Chapter 10 READING.

This art should be taught simultaneously with writing, or, more properly, printing; and I should certainly advise that it do not come till children are hard upon seven years old, if they have entered the Kindergarten at three. For it properly belongs to the second stage of education, after the Kindergarten exercises on the blocks, sticks, peas, &c., are entirely exhausted; and the children have become very expert in sewing, weaving, pricking, and drawing.

They will then have received a certain cultivation of intellect which will make it possible to teach Reading on a philosophical method, which will make the acquisition a real cultivation of mind, instead of the distraction it now is to those whose vernacular is English, the pot pourri of languages, and whose orthography should be called Kakography, it is so lawless.

Though we repudiate phonography, so far as to deprecate its being applied to the English language, and reducing all our libraries to a dead language as it were, we are not insensible to the truth that phonography is the true principle of writing; and this method of ours takes advantage of it to a certain extent, as we shall proceed to show: for if we pronounce the vowel-characters as in the Italian language, and the letters c and g hard, it is a fact that the largest number of syllables in English will be found strictly phonographic. It was on this hint, given by a great philologist, that the "First Nursery Reading Book" was written, which has no word in it that makes an exception to the letters so sounded. In my own Kindergarten, where I began to teach reading when I was yet ignorant of the necessity for the previous training of which I have just given account, I began to teach on this method, reading and writing at the same time; thus:-

All the children were set before the black-board, with their slates and pencils; and I said, "What does the cat say?" The answer was immediately ready,-"mieaou." Now this sound goes from the highest to the lowest of the Italian vowels, beginning with the consonant m.

I said, "Now we will learn to print 'mieaou.' How does it begin?" I answered myself,-shutting my lips, and sounding m. They all imitated the sound, which, being a semi-vowel, was continuous.

I said, "We will write m," putting down three short perpendiculars, and joining them on top by a horizontal; and I made the letter myself, according to this direction, and they imitated with more or less success.

I then said, "mi," sounding the i as in machine; and adding, "Now we must write i,-and that is one little short perpendicular with a dot over it." I did it, and they imitated.

Then I said "mie," sounding e as in egg, only making it long; "and this e is made by a curve and straight line,"-at the same time making it on the black-board, which they imitated.

Then I said "miea," sounding a as in ah; and, as I made it on the black-board, I said, "We will make a little egg; and over the egg we will make a dot, and that is a snake's head; and this is the body," I continued, as I made the curve that completed the a. They imitated with indifferent success, but I did not criticise their scrawls.

Then I said, "miěao," and making the o, they imitated it easily.

Then I said, "mieaou," sounding the u not yu, but like u in Peru; and they imitated sound and character.

It proved quite an entertainment to repeat this lesson, till they were very expert. The next day I made them tell me the sounds, one by one, as I had done to them; and I wrote the letters. I also would write it, letter by letter; and they would sound first, m, then the syllable mi, then mie, then miea, then mieao, then mieaou. When they were perfectly familiar with these sounds and characters, I told them these letters were called vowels, or vocals, because they were the sounds of the voice.

In another lesson, I asked them how they made the sound m, and helped them to say that they did it by putting their lips together, and sounding without opening them; for I wanted the power of the character and not the name,-em; and then I said, "Now tell me how shall I write mama?" which they also wrote on their slates.

I then said that the lips made another motion when they began to say papa; that they were put together and opened without any sound of the voice at all,-at the same time showing it myself on my own lips. And I told them to write the letter p by making a straight perpendicular line, twice as long as the lines that made m; and then, at the upper right hand, drawing their upper lip,-also doing it myself for them to imitate. I then told them to put on an a after it, then another p, and then another a; and now they had papa.

I said, "You have now articulated with your lips two sounds, but you can make more articulations with your lips. You can put your lips just as you do to make p; and then, if you sound a little, you will make b; and when you write b, you can make a perpendicular line as you did to make p, but instead of putting an upper lip to it, put an under lip on the lower right-hand side of it;" and I showed how to do it on the black-board, and saw that they imitated it on the slate.

The next day I began with calling on them to write the vowels, dictating by the sounds I had given them; and then the lip letters, m, p, and b.

I then said, "But there are two more articulations with lips-Put your upper teeth on your lower lip and breathe" (articulating f at the same time). They imitated, and I said, "Now make a perpendicular line and cross it, and then make the top of the line bend over a little; that is the letter f" (I gave the power, not name, ef). "Now put your lip as before and breathe again, making a little sound, and instead of f it will be v. The letter v is printed by two short obliques meeting at the bottom. Now you can make all the lip letters, m, p, b, f, v."

For exercise in printing, and to make sure of these letters and sounds, I told them to write ma, pa, ba, fa, va, always keeping the Italian sounds of the vowel; also, me, pe, be, fe, ve; mi, pi, bi, fi, vi; mo, po, bo, fo, vo; and mu, pu, bu, fu, vu.

Another lesson was the tooth letters d, t, s. Here the teeth must be set together, and a sound made for d; and the lip put behind the perpendicular in printing it; the teeth put together, the articulation t is made without putting any voice to it. The teeth put together, and a hissing sound makes s. The letter can be described as a snake, the head on the right and the tail on the left of the curl: z is still more easily made by three lines.

These letters can be made fast in the memory, by dictating di, de, da, do, du; ti, te, ta, to, tu; si, se, sa, so, su; and zi, ze, za, zo, zu.

Then attention is drawn to throat letters. The easiest to make is h. Let them see that the sound is breathed out of their throats, and do not give it the name of aitch. They can write ha, hi, he, ho, and hu; and then make the sound k, and show them how it is written: sometimes k, sometimes q, and sometimes c; and do not call c see. Make them write ca, co, cu; ka, ke, ki, ko, ku; and qua, que, qui, quo.

Show them how to write the sonorous throat letter in go, ga, gu. It will be very easy for them to make the nose sound n, and write the letter by two short perpendiculars, joined on top by a horizontal line; the tongue sound l and the rolling r are also easily sounded and written. In a week's lessons, or possibly a fortnight's, these letters can all be learned; but it is of no consequence if it takes a month.

Another way of learning the letters is given on a subsequent page (the 79th); but this has the advantage of being a little more scientific, and exercising the classifying instinct, which has been considerably developed by the exercises involved in the occupations.

On account of the irregularity of what is called English orthoepy and orthography, the written language is a chaos-into which, when the child's mind is introduced in the usual way, all its natural attempts at classification are baffled. The late Horace Mann, in a lecture on the alphabet, has with great humor and perspicacity shown this; and he recommended that children should be taught to read by words purely. But when some years afterwards his attention was drawn to the phonic method, he accepted it fully; and wrote for Mrs. Mann the preface to her Philadelphia edition of the Primer of Reading and Drawing. This was not until after it had been tested in his own family and some others, where I had introduced the phonic method.

On the details of my method I must enlarge all the more, because I find myself differing in some respects from Mr. Sheldon's plan, which loses a large part of the advantages of the phonic method by not having one definite sound for each letter. As I have taught on my plan successfully for fifteen years, I am prepared to defend it at all points, from the ground of a various experience. But I can adduce also the highest philologic authority for my mode of sounding the alphabet,[E] as well as an argument of common sense from the nature of the case.

The primal cause of the chaotic condition of English orthography, is the fact that the Roman alphabet, which was a perfect phonography of the old Latin language, lacked characters for four English vowels and four English consonants. The Latin monks had not the wit to invent new characters for these additional sounds; but undertook to use the Roman letters for them also. Hence for the vowel heard in the words irk, err, work, and urge, they used indifferently all four characters; for truly one would do as well as another. But if they had put a dot into the middle of the o, and added it to the alphabet, it would have been better than either. Also, if for the vowel sound of pun, they had put a dot under the u; and for the vowel sound of man, they had put a dot under the a; and for the vowel sound of not, a dot under the o; they would have had four more letters in their alphabet, which would have completed the phonography of the English vowels. Similar dots under d t s c would have made a phonography of consonants, and avoided the awkward combinations of sh, ch, and the ambiguity of th, which now stands for the differing initials of then and thin.

But as they did not do this, a certain divorce took place between the ideas of the sounds and the letters; and hence the long uncertainty of the English orthography, and the stereotyped absurdities which now mark it.

It is so nearly impossible to remedy a difficulty which has passed into print so largely, that we have to accept the evil, and remedy as best we may the disadvantage it is to young minds to have all this confusion presented to them on the threshold of their literary education.[F]

It was suggested to me by Dr. Kraitsir, that I should take a volume of any book, and count the times that each of the vowels, and c and g, were sounded as the Romans sounded them, and how many times they were sounded otherwise, and thus see whether it was true, as he said, that these Roman sounds were the most frequent, even in the English language. I did so on a few pages of Sir Walter Scott's novels, and found that the letter i sounded as in ink 240 times, to one that it sounded as in bind; and though the proportion was not quite so great with any other vowel, yet there was a large majority for the Roman sound, in each instance, as well as for the hard sounds of c and g. Indeed I found g was hard, even before e and i, in the case of every Saxon word; and that all the soft gs, which are not many, were derived from the Norman-French.

I then set myself to find what words in English were written entirely with the Roman-sounding letters; and, to my surprise, found a large number,-enough to fill a primary spelling-book;-while most of the syllables of the rest of the words in the language yielded on analysis the same sounds. It immediately occurred to me to begin to teach children to read by these words, whose analysis would always yield them the Roman sounds, and reserve, till afterwards, the words which are exceptions, leaving the anomalies to be learnt by rote.

I tried my first experiment on a child a little more than four years old, by printing on a black-board certain words, letter by letter, until he had learned the whole alphabet, both to know each character at sight, and to print it on the black-board, and it was a signal success.

For the convenience of those who do not know the old Roman pronunciation of Latin, for which our alphabet is a perfect phonography, I will give the sounds of the letters here.

In the case of the vowels (voice letters),

i is pronounced ?h as in ink, (not eye.)

e " ěh as in ell, (not as in be.)

a " ?h as in arm, (not as in may.)

o " ?h as in old,

u " ?h as in ruin, (not as in unit.)

in the case of the consonants, giving the power of the letter by making them finals, and obscuring the e as much as possible for the lip letters, ěb, ěf, ěp, ěv, while the semi-vowels m, n, l, r, require not even the obscure ě to their being sounded perfectly, shutting the lips and sounding m, opening them and shutting the palate to sound n, holding the tongue still to sound l, shaking it to sound r, (ěl, ěm, ěn, ěr;) the tooth letters ěd, ět, ěss, ězz-and the throat letters ěc, ěk, eq,[G] eg, and a breathing from the throat for h. Often children will come to the Kindergarten knowing the letters, in which case it is best to begin with the letters according to the organs, as is suggested in my first chapter, and when they give the old names-you can say, "No, I do not want that name but the sound."

The whole alphabet in order will then be ?h, ěb, ěc, ěd, ěh, ěf, ěg, h (breathed), ?h, ěj, ěk, ěl, ěm, ěn, ?h, ěp, ěq, ěr, ěss, ět, ?h (oo) ěv, w (breathed) ěx, y, just like ?h, and not called wye, ěz. Also the sign & for the word and.

In the first part of this chapter, I have detailed one method of beginning with a class,-that of giving the sounds of the letters first, classed according to the organs.

But my common way is to begin with whole words, which are more sure to interest a child. A limited number of words arranged in sentences, teaches them to know and write the whole alphabet. For the convenience of teachers who may not have either my "First Nursery Reading-Book," or Mrs. Mann's "Primer of Reading and Drawing" on hand, I will give here some sentences that contain the whole alphabet, which the teacher can teach by printing them on the black-board, and letting the children imitate them with pencil on the slate, or chalk on the black-board.

O puss, puss, pussy; O kitty, kitty, kitty; Kitty sings miu, miu; pussy sings mieaou; pussy is old, pussy is cold; put pussy into mamma's basket; mamma is singing to papa; papa is kissing mamma; pussy, go to kitty, go, go, go; kitty is in mamma's basket; go into mamma's garden, and pick roses, anemones, tulips, and pinks; mamma's velvet dress fits well; bells ring and cars go; cars go very quickly; hens sit; hens eggs; eggs in lark's nest; eggs in linnet's nest; larks sing tralala, tralala; fill mamma's basket full of roses, anemones, pinks, tulips, crocuses; Lizzy is dizzy, very dizzy; Helen is rosy red; Alexis sent his mamma a jar full of jelly; Barbara kisses Cora; Dora is spinning yarn; Flora is spinning yarn; Gilbert sent Henry a jar of guava jelly; Isabella is kissing Julia; Karlito sent a linnet's egg to Lilian; Margaret picks roses; Nina picks tulips in Olivia's garden; Penelope plants pinks in Ellen's garden; Rosalind sings to Quasi-modo; Susan puts eggs into mamma's basket; Tina brings roses to Vivian; Willy brings crocuses to mamma.

The above sentences, written over and over again, will teach all the letters; others must be added, but after certain letters are learnt, it is useful, and a pleasant variety, for the children to write columns of words, with only one letter differing; thus, old, cold, fold, gold, hold, sold, told, wold; ell, bell, dell, fell, hell, quell, sell, tell, well; art, cart, dart, hart, mart, part, tart, start; in, binn, din, fin, jin, kin, pin, sin, tin, win, &c., &c.

My "First Nursery Reading-Book" is entirely made up of such columns, after half a dozen pages of words in sentences; and long before the children have written it half through, they can pronounce the words on first sight, though many of them are five and six syllables long.

And here I must foreclose some criticisms which have been made on this book.

First,-that the sentences are not interesting or important. That is of no moment. Children are interested in separate words; especially if they are to write them as well as read them. I have never seen children tired of the words, and of making them.

Some persons have disputed the pronunciation of some of the words. There are, perhaps, half a dozen inadvertencies in the book which can be corrected in a second edition.

I indicate no difference between the s when it is sounded sharp, and when soft like z. But I think this will never lead to any practical error; because the language is vernacular, and the child has a teacher.

I affirm that the article a is sounded ah in the spoken language, when it is not accented. Also that in such words as deject, reject, &c., the two e's sound alike, like most unaccented e's in the language.

For a time, there is no need for the children to have a book at all. Let them have a lesson fifteen minutes long in which they write the words after the dictation of the teacher.

Let the written words remain on the black-board, and after some other employments have intervened, let them read the words off the black-board.

When they have mastered all the letters, it is a good plan to give them the book, and let them find the words. Showing them a line, ask them to look along and find a certain word.

They will be pleased to find that they can read in a book, and will like to copy on their slates the columns of words, which may be made another exercise of a quarter of an hour. In my Kindergarten, they write the words, after the teacher, on their blackboards; and afterwards write out of the printed books upon the slate. I have hitherto had more time, in proportion, given to the reading than my own judgment quite approves; because parents are so urgent, and measure their children's progress so exclusively by their power of reading; and, if they do not learn a great deal faster than children usually learn to read, distrust the system, and interfere.

Even if this method did prove longer than other methods of learning to read, I should wish to pursue it, because to find that the same letter always represents the same sound, cultivates the mind's power of classification, and gives it confidence in its own little reasoning. But I have found that it is a shorter, not a longer, process. I have known a child of three years old, who was found to know how to read, when there was no thought of teaching him, but his brother of five years old had been taught to read upon the black-board in his presence. A child of seven years old learnt to read and write print beautifully, in three months, in lessons of ten minutes, given only when she asked for them. And in those cases there was not the additional advantage of a class. Several children in my own Kindergarten, in my first season, when I never gave half an hour in the day to reading, not only mastered my first Nursery Reading-Book, but got upon the anomalous words, and learnt to read so far, that the second season they could read fluently. If as much time was given, in the Kindergarten, to mere reading, as is given in the public schools, they would, doubtless, have learnt in three months, but I would not give the time; for I believe it is so much better for the whole nature, i. e., all the powers of sense and apprehension, to be cultivated by examining objects.

I have also another difficulty to contend with. Children are taught their letters at home, and the parents interfere to help, and really hinder by bringing in the old sounds of the letters and the anomalous words, before I am ready for them. There is no objection to the children's having the First Nursery-Book at home to use and copy on their slates, provided those at home will confine themselves to pronouncing the words to them instead of attempting to spell them.

The question, however, comes at last, But how are they to attain the rest of the language? Before I had any experience, I myself thought this was to be a great difficulty. In the first instance, after I had brought my little pupil to the point that he could print correctly any word that I pronounced to him, and could read at sight any of my selected words, I gave him a piece of poetry to read, beginning-

"Sleep, baby, sleep."

He read it slay-ape bahby, slay-ape.

I said, "No, that first word is sleep." He was surprised, and wondered why it was written so.

I said, "Perhaps they used to say slayape, but they say sleep now; and in books there are a good many such words. Now I will rub out sl (I pronounced this combination with one impulse of the voice) and put a w, and say, now, what is that?" "O, That is weep." Now I rubbed out the w, and put d. He immediately said, "That is deep." I said, "Now you write sleep, and under it put weep, deep, peep, keep, steep, sweep, creep." He did so, at once, and then he took great pleasure in getting a paper and lead-pencil, and writing the whole column, which, of course, he never forgot. I proceeded in the same manner, till he had not only written all the song, but all the analogues of each word,-and it was wonderful how soon he could read. The scientific habit of mind which was attained by classing the words as he learned them, has shown itself throughout his education. He never learned a so-called spelling-lesson, but he scarcely ever wrote a word wrongly spelled; and it has been a uniform observation that children taught on this method always write without errors. Each variation from the standard so strongly fixed in their minds makes a great impression; and to write the words in groups, makes these anomalies remembered in groups.

In my own Kindergarten, I give to my class "Mother Goose's Melodies." They know many of them by heart; but I make them sit in class, and each, in turn, read one word, in order to teach them to keep the place, and when they finish a verse, I ask them to find some word, and often make it the nucleus of a group of words of the same kind, to be written upon the black-board and slates as above. But I think it is a good plan, before giving a book, to call their attention to the initial sounds of thin, then, shin, chin, and ask them what letter stands for these. Of course they will say they do not know. Then you can say "There is none; for the people who made these letters did not have these sounds in their language; and so, when they came to write English, they put a t and h together to stand for one sound; and c and h for another; and s and h for another."

Lists of words should then be dictated and written: such as thin, think, thing, thrift, thrill, thick, bath, lath, doth, sloth, quoth, pith, smith, fifth, filth, width, depth, tenth, truth, thresh, threshold, methodist, synthetic, pathetic, cathartic, then, them, with, this, hither, thither, nether, tether, hitherto, farthing, withhold, brethren, char, chart, charm, chaff, chant, larch, march, parch, starch, chest, chess, chin, chick, chill, chit, chink, chintz, rich, chirrup, inch, pinch, clinch, flinch, winch, finch, filch, milch, clinch, trench, bench, wrench, quench, shin, ship, sharp, shark, shed, shell, shelf, shaft, shorn, shred, shrift, shrimp, shrill, flesh, mesh, fresh, dish, fish, wish, harsh, marsh, sheriff, shiver, relish, cherish, perish, freshet, finish, prudish, bluish, garnish, tarnish, varnish, blemish, refresh. Attention can then be called to the words beginning with wh, which are pronounced (as they were written in Saxon) by uttering the h before the w; as when, whet, whelk, whelp, whelm, wherry, whiz, whig, whip, whiff, whist, whisk, whirl, which, whimper, pronounced hwen, hwet, &c.

I suppose I need not say that the consideration of one of the extra consonants will be enough for one lesson.

The next step is to learn the diphthongs, that is, the proper-which I consider the only-diphthongs. Make the children pronounce oi, and see that two sounds are slid together; and then let them write on their slates, in different columns, boil, coil, foil, soil, toil, moil, spoil, coin, join, groin, point, joint, joist, hoist, foist, moist, cloister, surloin, exploit, void, &c.; also boy, coy, joy, toy, cloy, loyal, royal, envoy, enjoy, &c.

Then let them pronounce the diphthong ou, and write in one column the words out, our, thou, loud, proud, cloud, noun, bound, found, hound, mound, pound, round, sound, wound, bout, clout, flout, lout, gout, pout, rout, sprout, spout, shout, snout, stout, mouth, south, couch, crouch, slouch, pouch, vouch, roundabout, bounty, county, amount, abound, scoundrel, discount, expound, about, &c.; and in another, how, cow, bow, mow, now, vow, owl, scowl, brow, prow, howl, gown, brown, crown, drown, cowl, fowl, crowd, clown, frown, vowel, towel, trowel, prowess. Call attention to the proper diphthong, which we write with what we call i long, (but it is no sound of ?h at all,) and which the Romans wrote as a diphthong with two letters, ae and ai, pronouncing it as we do the i in ire. Then let them write in columns bind, find, grind, hind, blind, kind, mind, rind, wind, violet, dialect, inquiry, horizon, &c.

This same diphthong is also written with the Greek y,-in my, thy, cry, try, fry, wry, fly, ply, asylum, dynasty, petrify, signify, vilify, vivify, simplify, rectify, edify, notify, &c.

Call attention lastly, to the diphthong yu, written first with the letter u simply, as in unit, humid, fuel, cubic, stupid, putrid, mutual, funeral, singular, bitumen, acumen, nutriment; and secondly with ew, as few, chew, pew, new, mew, mewl, eschew, sinew; thirdly with iew, as view; fourthly with eu, as in eulogy, European, &c.; sometimes with eau, as in beauty and its compounds.

There is no propriety in calling au a diphthong, as it is one sound, and not two sounds. It is one of the extra vowels of the English language, written when short with o (though it is no sound of o proper) a, aw, and oa.

And now we come to the consideration of the extra vowels, beginning with this sound heard short in not, and long in the name of a carpenter's tool, awl.

Explain that there is no character for this vowel in the Roman alphabet, because the sound was not in the Latin language, and then proceed to show how it is written in various ways: first with an o, as in bob, cob, fob, gob, job, mob, nob, rob, sob, cock, dock, hock, lock, clock, flock, mock, pock, frock, rock, crock, shock, sock, cod, hod, nod, pod, odd, shod, rod, sod, trod, doff, off, of, (pronounced ov,) cog, dog, fog, hog, jog, log, nog, doll, loll, poll, on, don, ton, pond, fond, blond, won, fop, drop, crop, lop, mop, pop, sop, top, chop, shop, stop, swop, prop, ox, box, fox, pox, moth, loth, froth, broth, lot, cot, dot, got, hot, jot, not, pot, rot, sot, tot, wot, grot, clot, shot, spot, boss, cross, dross, floss, loss, moss, toss, gloss, cost, frost, lost, tost, bond, fond, pond, pomp, romp. Then show that it is written sometimes with an a, as in all, fall, call, hall, gall, tall, wall, small, stall, ball, thrall, squall, squash, squad, squat, quart, war, dwarf, scald, bald, salt, halt, swab, ward, sward, warn, warp, warm, wand, want, was, wast, wash, swan, watch, swamp, waltz, wasp; sometimes with au, as in daub, fraud, gaudy, fault, vault, paunch, craunch, laurel, haul, caul, maul, augury, autumnal; and sometimes with aw, as in caw, daw, draw, haw, hawk, jaw, law, maw, paw, claw, straw, raw, thaw, squaw, saw, flaw, awl, shawl, bawl, brawn, drawn, awning, tawny, awkward, tawdry, sawyer, mawkish, lawful; also with oa in broad.

Another extra vowel, heard in the word man, is written, in default of a character for it, with a, as in cab, dab, gab, jab, nab, hack, back, jack, lack, pack, rack, crack, clack, black, bad, gad, glad, had, lad, mad, pad, sad, shad, bag, cag, fag, gag, hag, lag, nag, rag, crag, shag, sag, tag, wag, mall, shall, am, dam, flam, ham, sham, jam, an, ban, can, fan, clan, man, pan, ran, band, hand, land, stand, strand, grand, brand, cap, flap, gap, chap, lap, clap, map, nap, pap, sap, tap, at, bat, cat, fat, gat, hat, that, mat, pat, rat, brat, sat, spat, sprat, tat, vat. This same vowel is heard in the word plaid.

A third extra vowel is heard in pun, and written generally with an u; as cub, dub, hub, nub, rub, scrub, drub, tub, buck, duck, luck, cluck, muck, pluck, suck, stuck, truck, tuck, chuck, bud, cud, dud, mud, suds, stud, scud, buff, cuff, luff, bluff, muff, puff, stuff, ruff, scuff, bug, dug, drug, hug, jug, lug, slug, shrug, mug, snug, tug, cull, dull, gull, hull, mull, null, scull, gum, hum, drum, glum, plum, mum, rum, sum, bun, dun, gun, pun, run, sun, tun, stun, shun, up, cup, sup, bump, crump, dumps, gump, hump, jump, lump, mumps, pump, rump, us, buss, fuss, muss, rush, crush, gush, hush, mush, tush, bust, dust, gust, just, lust, must, rust, crust, but, cut, gut, hut, jut, nut, rut, tut, bunk, funk, sunk, drunk, trunk, hunt, punt, blunt, grunt, brunt, lunch, bunch, hunch, munch, punch, bulk, sulk, skulk, gulp, pulp, gulf, tuft, bung, hung, lung, clung, rung, stung, swung, strung, musk, rusk, dusk, tusk, busk, mulct, buskin, musket, runlet, bucket, public. This same sound is written with o in mother, brother, some, come, &c., and ou in touch, and in rough, tough, enough, in which gh sounds like ff.

The fourth extra vowel in English having no character for it is written, first, with i, as irk, shirk, dirk, kirk, mirk, quirk, bird, gird, whirl, quirl, girl, firm, first, chirp, shirt, sir, fir, stir, flirt, spirt, squirt, squirm, girdle, &c. Secondly, with e, as in err, her, herd, term, fern, pert, wert, overt, clerk, sperm, stern, insert, vermin, perhaps, perplex, persist, expert, divert, superb, sterling, verdict, pervert, ferment, fervent, servant, perfect, serpent, partner, sever, several, inter, internal, fraternal, paternal, maternal, external, infernal, interdict, intermix, infer; and generally the final er, as silver, toper, &c. Thirdly, this vowel is written with o, as in work, worm, word, worst, world, worth; and the final or, as in arbor, ardor, vigor, &c. Fourthly, with an u, as in urn, burn, turn, churn, spurn, cur, fur, blur, bur, purr, spur, curb, suburb, surd, curd, surf, scurf, turf, turk, lurk, curl, furl, hurl, hurdle; and the finals ur, or, and ture, as arbor, honor, perjure, injure, &c.

Another anomaly of English orthography is the silent e, at the end of so many words; as doe, foe, hoe, roe, toe, cue, clue, blue, glue, flue, give, live, lucre, axle, noble, ogle, reptile, fertile, sterile, sextile, flexible, futile, missile, famine, jasmine, destine, pristine, frigate, senate, reptile, legate, pensive, missive, active, captive, festive, motive, sportive, illusive, defective, objective, elective, invective, perspective, defensive, expensive, preventive, retentive, progressive, vindictive, restrictive, instinctive, descriptive, explosive, corrosive, delusive, exclusive, inclusive, preclusive, intensive, palliative, narrative, relative, privative, lucrative, intuitive, infinitive, explicative, figurative, imitative, indicative, superlative, diminutive, retrospective, barnacle, spectacle, miracle, pinnacle, article, particle, ventricle, edible, credible, flexible, audible, enoble, ignoble, sensible, senile, juvenile, feminine, eglantine, multiple, dissemble, assemble, quadrille, clandestine, intestine, determine, illumine, calibre, ferule, marble, pebble, treble, tremble, nibble, quibble, scribble, nimble, meddle, peddle, kindle, spindle, fiddle, riddle, griddle, quiddle, middle, twinkle, gargle, single, mingle, sparkle, speckle, sickle, tickle, trickle, dimple, simple, pimple, ripple, triple, pickle, grizzle, little, brittle, spittle, whittle, nettle, settle, kettle, startle, tinkle, sprinkle, valise, marine, ravine, machine, Alexandrine, creditable, and other words having the final syllable ble.

This silent e final is found also in words which have the diphthong i; as bide, glide, hide, chide, ride, side, slide, tide, wide, bride, fife, life, wife, rife, strife, bribe, jibe, dike, like, bile, file, mile, pile, tile, vile, wile, smile, while, style, dime, time, mime, chime, rime, prime, crime, dine, fine, thine, line, nine, mine, pine, spine, shine, wine, swine, twine, vine, kine, chine, pipe, wipe, ripe, gripe, snipe, tripe, stripe, type, vie, dire, fire, hire, mire, shire, sire, tire, lyre, wire, spire, squire, tribe, scribe, bribe, jibe, bite, kite, mite, smite, kite, write, white, trite, wise, lithe, blithe, writhe, strive, thrive, drive, wive, alive, size, prize, agonize, paralyze, sympathize, symbolize, &c.

E may also be considered silent, it is so obscure, in many words ending in el and en; as harden, bidden, golden, garden, sicken, quicken, thicken, stricken, broken, spoken, token, swollen, stolen, open, kitten, mitten, smitten, bitten, given, molten, driven, woven, frozen, mizzen, dizzen, tinsel, morsel, swivel, drivel, novel, model, level, bevel, eleven, seven, &c.

U and e are both silent in the words rogue, brogue, fugue, eclogue, prologue, apologue, epilogue, intrigue, fatigue, synagogue, demagogue, pedagogue, decalogue, catalogue, mystagogue, picturesque, burlesque, grotesque, pique, casique.

U is silent in guess, guest, guard, gaunt, flaunt, taunt, daunt, avaunt, launch, staunch, laundry, laundress, liquor, piquet, coquette, paroquet, exchequer, palanquin, guarantee, gauntlet, saunter, guilt, guitar, built, build, biscuit, four, pour, court, gourd, mould, bourn, soul, moult, shoulder, poultry, coulter; and w final, when preceded by vowels, except when ow stands for ou diphthong, is silent.

I is silent in fruit, suit, recruit, bruise, cruise, heifer, surfeit, forfeit, counterfeit, Madeira, and y in they, prey, whey, obey, heyday, convey, survey, purvey.

W is silent in bow, low, mow, row, sow, tow, slow, blow, glow, flow, snow, row, crow, grow, throw, bowl, own, blown, flown, grown, sown, mown, growth, owner, toward, below, lower, disown, arrow, barrow, farrow, harrow, marrow, fallow, gallows, hallow, shallow, sallow, tallow, bellow, fellow, yellow, shadow, burrow, furrow, billow, pillow, willow, widow, minnow, winnow, follow, hollow, morrow, sorrow.

A is silent in boat, coat, goat, doat, moat, groat, bloat, throat, loath, oath, boast, coast, roast, coax, hoax, oak, soak, cloak, coach, poach, roach, broach, goad, load, coal, foal, goal, shoal, oaf, loaf, foam, loam, roam, loan, moan, groan, soap, oar, boar, soar, board, hoard, hoarse, hoary, cocoa, gloaming, encroach, reproach, approach.

The silent consonants are k before n-(doubtless pronounced in Saxon times,) in knit, knee, knell, kneel, knave, knife, knack, know, knead, knives, knock, knuckle.

Also, g before n, as gnat, gnaw, gnarl, gnome, gnash, reign, deign, sign, consign, assign, design, condign, benign, impugn, oppugn, arraign, campaign.

Also, g before m, as phlegm, paradigm, &c.

Also, ch in schism and drachm.

Also, l before m, k, v, f, and d-as in alms, balm, calm, qualm, calf, half, talk, balk, stalk, chalk, walk, folks, salve, halves, calves, could, would, should, almond, salmon.

Also, p before s, and sh, as in pshaw, pseudo, psalm, psalter.

Also, b before t, as debt, doubt, subtle, indebted, undoubted, &c.

And b after m is silent, as lamb, jamb, climb, tomb, womb, numb, thumb, crumb, dumb, plumb, comb, hecatomb, catacomb, currycomb, coxcomb, succumb.

Also, n after m, as column, solemn, autumn, condemn, hymn, &c.

And d before t in stadtholder.

K is often unnecessarily used after c, and t before ch.

T after s is silent in listen, glisten, hasten, chasten, christen, fasten, moisten, thistle, whistle, bristle, castle, nestle, pestle, gristle, jostle, justle, hustle, bustle, rustle, epistle, apostle, mistletoe, forecastle.

C after s is silent in scion, scent, scythe, muscle, sceptre, science, sciatica, sciolism, scissure, scission, scissors, scenery, transcend, descend, descent, viscid, crescent, proboscis, fascinate, viscera, ascetic, excrescence, corpuscle, acquiesce, coalesce, rescission, abscission, putrescence, ascendency, susceptible, irascible, viscidity, eviscerate, lascivious, resuscitate, scimitar, scintillate, phosphoresce, deliquesce, effloresce, effervesce, transcendent, condescend, condescension, convalescence, concupiscence, reminiscence, acquiescent, iridescent, arborescent, susceptibility, scenography, sciography.

The initial h is often silent, as in hour, herbage, huge, honest, honor, humor; also, after r, rhomboid, rheum, rhyme, myrrh, ghost, aghast, catarrh, rhubarb, catarrhal, rheumatic, dishabille, rhapsody, posthumous, hemorrhage, &c.

W is silent before r in wry, write, writhe, wrath, wreath, wreathe, wrong, wretch, wright, wrist, wriggle, wrinkle; and before h in who, whose, whom, whoop, whole.

What is especially puzzling about the English orthography, is the unnecessary use of the same letter for different sounds. Thus s does not always sound s-but sometimes sounds like z. (If all the sounds z were written z, it would make our language look as full of z's as the Polish.)

After all the sonorous labials, gutturals, and dentals, we cannot help sounding z-as cabs, hods, rags, etc.; also, before m, as heroism, paroxysm, somnambulism, materialism, &c.; in monosyllables ending with a single s, as is, was, as, has, his, hers, ours, theirs; also, in daisy, reside, desire, noisy, bosom, visage, closet, resign, music, prison, reason, pansy, tansy, disown, preside, pleasant, peasant, prosaic, present, presence, Tuesday, measles, cosmos, pleasure, measure, treasure, leisure, disclosure, enclosure, composure, kerseymere, resolute, devisor, revisal, reprisal, basilisk, deposit, courtesan, raspberry, residue, venison, disaster, division, plausible, feasible, basilicon, presbytery, resolute, deposit, president, visionary, perquisite, exquisite, composite, resentment, carousal, espousal, disposal.

Instead of c or k we have in many words ch-as Christ, chasm, chyle, conch, chrome, ache, scheme, school, chaos, epoch, chorus, chronic, echo, anchor, tetrarch, trochee, archives, scholar, schooner, monarch, hierarch, chronicle, chrysalis, technical, mechanic, patriarch, pentateuch, bacchanal, saccharine, chamomile, eucharist, character, archetype, orchestra, catechize, catechism, alchemy, chemistry, schedule, paschal, chaldee, stomach, lilach, sumach, chimera, heptarchy, lachrymal.

All the above words are from the Greek, and so are those in which f is written with ph, as sylph, lymph, sphere, sphinx, graphic, phalanx, phantom, orphan, dolphin, camphor, pamphlet, sulphur, zephyr, hyphen, trophy, philter, phaeton, spheroid, alphabet, emphasis, prophesy, prophecy, caliphate, sophistry, &c.

The sound of s is substituted for the Latin guttural (hard c) in acid, placid, facile, tacit, process, precinct, docile, recipe, illicit, cinder, fleecy, census, pencil, precept, accede, recede, concede, cite, pacify, lacerate, macerate, taciturn, oscillate, precede, implicit, explicit, decimal, precipice, specify, specimen, abbacy, imbecile, indocile, solicit, felicity, atrocity, ferocity, rapacity, tenacity, veracity, vivacity, voracity, audacity, precocity, simplicity, lubricity, rusticity, municipal, medicinal, rhinoceros, publicity, diocesan, mendacity, mendicity, duplicity, elasticity, pertinacity, incapacity, electricity, multiplicity, authenticity, duodecimo, anticipates, necessary, countenance, abstinence, and all other words which end in ce.[H]

The sound of j is substituted for that of g (the sonorous guttural) in germ, genus, genius, angel, gentile, pigeon, dungeon, surgeon, sturgeon, bludgeon, curmudgeon, sergeant, pageant, vengeance, stingy, dingy, &c., manger, danger, stranger, religion, badger, budget, gibbet, giblets, allegiance, plagiarism, gibe, (sometimes and better jibe;) all words ending in ge, as bilge, huge, barge, large, and all ending in dge, as wedge, ledge, pledge, hedge, sledge, fledge, ridge, bridge, midge, drudge, judge, lodge; all words ending gious, as prodigious, egregious, sacrilegious, &c.; or in geous, as courageous, &c.; or in age, as cottage, plumage, foliage, &c.

The extra consonant which we sometimes write sh, is written variously; 1st, simply with s, as in sugar, sensual, and sure, and its compounds; 2dly, with ss, in cassia; 3dly, with ci, in magician, logician, patrician, optician, musician, academician, geometrician, mathematician; and in a multitude of words ending in ious, as specious, gracious, spacious, avaricious, auspicious, pertinacious, judicious, suspicious, loquacious, audacious, sagacious, fallacious, capacious, rapacious, tenacious, delicious, malicious, pertinacious, officious, capricious, ferocious, atrocious, precocious, voracious, veracious, and perhaps some others; also, in words ending with al, as official, judicial, provincial, commercial, artificial, beneficial; and in sociable, associate, appreciable and appreciate, enunciate, dissociate, excruciate, depreciate, emaciate, denunciate, renunciate, prescient, omniscient; 4thly, with ce, in cetaceous, filaceous, herbaceous, caduceous, cretaceous, testaceous, crustaceous, argillaceous, gallinaceous; 5thly, with ti, in factious, fractious, captious, vexatious, facetious, licentious, factitious, propitious, flagitious, nutritious, expeditious, superstitious, adventitious; vitiate, expatiate, ingratiate, insatiate, initiate; partial, martial, nuptial, initial, essential, substantial, credential, potential, prudential, solstitial, impartial, penitential, equinoctial, influential, reverential, pestilential, providential, circumstantial, ratio, and all words ending in tion, as ration, nation, station, notion, diction, fiction, friction, fraction, potion, action, junction, suction, section, mention, libation, vacation, vocation, location, exhalation, installation, implication, flagellation, appellation, revelation, education, &c.; 6thly, with ch, as chicanery, seneschal.

In many words is a superfluous t, as in hitch, ditch, pitch, witch, switch, stitch, flitch, stretch, sketch, etch, fetch, wretch, notch, botch, hotch, potch, watch, latch, match, batch, catch, hatch, patch, hutch.

In some words is a superfluous d, as badge, ledge, sledge.

And a superfluous k is very common.

Some of the above substitutions are perhaps natural enough, in consequence of the fact of extra sounds, having no special characters for them in the alphabet, which was phonography for the Latin language only. But there are the same perplexing changes with respect to the regular vowels.

Thus, in the case of e, when it is long, as in fête,-we find it written in five ways,-ay, ai, ea, ey, and simply a.

As 1st, aye, day, bay, fay, gay, hay, pay, may, nay, say, ray, dray, bray, gray, fray, play, pray, array, assay, allay, display, portray, dismay, mislay.

2d. Aid, braid, laid, maid, paid, afraid, staid, bait, gait, wait, bail, fail, hail, jail, mail, nail, pail, quail, rail, sail, tail, wail, frail, flail, snail, trail, avail, entail, assail, fain, gain, lain, main, pain, rain, vain, wain, train, grain, brain, stain, sprain, swain, drain, dainty, portrait, saint, faint, paint, quaint, plaint, aim, claim, maim, tailor, jailer, traitor, sailor, raiment, caitiff, plaintiff, prevail, contain, chilblain, sustain, upbraid, declaim, exclaim, proclaim.

3d. Break, steak, great.

4thly. They, convey, survey, &c.

5thly. Any, many, legation, asparagus, virago, volcano, verbatim, arcanum, potato, octavo, tornado, and words ending in ace, ade, afe, age, ake, ale, ame, ane, ape, ase, ate, athe, ave, ary, aste, aze, base, case, face, grace, lace, mace, pace, ace, bade, fade, shade, made, wade, safe, chafe, cage, sage, rage, gage, stage, page, wage, plumage, foliage, cottage, bake, cake, lake, make, quake, rake, take, sake, brake, flake, bale, dale, gale, hale, male, pale, sale, tale, whale, vale, bane, cane, fane, lane, mane, pane, sane, wane, vane, bathe, lathe, swathe, cave, gave, lave, nave, pave, rave, drave, grave, shave, stave, crave, ate, bate, fate, date, gate, hate, late, mate, pate, rate, sate, crate, prate, plate, state, skate, slate, waste, baste, haste, paste, chaste, taste, came, blame, dame, fame, frame, game, lame, flame, name, same, tame, frame, shame, cape, gape, nape, rape, grape, drape, crape, blaze, daze, gaze, haze, maze, raze, craze, graze, glaze, honorary, actuary, tributary, sedentary, primary, salutary, solitary, burglary, contrary, &c.

So for the sound of i long, as in marine, we have sometimes e, sometimes ee, sometimes ea, sometimes ie, as-

1st.-He, she, we, me, mete, glebe, theme, breve, veto, hero, zero, negro, ether, theist, deist, edict, fever, lever, metre, zenith, extreme, supreme, impede, serene, convene, gangrene, austere, cohere, adhere, revere, severe, interfere, persevere, secret, complete, concrete, secrete, obsolete, theorem, torpedo, inherent.

2d.-Fee, bee, lee, glee, flee, free, tree, see, three, eel, feel, keel, reel, peel, wheel, deem, seem, keen, green, queen, teens, ween, deed, feed, heed, meed, need, reed, seed, bleed, creed, leek, meek, sleek, seek, week, cheek, beef, reef, keep, sweep, weep, deep, peep, sleep, beech, speech, leech, spleen, compeer, between, beseech, discreet, steeple, vaneer, career, tureen, moreen, careen, redeem, agreed, settee, razee, degree, agree, decree, grandee, linseed, peevish, esteem, devotee, legatee, referee, repartee, patentee, absentee, privateer, muleteer, overseer, volunteer, chanticleer, domineer, gazetteer, genteel, indiscreet, steelyard, thirteen, &c.

3d.-Pea, tea, yea, flee, plea, bohea; each, beach, breach, bleach, teach, meach, peach; bleak, sneak, streak, speak, squeak, beak, peak, creak, teak, creak, freak, tweak, weak, bead, lead, read, plead, deaf, leaf, sheaf, beam, ream, dream, cream, stream, team, steam, seam, deal, heal, leal, meal, peal, seal, steal, veal, zeal, bean, dean, lean, mean, wean, yean; heap, cheap, leap, reap; ear, fear, hear, blear, clear, smear, near, spear, rear, drear, year, beard, east, beast, feast, least, yeast, eat, beat, feat, heat, meat, neat, peat, seat, wheat, bleat, cheat, treat, heath, sheathe, breathe, heave, weave, leave, treacle, eagle, eaglet, squeamish, dreary, weary, creature, impeach, anneal, appeal, reveal, endear, appear, arrear, besmear, defeat, release, increase, decrease, beneath, repeat, entreat, retreat, bereave, bequeath, cochineal, eatable, easterly, deanery.

4th. Where the e is silent; either, neither, seizure, surfeit, inveigle, forfeit, mullein, fief, chief, thief, brief, grief, field, shield, wield, yield, fiend, priest, belief, sieve, grieve, belief, achieve, retrieve, relieve, aggrieve, cashier, brigadier, grenadier, cannonier, cavalier, cordelier; also receive, conceive, perceive, deceive, deceit, conceit.

The sound of u is also written oe, o, ew, oo, and ou (silent o), shoe, canoe, woman, chew, brew, screw, threw, shrew, sew, dew, few, jew, mew, new, pew, coo, too, loo, woo, tattoo, bamboo, hindoo, food, good, hood, mood, rood, stood, wood, book, cook, hook, look, nook, rook, took, cool, drool, fool, stool, wool, spool, boom, broom, doom, bloom, groom, loom, gloom, room, boon, spoon, coon, swoon, loon, shalloon, moon, picaroon, noon, soon, poltroon, cocoon, platoon, festoon, monsoon, baboon, coop, droop, hoop, loop, poop, stoop, boor, moor, poor, goose, moose, noose, boot, coot, foot, hoot, loot, moot, root, soot, booty, roof, behoof, aloof, reproof, proof, groove, soothe, smooth, tooth, booth, boost, roost, pantaloon.

It is also written with a silent o, as in tour, croup, group, youth, wound, souvenir, surtout, cartouche, contour, amour, uncouth, accoutre, moustache, tambourine.

I have said that I give to my scholars "Mother Goose," as soon as they have mastered my first "Nursery Reading-Book." But this is for recreation; while all the important work is making the groups of exceptional words upon their slates, at my dictation. Sometimes these can be written on the blackboard, and copied into little books, by the children. When there are several ways of writing the same sound, I make several columns, and put at the head of each a word thus:-

i, e, ee, ie,

pin, me, see, grieve;

and then, mentioning different words, ask in which column they are to be put? The children are greatly interested in this exercise; and the effect of it is, to make them know the precise spelling of the words. When a column is finished, they are called on to read the words, and sometimes to repeat the group by heart.

I have not put all the words in the language in my groups; but enough for the purpose,-they can be filled up from the teacher's and children's memories.

The greater the anomaly, the more easily it is remembered, because the specimens are few, and the anomaly amuses.

Thus, I sometimes begin (after I have shown them how to write the extra vowels and consonants, and the diphthongs,) with the word phthisic; asking them all to write it on their slates as they think it should be; and then writing it myself, as it is, on the board. So I ask them to write through, which they will write thru. I then surprise them by writing it on the black-board, and putting in the silent vowel and consonants. Then I ask them to write bough; and then though, and dough; then trough, which they will write troth; then laugh, draught, tough, which they will write with f for the gh. In reviewing the lesson the next day, all these words can be written in their manuscript books, with a lead-pencil. The book, which is the best one to follow Mother Goose, and perhaps might precede it, is Mrs. Mann's "Primer of Reading and Drawing." This begins with about twenty pages of words that can be read at once by those who have used the "First Nursery Reading-Book," because the Roman alphabet is a phonography for it all. Mrs. Mann's book is full of sentences that have beautiful meanings, and it contains some attractive stories. It has been out of print a long time; but a new edition is about being put to press.

But any book can be used by a person of judgment. The mother of the Wesleys always taught her children to read in the Bible from the beginning.

In good reading, words are not only to be pronounced, but to be read with expression; and this end is gained by its coming after object-learning. Unless a child conceives what a word means, he cannot have the appropriate emotion, and without the emotion he cannot read with expression. In hurrying children on to read faster than they can understand and feel, permanent bad habits are acquired, and especially the habit of reading without sufficiently filling the lungs with breath; and this not only makes disagreeable reading for the hearer; but is very injurious to the health of the reader.

Dr. H. F. Briggs, of New York, who teaches elocution as a means of health, proposes that there should be exercises of vocalizing,-uttering each vowel sound to express all kinds of emotion which the special vowel will express, and in all quantities and accents. Children are all naturally histrionic and will be amused in doing this. The vowel sounds educate emotions in those who utter them, and awaken them in those who hear. When pronounced with feeling, they come from the chest and abdomen and not from the head merely, and so give a general internal exercise that is healthy. Bronson's "Elocutionist" will give a teacher much assistance in this branch, though he has not worked out the thing so completely as Dr. Briggs has done.

It is proper to remark to those who measure the success of a school by the rapidity with which it teaches a child to read, that the thorough attainment of the art here proposed, requires time. But when attained, much is gained besides the mere reading,-namely, development of body, mind, and heart.

Besides, to those who are hereafter to be taught other languages it will be found of great advantage to have associated the vowel sounds of ark, ebb, ill, old, and rue, with the characters a, e, i, o, u, respectively. See for the proof of this, some articles on "Kraitsir's Significance of the Alphabet," published in "The North American Review" for 1849.

The First Nursery Reading Book and Mrs. Mann's Primer of Reading and Drawing being out of print, Mr. E. Steiger is about to print their substance together with the foregoing chapter as Preface to a Primer of Reading and Writing, for the Intermediate Class.

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