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"Mosè in Egitto" marks Rossini's third onward step and third great success in opera seria: "Tancredi," "Otello," "Mosè."
We meet again with Benedetti, Nozzari, and Mdlle. Colbran in the cast of this work, which was produced at the San Carlo Theatre in the Lent of 1818.
Barbaja had further engaged the celebrated Porto, to whom, to Benedetti, a