Chapter 4 A TAINT IN THE BLOOD

Chapter I

The curate was walking on the cliffs with his lady-love. All the sky was grey, and all the sea was grey. The soft March wind blew over the rocky shore; it could not rustle the bright green weed that hung wet from the boulders, but it set all the tufts of grass upon the cliffs nodding to the song of the ebbing tide. The lady was the vicar's daughter; her name was Violetta.

'Let us stand still here,' said the curate, 'for there is something I must say to you to-day.' So they stood still and looked at the sea.

'Violetta,' said the curate, 'you cannot be ignorant that I have long loved you. Last night I took courage and told your father of my hope and desire that you should become my wife. He told me what I did not know, that you have already tasted the joy of love and the sorrow of its disappointment. I can only ask you now if this former love has made it impossible that you should love again.'

'No,' she answered; 'for although I loved and sorrowed then with all the strength of a child's heart, still it was only as a child, and that is past.'

'Will you be my wife?' said the curate.

'I cannot choose but say "yes," I love you so much.'

Then they turned and went back along the cliffs, and the curate was very happy. 'But tell me,' he said, 'about this other man that loved you.'

'His name was Herbert. He was the squire's son. He loved me and I loved him, but afterwards we found that his mother had been mad--' Violetta paused and turned her sweet blue eyes upon the sea.

'So you could not marry?' said the curate.

'No,' said Violetta, casting her eyes downward, 'because the taint of madness is a terrible thing.' She shuddered and blushed.

'And you loved him?'

'Dearly, dearly,' said Violetta, clasping her hands. 'But madness in the blood is too terrible; it is like the inheritance of a curse.'

'He went away?' said the curate.

'Yes, Herbert went away; and he died. He loved me so much that he died.'

'I do not wonder at that,' said the curate, 'for you are very lovely, Violetta.'

They walked home hand in hand, and when they had said good-bye under the beech trees that grew by the vicarage gate, the curate went down the street of the little town. The shop-keepers were at their doors breathing the mild spring air. The fishermen had hung their nets to dry in the market-place near the quay. The western cloud was turning crimson, and the steep roofs and grey church-tower absorbed in sombre colours the tender light. The curate was going home to his lodgings, but he bethought him of his tea, and turned into the pastry-cook's by the way.

'Have you any muffins, Mrs. Yeander?' he asked.

'No, sir,' said the portly wife of the baker, in a sad tone, 'they're all over.'

'Crumpets?' said he.

'Past and gone, sir,' said the woman with a sigh. She had a coarsely poetical cast of mind, and commonly spoke of the sale of her goods as one might speak of the passing of summer flowers. The curate was turning away.

'I would make bold, sir,' said the woman, 'to ask if you've heard that we've let our second-floor front for a while. It's a great thing for us, sir, as you know, to 'ave it let, not that you'll approve the person as 'as took it.'

'Oh!' said the curate, 'how is that?'

'He's the new Jewish rabbi, sir, being as they've opened the place of their heathenish worship again. It's been shut this two year, for want of a Hebrew to read the language.'

'Oh, no, Mrs. Yeander; you're quite mistaken in calling the Jews heathens.'

'The meeting-place is down by the end of the street, sir-a squarish sort of house. It's not been open in your time; likely you'll not know it. The new rabbi's been reading a couple of weeks to them. They do say it's awful queer.'

'Oh, indeed!' said the curate; 'what are their hours of service?'

'Well, to say the truth, sir, they'll soon be at it now, for it's Friday at sunset they've some antics or other in the place. The rabbi's just gone with his book.'

'I think I'll look them up, and see what they're at,' said he, going out.

He was a thin, hard-working man. His whole soul was possessed by his great love for Violetta, but even the gladness of its success could not turn him from his work. When the day was over he would indulge in brooding on his joy; until then the need of the world pressed. He stepped out again into the evening glow. The wind had grown stronger, and he bent his head forward and walked against it towards the west. He felt a sudden sympathy for this stranger who had come to minister in his own way to the few scattered children of the Jews who were in the town. He knew the unjust sentiment with which he would be surrounded as by an atmosphere. The curate was broad in his views. 'All nations and all people,' thought he, 'lust for an excuse to deem their neighbour less worthy than themselves, that they may oppress him. This is the selfishness which is the cause of all sin and is the devil.' When he got to this point in his thoughts he came to a sudden stand and looked up. 'But, thank God,' he said to himself, 'the True Life is still in the world, and as we resist the evil we not only triumph ourselves, but make the triumph of our children sure.' So reasoned the curate; he was a rather fanatical fellow.

The people near gave him 'good-day' when they saw him stop. All up and down the street the children played with shrill noises and pattering feet. The sunset cloud was brighter, and the dark peaked roofs of tile and thatch and slate, as if compelled to take some notice of the fire, threw back the red where, here and there, some glint of moisture gave reflection to the coloured light. He had come near the end of the town, and, where the houses opened, the red sky was fretted with dark twigs and branches of elm trees which grew on the grassy slope of the cliff. The elm trees were in the squire's park, and the curate looked at them sadly and thought of Herbert who had died.

Up a little lane at the end of the street he found the entrance to a low square hall. There was a small ante-room to the place of service, and in this a dull-looking man was seated polishing a candlestick. He was a crossing-sweeper by trade and a friend of the curate.

'Well, Issachar; so you've got your synagogue open again!'

The man Issachar made some sound meant for a response, but not intelligible.

'How many Jews will there be in the town?'

'Twenty that are heads of families, and two grown youths,' said Issachar.

'That's enough to keep up a service, for some of them will be rich?'

'Some are very rich,' said Issachar, wrinkling his face with satisfaction when he said the words.

'Then how is it you don't always keep up the service?'

But Issachar had no explanation to give. He polished his candlestick the more vigorously, and related at some length what he knew of the present reader, which was, in fact, nothing, except that he was a foreigner and had only offered to read while he was visiting the town.

'I have come for the service,' said the curate.

'Better not,' said Issachar; 'it's short to-night, and there'll not be many.'

The curate answered by opening the inner door and entering. There were some high pews up and down the sides of the room. There was a curtain at the farther end and a reading desk in the centre, both of which were enclosed in a railing ornamented by brass knobs, and in which were set high posts supporting gas-lamps, nine in all, which were lit, either for heat or ceremony, and turned down to a subdued light. The evening light entered through the domed roof. Hebrew texts which the curate could not decipher were painted on the dark walls. He took off his hat reverently and sat down. There was no one there. He felt very much surprised at finding himself alone. To his impressible nervous nature it seemed that he had suddenly entered a place far removed in time and space from the every-day life with which he was so familiar. He sat a long time; it was cold, and the evening light grew dim, and yet no one came. Issachar entered now and then, and made brief remarks about sundry things as he gave additional polish to the knobs on the railing, but he always went out again.

At length a side door opened and the reader came in from his vestry. He had apparently waited in hope of a congregation, but now came in to perform his duty without their aid. Perhaps he was not so much disappointed as the curate was. It would have been very difficult to tell from looking at him what his emotions were. He was a stout large man with a coarse brown beard. There was little to be seen of his face but the hair upon it, and one gathered the suggestion, although it was hard to know from what, that the man and his beard were not as clean as might be. He wore a black gown and an ordinary high silk hat, although pushed much farther back on his head than an Englishman would have worn it. He walked heavily and clumsily inside the railing, and stood before the desk, slowly turning over backward the leaves of the great book. Then suddenly he began to chant in the Hebrew tongue. His voice fell mellow and sweet upon the silence, filling it with drowsy sound, as the soft music of a humble-bee will suddenly fill the silence of a woodland glade. There was no thought, only feeling, conveyed by the sound.

Issachar had gone out, and the Anglican priest sat erect, gazing at the Jew through the fading light, his attention painfully strained by the sense of loneliness and surprise. From mere habit he supposed the chant to be an introduction to a varied service, but no change came. On and on and on went the strange music, like a potent incantation, the big Jew swaying his body slightly with the rhythm, and at long intervals came the whisper of paper with the turning of the leaf.

The curate gazed and wondered until he forgot himself. Then he tried with an effort to recall who he was, and where he was, and all the details of the busy field of labour he had left just outside the door. He wished that the walls of the square room were not so thick, that some sound from the town might come in and mingle with the chant. He strained his ear in vain to catch a word of the Hebrew which might be intelligible to him. He wondered much what sort of a man this Jew might be, actuated by what motives, impelled by what impulses to his lonely task. All the sorrow of a hope deferred through ages, and a long torture patiently borne, seemed gathered in the cadence; but the man-surely the man was no refined embodiment of the high sentiment of his psalm! And still the soft rich voice chanted the unknown language, and the daylight grew more dim.

The curate was conscious that again he tried to remember who he was, and where; and then the surroundings of the humble synagogue fell away, and he himself was standing looking at a jewel. It was a purple stone, oval-shaped and polished, perhaps about as large as the drop of dew which could hang in a harebell's heart. The stone was the colour of a harebell, and there was a ray of light in it, as if in the process of its formation the jewel had caught sight of a star, and imprisoned the tiny reflection for ever within itself. The curate moved his head from side to side to see if the ray within the stone would remain still, but it did not, turning itself to meet his eye as if the tiny star had a life and a light of its own. Then he looked at the setting, for the stone was set in steel. A zigzag-barred steel frame held it fast, and outside the zigzag bars there was a smooth ring, with some words cut upon it in Hebrew. The characters were very small; he knew, rather than saw, that they were Hebrew; but he did not know what they meant. All this time he had been stooping down, looking at this thing as if it lay very near the ground. Then suddenly he noticed upon what it was lying. There was a steel chain fastened to it, and the chain was around the neck of a woman who lay upon the earth; the jewel was upon her breast. But how white and cold the breast was! Surely there was no life in it. And he observed with horror that the garments which had fallen back were oozing with water, and that the hair was wet. He hardly saw the face; for a moment he thought he saw it, and that it was the face of a Jewess, young and beautiful, but the vision passed from him. The chant had ceased, and the rabbi was kissing his book.

Very solemnly the Jew bowed himself three times and kissed the book, and then in the twilight of the nine dim lamps he stumbled out and shut the door, without giving a glance to his one listener.

As for the young Christian priest, he was panic-stricken. When our senses themselves deceive us we are cut off from our cheerful belief in the reality of material things, or forced to face the unpleasant fact that we hold no stable relationship to them. He rushed out into the street. Issachar was at the entrance as he passed, and he fancied he saw the face of the reader peeping at him from the vestry window, but he crushed his hat hard down on his head and strode away, courting the bluster of the wind, striving by the energy of action to cast off the trance that seemed to enslave him.

When he reached his own door he found the baker's wife sitting on the doorstep. It was quite dusk; perhaps that was the reason he did not recognise her at first.

'La, sir, I found them two muffins lying unbeknown in the corner of the shelf, so I brought them round, thinking you mightn't 'ave 'ad your tea.'

'Muffins?' said the curate, as if he were not quite sure what muffins might be. Then he began to wonder if he was really losing his wits, and he plunged into talk with the woman, saying anything and everything to convince himself that he was not asleep or mad. 'Do you know, Mrs. Yeander, that I am going to be married?'

'Well, I am sure, sir,' said she, curtseying and smiling. 'It's a great compliment to me to hear it from your own lips; not that it's unexpected. Miss Violetta's a sweet saint, just like her ma, she is, an' her ma's a saint if there ever was one. Mr. Higgs, the verger, says that to see her pray that length of time on her knees after the service is over in church is a touching sight.'

'But I don't think Miss Violetta is like her mother,' said the curate.

'Well no, sir; now that you mention it, perhaps she's not-at least, not in looks. But lor' sir, she's wonderful like her ma when it comes to paying a bill, not but what they're to be respected for keeping a heye on the purse. I often tell Yeander that if we were a bit more saving, like the vicar's lady, we'd lay by a bit for our old age.'

'Yes, Mrs. Yeander, yes; that would be an excellent plan,' said the curate, fumbling with his latch-key in the door. 'Suppose you come in and make my tea for me, Mrs. Yeander. I'm all alone to-night.'

'I bethought I might do that, sir, when I came along. Yeander was in the shop, and I said, Mrs. Jones having gone to see her son, that you'd 'ave no one, so I just says to Yeander, "I'll step round, an' if I'm asked I'll make tea."'

The curate lit his lamp and poked his fire, and the portly woman began to toast his muffins. The flame lit up the placid wrinkles of her face as she knelt before it:

'But I don't think Miss Violetta is in the least like her mother,' said he again.

'Lor' sir, don't you? Well, you ought to know best. They do say what's bred in the bone comes out in the flesh; but it'll be none the worse for you if she looks sharp after the spending. You're not much given to saving.'

The curate walked nervously up and down his small room.

'Make the tea strong to-night,' he said.

'Mr. Higgs, the verger, do hate the vicar's lady, sir-he do, and no mistake-but he says anybody could see with 'alf a heye that she was a real saint. The subscriptions she puts down to missions and church restorings-it's quite wonderful.'

The curate ran his hand wearily through his hair. He felt called upon to say something. 'I have the highest respect for Mrs. Moore,' he began. 'I know her to be a most devoted helpmeet to the vicar, and a truly good woman. At the same time'-he coughed-'at the same time, I should wish to say distinctly that after being niggardly in her domestic affairs, which is unfortunately the case, I do not think it adds to her stock of Christian virtues to give the money thus saved to church work.'

The curate cleared his throat. It was because he was flying from himself that he had let the woman talk until this speech of his had been made necessary; but at all times his humble friends in this town were well nigh irrepressible in their talk. This woman was in full tide now.

'They do say, sir, there's a difference between honest saving and greed. Mr. Higgs said to Yeander one day, says he, "Mrs. Moore's folks far back made their money by sharp trading, and greed's in the family, and it's the worst sort of greed, for it grasps both at 'eaven and earth, both at this life and the 'eavenly. And," says he, "no one could doubt that the lady's that way constituted that she couldn't cut a loaf of bread in 'alf without giving herself the largest share, even if it were the bread of life."'

'My good Mrs. Yeander--' began the curate in stern rebuke.

'Oh, no, sir, Mr. Higgs don't mean no harm. He only gets that riled at Mrs. Moore sometimes that he kind of lets off to Yeander and me.'

'And I don't think, Mrs. Yeander,' said the curate, for the third time, 'that Miss Violetta is at all like her mother.'

'She's young yet, sir,' said the woman. Then she went away, leaving the curate to interpret her last remark as he chose.

* * *

Chapter II

About a week after that there was a fine dinner given at the vicarage to welcome the curate into the family. The old squire was invited, but he refused to come. Violetta's mamma wrote and asked some of her relatives to come down from town. 'Our chosen son-in-law is not rich,' she wrote, 'but he comes of an old family, and that is a great thing. Dear Violetta will, of course, inherit my own fortune, which will be ample for them, and his good connections, with God's blessing, will complete their happiness.' So they came down. There was the vicar's brother, who was a barrister, and his wife. Then there were two sisters of Mrs. Moore, who were both very rich. One was an old maid, and one was married to a dean-she brought her husband. 'You see,' said Violetta's mamma to the curate, 'our relatives are all either law or clergy.'

There were very grand preparations made for the dinner, and Mrs. Higgs, the wife of the verger, came to the curate's rooms the day before and took away his best clothes, that she might see they were well brushed for the occasion. She did up his collar and wristbands herself, and gave them a fine gloss. Higgs brought them back just in time for the dinner.

'It's just about five years since they had such a turn-out at the vicarage,' said Higgs in a crisp little voice. 'Miss Violetta was nineteen then; she'll be twenty-four now.'

'Yes,' said the curate absently; 'what was up then?'

''Twas a dinner much of a muchness to this. Mrs. Higgs, she was just reminding me of it. But that was in honour of Mr. Herbert, of the 'All. You'll 'ave heard of him?'

'Oh, yes,' said the curate, 'all that was very sad.'

'The more so,' said Higgs briskly, 'that when it was broke hoff, Mr. Herbert died of love. He went to some foreign countries and took up with low company, and there he died. Squire hasn't held his head up straight since that day.'

'All that was before I came,' said the curate very gravely, for he did not know exactly what to say.

'Lor' bless you, sir,' said Higgs, 'I was in no way blaming you. There's no blame attaching to any, that I know; squire's wife was as mad as a hare. Miss Violetta, she cried her pretty eyes nigh out for Mr. Herbert; it's time she'd another.'

The curate went to the dinner, and it was a very fine affair indeed. Violetta wore a silk gown and looked charming. She does not look a day older than she did when I saw her five years ago,' said the dean to the curate, meaning to be very polite, but the curate did not smile at the compliment.

'How fine your flowers are!' said the maiden aunt to Violetta. 'Where did you get them, my dear?'

'The squire sent them to me,' said Violetta, with a droop of her eyelids which made her look more charming than ever. Then they had dinner, and after dinner Violetta gave them some music. It was sacred music, for Mrs. Moore did not care for anything else.

When the song was over Mrs. Moore said to the curate, 'It has been my wish to give dear Violetta a little gift as a slight remembrance of this happy occasion, and I thought that something of my own would be more valuable than--' Here the mother's voice broke with very natural emotion, and she pressed her handkerchief to her eyes. 'You must excuse me,' she murmured, 'she is such a dear-such a very dear girl, and she is our only child.'

'Indeed, I can well understand,' said he, with earnest sympathy.

'Such a dear-such a very dear girl,' murmured Mrs. Moore again. Then she rose and embraced Violetta and wept, and the aunts all shed tears, and the vicar coughed. Violetta's own blue eyes over-flowed with very pretty tears.

The curate felt very uncomfortable indeed, and said again that he quite understood, and that it was quite natural. The dean and the barrister both said what they ought. The dean remarked that these dear parents ought not to sorrow at losing a daughter, but rejoice at finding a son. The barrister pointed out that as the bride was only expected to move into the next house but one after her marriage, all talk of parting was really quite absurd. The vicar did not say anything; he rarely did when his wife was present. Then Mrs. Moore became more composed, and put a ring on her daughter's finger. The curate did not see the ring at the moment. He was leaning against the mantel-shelf, feeling very much overcome by the responsibility of his new happiness.

'Oh, mamma, how lovely!' cried Violetta. 'How perfectly beautiful!'

'A star-amethyst!' said the barrister in a tone of surprise.

'Is it a star-amethyst indeed?' said the dean, looking over the shoulders of the group with his double eye-glass. 'I am not aware that I ever saw one before; they are a very rare and beautiful sort of gem.'

'Where did you get it, sister Matilda?' asked the maiden aunt.

Now, although Mrs. Moore was in a most gracious humour, she never liked being asked questions at any time. 'I am surprised that you should ask me that, Eliza. I have had it for many years.'

'But you must have got it somewhere at the beginning of the years,' persisted Eliza, who was of a more lively disposition.

Mrs. Moore gave her a severe glance for the frivolous tone of her answer. 'I was just about to explain that this stone has been lying for years among the jewellery which poor uncle Ford bequeathed to me. I thought it a pity that such a beautiful stone should lie unnoticed any longer.'

'Oh, a great pity!' they all cried.

'I should not have supposed that poor dear uncle Ford possessed such a rare thing,' said the wife of the dean.

'It is very curious you never mentioned it before,' said Eliza.

But Eliza was not in favour.

'Not at all,' said Mrs. Moore; 'I take very little interest in such things. Life is too short to allow our attention to be diverted from serious things by mere ornaments.'

'That is very true,' said the dean.

Violetta broke through the little circle to show her lover the ring. 'Look,' she said, holding up her pretty hand. 'Isn't it lovely? Isn't mamma very kind?'

The curate turned his eyes from the fire with an effort. He had been listening to all they said in a state of dreamy surprise. He did not wish to look at the stone, and the moment he saw it he perceived it was what he had seen before. It was not exactly the same shade of purple, but it appeared to him that he had seen it before by daylight, and now the lamps were lit. It was the same shape and size, and the tiny interior star was the same. He moved his head from side to side to see if the ray moved to meet his eye, and he found that it did so. He looked at Violetta. How beautiful she was in her white gown, with her little hand uplifted to display the shining stone, and her face upturned to his! The soft warm curve of the delicate breast and throat, the red lips that seemed to breathe pure kisses and holy words, the tender eyes shining like the jewel, dewy with the sacred tears she had been shedding, and the yellow hair, smooth, glossy, brushed saintly-wise on either side of the nunlike brow-all this he looked at, and his senses grew confused. The sad rise and fall of the Hebrew chant was in his ears again; the bright room and the people were not there, but the chant seemed in some strange way to rise up in folds of darkness and surround Violetta like a frame; and everything else was dark and filled with the music, except Violetta, who stood there white and shining, holding up the ring for him to look at; and at her feet lay that other woman, wet and dead, with the same stone in the steel chain at her throat. 'Isn't it lovely? Isn't mamma very kind?' Violetta was saying.

'My dear, I think he is ill,' said the vicar.

They took him by the arm, putting him on a chair, and fetched water and a glass of wine. He heard them talking together.

'I daresay it has been too much for him,' said the dean. 'Joy is often as hard to bear as grief.'

'He is such a fellow for work,' said the vicar, 'I never knew any one like him.'

The curate sat up quite straight. 'Did any of you ever see an amethyst like this set in steel?'

'In steel? What an odd idea!' said the maiden aunt.

'He is not quite himself yet,' said the dean in a low voice, tapping her on the shoulder.

'I think it would be very inappropriate, indeed very wrong, to set a valuable stone in any of the baser metals,' said Mrs. Moore. She spoke as if the idea were a personal affront to herself, but then she had an immense notion of her own importance, and always looked upon all wrong-doing as a personal grievance.

'Whatever made you think of it?' asked Violetta.

'I daresay it was rather absurd,' said the curate meekly.

'By no means,' said the barrister; 'the idea of making jewellery exclusively of gold is modern and crude. In earlier times many beautiful articles of personal ornamentation were made of brass and even of iron.'

'Mamma,' said Violetta, 'I remember one day seeing a curious old thing in the bottom of your dressing-case. It looked as if it might be made of steel. It was a very curious old thing-chain, and a pendant with some inscription round it.'

'Did you?' said Mrs. Moore. 'I have several old trinkets. I do not know to which you refer.'

She bade Violetta ring for tea. 'I am sure you will be the better for a cup of tea,' she said, turning to the curate.

'I am quite well,' he replied. 'I think, if you will excuse me, I will walk home at once; the air will do me good.'

But they would not hear of his walking home. They made him drink tea and sit out the evening with them. Violetta gave them some more music; and they all made themselves exceedingly agreeable. When the evening was over they sent the curate home in the carriage.

* * *

Chapter III

The night was frosty, calm, and clear, and quite light, for the March moon was just about to rise from the eastern sea.

When the carriage set him down at his own door the curate had no mind to go in. He waited till the sound of the horse's feet had died away, and then he walked back down the empty street. The town was asleep; his footsteps echoed sharply from roofs and walls.

He was not given to morbid fancies or hallucinations, and he was extremely annoyed at what had taken place. Twice in the last eight days he had been the subject of a waking dream, and now he was confronted with what seemed an odd counterpart of his vision in actual fact. It was no doubt a mere coincidence, but it was a very disagreeable one. Of course if he saw the old trinket described by Violetta, the chances were that it would be quite different from the setting of the stone which the dead woman wore; but even if the two were exactly the same, what difference could it make? A dream is nothing, and that which appears in a dream is nothing. The coincidence had no meaning.

He turned by the side of the church down the lane which led to the little quay. The tide was halfway up the dark weed, and the fishing-boats were drawn near to the quay, ready for the cruise at dawn; their dark furled sails were bowing and curtseying to one another with all ceremony, like ghosts at a stately ball. To the east and south lay the sea, vacant, except that on the eastern verge stood a palace of cloud, the portals of which were luminous with the light from within, and now they were thrown open with a golden flash, and yellow rays shot forth into the upper heavens, spreading a clear green light through the deep midnight of the sky where the other worlds wandered. Then the yellow moon came from her palace, wrapping herself at first with a mantle of golden mist, as if-Godiva-like-she shrank from loosening her garments; but the need of the darkling earth pressed upon her, and she dropped her covering and rode forth in nakedness.

Everything was more lovely now, for there was light to see the loveliness. The bluff wind that came from the bosom of the sea seemed only to tell of a vast silence and a world asleep. The rocky shore, with its thin line of white breakers, stretched round to the west. About a mile away there was a rugged headland, with some crags at its feet, which had been broken off and rolled down into the sea by the Frost Demon of bygone years. The smallest was farthest out, and wedged behind it and sheltered by it was the black hulk of a wrecked vessel. This outermost rock lay so that it broke the waves as they came against the wreck, and each was thrown high in a white jet and curl of spray, and fell with a low sob back into the darkness of the sea.

The curate turned and walked toward the headland on the cliff path where he had walked a week before with Violetta. The cliffs were completely desolate, except for some donkeys browsing here and there, their brown hair silvered by the frost. There was a superstition in the town that the place was haunted on moonlight nights by the spirit of a woman who had perished in the wreck. It had been a French vessel, wrecked five years before, and all on board were drowned-six men and one woman, the wife of the skipper. They had all been buried in one grave in the little cemetery that was on the top of the headland; and it was easy to see how the superstition of the haunting came about, for as the curate watched the spray on the rock near the wreck rise up in the moonlight and fall back into the sea, he could almost make himself believe that he saw in it the supple form of a woman with uplifted hands, praying heaven for rescue.

The wind was pretty rough when he got to the head of land, and he walked up among the graves to find a place where he might be sheltered and yet have advantage of the view. He knew that close by the edge of the cliff, over the grave of the shipwrecked people, stood a marble cross, large enough to shelter a man somewhat if he leaned against it. Upon this cross was a long inscription giving a touching account of the wreck, and stating that it was erected by Matilda Moore, wife of the vicar, out of grief for the sad occurrence, and with an earnest prayer for the unknown bereaved ones.

The curate was rather fond of reading this inscription, as we all are apt to be fond of going over words which, although perfectly familiar to us, still leave some space for curiosity concerning their author and origin, and he was wondering idly as he walked whether there would be light enough from the moon to read them now. The wind came, like the moonlight, from the south-east, and he walked round by the western side of the graveyard in order to come up the knoll on which the cross stood by the sheltered side. Everything around him was intensely bleak and white, for the moon, having left the horizon, had lost her golden light, and the colouring of the night had toned down to white and purple. Patches of wild white cloud were scudding across the pallid purple sky beneath the stars, and there was a silver causeway across the purple sea. The purple was not unlike that of an amethyst. The cliffs sloped back to the town; the boats and peaked roofs and church tower were seen by the sharp outline of their masses of light and shade. The street lamps were not lit in the town because of the moon, and only in two or three places there was the warm glow of a casement fringed with the rays of a midnight candle. To the left of the cliffs, close to the town, were the trees of the squire's park and the roof of the Hall. Perhaps it was because the curate was looking at these things, as he walked among the graves, that he did not look at the monument towards which he was making way, until he came within half a dozen yards of it; then he suddenly saw that there was another man leaning against it, half hid in the shadow. He stopped at once and stood looking.

The man had thrown his arms backward over the arms of the cross, and was leaning, half hanging, upon it; the young priest was inexpressibly shocked and startled by the attitude. He knew that none of the humbler inhabitants of the town would venture near such a place at such a time, nor could he think of any one else who was likely to be there. Besides, although he could not see the stranger distinctly, he himself was standing in full moonlight, and yet the man in the shadow of the cross made no sign of seeing him. At that moment he would gladly have gone home without asking further question, but that would have looked as if he were afraid.

He tried a chance remark. 'It is a fine night,' he said, as lightly as might be.

'Yes,' said the other, and moved his arms from the arms of the cross. It was only one word, but the curate recognised the soft voice at once. It was the Jewish rabbi.

'I was at one of your services the other day,' he said, advancing nearer.

'Yes.'

'I felt sorry your people did not turn out better.'

There was no answer.

'It is a very cold wind,' said the curate. 'I hardly know why I came out so far.'

'Shall I tell you?' asked the Jew softly. He spoke good English, but very slowly, and with some foreign accent.

'Certainly, if you can.'

'I desired very much to see you.'

'But you did not tell me, so that could not be the reason. Your will could not influence my mind. I assure you I came of my own free will; it would be terrible if one man should be at the mercy of another's caprice.'

'Be it so; let us call it chance then. I desired that you should come, and you came.'

'But you do not think that you have a power over other men like that?'

'I do not know; I find that with some men such correspondence between my will and their thoughts and actions is not rare; but I could not prove that it is not chance. It makes no difference to me whether it be chance or not. I have been thinking of you very much, desiring your aid, and twice you have come to me-as you say-of your own free will.'

'If you have such a power, you may be responsible for a very disagreeable dream I had in your synagogue the other day.'

'What was the dream?'

'Nay, if you created it you should be able to tell me what it was.'

'I have no idea what it was; if I influenced your imagination I did so unconsciously.'

There was about this Jew such a complete gentleness and repose, such earnestness without eagerness, such self-confidence without self-assertion, that the curate's heart warmed to him instinctively.

'I believe you are an honest Christian,' said the Jew very simply.

'I hope honest Christians are not rare.'

'I think a wholly honest man is very rare, because to see what is honest it is necessary to look at things without self-interest or desire.'

'I am certainly not such a man. The most I can say is that I try to be more honest every day.'

'That is very well said,' said the Jew. 'If you had believed in your own honesty, I should have doubted it.' Then, in a very simple and quiet way, he told the curate a strange story.

He said that he lived in Antwerp. They were five in one family-the parents, a sister and brother, and himself. His father and brother did business with the English ships, but he was a teacher and reader in the synagogue. There had been in their family a very sacred heirloom in the form of an amulet or charm. Their forefathers had believed that it came from Jerusalem before their nation lost the holy city; but he himself did not think that this could be true; he only knew that it was ancient, and possessed very valuable properties as a talisman to those who knew how to use it. About five years before, his sister, who was beautiful and wayward, had loved and married a French sea-captain. The father cursed his daughter, but the mother could not let her go from them under the fear of this curse, and she hung the amulet about her neck as a safeguard. Alas for such safeguard! in a few weeks the captain's ship was wrecked, and all on her were drowned. He said that it was that same ship which lay near them, a wreck among the waves, and his sister lay buried beneath their feet.

The family did not hear of the wreck till some time after the burial, and then they knew for the first time what their mother had done with the amulet. His brother came over at once to this town to seek it, but in vain. The people said they had not seen the necklace; that it had certainly not been buried with the girl. The people seemed simple and honest; the brother was a shrewd man, and he believed that they spoke the truth. He returned home, in distress; they could not tell what to think, for they knew their sister would not have dared to take off the necklace, and the chain was too strong to be broken by the violence of the waves.

Some months after they heard that there was a young Englishman dying in Antwerp who came from this town. The name of the town was graven on their hearts, and they went to see him. He was a mere boy, a pretty boy, and when they asked him about the wreck he became excited in his weakness and fever, and told them all the story of it as he had seen it with his own eyes.

It was an October afternoon. A storm had been lowering and partially breaking over the town for three days, and that day there was a glare of murky light from the cloud that made the common people think that the end of the world was come. When the ship struck, the fisher-people ran out of the town to the shore nearest her, and this boy would have run out with them and been among the foremost but that a very pious and charitable lady of the place had besought him to take her with him. There was a great rain and wind, and it was with difficulty that he led the lady out and helped her down to the shore. By that time the wreck had been dashed to pieces, and the fishermen were bringing in the dead bodies of the crew. There was a woman among them, and when they brought her body in, they did not lay it with the bodies of the sailors, but carried it respectfully and laid it close to the lady who stood in the shelter of some rocks. The wet clothes had fallen back from her breast-the boy remembered it well, for it had been his first sight of death, and his heart was touched by the girl's youth and beauty. He had not seen her again, for he had gone to help with the boats, and the fishermen's wives had run at the lady's bidding and brought coverings to wrap her in.

The Jewish father then told the dying man about the amulet. He said that, to the best of his memory, some such thing had been about the neck of the dead girl, but that he was certain that none of the fisher-people would have been bad enough to steal from the dead. They entreated him to think well what he said, and to consider again if there was no doubtful character there who might have had the opportunity and the baseness to commit the crime. At that the dying man fell into profound thought, and when he looked at them again the fever-flush had mounted to his face, and there was a light in his eyes. He told them that if there was any one upon the shore that day who would have done such a thing it was the very rich and pious lady that he himself had taken to the wreck. She had been alone with the body when she sent the other women for wrappings. They thought that perhaps his mind was wandering, and left him, promising to return next day; but when they came again he was dead.

'I have learned since I came here,' said the Jew, 'that he was the son of the old man who lives in the great house down there among the trees.'

They both looked down at the park. The leafless elms stood up like giant feathers in the white mist of the moonbeams, and the chimney-stacks of the house threw a deep shadow on the shining roof.

'But we felt,' said the Jew, 'that even if the judgment of the dying boy were a true one, and this lady had committed the crime, we still had no evidence against her, and that whoever was wicked enough to steal would certainly deny the act, and conceal that which was stolen. Hopeless as it seemed to wait, doing nothing, our only chance of redress would be lost by making any inquiry which might frighten her. We sent a message to the goldsmith in London who mends her jewels, asking him to watch for this necklace, and so we waited. At last we heard news. An amethyst which we do not doubt is ours came to the goldsmith to be put in a ring; but there was no necklace with it. I came here to see if I could do something, but I have been here for some time and can devise no plan. If she still possess the other part, to speak would be to cause its destruction, and how can I find out without asking if she still has by her the thing that would prove her crime? Do not be angry with me when I tell you this. Remember it was not I who presumed to suspect the wife of your priest, but the English boy, who knew her well.'

'Yes,' said the curate, 'I shall remember that.' He had grown tired of standing in the wind, and had sat down on the frosty grass below the cross. The blast was very cold, and he crouched down to avoid it, hugging his knees with his hands.

'You are about to be united to the family,' said the Jew; 'perhaps you have seen the stone. Will you, for the sake of that justice which we all hope for, try to find out for me if the other part of the amulet still exists? I will give you a drawing of it, and if you find it as I describe, you will know that my tale is true. Remember this-that we have no wish to make the wrong public or punish the wrong-doer. We only want to obtain our property.'

'Have you got a drawing of it now?'

'Yes, I have it here.'

The curate rose up and took the paper. He lit a match, and held its tiny red flame in the shelter of the stone. The paper was soiled and untidily folded, but the drawing was clear. It took but a glance to satisfy him that what he had seen in his dream was but the reflection in his own thought of the idea in the Jew's mind. He did not stop to ask any explanation of the fact; the fact itself pressed too hard upon him. While the match was still burning he mechanically noticed the Jew's face, as it leaned over the paper near his own-not a handsome face, but gentle and noble in its expression. Then the match went out; it dropped from his hand, a tiny spark, into the grass, and for a moment illuminated the blades among which it fell.

* * *

Chapter IV

The two men walked back over the bleak cliffs together, and for the greater part of the way in silence; at last the curate spoke. He told the Jew quite truly that he believed the vicar's wife had his jewel, and that he supposed she must have come by it according to his worst suspicions. 'But,' he added, 'I believe she is a good woman.'

The other looked at him in simple surprise. 'That is very curious,' he said.

'Let us not try to find out her secret by prying; let us go to her to-morrow, and tell her openly what we think. You fear that she will deny her action; I have no such fear; and if she does not stand our test, I give you my word for it, you shall not be the loser.'

'I have put my case in your hands,' said the Jew. 'I will do as you say.'

They turned into the sleeping town; but when they reached the place of parting the curate put his hand on the Jew's arm and said, 'I should not have your forbearance. If some one unconnected with myself had wronged me so, at the same time making profession of religion, I should think she deserved both disgrace and punishment.'

'And that she shall have, but not from us,' he replied. 'The sin will surely be visited on her and on her children.'

'Surely not on the children,' said the curate. 'You cannot believe that. It would be unjust.'

'You have seen but little of the world if you do not know that such is the law. The vagabond who sins from circumstances may have in him the making of a saint, and his children may be saints; but with those who sin in spite of the good around them it is not so. For them and for their children is the curse.'

'God cannot punish the innocent for the guilty,' said the priest passionately.

'Surely not; for that is the punishment-that they are not innocent. The children of the proud are proud; the children of the cruel, cruel; and the children of the dishonest are dishonest, unto the third and fourth generation. Fight against it as they may, they cannot see the difference between right and wrong; they can only, by struggling, come nearer to the light. Do you call this unjust of God? Is it unjust that the children of the mad are mad, and the children of the virtuous virtuous.'

'You take from us responsibility if we inherit sin.'

'Nay, I increase responsibility. If we inherit obliquity of conscience, we are the more responsible for acting not as seems right in our own eyes, the more bound to restrain and instruct ourselves, for by this doctrine is laid upon us the responsibility of our children and children's children, that they may be better, not worse, than we.'

All night long the curate paced up and down his room. The dawn came and he saw the fishermen hurry away to the boats at the quay. The sunrise came with its dull transient light upon the rain cloud. When the morning advanced he went for the Jew, and they walked down the street in the driving rain. The wet paving-stones and roofs reflected the grey light of the clouds which hurried overhead. The ruddy-twigged beech trees at the vicarage gate were shaken and buffeted by the storm. The two men shook their dripping hats as they entered the house. They were received in a private parlour, which was filled with objects of art and devotion. Very blandly did the good wife of the vicar greet them, yet with business-like condescension.

The Jew, in a few very simple words, told the story of his sister's death and the loss of the amulet. He told the peculiar value of the amulet, and added, 'I have reason, madam, to believe that it has come into your possession. If so, and if you have it still by you, I entreat that you will give it to me at once, for to you it can only be a pretty trinket, and to us it is like a household god.'

She looked at the Jew with evident emotion. 'I cannot tell you how it grieves me to hear you speak as if you attributed to any inanimate object the saving power which belongs to God alone,' she said. 'Think for a moment, only think, how dishonouring such a superstition is to the Creator.'

'Madam!' said the Jew in utmost surprise.

'Consider how wrong such a superstition is,' she said. 'What virtue can there be in a stone, or a piece of metal, or an inscription? None. They are as dead and powerless as the idols of the heathen; and to put the faith in any such thing that we ought to put in God's providence, is to dishonour Him. It grieves me to think that you, or any other intelligent man, could believe in such a superstition.'

'Madam,' said the Jew again, 'these things are as we think of them. You think one way and I another.'

'But you think wrongly. I would have you see your error, and turn from it. Can you believe in the Christian faith and yet--'

'I am a Jew,' he said.

'A Jew!' she exclaimed. She began to preach against that error also; entering into a long argument in a dull dogmatic way, but with an earnestness which held the two men irresolute with wonder and surprise.

'It would seem, madam,' said the Jew, after she had talked much, 'that you desire greatly to set an erring world to rights again.'

'And should we not all desire that?' she asked, unconscious of the irony. 'For what else are we placed in the world but to pass on to others the light that God has entrusted to us?'

'I verily believe, madam,' said he seriously, 'that you think exactly what you say, and that you desire greatly to do me good. But, putting these questions aside, will you tell me if you have this ornament which I venerate?'

'Yes, I have it.'

'You took it from the breast of my sister when she lay dead upon your shore?'

'I unfastened it from her neck, and have kept it with the greatest care. It was an ornament which was quite unsuitable to your sister's station in life. I could not have allowed any of our poor women to see such a valuable stone on the neck of a girl like themselves in station; it would have given them false ideas, and I am careful to teach them simplicity in dress. In England we do not approve of people of your class wearing jewellery.'

The curate put his arms on the table and bowed his head on his hands.

'Be that as it may,' said the Jew, rising, 'I will thank you if you will give me my property now and let me go.'

'I cannot give it to you.' She was a little flustered in her manner, but not much. 'It would be against my conscience to give you what you would use profanely. Providence has placed it in my care, and I am responsible for its use. If I gave it to you it would be tempting you to sin.'

He sat down again and looked at her with wonder in his soft brown eyes. 'You have had the stone taken out,' he said, 'and set in a ring.'

'Yes, and I have given it to my daughter, so that it is no longer mine to return to you. You must be aware that the marble cross stone I set up over your sister's grave cost me much more than the value of this stone. I am very much surprised that you should ask me to give it back. Surely any real feeling of gratitude for what I did for her would prompt you to be glad that you have something to give me in return.' She paused, then harped again upon the other string. 'But under any circumstances I could not feel justified in giving you anything that you would put to a bad use.'

'That you have stolen my property does not make it yours to withhold, whatever may be your sentiments concerning it.'

'"Stolen!" I do not understand you when you use such a word. Do you think it possible that I should steal? I took the chain from your sister's neck with the highest motives. Do not use such a word as "stolen" in speaking to me.'

'Truly, madam,' he said, 'you could almost persuade me that you are in the right, and that I insult you.'

She looked at him stolidly, although evidently not without some inward apprehension. It was a piteous sight-the poor distorted reasoning faculty grovelling as a slave to the selfish will.

'I cannot give you back the amethyst,' she said, 'for I have given it away; but if you will promise me never again to regard it as having any value as an amulet or talisman, I will give you the necklace, and I will pay you something to have another stone put in.'

The curate looked up. 'Get him the necklace and Violetta's ring,' he said, 'and we will go.'

A man had arisen within the curate who was stronger than his self-control. They might have argued with her for ever: he frightened her into compliance. He took her by the arm and turned her to the door.

'There is not a man, woman or child in this town,' he said, 'who shall not hear of this affair if you delay another moment to get him the chain and the ring. It is due to his charity if the matter is concealed then.'

When she was gone the Jew was disposed to make remarks. 'I truly believe,' he said, 'that it is as you say, that this woman is very virtuous in the sight of her own conscience.'

A servant brought them a packet. The Jew opened it, taking out the chain and the ring reverently and putting them in his breast. Then they went out into the wind and the rain.

The Jew went to his native city, and the curate accompanied him as far as London. There he said good-bye to him as to a friend. He did not return at once to his parish, but found a substitute to do his work there, and went inland for a month, seeking by change and relaxation to attain to the true judgment of calm pulses and quiet nerves. It was in April and in Lent that he returned.

Higgs, the irrepressible, received him with joy. 'It's you that are the good sight for sore eyes,' he said. 'Not but what we've been 'aving an uncommon peaceful time for Lent. The vicar's lady she's took bad and took to bed.'

The curate reproved the wicked Higgs, but he inquired after the health of the invalid.

'I hope Mrs. Moore is not very ill?'

'Bless you, no, sir; she's 'ale and 'earty. Cook says she's sure she've fell out with some one. That's her way; she takes to bed when she've fell out with any one. It makes them repent of their sins.'

A soft grey mist lay over land and sea. The church and vicarage were grey and wet. The beeches at the vicarage gate had broken forth in a myriad buds of silver green, and all the buds were tipped with water, and the grey stems were stained and streaked. The yew trees in the churchyard were bedewed with tiny drops. At the little gate that led from the vicarage into the churchyard, between the yew trees and the beeches, the curate waited for Violetta, after evensong. She came out of the old grey porch and down the path between the graves and the yew trees with her prayer-book in her hand. She looked like an Easter lily that holds itself in bud till the sadness of Lent is past, so pure, so modest, such a perfect thing from the hand of God.

She stopped and started when she saw her lover, and then greeted him with a little smile, but blent with some reproachful dignity.

'I am glad you have come at last, for I have been wanting to speak to you. Poor mamma has been very poorly and ill. It has grieved her very much indeed that you should have so misunderstood her motives, and treated her so rudely. Mamma takes things like that most deeply to heart.'

'She told you why I treated her rudely?'

'Yes, she told me, but she did not tell papa anything about it; it would only vex papa and do no good. Mamma told me to tell you that she had made up her mind to forgive you, and to say no more about it, although she was deeply grieved that you should have so misunderstood her.'

'Yes,' said the curate vaguely, for he did not know what else to say.

'Of course, as to the necklace, it may be a matter of opinion as to whether mamma judged rightly or not; but no one who knows her could doubt that her one desire was to do what was right. It is quite true what she says: that the stone was most unsuitable to the station of those people; every one says that the man was a very common and vulgar-looking person; and of course to regard such a thing with superstitious veneration is a very great sin, from which she saved them as long as she kept it. Mamma says of course she knew she ran the risk of being misunderstood in acting as she did, but she thought it her duty to run that risk if by that means she could save anything that God had entrusted to her keeping from being misused. You know what mamma is; there is nothing she would not do if she thought it right.'

'Yes,' he said again, as though simply admitting that he had heard what she said.

'So I think we had better not say anything more about it. I know you will see that it is wisest to say nothing to papa or any one else. People think so differently about such things that it would only cause needless argument, and give poor mamma more pain when she has already suffered so much.'

'You may trust me. I will never mention the matter to your father, or to any one else. No one shall ever hear of it through me.'

'I was sure that you would see that it is wisest not to; I told mamma so. When she is better, and you have shown her that you regret having misunderstood her, we shall all be very happy again.' She held up her pretty face for a kiss.

No one could see them except the chattering starlings in the church tower, for they stood in the soft mist between the dewy yew trees and the red-budding hedge by the vicarage lawn. The beech trees stretched out their graceful twigs above them, the starlings talked to one another rather sadly, and far off through the stillness of the mist came the sound of the tide on the shore. The curate was very pale and grave. His tall frame trembled like a sick woman's as he stooped to give Violetta that kiss. He took her hands in his for a moment, and then he clasped her in his arms, lifting her from the grass and embracing her in a passion of tenderness and love. Then he put her from him.

'Violetta, it is amiable of you, and loyal, to excuse and defend your mother, but tell me-tell me, as you speak before God, that you do not think as you have spoken. You are a woman now, with a soul of your own; tell me you know that to take this necklace and to keep it secretly was a terrible sin.'

'Indeed'-with candour-'I do not think anything of the sort. I think it is wicked of you to slander mamma in that way. And if you want to know what I think'-with temper now-'I think it was most unkind of you to give away my ring. After it had been given to me on such an occasion, too, it was priceless to us, but we could easily have paid that vulgar man all it was worth to him.'

'I will not argue with you. I perceive now that that would do no good.' There was a heart-broken tone in his voice that frightened Violetta. 'I will-I will only say--'

'What?' she asked. The thin sharp sound in her voice was a note of alarm.

'I will not marry you,' moaned the curate.

'Not marry me!' she exclaimed in astonishment.

'I love you. I shall always love you. No other woman shall ever be my wife; but I will never marry you; and I shall go away and leave you free to forget me.'

'But why? What have I done?' she asked, her breath catching her tones.

'You have done nothing, my poor, poor girl; but-oh, my darling, I would gladly die if by dying I could open your eyes to see the simple integrity of unselfishness!'

'It is very absurd for you to speak of unselfishness at the very moment when you are selfishly giving me so much pain,' she cried, defiant.

He bent his head and covered his face with his hands.

She stood and looked at him, her cheeks flushed and her breast heaving with a great anger.

'Good-bye, Violetta,' he said, and turned slowly away.

'I never heard of anything so dishonourable,' she cried.

And that was what the world said; the curate was in disgrace with society for the rest of his life.

* * *