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He hurried back to Bloomsbury, in the wake of her hansom, to the house of the balcony opposite the plane-trees. The plane-tree was half-withdrawn into the night, but the balcony hung out black in the yellow light from its three long windows. Poppy was not in the balcony.
He went up into the room where the light was, a room that had been once an ordinary Bloomsbury drawing-room, the drawing-room of Propriety. Now it was Poppy's drawing-room.
You came straight out of a desert of dreary and obscure respectability, and it burst, it blossomed into Poppy before your eyes. Portraits of Poppy on the walls, in every conceivable and inconceivable attitude. Poppy's canary in the window, in a cage hung with yellow gauze. Poppy's mandoline in an easy chair by itself. Poppy's hat on the grand piano, tumbling head over heels among a litter of coffee cups. On the tea-table a pair of shoes that could have belonged to nobody but Poppy, they were so diminutive. In the waste paper basket a bouquet that must have been Poppy's too, it was so enormous. And on the table in the window a Japanese flower-bowl that served as a handy receptacle for cigarette ash and spent vestas. Two immense mirrors facing each other reflected these objects and Poppy, when she was there, for ever and ever, in diminishing perspective. But Poppy was not there.
Passing through this brilliant scene into the back room beyond, he found her finishing her supper.
Poppy was not at all surprised to see him. She addressed him as "Rickets," and invited him under that name to sit down and have some supper, too.
But Rickets did not want any supper. He sat down at the clear end of the table, and looked on as in a dream. And when Poppy had finished she came and sat by him on the clear end of the table, and made cigarettes, and drank champagne out of a little tumbler.
"Thought you might feel a little lonely over there, Ricky-ticky," said she.
Poppy was in spirits. If she had yielded to the glad impulse of her heart, she would have stood on one foot and twirled the other over Ricky-ticky's head. But she restrained herself. Somehow, before Ricky-ticky, Poppy never played any of those tricks that delighted Mr. Pilkington and other gentlemen of her acquaintance. She merely sat on the table. She was in her ballet-dress, and before sitting on the table she arranged her red skirts over her black legs with a prodigious air of propriety. Poppy herself did not know whether this meant that she wanted Ricky-ticky to think her nice, or whether she wanted to think Ricky-ticky nice. After all, it came to the same thing; for to Poppy the peculiar charm of Ricky-ticky was his innocence.
The clock on St. Pancras church struck half-past eleven; in his hanging cage in the front room, behind his yellow gauze curtain, Poppy's canary woke out of his first sleep. He untucked his head from under his wing and chirrupped drowsily.
"Oh, dicky," said Poppy, "it's time you were in your little bed!"
He did not take the hint. He was intent on certain movements of Poppy's fingers and the tip of her tongue concerned in the making of cigarettes.
He was gazing into her face as if it held for him the secret of the world. And that look embarrassed her. It had all the assurance of age and all the wonder of youth in it. Poppy's eyes were trained to look out for danger signals in the eyes of boys, for Poppy, according to those lights of hers, was honest. If she knew the secret of the world, she would not have told it to Ricky-ticky; he was much too young. Men, in Poppy's code of morality, were different. But this amazing, dreamy, interrogative look was not the sort of thing that Poppy was accustomed to, and for once in her life Poppy felt shy.
"I say, Rickets, there goes a quarter to twelve. Did I wake him out of his little sleep?"
Poppy talked as much to the canary as to Rickets, which made it all quite proper. As for Rickman, he talked hardly at all.
"You'll have to go in ten minutes, Rick." And by way of softening this announcement she gave him some champagne.
He had paid no attention to that hint either, being occupied with a curious phenomenon. Though Poppy was, for her, most unusually stationary, he found that it was making him slightly giddy to look at her.
He was arriving at that moment of intoxication when things lose their baldness and immobility, and the world begins to float like an enchanted island in a beautiful blood-warm haze. Nothing could be more agreeable than the first approaches of this blessed state; he encouraged it, anticipating with ecstasy each stage in the mounting of the illusion. For when he was sober he saw Poppy very much as she was; but when he was drunk she became for him a being immaculate, divine. He moved in a region of gross but glorious exaggeration, where his wretched little Cockney passion assumed the proportions of a superb romance. His soul that minute was the home of the purest, most exalted emotions. Yes, he could certainly feel it coming on. Poppy's face was growing bigger and bigger, opening out and blossoming like an enormous flower.
"Nine minutes up. In another minute you go."
It seemed to him that Poppy was measuring time by pouring champagne into little tumblers, and that she gave him champagne to drink. He knew it was no use drinking it, for that thirst of his was unquenchable; but he drank, for the sake of the illusion; and as he drank it seemed to him that not only was Poppy worthy of all adoration, but that his passion for her was no mere vulgar and earthly passion; it was a glorious and immortal thing.
Poppy looked at him curiously. She was the soul of hospitality, but it struck her that she was being a little too liberal with the champagne.
"No, Razors. No more fizz. If I were to drink a drop more it would spoil my little dance that always fetches the boys."
She turned her tumbler upside down in token of renunciation and led the way into the front room. He followed her with enchanted feet. He was now moving as in an Arabian Night's dream.
In the front room was a sofa-No, a divan, and on the divan the skin of a Polar bear sprawling. Rickman and Poppy sat on the top of the bear. Such a disreputable, out-of-elbow, cosmopolitan bear! His little eye-holes were screwed up in a wicked wink, a wink that repudiated any connection with his native waters of the Pole.
The house was very still. Behind his yellow gauze curtain the canary stirred in his sleep. "Swe-eet," he murmured plaintively in his dream.
"Swe-eet, dicky!" echoed Poppy. Then because she had nothing to say she began to sing. She sang the song of Simpson the tenor, Simpson the master of tears.
"'Twas on the night our little byby died,
And Bill, 'e comes, and, 'Sal,' 'e sez,'look ere,
I've signed a pledge,'ser 'e, 'agains the beer.
'D'ye see?'
Sez 'e.
'And wot I 'ope ter syve
Will tittervyte 'is bloomin' little gryve.'
Then-Well-yo' should 'ave 'eard us 'ow we cried-
Like bloomin' kids-the-night-the byby-died.
"That song," said Poppy, "doesn't exactly suit my style of beauty. You should have heard Simpey sing it. That 'd 'ave given you something to 'owl for."
For Rickman looked depressed.
The sound of Poppy's song waked the canary; he fluttered down from his perch and stretched his wings, trailing them on the floor of his cage to brush the sleep out of them.
"Did you ever see such affectation," said Poppy, "look at him, striking attitudes up there, all by 'is little self!"
Poppy seemed to cling to the idea of the canary as a symbol of propriety.
"Do you know, Rickets, it's past twelve o'clock?"
No, he didn't know. He had taken no count of time. But he knew that he had drunk a great many little tumblers of champagne, and that his love for Poppy seemed more than ever a supersensuous and immortal thing. He pulled himself together in order to tell her so; but at that moment he was confronted by an insuperable difficulty. In the tender and passionate speech that he was about to make to her, it would be necessary to address her by name. But how-in Heaven's name-could he address a divinity as Poppy? He settled the difficulty by deciding that he would not address her at all. There should be no invocation. He would simply explain.
He got up and walked about the room and explained in such words as pleased him the distinction between the corruptible and the incorruptible Eros. From time to time he chanted his own poems in the intervals of explaining; for they bore upon the matter in hand.
"Rickets," said Poppy, severely, "you've had too much fizz. I can see it in your eyes-most unmistakably. I know it isn't very nice of me to say so, when it's my fizz you've been drinking; but it isn't really mine, it's Dicky Pilkington's-at least he paid for it."
But Rickets did not hear her. His soul, soaring on wings of champagne, was borne far away from Dicky Pilkington.
"Know" (chanted Rickets) "that the Love which is my Lord most high,
He changeth not with seasons and with days,
His feet are shod with light in all his ways.
And when he followeth none have power to fly.
"He chooseth whom he will, and draweth nigh.
To them alone whom he himself doth raise
Unto his perfect service and his praise;
Of such Love's lowliest minister am I."
"If you'd asked me," said Poppy, "I should have said he had a pretty good opinion of himself. What do you say, Dicky?"
"Sweet!" sang the canary in one pure, penetrating note, the voice of Innocence itself.
"Isn't he rakish?" But Poppy got no answer from the sonneteer. He had wheeled round from her, carried away in the triumph and rapture of the sestette. His steps marked the beat of the iambics, he turned on his heel at the end of every line. For the moment he was sober, as men count sobriety.
"For he I serve hath paced Heaven's golden floor,
And chanted with the Seraphims' glad choir;
Lo! All his wings are plumed with fervent fire;
He hath twain that bear him upward evermore,
With twain he veils his holy eyes before
The mystery of his own divine desire.
"Does it remind you of anything?" he asked. It struck her as odd that he seemed to realize her presence with difficulty.
"No, I can't say that I ever heard anything like it in my life."
"Well, the idea's bagged from Dante-I mean Dante-gabrier-rossetti. But he doesn't want it as badly as I do. In fac', I don' think he wants it at all where he is now. If he does, he can take any of mine in exchange. You bear me out, Poppy-I invite the gentleman to step down and make 's own s'lection: Nobody can say I plagiarize anyborry-anyborry but myself."
"All right, don't you worry, old chappy," said Poppy soothingly. "You come here and sit quiet."
He came and sat down beside her, as if the evening had only just begun. He sat down carefully, tenderly, lest he should crush so much as the hem of her fan-like, diaphanous skirts. And then he began to talk to her.
He said there was no woman-no lady-in the world for whom he felt such reverence and admiration; "Pop-oppy," he said, "you're fit to dance before God on the floor of Heaven when they've swept it."
"Oh come," said Poppy, "can't you go one better?"
He could. He did. He intimated that though he worshipped every hair of Poppy's little head and every inch of Poppy's little body, what held him, at the moment, were the fascinations of her mind, and the positively gorgeous beauty of her soul. Yes; there could be no doubt that the object of his devotion was Poppy's imperishable soul.
"Well," said Poppy, "that tykes the very tip-top macaroon!"
Then she laughed; she laughed as if she would never have done. She laughed, first with her eyes, then with her throat, then with her whole body, shaking her head and rocking herself backwards and forwards. She laughed till her hair came down, and he took it and smoothed it into two sleek straight bands, and tied them in a loose knot under her chin.
Then she stopped laughing. Her face between the two tight sheaths of hair seemed to close and shrink to a thin sharp bud. It closed and opened again, it grew nearer and bigger, it bent forward and put out its mouth (for it had a mouth, this extraordinary flower) and kissed him.
"I sy, it's nearly one o'clock," said she. "You've got to clear out of this. Come!"
She rose; she stood before him holding out her hands to help him to get up and go. She laughed again. She laughed wide-mouthed, her head flung back, her face foreshortened, her white throat swelled and quivering-the abandoned figure of Low Comedy incarnate. But that was not what he saw.
To him it was as if the dark, impenetrable world had suddenly unfolded, had blossomed and flowered in the rose of her mouth; as if all the roses of all the world went to make up the petals of that rose. Her body was nothing but a shining, transparent vessel for the fire of life. It ran over; it leapt from her; the hands she stretched out to him were two shallow lamps that could hardly hold the tall, upward shooting, wind-tortured splendour of the flame.
He rose unsteadily to his feet. The movement, being somewhat complicated, brought him within a yard of his own figure as presented in one of the long mirrors. He stood there, arrested, fascinated, shocked by that person in the mirror. The face he was accustomed to see in mirrors was grave, and not high coloured, and it always kept its mouth shut. This person's face was very red, and his mouth was slightly open, a detail he noticed with a peculiar disgust. He could not get away from it, either. It was held there, illuminated, insisted on, repeated for ever and ever, smaller and smaller, an endless procession of faces, all animated by one frenzy and one flame. He was appalled by this mysterious multiplication of his person, and by the flushed and brilliant infamy of his face. The face was the worst; he thought he had never seen anything so detestable as the face. He sat down and hid it in his hands.
"Poor Rickets," said Poppy softly. She drew his hands from his face by a finger at a time.
"Oh, Ricky-ticky, you are such a rum little fellow. I suppose that's why I like you. But for the life of me I can't think why I kissed you; unless it was to say Good-night."
A kiss more or less was nothing to Poppy. And that one, she felt, had been valedictory. She had kissed, not Ricky-ticky, but his dying Innocence, the boy in him. And she had really wanted him to go.
The house was stiller than ever. The canary had tucked his head under his wing and gone to sleep again. Out of the silence the clock of St. Pancras Church struck one.
And yet he had not gone.
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