San Marino and Andorra have maintained their independence from the Middle Ages, but as republics. The only reigning families who kept their domains from being engulfed in the evolution of modern Europe are those of Liechtenstein and Monaco. What will happen to Liechtenstein with the disappearance of the Hapsburg Empire is uncertain. Wedged in between the Vorarlberg portion of the Austrian Tyrol and Switzerland, Liechtenstein is almost as out of the way, as forgotten, as unimportant, as San Marino and Andorra. Monaco is in a different situation.
The smallest country in the world covers only eight square miles, and never was very much larger than it is today. Until half a century ago Monaco was an Italian principality and not at all an anomaly. For Italy had been broken up into small political units from the Roman days. At the time of the unification of Italy, the Italians had to part with a portion of the Riviera to France. Monaco lost a bit of her coast line-the Menton district-and became an enclave in France.
Because of the traditional friendship of the Grimaldi family for France, the principality was saved from extinction when the protectorate of Savoy (established by the Congress of Vienna) was withdrawn in 1861. In fact, the male line of the Grimaldi died out just after the War of Spanish Succession, and the present house is of French descent. But whether Grimaldi or Matignon, the princes of Monaco have fought for a thousand years on the side of France against the British especially, but also against the Italians, Spanish and Germans. As unhesitatingly as his predecessors had always done, Prince Albert espoused the cause of France in 1914; his son fought through the war in the French army.
And there is another reason for the continued independence of Monaco. Republics have no sense of gratitude. After the fall of Napoleon III Monaco would hardly have survived save for the gambling concession. Four years before the Franco-Prussian War, a casino and hotels built on the Roche des Spélugues had been named Monte Carlo in honor of the reigning prince. The concession, granted to a Frenchman, Fran?ois Blanc, was too valuable to spoil by having Monaco come under French law! The Republic tolerated Monaco-on condition that no French officer in uniform and no inhabitant of the Département des Alpes-Maritimes (which surrounds Monaco) be allowed in the gaming rooms of the Casino. It was also agreed that except in petty cases handled in a magistrate's court all crimes should be judged by French law and the criminals delivered for punishment to France.
The arrangement is admirable from the French point of view. The Riviera has its gambling place of world-wide fame with no opprobrium or responsibility attaching to the French Government. The extra-territoriality does not extend to criminals. The inhabitants of the neighboring French towns are not demoralized by the opportunity to gamble. French army officers are protected from corruption. It is presumed that the rest of the world, which can afford a trip to the principality, will be able to take care of its own morals!
The Monégasques are similarly protected by their sovereign. They, too, are forbidden to gamble. They profit from the concession in that there are no taxes to pay in the rich little principality and in that several hundred thousand foreigners come every year to give big prices for every little service. But they run no risk of being caught by the snare they set for others. Prince and people, the Monégasques are like the wise old bartender, who said in a tone of virtuous self-satisfaction, "I never drink."
When Tennyson, traveling along the Grande Corniche, saw Monaco, it was of the old medieval principality that he could write:
"How like a gem, beneath, the city
Of little Monaco, basking, glow'd."
The old walled town, on its promontory, must indeed have seemed a gem in an unsurpassed setting in the time of Tennyson. For the little Port of Hercules and the other promontory, Spélugues, were tree- and shrub- and flower-lined. There was nothing to break the spell of old Monaco. Now, alas, the Casino and hotels of Monte Carlo cover Spélugues, and between the promontories La Condamine has sprung up, a town of red-roofed villas, larger than either Monaco or Monte Carlo and forming with them an unbroken mass of buildings. Monaco is simply an end of the city, distinct from the rest of the agglomeration only because it is high up and on a cape jutting out into the sea.
Unless one went up to explore the old town, one would not realize that it was more than the palace with its garden and the post-Tennyson cathedral, too prominent for the good of the medieval spell. La Condamine and Monte Carlo have reached the limit of expansion. In front is the sea, behind the steep wall of the mountain. The principality is all city. But the mountains and sea prevent the exclusion of nature from the picture. Despite the modern growth of Monaco, from the Grande Corniche the words of the poet still hold good. Monaco is no longer a predominantly medieval picture perhaps-but it is still a gem.
The old town is as attractive in walls and buildings as other rock villages of the Riviera. Three main streets, Rue Basse, Rue du Milieu and Rue des Briques, run parallel from the Place du Palais out on the promontory. They are crossed by the narrowest of city alleys, à l'Italienne, and to the right of the Rue des Briques, around the Cathedral, is the rest of the town. Nowhere does the old town extend to the sea.
On the sites of the ancient fortifications the present ruler, Prince Albert, has made gardens and built museums for his collections of prehistoric man and of ocean life. One ought never to dip into museums. If you have lots and lots of time (I mean weeks, not hours), or if you have special interest in a definite field of study, museums may be profitable. But "doing" museums is the last word in tourist folly. Yes, I know that skeletons and the cutest little fish are in those museums. I am not ashamed to confess that I never darkened their doors. Life is short, and while the Artist revels in his subjects, I find more interest in studying the living Monégasques than their-and our-negroid ancestors.
For there is a separate race, with its own patois, in Monaco. You would never spot it in the somewhat Teutonic cosmopolitanism of the Condamine and Monte Carlo tradesmen and hotel servants. It is not apparent in the impassive croupiers of the Casino. But within a few hundred yards, in half a dozen streets and lanes, the physiognomy, the mentality, the language of the people make you realize that regarding Monaco as a separate country is not wholly a polite fiction to relieve the French Government of the responsibility for the Casino. These people are different, children as well as grown-ups. They are neither French nor Italian, Proven?al nor Catalan, but as distinct as mountain Basques are from French and Spanish. It is not a racial group distinction, as with the Basques. In blood, the Monégasques are affiliated to their Proven?al and Italian neighbors.
What one sees in the old town of Monaco is a confirmation of the assertion of many historians that nationality, in our modern political sense of the word, and patriotism, as a mass instinct shared by millions, are phenomena of the nineteenth century. Steam transportation, obligatory primary education, universal military service, are the factors that have developed national consciousness, and the exigencies and opportunities and advantages of the industrial era have furnished the motive for binding people together in great political organisms. Today if there were no outside interests working against the solidarity of human beings leading a commonwealth existence in the same country, the political organism would soon make the race rather than the race the political organism.
San Remo and Menton and Monaco are Riviera towns all within a few miles of each other. People of the same origin have three political allegiances. In half an hour your automobile will traverse the territories of three nations. Italians and French fight under different flags and were within an ace of being lined against each other in the war. Monégasques do not fight at all. Taxes and tariff boundaries, schools and military obligations, make the differences between the three peoples. Put them all under the same dispensation and where would be your races?
In the old days the raison d'être of the principality was the power to prey upon commerce. From their fortress on the promontory the Grimaldi organized the Monégasques to levy tolls on passing ships. Italy was not a united country. France had not yet extended her frontiers to the Riviera. This little corner of the Mediterranean escaped the Juggernaut of developing political unity that crushed the life out of a dozen other feudal robber states. And when the logical moment for disappearance arrived, Monte Carlo saved Monaco. Another means of preying upon others was happily discovered. The Monégasques abandoned pistols and cutlasses for little rakes. The descendants of those who stood on the poops of ships now sit at the ends of green tables. The gold still pours in, however, and no law reaches those who take it.
There is this difference: you no longer empty your pockets to the Monégasques under compulsion, and the battlements of old Monaco play no part in your losses. The proverb dearest to American hearts says that a sucker is born every minute. It is incomplete, that proverb. It should be rounded out with the axiom that at some minute every person born is a sucker.
So I look over to the great white building which is the salvation of the Monégasques-their symbol of freedom from taxes and military service-and know that the strength of Monaco is the weakness of the world. I return to the Place du Palais. The Artist is reluctantly strapping up his tools. We glance for a brief moment at the best sunset view on the Riviera. Ships sail by unmolested. No more have they fear of the Tête du Chien and of the huge stone boulet that Fort Antoine used to lance if a merchantman dared to be deaf to the call of the galley darting forth from the Port of Hercules. But we?
The Artist's fingers are nimble with the buckle after a day with the pencil. Pipe is filled from pouch with an inimitably deft movement of one hand. Reluctant is generally the right word to use when I speak of the Artist leaving his work. I am not so sure now. As I hope, he does not suggest a west-bound tram at the foot of the Palais or the 6:40 train; he says,
"If we alternate eighteen and thirty-six this evening, putting by half each time we win-"
"Like that English old maid we saw last week," I interrupted, "who doubled just once instead of splitting. I can see the drop of the jaw now. Even without the false teeth, it would have been hideous."
"On the red then as long as we last," conceded the Artist, who knew my horror of complicated figure systems, "and there's the sign."
He pointed to the red fringe that lit up fading Cap Martin.
"If we do not get over soon," I answered, "black will be the latest tip of nature." The Riviera towns under the lee of mountains do not have a lingering twilight.
But when we had finished dinner an affiche announcing A?da turned us from the Salles de Jeu to the Salle du Théatre. To most people gambling is a pastime not taken seriously. Only when it is a passion does one find in it the exclusive attraction of Monte Carlo. This is proved by the excellence of Monte Carlo opera. No metropolis boasts of a better orchestra and chorus; and the most famous singers are always eager to appear at Monte Carlo.