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On the Art of Writing / Lectures delivered in the University of Cambridge 1913-1914
img img On the Art of Writing / Lectures delivered in the University of Cambridge 1913-1914 img Chapter 69 No.69
69 Chapters
Chapter 1 No.1
Chapter 2 No.2
Chapter 3 No.3
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Chapter 5 No.5
Chapter 6 No.6
Chapter 7 No.7
Chapter 8 No.8
Chapter 9 No.9
Chapter 10 No.10
Chapter 11 No.11
Chapter 12 No.12
Chapter 13 No.13
Chapter 14 No.14
Chapter 15 No.15
Chapter 16 No.16
Chapter 17 No.17
Chapter 18 No.18
Chapter 19 No.19
Chapter 20 No.20
Chapter 21 No.21
Chapter 22 No.22
Chapter 23 No.23
Chapter 24 No.24
Chapter 25 No.25
Chapter 26 No.26
Chapter 27 No.27
Chapter 28 No.28
Chapter 29 No.29
Chapter 30 No.30
Chapter 31 No.31
Chapter 32 No.32
Chapter 33 No.33
Chapter 34 No.34
Chapter 35 No.35
Chapter 36 No.36
Chapter 37 No.37
Chapter 38 No.38
Chapter 39 No.39
Chapter 40 No.40
Chapter 41 No.41
Chapter 42 No.42
Chapter 43 No.43
Chapter 44 No.44
Chapter 45 No.45
Chapter 46 No.46
Chapter 47 No.47
Chapter 48 No.48
Chapter 49 No.49
Chapter 50 No.50
Chapter 51 No.51
Chapter 52 No.52
Chapter 53 No.53
Chapter 54 No.54
Chapter 55 No.55
Chapter 56 No.56
Chapter 57 No.57
Chapter 58 No.58
Chapter 59 No.59
Chapter 60 No.60
Chapter 61 No.61
Chapter 62 No.62
Chapter 63 No.63
Chapter 64 No.64
Chapter 65 No.65
Chapter 66 No.66
Chapter 67 No.67
Chapter 68 No.68
Chapter 69 No.69
Chapter 70 No.70
Chapter 71 No.71
Chapter 72 No.72
Chapter 73 No.73
Chapter 74 No.74
Chapter 75 No.75
Chapter 76 No.76
Chapter 77 No.77
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Chapter 69 No.69

I do not think, Gentlemen, that we need to bother ourselves today with any definition of a 'classic,' or of the stigmata by which a true classic can be recognised. Sainte-Beuve once indicated these in a famous discourse, "Qu'est-ce qu'un classique": and it may suffice us that these include Universality and Permanence. Your true classic is universal

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