Illuminated Manuscripts
img img Illuminated Manuscripts img Chapter 13 No.13
13
Chapter 1 INTRODUCTORY
Chapter 2 VELLUM AND OTHER MATERIALS
Chapter 3 WRITING
Chapter 4 GREEK AND ROMAN ILLUMINATION
Chapter 5 BYZANTINE ILLUMINATION
Chapter 6 CELTIC ILLUMINATION
Chapter 7 No.7
Chapter 8 SEMI-BARBARIC ILLUMINATION
Chapter 9 DEVELOPMENT OF THE INITIAL
Chapter 10 FIRST ENGLISH STYLES
Chapter 11 CAROLINGIAN ILLUMINATION
Chapter 12 MONASTIC ILLUMINATION
Chapter 13 No.13
Chapter 14 OTHONIAN ILLUMINATION
Chapter 15 FRANCONIAN ILLUMINATION
Chapter 16 ARTISTIC EDUCATION IN THE CLOISTER
Chapter 17 THE GOLDEN AGE OF ILLUMINATION
Chapter 18 RISE OF NATIONAL STYLES
Chapter 19 FRENCH ILLUMINATION FROM THE THIRTEENTH CENTURY TO THE RENAISSANCE
Chapter 20 ENGLISH ILLUMINATION FROM THE TENTH TO THE FIFTEENTH CENTURY
Chapter 21 THE SOURCES OF ENGLISH FIFTEENTH-CENTURY ILLUMINATION
Chapter 22 ITALIAN ILLUMINATION
Chapter 23 GERMAN ILLUMINATION FROM THE THIRTEENTH TO THE SIXTEENTH CENTURY
Chapter 24 NETHERLANDISH ILLUMINATION
Chapter 25 THE FRENCH RENAISSANCE
Chapter 26 SPANISH AND PORTUGUESE ILLUMINATION
Chapter 27 ILLUMINATION SINCE THE INVENTION OF PRINTING
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Chapter 13 No.13

MONASTIC ILLUMINATION-continued

The copyists-Gratuitous labour-Last words of copyists-Disputes between Cluny and Citeaux-The Abbey of Cluny: its grandeur and influences-Use of gold and purple vellum-The more influential abbeys and their work in France, Germany, and the Netherlands.

Of course, only really expert calligraphers were employed on

            
            

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