Francis Beaumont: Dramatist
img img Francis Beaumont: Dramatist img Chapter 18 In Plays Individually Composed.
18
Chapter 1 BEAUMONT'S FAMILY; HIS EARLY YEARS: GRACE-DIEU, OXFORD
Chapter 2 AT THE INNS OF COURT AND CHANCERY; THE POEMS ASSIGNED TO THESE EARLIER YEARS.
Chapter 3 THE VAUX COUSINS AND THE GUNPOWDER PLOT
Chapter 4 FLETCHER'S FAMILY, AND HIS YOUTH
Chapter 5 SOME EARLY PLAYS OF BEAUMONT AND OF FLETCHER
Chapter 6 THE BANKE-SIDE AND THE PERIOD OF THE PARTNERSHIP
Chapter 7 RELATIONS WITH SHAKESPEARE, JONSON, AND OTHERS IN THE THEATRICAL WORLD
Chapter 8 THE MASQUE OF THE INNER TEMPLE THE PASTORALISTS, AND OTHER CONTEMPORARIES AT THE INNS OF COURT
Chapter 9 AN INTERSECTING CIRCLE OF JOVIAL SORT
Chapter 10 BEAUMONT AND SIR PHILIP SIDNEY'S DAUGHTER; RELATIONS WITH OTHER PERSONS OF NOTE
Chapter 11 BEAUMONT'S MARRIAGE AND DEATH; THE SURVIVING FAMILY
Chapter 12 THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT
Chapter 13 TRADITION, AND TRADITIONAL CRITICISM
Chapter 14 A FEW WORDS OF FLETCHER'S LATER YEARS
Chapter 15 3. John Fletcher and Jone Herring [were married]. Reg. of St. Saviour's, Southwark.
Chapter 16 STATEMENT OF THE PROBLEM; CRITICAL APPARATUS
Chapter 17 THE DELIMITATION OF THE FIELD
Chapter 18 In Plays Individually Composed.
Chapter 19 No.19
Chapter 20 No.20
Chapter 21 No.21
Chapter 22 No.22
Chapter 23 No.23
Chapter 24
Chapter 25 No.25
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Chapter 18 In Plays Individually Composed.

The studies of the most experienced critics into the peculiarities of Fletcher's blank verse as displayed in productions of the popular dramatic kind, indubitably written by him alone,[149] such as Monsieur Thomas of the earlier period, ending 1613, The Chances, The Loyall Subject, and The Humorous Lieutenant of the middle period, ending 1619, and

            
            

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