Chapter 9 TWENTY YEARS AFTER. AN EPILOGUE IN TWO PICTURES.

THE FIRST PICTURE.

The Art of Religion.

The church was very full. It was the vigil of All Saints, and Father Scott was to preach.

Far away, the culminating point of the long vista of shadowy arches, stood the High Altar, blazing with lights. The choir had just taken their stalls, and every head was bent low.

An orchestra was reinforcing the organ, and the long silver trumpets, loved of old Purcell, shouted jubilantly, echoing away down the dim clerestory.

Father Scott felt a strange thrill, an uplifting of the heart, at the melody. He stood up in his stall with the rest, a man whose face still showed a trend to the commonplace, but sweetened, almost refined away by something else.

The little sisters of St. Cecily, sweet souls with whom he worked, said among themselves that he had had a dear friend once whom he had loved, and for whom he still mourned and prayed, and that it was this that made him such an eminently lovable man.

Indeed, Sister Eliza had even read a novel he had written in his early days, a mystic romance of a glorious youth who had never come to prime.

The music of the stately anthem swelled up in a burst of praise, the trumpets singing high over all with keen vibratory notes that told of an inner mystery to ears initiate. Then, when Father Gray, an old priest whose days were nearly done, read the lesson, Scott leant back with crossed hands, thinking of old times, of his youth. It seemed to him on this great night of the Church that other and less earthly forms and voices thronged the building. In the Creed, the words "communion of saints" touched him strangely, as they always did; but to-night they came home to him with a deeper meaning.

"God is so good," he thought simply. "Surely He has pardoned him for that one sin. He was so pure and beautiful-very pleasant hast thou been to me." His thoughts wandered disconnectedly, recalling sentences that had struck him, old scenes and scraps of verse. The smell of the incense brought back Cowley or the Sunday evening services at St. Barnabas. He rejoiced in his heart at the stateliness and circumstance of worship around him, and he recalled some old articles in the Church Chimes, defending eloquently the "true ritual of holy Church." He had thought them so good, he remembered, such a dignified answer to the other side.

The prayers began, each with its deep harmonized "Amen," which seemed to him in his excited mind long-drawn gasps of thankfulness and worship. He bent his head low in his hands, and prayed humbly for the Church's welfare, and then, with an uplifting of his heart and a great passionate yearning, for his dead friend. He felt very near to him on this feast of the departed.

The time came for him to speak to the long rows of faces. He mounted to the high pulpit in the sweep of the chancel arch, and looked down on the congregation.

He began quietly enough, but gathered power and sonance as his feelings swayed him, drawing for them a picture, an ideal, to which they might all attain, telling them of the sweetness that comes with goodness. He thought of the friend of his youth, and drew an exalted picture of him, while the people sat breathless at the beauty of his words.

Then he said in a hushed voice how he had thought, and liked to think, that round them to-night were the dear ones who had died, that they were watching over them and praying with them that holy night.

Everyone felt the spell of the hour and the voice of the priest, it was most unearthly, dramatic, and effective. Sister Eliza wiped her eyes and thought of the novel, and only poor old Father Gray, worthy man, was fast asleep in the chancel, tired by the long ceremonial day.

Then came the great procession round the church, with its acolytes and crosses, Father Scott walking last in flowered cope. They sang, "For all the saints who from their labours rest," waking a responsive echo in every heart.

Last, and most impressive of all, the long spell of silent prayer, broken at last by the crashing music, and the shuffling feet of the congregation as they left the building. Sister Eliza, as she went out into the cutting night wind, could not help thinking of the novel. It was not a bad novel, but this is the true account.

THE SECOND PICTURE.

A dinner in honour of the law.

"Well, my dear, and who have you got?" said the duchess.

"First of all there's Mr. Mordaunt Sturtevant, the new Q.C., quite a nice person."

"He is," said the duchess, "I've met him. Such eyes! Eliza Facinorious said that he made her 'feel quite funny when he looked at her.' You know the sort of person-makes you feel b-r-r-r-r-r! like that."

"I know," said the hostess. "Then Marjorie Burness is coming-such a dear! knows all the latest stories about everyone."

"I don't think I've met her," said the duchess, "is she quite?"

"Not exactly; she was a Miss Lovibond-Lovering-some name like that. Parson's daughter, Kensington people, dontcherknow; but so amusin'-fat, too, she is."

"Oh!" said the duchess.

"Then there's a Mr. Sanderson Tom asked. He keeps a school board, or wants the poor to live noble lives in Hackney-somethin' of that sort. Eliza Facinorious and the Baron, Lady Darwin Swift, Mr. Justice Coll, Bradley Bere, the new writin' boy, Lord Saul Horridge, and of course the girls. That's all, I think."

"Oh!" said the duchess again.

She was rather a damaged duchess, and very impertinent, but Mrs. Chitters was exceedingly glad to get her. She really was a duchess, which, if a woman has no brains, money, or comeliness, is the best thing she can be. She was staying for a week with Colonel Chitters and his wife.

The dinner was for the joy of Mr. Mordaunt Sturtevant, who had just taken silk. The most eminent member of the criminal bar, he would have been Queen's Counsel long ago if it had not been for some vague rumours of his early life.

A footman opened the door, the duchess her eye-glasses, and Mrs. Chitters the conversation. Mr. Bradley Bere was announced, a youth apparently of seventeen, but of a great name; the rich uncleanness of his life almost rivalling his stories, and both being given undue prominence by his friends on the weekly press. Then came Lord Saul Horridge, a tall melancholy man, whose life was crushed by an energetic mother, whose forte was teetotalism, and whose weakness was omniscience.

Mr. and Mrs. Robert Burness came in, were effusively greeted by the hostess, and passed on to amuse the duchess. Mrs. Burness, nèe Marjorie Lovering, had grown too stout for flirtation, and feeling the want of a mètier, had turned her thoughts to scandal, and achieved a great success. Her husband, a clerk in the War Office, used to say that his wife had a higher regard for truth than anyone he knew-she used it so economically.

Mordaunt Sturtevant and Mr. Justice Coll came in arm in arm, and soon after they went down to dinner.

Sturtevant had grown two small whiskers, and his keen eyes, shaded by bushy brows, made the duchess want to say "B-r-r-r-r-r!" several times during the evening.

The Baroness Facinorious, an ample and various lady, was taken down by Mr. Sanderson, the education person from Hackney, and they discussed the latest thing in Chelsea churches.

Bradley Bere told Miss Chitters that poetry was the pursuit of the unattainable by the unbearable, hoping she would repeat it as having come from him.

Mr. Justice Coll alone was silent, his whole mind, no large part of him, being given up to the business in hand.

When the gentlemen came up to the drawing-room Sturtevant sat down by Mrs. Burness, and they discussed their host and hostess, both of them telling Mrs. Chitters what the other had said later on in the evening.

When they got tired of scandal Mrs. Burness mentioned that her son had just gone up to Oxford. "To Exeter, you know. Robert says it's an excellent college. We went up for the 'Torgids,' I think they call them-boatin' races, you know-and we had lunch in Bernard's rooms. Such nice rooms, all panelled in oak, and only next door to the Hall, which must be so convenient in wet weather, don't you think?"

"Have they a high-barred window in the corner looking out into B. N. C. Lane?" said Sturtevant.

"Yes! do you know them?"

"I think so. I believe I used to know a man who had them years ago. He's dead now."

"Oh, how romantic! I must tell Bernard! Perhaps his ghost haunts them! Do tell me his name."

"A rather uncommon name-Yardly Gobion."

Mrs. Burness grew pale.

"I knew him when I was a girl," she said faintly.

The man gripped a little ornamental knob on the arm of the chair. The people who were coming after the dinner were being announced. He heard Sir Lionel and Lady Picton's names shouted from the door. It was a curious evening.

"Were you a Miss Lovering before you married?" he asked.

"Yes."

"Then you're Marjorie!"

"Yes," she said with a little smile, "I was Marjorie."

They were silent for a time, and their faces changed a little.

"Rather a fool, wasn't he?" Sturtevant forced himself to say at last.

"Oh, yes, we flirted a little, don't you know, but I always thought him rather poor fun."

"Yes, he wasn't much. I remember when I was reading for the Bar I did him a service, for which he was not in the least grateful."

"Yes, he was quite that sort of person."

"But still," said Sturtevant, "he was a man possessed of considerable personal charm."

FINIS.

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"FAME, THE FIDDLER."

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Crown 8vo, Cloth gilt, 6s.

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Two splendidly interesting Books by CLEMENT SCOTT.

THE WHEEL OF LIFE.

A Few Memories and Recollections ("de omnibus rebus").

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AN IMPORTANT WORK ON ELOCUTION.

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THE ART OF ELOCUTION AND PUBLIC SPEAKING

Being simple explanations of the various branches of Elocution; together with Lessons for Self-Instruction.

By ROSS FERGUSON

(TEACHER OF ELOCUTION).

* * *

Introduction by GEORGE ALEXANDER

(St. James' Theatre)

Dedicated by permission to Miss Ellen Terry.

* * *

SOME OPINIONS OF THE PRESS.

Bookman.-"Good, clear-detailed advice by a practical teacher."

Scotsman.-"A clear and simple exposition of the art."

Weekly Dispatch.-"The Art of Elocution popularly and clearly explained."

Australian Mail.-"A useful little book. We can strongly recommend it to the chairmen of public companies."

Manchester Courier.-"Contains valuable lessons for self-instruction."

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Lloyd's.-"Students will find it of great service."

Dramatic World.-"A reliable guide for those who desire to excel."

Aberdeen Free Press.-"Very interesting and of considerable value."

Whitehall Review.-"A capital little guide for all who wish to perfect themselves in the art of public speaking."

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THE ART OF ELOCUTION. With Portrait of the Author. Now ready at all Booksellers and Bookstalls. Crown 8vo, strongly bound in Cloth. Price One Shilling.

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A New Novel for Holiday Reading!

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THE FELLOW PASSENGERS:

A MYSTERY AND ITS SOLUTION.

By RIVINGTON PYKE

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Long 12mo, 132 pp. Cloth, 1/6; Sewed, 1/-.

* * *

SOME PRESS OPINIONS.

Whitehall Review.-"Those who love a mystery with plenty of 'go,' and a story which is not devoid of a certain amount of realism, cannot do better than pick up 'Fellow Passengers.' The characters are real men and women, and not the sentimental and artificial puppets to which we have been so long accustomed by our sensationalists. The book is brightly written, and of detective stories it is the best I have read lately."

Weekly Dispatch.-"If you want a diverting story of realism, bordering upon actuality, you cannot do better than take up this bright, vivacious, dramatic volume. It will interest you from first page to last."

Bristol Mercury.-"An exciting and thrilling story. It is very ingeniously constructed and well worked out."

Catholic Times.-"This is a well written story, with a good plot and plenty of incident. From cover to cover there is not a dull page, and the interest keeps up to the end."

Glasgow News.-"It is a thriller.... The sort of book one cannot help finishing at a sitting. Not merely because it is short, but because it rivets.... The author uses his materials with great ingenuity, his plot is cleverly devised, and he very effectively works up to a striking denouement."

* * *

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"For fear divine Philosophy

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Procuress to the Lords of Hell."-Tennyson.-In Memoriam.

THE MOST WEIRD AND EXCITING NOVEL OF THE DAY!

A STARTLING STORY!

THE DEVIL IN A DOMINO,

A Realistic Study by CHARLES L'EPINE.

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* * *

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Sketch.-"It is a well-written story. An admirable literary style, natural and concise construction, succeed in compelling the reader's attention through every line. We hope to welcome the author again, working on a larger scene."

News of the World.-"It combines excellent descriptive power with a gruesome and fascinating plot, with sufficient mystery to keep the interest well sustained. The story is built round a novel and interesting incident of crime, and the literary style of the writer makes acceptable horrors that otherwise would be too weird for any but the strongest nerved readers."

Weekly Dispatch.-"A remarkable book. It reads like the production of a bad nightmare, and produces a creepiness of the flesh. Any reader desiring to sup on horrors can here find his fill. The book possesses considerable literary merit."

Star.-"May be guaranteed to disturb your night's rest. It is a gruesome, ghastly, blood-curdling, hair-erecting, sleep-murdering piece of work, with a thrill on every page. Read it."

Hampshire Telegraph.-"The principal figure in the story, Aleck Severn, is a perfect imp of Satan. His course of crime, and the manner in which Nemesis finally overtakes him, is very graphically told."

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* * *

Transcriber's Note: Very few changes have been made to the punctuation and spelling in this book. The word Carodoc is now Caradoc and Tannhaüser is Tannh?user.