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The Invention of Lithography
img img The Invention of Lithography img Chapter 23 PROPERTIES OF A GOOD PRESS
23 Chapters
Chapter 1 No.1
Chapter 2 POLISHING
Chapter 3 CHEMICAL INK
Chapter 4 HARD BORAX INK
Chapter 5 FLUID INK
Chapter 6 TRANSFER INK
Chapter 7 HARD ETCHING GROUND
Chapter 8 SOFT ETCHING GROUND
Chapter 9 ACID PROOF INK
Chapter 10 CRAYON
Chapter 11 CONCERNING COLOR FOR PRINTING
Chapter 12 GENERAL PROPERTIES OF ACIDS
Chapter 13 THE ACIDS SPECIFICALLY
Chapter 14 GUM AS THE REAL PREPARATION
Chapter 15 CONCERNING PARTIAL PREPARATION
Chapter 16 CONCERNING STEEL PENS
Chapter 17 CONCERNING BRUSHES
Chapter 18 CONCERNING ENGRAVING NEEDLES
Chapter 19 CONCERNING THE DRAWING-MACHINE
Chapter 20 TRANSPARENT PAPER, AND THE TRANSFER OF OUTLINES TO THE STONE
Chapter 21 WASTE PAPER
Chapter 22 PRINTING-PAPER
Chapter 23 PROPERTIES OF A GOOD PRESS
Chapter 24 APPLICATION OF BOOK- AND COPPER-PLATE PRESSES TO LITHOGRAPHY
Chapter 25 LITHOGRAPHIC PRESSES USED HITHERTO
Chapter 26 THE LEVER PRESS
Chapter 27 THE CYLINDER PRESSES
Chapter 28 GYRATING SCRAPER AND DOUBLE LEVER PRESSES
Chapter 29 BRUSH AND PEN WORK
Chapter 30 THE CRAYON METHOD
Chapter 31 TRANSFER AND TRACING
Chapter 32 CONCERNING THE WOOD-CUT STYLE
Chapter 33 TWO KINDS OF TOUCHE DRAWING
Chapter 34 THE SPATTER METHOD
Chapter 35 TOUCHE WITH SEVERAL PLATES
Chapter 36 COLOR-PRINTING WITH MANY PLATES
Chapter 37 THE LINE ENGRAVED STYLE
Chapter 38 THE ETCHED METHOD
Chapter 39 DESIGN WITH PREPARING INK, COMBINED WITH SPATTERED AQUATINT
Chapter 40 AQUATINT IN COPPER-PLATE STYLES AND WITH ETCHING-GROUND
Chapter 41 AQUATINT THROUGH CRAYON GROUND
Chapter 42 INTAGLIO CRAYON AND TRACED DESIGNS
Chapter 43 PEN DESIGN COMBINED WITH ENGRAVING
Chapter 44 INTAGLIO DESIGN WITH RELIEF TINT
Chapter 45 INTAGLIO AND RELIEF WITH SEVERAL PLATES
Chapter 46 PRINTING WITH WATER AND OIL COLORS SIMULTANEOUSLY
Chapter 47 SIMULTANEOUS CHEMICAL AND MECHANICAL PRINTING
Chapter 48 USE OF THE STONE FOR COTTON-PRINTING THROUGH WIPING. A UNIQUE PRINTING PROCESS
Chapter 49 COLOR PRINT WITH WIPING
Chapter 50 OIL-PAINTING PRINT THROUGH TRANSFER
Chapter 51 STONE-PAPER
Chapter 52 CHEMICAL PRINT ON METAL PLATES
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Chapter 23 PROPERTIES OF A GOOD PRESS

It has been observed that inscriptions, and particularly drawings, look better on the stone than on the impression afterward made from the stone. Partly this may be due to the color of the stone which softens the picture, because an impression made on yellow paper resembling the stone color looks very much like the drawing on the stone. But the gre

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