and because the same precipitate decisions that determined Louis Latz's successes in Wall Street determined him here, they were married the following Thursday in Greenwich, Connecticut, without even allowing Carrie time for the blue twill traveling suit. She wore her brown velvet instead, looking quite modish, and a sable wrap, gift of the groom, lending genuine magnificence.

Alma was there, of course, in a beautiful fox scarf, also gift of the groom, and locked in a white kind of tensity that made her seem more than ever like a little white flower to Leo Friedlander, the sole other attendant, and who during the ceremony yearned at her with his gaze. But her eyes were squeezed tight against his, as if to forbid herself the consciousness that life seemed suddenly so richly sweet to her-oh, so richly sweet!

There was a time during the first months of the married life of Louis and Carrie Latz, when it seemed to Alma, who in the sanctity of her lovely little ivory bedroom all appointed in rose-enamel toilet trifles, could be prayerful with the peace of it, that the old Carrie, who could come pale and terrible out of her drugged nights, belonged to some grimacing and chimeric past. A dead past that had buried its dead and its hatchet.

There had been a month at Hot Springs in the wintergreen heart of Virginia, and whatever Louis may have felt in his heart, of his right to the privacy of these honeymoon days, was carefully belied on his lips, and at Alma's depriving him now and then of his wife's company, packing her off to rest when he wanted a climb with her up a mountain slope or a drive over piny roads, he could still smile and pinch her cheek.

"You're stingy to me with my wife, Alma," he said to her upon one of these provocations. "I don't believe she's got a daughter at all, but a little policeman instead."

And Alma smiled back, out of the agony of her constant consciousness that she was insinuating her presence upon him, and resolutely, so that her fear for him should always subordinate her fear of him, she bit down her sensitiveness in proportion to the rising tide of his growing, but still politely held in check, bewilderment.

One day, these first weeks of their marriage, because she saw the dreaded signal of the muddy pools under her mother's eyes and the little quivering nerve beneath the temple, she shut him out of her presence for a day and a night, and when he came fuming up every few minutes from the hotel veranda, miserable and fretting, met him at the closed door of her mother's darkened room and was adamant.

"It won't hurt if I tiptoe in and sit with her," he pleaded.

"No, Louis. No one knows how to get her through these spells like I do. The least excitement will only prolong her pain."

He trotted off then down the hotel corridor with a strut to his resentment that was bantam and just a little fighty.

That night as Alma lay beside her mother, fighting sleep and watching, Carrie rolled her eyes sidewise with the plea of a stricken dog in them.

"Alma," she whispered, "for God's sake. Just this once. To tide me over. One shot-darling. Alma, if you love me?"

Later, there was a struggle between them that hardly bears relating. A lamp was overturned. But toward morning, when Carrie lay exhausted, but at rest in her daughter's arms, she kept muttering in her sleep:

"Thank you, baby. You saved me. Never leave me, Alma. Never-never-never. You saved me Alma."

And then the miracle of those next months. The return to New York. The happily busy weeks of furnishing and the unlimited gratifications of the well-filled purse. The selection of the limousine with the special body that was fearfully and wonderfully made in mulberry upholstery with mother-of-pearl caparisons. The fourteen-room apartment on West End Avenue, with four baths, drawing-room of pink brocaded walls and Carrie's Roman bathroom that was precisely as large as her old hotel sitting room, with two full length wall-mirrors, a dressing table canopied in white lace over white satin and the marble bath itself, two steps down and with the rubber curtains that swished after.

There were evenings when Carrie, who loved the tyranny of things with what must have been a survival within her of the bazaar instinct, would fall asleep almost directly after dinner her head back against her husband's shoulder, roundly tired out after a day all cluttered up with matching the blue upholstery of their bedroom with taffeta bed hangings.

Latz liked her so, with her fragrantly coiffured head, scarcely gray, back against his shoulder and with his newspapers-Wall Street journals and the comic weeklies which he liked to read-would sit an entire evening thus, moving only when his joints rebelled, and his pipe smoke carefully directed away from her face.

Weeks and weeks of this and already Louis Latz's trousers were a little out of crease and Mrs. Latz after eight o'clock and under cover of a very fluffy and very expensive négligée, would unhook her stays.

Sometimes friends came in for a game of small-stake poker, but after the second month they countermanded the standing order for Saturday night musical comedy seats. So often they discovered it was pleasanter to remain at home. Indeed, during these days of household adjustment, as many as four evenings a week Mrs. Latz dozed there against her husband's shoulder, until about ten, when he kissed her awake to forage with him in the great, white porcelain refrigerator and then to bed.

And Alma. Almost, she tiptoed through these months. Not that her scorching awareness of what must have crouched low in Louis' mind ever diminished. Sometimes, although still never by word, she could see the displeasure mount in his face.

If she entered in on a tête-à-tête, as she did once, when by chance she had sniffed the curative smell of spirits of camphor on the air of a room through which her mother had passed, and came to drag her off that night to share her own lace-covered and ivory bed.

Again: upon the occasion of an impulsively planned motor trip and week-end to Lakewood, her intrusion had been so obvious.

"Want to join us, Alma?"

"O-yes-thank you, Louis."

"But I thought you and Leo were-"

"No, no, I'd rather go with you and mama, Louis."

Even her mother had smiled rather strainedly. Louis' invitation, politely uttered, had said so plainly: "Are we two never to be alone. Your mother and I?"

Oh, there was no doubt that Louis Latz was in love and with all the delayed fervor of first youth.

There was something rather throat-catching about his treatment of her mother that made Alma want to cry.

He would never tire of marveling, not alone at the wonder of her, but at the wonder that she was his.

"No man has ever been as lucky in women as I have, Carrie," he told her once in Alma's hearing. "It seemed to me that after-my little mother, there couldn't ever be another-and now you! You!"

At the business of sewing some beads on a lamp-shade, Carrie looked up, her eyes dewy.

"And I felt that way about one good husband," she said, "and now I see there could be two."

Alma tiptoed out.

The third month of this, she was allowing Leo Friedlander his two evenings a week. Once to the theater in a modish little sedan car which Leo drove himself. One evening at home in the rose and mauve drawing-room. It delighted Louis and Carrie slyly to have in their friends for poker over the dining-room table these evenings, leaving the young people somewhat indirectly chaperoned until as late as midnight. Louis' attitude with Leo was one of winks, quirks, slaps on the back and the curving voice of innuendo.

"Come on in, Leo, the water's fine!"

"Louis!" This from Alma stung to crimson and not arch enough to feign that she did not understand.

"Loo, don't tease," said Carrie, smiling, but then closing her eyes as if to invoke help to want this thing to come to pass.

But Leo was frankly the lover, kept not without difficulty on the edge of his ardor. A city youth with gymnasium bred shoulders, fine, pole vaulter's length of limb and a clean tan skin that bespoke cold drubbings with Turkish towels.

And despite herself, Alma, who was not without a young girl's feelings for nice detail, could thrill to this sartorial svelteness and to the patent-leather lay of his black hair which caught the light like a polished floor.

The kind of sweetness he found in Alma he could never articulate even to himself. In some ways she seemed hardly to have the pressure of vitality to match his, but on the other hand, just that slower beat to her may have heightened his sense of prowess. His greatest delight seemed to lie in her pallid loveliness. "White Honeysuckle," he called her and the names of all the beautiful white flowers he knew. And then one night, to the rattle of poker chips from the remote dining-room, he jerked her to him without preamble, kissing her mouth down tightly against her teeth.

"My sweetheart. My little, white carnation sweetheart. I won't be held off any longer. I'm going to carry you away for my little moon-flower wife."

She sprang back prettier than he had ever seen her in the dishevelment from where his embrace had dragged at her hair.

"You mustn't," she cried, but there was enough of the conquering male in him to read easily into this a mere plating over her desire.

"You can't hold me at arm's length any longer. You've maddened me for months. I love you. You love me. You do. You do," and crushed her to him, but this time his pain and his surprise genuine as she sprang back, quivering.

"You-I-mustn't!" she said, frantic to keep her lips from twisting, her little lacy fribble of a handkerchief a mere string from winding.

"Mustn't what?"

"Mustn't," was all she could repeat and not weep her words.

"Won't-I-do?"

"It's-mama."

"What?"

"You see-I-she's all alone."

"You adorable, she's got a brand-new husky husband."

"No-you don't-understand."

Then, on a thunder-clap of inspiration, hitting his knee, "I have it. Mama-baby! That's it. My girlie is a cry-baby, mama-baby!" And made to slide along the divan toward her, but up flew her two small hands, like fans.

"No," she said with the little bang back in her voice which steadied him again. "I mustn't! You see, we're so close. Sometimes it's more as if I were the mother and she my little girl."

Misery made her dumb.

"Why don't you know, dear, that your mother is better able to take care of herself than you are. She's bigger and stronger. You-you're a little white flower."

"Leo-give me time. Let me think."

"A thousand thinks, Alma, but I love you. I love you and want so terribly for you to love me back."

"I-do."

"Then tell me with kisses."

Again she pressed him to arm's length.

"Please, Leo. Not yet. Let me think. Just one day. Tomorrow."

"No, no. Now."

"Tomorrow."

"When?"

"Evening."

"No, morning."

"All right Leo-tomorrow morning-"

"I'll sit up all night and count every second in every minute and every minute in every hour."

She put up her soft little fingers to his lips.

"Dear boy," she said.

And then they kissed and after a little swoon to his nearness she struggled like a caught bird and a guilty one.

"Please go, Leo," she said, "leave me alone-"

"Little mama-baby sweetheart," he said. "I'll build you a nest right next to hers. Good night, little White Flower. I'll be waiting, and remember, counting every second of every minute and every minute of every hour."

For a long time she remained where he had left her, forward on the pink divan, her head with a listening look to it, as if waiting an answer for the prayers that she sent up.

At two o'clock that morning, by what intuition she would never know, and with such leverage that she landed out of bed plump on her two feet, Alma, with all her faculties into trace like fire-horses, sprang out of sleep.

It was a matter of twenty steps across the hall. In the white tiled Roman bathroom, the muddy circles suddenly out and angry beneath her eyes, her mother was standing before one of the full-length mirrors-snickering.

There was a fresh little grave on the inside of her right fore arm.

Sometimes in the weeks that followed, a sense of the miracle of what was happening would clutch at Alma's throat like a fear.

Louis did not know.

That the old neuralgic recurrences were more frequent again, yes. Already plans for a summer trip abroad, on a curative mission bent, were taking shape. There was a famous nerve specialist, the one who had worked such wonders on his little mother's cruelly rheumatic limbs, reassuringly foremost in his mind.

But except that there were not infrequent and sometimes twenty-four hour sieges when he was denied the sight of his wife, he had learned with a male's acquiescence to the frailties of the other sex, to submit, and with no great understanding of pain, to condone.

And as if to atone for these more or less frequent lapses there was something pathetic, even a little heart-breaking, in Carrie's zeal for his wellbeing. No duty too small. One night she wanted to unlace his shoes and even shine them, would have, in fact, except for his fierce catching of her into his arms and for some reason, his tonsils aching as he kissed her.

Once after a "spell" she took out every garment from his wardrobe and kissing them piece by piece, put them back again and he found her so, and they cried together, he of happiness.

In his utter beatitude, even his resentment of Alma continued to grow but slowly. Once, when after forty-eight hours she forbade him rather fiercely an entrance into his wife's room, he shoved her aside almost rudely, but at Carrie's little shriek of remonstrance from the darkened room, backed out shamefacedly and apologized next day in the conciliatory language of a tiny wrist-watch.

But a break came, as she knew and feared it must.

One evening during one of these attacks, when for two days Carrie had not appeared at the dinner table, Alma, entering when the meal was almost over, seated herself rather exhaustedly at her mother's place opposite her stepfather.

He had reached the stage when that little unconscious usurpation in itself could annoy him.

"How's your mother?" he asked, dourly for him.

"She's asleep."

"Funny. This is the third attack this month and each time it lasts longer. Confound that neuralgia."

"She's easier now."

He pushed back his plate.

"Then I'll go in and sit with her while she sleeps."

She who was so fastidiously dainty of manner, half rose, spilling her soup.

"No," she said, "you mustn't! Not now!" And sat down again hurriedly, wanting not to appear perturbed.

A curious thing happened then to Louis. His lower lip came pursing out like a little shelf and a hitherto unsuspected look of pigginess fattened over his rather plump face.

"You quit butting into me and my wife's affairs, you, or get the hell out of here," he said, without changing his voice or his manner.

She placed her hand to the almost unbearable flutter of her heart.

"Louis! You mustn't talk like that to-me!"

"Don't make me say something I'll regret. You! Only take this tip, you! There's one of two things you better do. Quit trying to come between me and her or-get out."

"I-she's sick."

"Naw, she ain't. Not as sick as you make out. You're trying, God knows why, to keep us apart. I've watched you. I know your sneaking kind. Still water runs deep. You've never missed a chance since we're married to keep us apart. Shame!"

"I-she-"

"Now mark my word, if it wasn't to spare her, I'd have invited you out long ago. Haven't you got any pride?"

"I have. I have," she almost moaned and could have crumpled up there and swooned in her humiliation.

"You're not a regular girl. You're a she-devil. That's what you are! Trying to come between your mother and me. Ain't you ashamed? What is it you want?"

"Louis-I don't-"

"First you turn down a fine fellow like Leo Friedlander, so he don't come to the house any more and then you take out on us whatever is eating you, by trying to come between me and the finest woman that ever lived. Shame. Shame."

"Louis," she said. "Louis," wringing her hands in a dry wash of agony, "can't you understand? She'd rather have me. It makes her nervous trying to pretend to you that she's not suffering when she is. That's all, Louis. You see, she's not ashamed to suffer before me. Why, Louis-that's all. Why should I want to come between you and her? Isn't she dearer to me than anything in the world and haven't you been the best friend to me a girl could have? That's all-Louis."

He was placated and a little sorry and did not insist further upon going into the room.

"Funny," he said. "Funny," and adjusting his spectacles, snapped open his newspaper for a lonely evening.

The one thing that perturbed Alma almost more than anything else, as the dreaded cravings grew, with each siege her mother becoming more brutish and more given to profanity, was where she obtained the drug.

The well-thumbed old doctor's prescription she had purloined even back in the hotel days, and embargo and legislation were daily making more and more furtive and prohibitive the traffic in narcotics.

Once Alma, mistakenly too, she thought later, had suspected a chauffeur of collusion with her mother and abruptly dismissed him. To Louis' rage.

"What's the idea," he said out of Carrie's hearing, of course. "Who's running this shebang anyway?"

Once after Alma had guarded her well for days, scarcely leaving her side, Carrie laughed sardonically up into her daughter's face, her eyes as glassy and without swimming fluid as a doll's.

"I get it! But wouldn't you like to know where? Yah!"

And to Alma's horror she slapped her quite roundly across the cheek.

And then one day, after a long period of quiet, when Carrie had lavished her really great wealth of contrite love upon her daughter and husband, spending on Alma and loading her with gifts of jewelry and finery to somehow express her grateful adoration of her; paying her husband the secret penance of twofold fidelity to his well-being and every whim, Alma, returning from a trip, taken reluctantly, and at her mother's bidding, down to the basement trunk room, found her gone, a modish black-lace hat and the sable coat missing from the closet.

It was early afternoon, sunlit and pleasantly cold.

The first rush of panic and the impulse to dash after, stayed, she forced herself down into a chair, striving with the utmost difficulty for coherence of procedure.

Where in the half hour of her absence had her mother gone? Matinee? Impossible! Walking. Hardly probable. Upon inquiry in the kitchen neither of the maids had seen nor heard her depart. Motoring? With a hand that trembled in spite of itself, Alma telephoned the garage. Car and chauffeur were there. Incredible as it seemed, Alma, upon more than one occasion had lately been obliged to remind her mother that she was becoming careless of the old pointedly rosy hand. Manicurist? She telephoned the Bon Ton Beauty Parlor. No! Where, oh God, where? Which way to begin? That was what troubled her most. To start right, so as not to lose a precious second.

Suddenly, and for no particular reason, Alma began a hurried search through her mother's dresser-drawers of lovely personal appointments.

A one-inch square of newspaper clipping apparently gouged from the sheet with a hairpin, caught her eye from the top of one of the gold-backed hair-brushes. Dawningly, Alma read.

It described in brief detail the innovation of a newly equipped Narcotic Clinic on the Bowery below Canal Street, provided to medically administer to the pathological cravings of addicts.

Fifteen minutes later Alma emerged from the subway at Canal Street and with three blocks toward her destination ahead, started to run.

At the end of the first block she saw her mother, in the sable coat and the black-lace hat, coming toward her.

Her first impulse was to run faster and yoo-hoo, but she thought better of it and by biting her lips and digging her fingernails, was able to slow down to a casual walk.

Carrie's fur coat was flaring open and because of the quality of her attire down there where the bilge waters of the city-tide flow and eddy, stares followed her.

Once, to the stoppage of Alma's heart, she halted and said a brief word to a truckman as he crossed the sidewalk with a bill of lading. He hesitated, laughed and went on.

Then she quickened her pace and went on, but as if with sense of being followed, because constantly as she walked, she jerked a step, to look back, and then again, over her shoulder.

A second time she stopped, this time to address a little nub of a woman without a hat and lugging one-sidedly a stack of men's basted waistcoats, evidently for homework in some tenement. She looked and muttered her un-understanding of whatever Carrie had to say and shambled on.

Then Mrs. Latz spied her daughter, greeting her without surprise or any particular recognition.

"Thought you could fool me! Heh, Louis? Alma."

"Mama, it's Alma. It's all right. Don't you remember, we had this appointment? Come, dear."

"No, you don't! That's a man following. Shh-h-h-h, Louis. I was fooling. I went up to him (snicker) and I said to him, 'Give you five dollars for a doctor's certificate.' That's all I said to him, or any of them. He's in a white carnation, Louis. You can find him by the-it's on his coat lapel. He's coming! Quick-"

"Mama, there's no one following. Wait, I'll call a taxi!"

"No, you don't! He tried to put me in a taxi, too. No, you don't!"

"Then the subway, dearest. You'll sit quietly beside Alma in the subway, won't you, Carrie. Alma's so tired."

Suddenly Carrie began to whimper.

"My baby! Don't let her see me. My baby. What am I good for? I've ruined her life. My precious sweetheart's life. I hit her once-Louis-in the mouth. God won't forgive me for that."

"Yes, He will, dear, if you come."

"It bled. Alma, tell him mama lost her doctor's certificate. That's all I said to him-give you five dollars for a doctor's certificate-he had a white carnation-right lapel-stingy! Quick! He's following!"

"Sweetheart, please, there's no one coming."

"Don't tell! Oh, Alma darling-mama's ruined your life. Her sweetheart baby's life."

"No, darling, you haven't. She loves you if you'll come home with her, dear, to bed, before Louis gets home and-"

"No. No. He mustn't see. Never this bad-was I, darling-oh-oh-"

"No, mama-never-this bad. That's why we must hurry."

"Best man that ever lived. Best baby. Ruin. Ruin."

"Mama, you-you're making Alma tremble so that she can scarcely walk if you drag her back so. There's no one following, dear. I won't let any one harm you. Please, sweetheart-a taxicab."

"No. I tell you he's following. He tried to put me into a taxicab."

"Then mama, listen. Do you hear! Alma wants you to listen. If you don't-she'll faint. People are looking. Now I want you to turn square around and look. No, look again. You see now, there's no one following. Now, I want you to cross the street over there to the subway. Just with Alma, who loves you. There's nobody following. Just with Alma who loves you."

And then Carrie, whose lace hat was crazily on the back of her head, relaxed enough so that through the enormous maze of the traffic of trucks and the heavier drags of the lower city, she and her daughter could wind their way.

"My baby. My poor Louis," she kept saying. "The worst I've ever been. Oh-Alma-Louis-waiting-before we get there-Louis."

It was in the tightest tangle of the crossing and apparently on this conjuring of her husband, that Carrie jerked suddenly free of Alma's frailer hold.

"No-no-not home-now. Him. Alma!" And darted back against the breast of the down side of the traffic.

There was scarcely more than the quick rotation of her arm around with the spoke of a truck wheel, so quickly she went down.

It was almost a miracle, her kind of death, because out of all that jam of tonnage, she carried only one bruise, a faint one, near the brow.

And the wonder was that Louis Latz in his grief was so proud.

"To think," he kept saying over and over again and unabashed at the way his face twisted, "to think they should have happened to me. Two such women in one lifetime, as my little mother-and her. Fat little old Louis to have had those two. Why just the memory of my Carrie-is almost enough-to think old me should have a memory like that-it is almost enough-isn't isn't it, Alma?"

She kissed his hand.

That very same, that dreadful night, almost without her knowing it, her throat-tearing sobs broke loose, her face to the waistcoat of Leo Friedlander.

He held her close. Very, very close.

"Why sweetheart," he said, "I could cut out my heart to help you. Why, sweetheart. Shh-h-h, remember what Louis says. Just the beautiful memory-of-her-is-wonderful-"

"Just-the b-beautiful-memory-you'll always have it too-of her-my mama-won't you, Leo? Won't you?"

"Always," he said, when the tight grip in his throat had eased enough.

"Say-it again-Leo."

"Always."

She could not know how dear she became to him then, because not ten minutes before, from the very lapel against which her cheek lay pressed, he had unpinned a white carnation.

* * *

THE LITTLE MASTER OF THE SKY[15]

By MANUEL KOMROFF

(From The Dial)

Even idiots it seems have their place and purpose in society, or as a chess player would say tapping his fingers on the board-"That pawn may cost you your queen." The little village of M-- only realized this after it was too late.

The police of M-- all knew that Peter, a half-wit, or "Silly Peter" as he was called, was perfectly harmless; even though at times he would litter the streets and market-place with bread crumbs. But the pigeons of M-- soon cleared the walks.

Peter, it seems, had at an early age dedicated his silly life to the pigeons. All his cares and sorrows were bound up in the lives of the birds. In fact it seemed as though he himself became birdlike. He could flap his arms to his sides and produce that same dull penetrating note that was given only to this particular species of bird when they flapped their wings.

At an early age he was left without parents and managed to grow up among the horses and cows in the barns. But these larger animals were entirely out of his sphere-he did not understand them.

One day when the lad was about seven years old, the village folks suddenly noticed that he was lame. When asked about it, all he would reply was: "The pigeons made me lame."

Luba, a farmer's fat cook, once told at the market-place how Peter became lame. She told of how the boy stood on the roof of her master's barn flapping his arms in imitation of the birds encircling his head; how he sprang in the air in a mad attempt to fly, and fell to the ground. But Luba had a reputation for being a liar, and none believed her although all enjoyed listening. "Such good imagination," they would say, after she was gone.

Peter grew up a little lame, but this defect seemed only to add to his nimbleness. He could climb a telegraph pole sideways like a parrot walking up a stick. Once on top he would swing his good leg around the cross beam and wave his hat-and from below a flight of flapping and fluttering birds would arise.

In this way he lived and grew to the age of sixteen, although his small, protruding bones and round, child-like eyes kept him looking younger. Where he slept and where he ate, all remained a mystery to the village folk; but this mystery was not near as great as another-

The schoolmaster once noticed that at times the pigeons seemed all grey, and at other times the greater number of them carried large pink breasts; also at times there were few, while on other days the streets and market-place were thickly dotted with nodding, pecking birds; also that never could they find the very young ones.

It seemed as though only Peter knew the secret-but when asked about it he would show a silly grin and shy away, pretending to be much occupied chasing the birds that ever flocked about him.

He would travel about from barn to barn collecting the feed that fell from the bins of careless animals. He would sometimes travel along the back yards, twist his mouth and call to nobody in particular: "A few crumbs for the birdies, lady?" And presently through an open window a crust would fly, and with this buried in his hat he would be off.

Only among the poor would he hobble about. He never ventured up the hill where the better people lived; and it is perhaps for this reason that he was seldom disturbed.

* * *

To himself Silly Peter was monarch of the air. In his own distorted mind he was master of all creatures that flew. Worldly cares he left to those who had inherited worldly material; as for himself, he was concerned only with the aerial strata and with the feathery creatures thereof. Nobody wanted it; so he acquired it as he acquired the cast-off hat that he wore. He fathomed it, tasted it, drank it, navigated his creatures through it, and even fanned life into it by flapping his bony arms.

He understood the air and the sky, and it all belonged to him. Every atom of sky that poured itself over the village of M-- belonged to Silly Peter. It seemed as though he purposely limped lightly over the ground that was foreign to his nature; for he was captain and master of the sky.