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On the Art of Writing / Lectures delivered in the University of Cambridge 1913-1914
img img On the Art of Writing / Lectures delivered in the University of Cambridge 1913-1914 img Chapter 56 No.56
56 Chapters
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Chapter 10 No.10
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Chapter 26 No.26
Chapter 27 No.27
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Chapter 55 No.55
Chapter 56 No.56
Chapter 57 No.57
Chapter 58 No.58
Chapter 59 No.59
Chapter 60 No.60
Chapter 61 No.61
Chapter 62 No.62
Chapter 63 No.63
Chapter 64 No.64
Chapter 65 No.65
Chapter 66 No.66
Chapter 67 No.67
Chapter 68 No.68
Chapter 69 No.69
Chapter 70 No.70
Chapter 71 No.71
Chapter 72 No.72
Chapter 73 No.73
Chapter 74 No.74
Chapter 75 No.75
Chapter 76 No.76
Chapter 77 No.77
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Chapter 56 No.56

Now for another question (much argued, you will remember, a few years ago) 'Is there-can there be-such a thing as a Static Theatre, a Static Drama?'

Most of you (I daresay) remember M. Maeterlinck's definition of this and his demand for it. To summarise him roughly, he contends that the old drama-the traditional, the conventional drama- lives by

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