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Francis Beaumont: Dramatist
img img Francis Beaumont: Dramatist img Chapter 19 No.19
19 Chapters
Chapter 1 BEAUMONT'S FAMILY; HIS EARLY YEARS: GRACE-DIEU, OXFORD
Chapter 2 AT THE INNS OF COURT AND CHANCERY; THE POEMS ASSIGNED TO THESE EARLIER YEARS.
Chapter 3 THE VAUX COUSINS AND THE GUNPOWDER PLOT
Chapter 4 FLETCHER'S FAMILY, AND HIS YOUTH
Chapter 5 SOME EARLY PLAYS OF BEAUMONT AND OF FLETCHER
Chapter 6 THE BANKE-SIDE AND THE PERIOD OF THE PARTNERSHIP
Chapter 7 RELATIONS WITH SHAKESPEARE, JONSON, AND OTHERS IN THE THEATRICAL WORLD
Chapter 8 THE MASQUE OF THE INNER TEMPLE THE PASTORALISTS, AND OTHER CONTEMPORARIES AT THE INNS OF COURT
Chapter 9 AN INTERSECTING CIRCLE OF JOVIAL SORT
Chapter 10 BEAUMONT AND SIR PHILIP SIDNEY'S DAUGHTER; RELATIONS WITH OTHER PERSONS OF NOTE
Chapter 11 BEAUMONT'S MARRIAGE AND DEATH; THE SURVIVING FAMILY
Chapter 12 THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT
Chapter 13 TRADITION, AND TRADITIONAL CRITICISM
Chapter 14 A FEW WORDS OF FLETCHER'S LATER YEARS
Chapter 15 3. John Fletcher and Jone Herring [were married]. Reg. of St. Saviour's, Southwark.
Chapter 16 STATEMENT OF THE PROBLEM; CRITICAL APPARATUS
Chapter 17 THE DELIMITATION OF THE FIELD
Chapter 18 In Plays Individually Composed.
Chapter 19 No.19
Chapter 20 No.20
Chapter 21 No.21
Chapter 22 No.22
Chapter 23 No.23
Chapter 24
Chapter 25 No.25
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Chapter 19 No.19

Though rather poetic than dramatic, and composed only partly in blank verse, The Faithfull Shepheardesse affords the best approach to a study of Fletcher's rhetoric; for, written about 1608 and by Fletcher alone, it illustrates his youthful style in the period probably shortly before he collaborated with Beaumont in the composition of Philaster.

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