Chapter 6 6

The studio occupied the top three floors of a Tribeca building that had once housed a textile factory, its brick walls and cast-iron columns preserved as architectural features, its interior transformed into white space and northern light. Alice had selected it personally, during her final month of preparation, knowing that the address alone would establish her credibility before she spoke a word.

She received Krystle on the third day after the yacht club incident. Let her wait, let her wonder, let the anticipation of their meeting build into something that would compromise her composure.

The woman who arrived was diminished. Alice saw it immediately in the way she moved-hesitant, uncertain, her usual aggression replaced by a desperate need that made her vulnerable. She wore sunglasses despite the overcast sky. Her hands found objects to touch, to adjust, to occupy themselves with.

"Ms. Rowe." Alice descended the spiral staircase with theatrical precision, her own costume carefully calibrated-black silk, severe lines, the suggestion of mourning without its substance. "I'm told you require something specific."

"The Met Gala." Krystle's voice emerged too loud, compensating for her nerves. "I need-I want-you to design my gown. Exclusive. No one else can wear anything like it."

Alice circled her, letting the silence stretch, letting Krystle feel the assessment. "You've lost weight," she observed. "Stress, perhaps. Or the effort of maintaining a position that doesn't fit."

Krystle's hand went to her stomach, a defensive gesture. "I'm exactly the same size I was at the boutique."

"Are you?" Alice produced the measuring tape from her pocket-a metal ribbon, cold and unforgiving. "Arms out."

The measurement was intimate by design. Alice stood close enough to smell Krystle's perfume, close enough to feel her body heat, close enough to observe the pulse fluttering at her throat. She wrapped the tape around Krystle's waist, pulled it tight, and let her breath warm the other woman's ear.

"Thirty-four inches," she murmured, pulling the tape tight. "You carry your stress here. It's a common place for secrets to settle."

Krystle stiffened. "What did you say?"

"The stress." Alice released the tape, moved to record the measurement on her tablet. "The responsibilities of your new position. It's natural. Expected, even."

But she saw it-the doubt, the fear, the desperate search for meaning in words that could have been innocent. Krystle's eyes found hers in the mirror, searching for recognition, finding only the veil's obscurity and her own reflection, distorted by anxiety.

"Turn," Alice commanded.

She measured shoulders, hips, the length of torso. At each point, she found opportunities-pressing too hard at the scar she knew existed beneath Krystle's shoulder blade, commenting on skin texture, on muscle tension, on the physical manifestations of guilt.

"You're tense here." Her thumb found the knot of scar tissue, digging in with precise pressure. "You hold tension in your shoulders. Many of my clients do. It speaks of a past that hasn't been laid to rest."

Krystle twisted away, breaking the contact. "Do you have fabric samples? I want to see options."

Alice moved to the cabinet, withdrew her selections. She'd prepared them specifically for this meeting, knowing Krystle's preferences, her weaknesses, her superstitions.

"The burgundy," she said, holding up a length of velvet so dark it approached black. "The color of dried blood. Dramatic. Unforgettable."

Krystle's face paled. "No. Not that."

"Too intense?" Alice let the fabric slide through her fingers, watched Krystle track its movement with the fixation of someone seeing something they couldn't name. "Perhaps something lighter. The white silk. Pure. Innocent. Untouched by-"

"White is fine." Krystle's voice was sharp, desperate. "White is perfect. We'll do white."

Alice smiled beneath her veil. "As you wish."

The fitting concluded quickly after that, Krystle's composure too fractured to sustain the performance of demanding client. She fled with measurements taken, deposit paid, her sunglasses forgotten on the studio's marble counter.

Alice picked them up. Chanel, limited edition, the kind of accessory that announced status without requiring achievement. She considered keeping them, returning them, using them as another thread in the web she was constructing.

In the end, she had Alex send them by courier. With a note: For a woman who hides too much. A.M.

The afternoon was hers. She dismissed Alex, disabled the studio's security cameras, and changed into clothes that wouldn't attract attention-dark jeans, a black turtleneck, a wool coat that had belonged to her father. The drive to Westchester took ninety minutes, the cemetery another twenty beyond that.

She arrived as the rain began.

The Yates family plot occupied a hillside overlooking the Hudson, protected by ancient oaks that had been saplings when her great-grandfather built the first tenements that would become their fortune. Her parents' headstones were new, their marble still unweathered, their inscriptions sharp.

KAROLYN YATES, SR. 1960-2021

BELOVED WIFE, MOTHER, DAUGHTER

HENRY YATES III. 1958-2021

HUSBAND, FATHER, BUILDER

And beside them, prepared in advance for a death that hadn't happened:

KAROLYN YATES. 1995-2021

BELOVED DAUGHTER

Alice stood before them, the umbrella in her left hand, her right glove resting on her mother's stone. The rain drummed against the fabric, a sound like distant applause.

"I found them," she said. The words emerged without her permission, addressed to stone and memory. "The ones who did this. I'm close enough to touch them now. Close enough to-"

She stopped. The rain intensified, and she felt something release in her chest, some pressure she'd carried since waking in Connor's facility, since learning to walk again, since becoming Alice.

"I'll make them understand," she whispered. "Before the end. I'll make them understand what they took."

Footsteps on gravel. She straightened, turned, her hand finding the pepper spray in her coat pocket-a habit from her training, automatic and unconsidered.

The man approaching wore a charcoal coat that had seen better days, his dark hair rain-flattened against his skull. He carried white roses, their petals already browning at the edges, and his face-

She knew that face. Had known it in another life, in the years before Douglas, when she'd been young and hopeful and capable of believing in love without calculation.

Alistair Sterling. Her first love. The man she'd left for the promise of Douglas Jefferson's ambition.

He stopped six feet away, his eyes moving from the headstones to her face, to the umbrella that obscured her features. She saw confusion there, and grief, and something else-the beginning of recognition, perhaps, or simply the wish for it.

"Do I know you?" he asked.

Alice adjusted the umbrella, let it shadow her more completely. "I doubt it," she said, and her voice emerged with Alice's accent, Alice's distance, nothing of Karolyn's warmth. "I'm here on behalf of a client. European collector. Knew the family."

Alistair's gaze lingered. She watched him search her visible features-the eyes, the jawline, the shape of her beneath the coat-and saw him find nothing he could name.

"Karolyn was-" He stopped, corrected himself. "The daughter. Karolyn. We were-" Another stop, another correction. "I should have been there. At the funeral. I was abroad. By the time I heard-"

"She's dead," Alice said. Flat. Final. "There's nothing to be done for the dead."

She moved past him, toward the parking area, her heels finding purchase on the wet gravel. Behind her, she heard him speak again, his voice carrying through the rain:

"The woman I'm looking for-she would have said something kind. Something human. You're not her."

Alice didn't turn. She walked faster, the umbrella tilted against the weather, and didn't stop until she reached her car. Only then did she allow herself to shake, to press her forehead against the steering wheel, to remember what it had felt like to be the person Alistair had expected-kind, human, capable of grief without calculation.

The passenger door opened.

She reached for the pepper spray, but the hand that closed over hers was familiar, its temperature and pressure already cataloged in her nervous system.

"You followed me," she said to Connor.

"I follow everyone who matters." He settled into the seat, rain dripping from his coat onto her leather interior. "Interesting choice. Revisiting the grave. Revisiting the ex-lover."

"Not revisiting." She started the engine, engaged the heater. "Assessing. He's suspicious. He'll investigate."

"Let him." Connor's finger found her cheek, traced the path of a tear she hadn't known she'd shed. "He'll find Alice Moreau. Mysterious designer. No past. No connection to the dead."

"Unless he looks closer."

"Then we'll give him something else to look at." His thumb pressed against her jaw, turned her face toward him. "You're bleeding emotion, Karolyn. It's inefficient. Dangerous."

She pulled away. "My name is Alice."

"Your name is whatever serves the moment." He withdrew his hand, wiped her tear from his thumb with a handkerchief. "Right now, it needs to be someone who doesn't cry in cemeteries."

She drove back to Manhattan in silence. At the studio, she changed again, became Alice completely, and began to plan her next move.

Douglas's gala was in three days. He would wear a tuxedo. She would ensure it fit him perfectly.