Chapter 3 No.3

One of the most remarkable personalities serving as an exponent of Spiritualism was Daniel Dunglas Home, the Napoleon of necromancy, and the Past Grand Master of Mediums. His career reads like a romance. He lived in a sort of twilight land, and hob-nobbed with kings, queens and other people of noble blood.

"Something unsubstantial, ghostly,

Seems this Theurgist,

In deep meditation mostly

Wrapped, as in a mist.

Vague, phantasmal and unreal,

To our thoughts he seems,

Walking in a world ideal,

In a land of dreams."

He wound his serpentine way into the best society of London, Paris, Berlin, Rome, and St. Petersburg-"always despising filthy lucre," as Maskelyn remarks, "but never refusing a diamond worth ten times the amount he would have received in cash, or some present, which the host of the house at which he happened to be manifesting always felt constrained to offer."

This thaumaturgist of the Nineteenth Century was born near Edinburg, Scotland, on March 20, 1833, and came of a family reported to be gifted with "second sight." His father, William Home, was a natural son of Alexander, tenth Earl of Home. Strange phenomena occurred during the medium's childhood. At the age of nine he was adopted by his aunt, Mrs. McNeill Cook, who brought him to America. He began giving séances about the year 1852. Among the notable men who attended these early "sittings" were William Cullen Bryant, Professors Wells and Hare, and Judge Edmonds.

Home had a tall, slight figure, a fair and freckled face-before disease made it the color of yellow wax-keen, slaty-blue eyes, thin bloodless lips, a rather snub nose, and curly auburn hair. His manners, though forward, were agreeable, and he recited such poetry as Poe's "Raven" and "Ulalume" with powerful effect. He was altogether a weird sort of personage. His principal mediumistic manifestations were rappings, table-tipping, ghostly materializations, playing on sealed musical instruments, levitation, and handling fire with impunity.

In 1855 he launched his necromantic bark on European waters. No man since Cagliostro ever created so profound a sensation in the Old World. He wrote his reminiscences in two large volumes, but little credence can be given them, as they are full of extravagant statements and wild fantasies.

The London Punch (May 9th, 1868), printed the following effusion on the medium, a sort of parody on "Home, Sweet Home:"

Through realms Thaumaturgic the student may roam,

And not light on a worker of wonders like Home.

Cagliostro himself might descend from his chair,

And set up our Daniel as Grand-Cophta there-

Home, Home, Dan. Home,

No medium like Home.

Spirit legs, spirit hands, he gives table and chair;

Gravitation defying, he flies in the air;

But the fact to which henceforth his fame should be pinned,

Is his power to raise, not himself but the wind!-

Home, Home, Dan. Home,

No medium like Home.

Robert Browning made him the subject of his celebrated satirical poem, "Mr. Sludge, the Medium."

Some of the most celebrated scientific and literary personages of England became interested in his mysterious abilities, and among his intimate friends were the Earl of Dunraven, Mary Howitt, Mrs. S. C. Hall, Prof. Wallace, and Sir Edward Bulwer-Lytton. There is good authority for believing that Home was the mysterious Margrave of Bulwer's weird novel, "A Strange Story." Bulwer was an ardent believer in the supernatural and Home spent many days at Knebworth amid a select coterie of ghost-seers. The famous novelist relates that as Home sat with him in the library of Knebworth, conversing upon politics, social matters, books or other chance topics, the chairs rocked and the tables were suspended in mid-air.

When the medium was requested to exert his power and found himself in condition, it is alleged, he would rise and float about the room. This in Spiritualistic parlance is termed "levitation". At Knebworth and other places, some of the most prominent people of the day claim to have seen Home lift himself up and sail tranquilly out of a window, around the house, and come in by another window.

The Earl of Dunraven told many stories equally strange of performances that were given in his presence. The Earl declared that he had many times seen Home elongate and shorten his body, and cause the closed piano to play by putting his fingers on the lid.

FIG. 7-HOME AT THE TUILERIES.

In the autumn of 1855 the famous medium went to Florence; there, also, the spirit manifestations secured him the entree into the best society of the old Italian city. In his memoirs he speaks of an incident occurring through his mediumship, at a séance given in Florence: "Upon one occasion, while the Countess C- was seated at one of Erard's grand-action pianos, it rose and balanced itself in the air, during the whole time she was playing." An English lady, resident at Florence, in a supposed haunted house, procured the services of Home to exorcise the ghost. They sat at a table in the sitting-room, and raps were heard proceeding from that piece of furniture, and rustling sounds in the room as of a person moving about in a heavy garment. The spirit being adjured in the name of the "Holy Trinity" to leave the premises, the demonstrations ceased.

In February, 1856, the medium joined the retinue of Count B-, a Polish nobleman, and went to Naples with his patron. From Naples to Rome was the next step, and, in the Eternal City, the medium joined the Romish Church, and was adjured by the Pope to abandon spirit séances forever. In 1858 we find Home in St. Petersburg, where he married the youngest daughter of General Count de Kroll, of Russia, and a goddaughter of the Emperor Nicholas, the marriage taking place on Sunday, August 1, 1858, in the private chapel attached to the house of the lady's brother-in-law, the Count Gregoire Koucheleff-Besborodko. It was a very notable affair, and Alexander Dumas came from Paris to attend the ceremony. Home's spirit power which had left him since his conversion to the Roman Catholic faith now returned in full force, it is said, and he saw standing near him at the wedding the spirit form of his mother. In 1862 his wife died at the Chateau Laroche, near Perigneux, France, and the medium repaired to Rome for the purpose of studying sculpture. The reports of the spirit phenomena constantly attending Home's presence reached the ears of the Papal authorities and he was compelled to leave the city, notwithstanding the fact that he gave positive assurance that he would give no séance. He was actually charged with being a sorcerer, like Cagliostro, an accusation that reads very strange in the Nineteenth Century. This affair embittered Home against the Church, and he abandoned Roman Catholicism for the Greek Church.

After the Roman fiasco, the famous medium returned to England to give Spiritualistic lectures and séances. A writer in "All the Year Round", gives the following pen picture of the medium, as he appeared in 1866: "He is a tall, thin man, with broad square shoulders, suggestive of a suit of clothes hung upon an iron cross. His hair is long and yellow; his teeth are large, glittering and sharp; his eyes are a pale grey, with a redness about the eye-lids, which comes and goes in a ghastly manner, as he talks. When he shows his glittering sharp teeth, and that red line comes round his slowly rolling eyes, he is not a pleasant sight to look upon. His hands are long, white and bony, and on taking them you discover that they are icy cold." A suit of clothes hung upon an iron cross is a weird touch in this pen picture.

Home about this time intended going upon the stage, but abandoned the idea to become the secretary of the "Spiritual Atheneum", a society formed for the investigation of psychic phenomena.

One of the most notable passages in the life of the great medium was the famous law suit in which he was concerned in England. In 1866 he became acquainted with a wealthy lady, Mrs. Jane Lyons. In his role of medium she consulted him constantly about the welfare of her husband in the spirit world, and her business affairs. She gave him ￡33,000 for his services. Relatives and friends of Mrs. Lyons, however, saw in Home a cunning adventurer who was preying upon a weak-minded woman. A suit was instituted against the medium to recover the money, and the case became a cause celebre in the annals of the English courts.

In the autumn of 1871, Home, who before that time, had been quite a "lion" at the court of Napoleon III and Eugene, followed the German army from Sedan to Versailles, and was hand-in-glove with the King of Prussia. His second marriage took place in October, 1871, at Paris, and after a brief honeymoon in England he visited St. Petersburg with his wife, who was a member of the noble Russian family of Alsakoff.

On the 21st of June, 1886, the great American ghost-seer died of consumption, at Auteuil, near Paris, France. For years he was out of health, and he ascribed his weakness to the expenditure of vital force in working wonders during the earlier part of his career.

He was buried at St. Germain-en-Laye, with the rites of the Russian Church. The funeral was a very simple one, not more than twenty persons being present, all of whom were in full evening dress. The idea was to emphasize the Spiritualists' belief that death is not a subject for mourning, but is liberation, an occasion for rejoicing.

The curious reader will find many accounts of Home's invulnerability to fire while in the trance state, notably those of Prof. Crookes, contained in the proceedings of the Society for Psychical Research. In the March, 1868, number of "Human Nature," Mr. H. D. Jencken writes as follows concerning a séance given by the medium:

"Mr. Home, (after various manifestations) said, 'we have gladly shown you our power over fluids, we will now show you our power over solids.' He then knelt down before the hearth, and deliberately breaking up a glowing piece of coal in the fire place, took up a largish lump of incandescent coal and placing the same in his left hand, proceeded to explain that caloric had been extracted by a process known to them (the spirits), and that the heat could in part be returned. This he proved by alternately cooling and heating the coal; and to convince us of the fact, allowed us to handle the coal which had become cool, then suddenly resumed its heat sufficient to burn one, as I again touched it. I examined Mr. Home's hand, and quite satisfied myself that no artificial means had been employed to protect the skin, which did not even retain the smell of smoke. Mr. Home then re-seated himself, and shortly awoke from his trance quite pale and exhausted."

Other witnesses of the above experiment were Lord Lindsay, Lord Adare, Miss Douglas, Mr. S. C. Hall, Mr. W. H. Harrison and Prof. Wallace. Mr. H. Nisbet, of Glasgow, relates (Human Nature, Feb. 1870) that in his own home in January, 1870, Mr. Home took a red hot coal from the grate and put it in the hands of a lady and gentleman to whom it felt only warm. Subsequently he placed the same on a folded newspaper, the result being a hole burnt through eight layers of paper. Taking another blazing coal he laid it on the same journal, and carried it around the apartment for upwards of three minutes, without scorching the paper.

Among the crowned heads and famous people before whom Mr. Home appeared were Napoleon III and the Empress Eugénie, Queen Victoria, King Louis I and King Maximilian of Bavaria, the Emperor of Russia, the King and Queen of Wurtemberg, the Duchess of Hamilton, the Crown Prince of Prussia and old Gen. Von Moltke. Alexander Dumas the elder, was a constant companion of the medium for a long time, and wrote columns about him.

Napoleon III had two sittings with Home-and it is said Home materialized the spirit of the first Napoleon, who appeared in his familiar cocked hat, gray overcoat and dark green uniform with white facings. "My fate?" asked Louis, trembling with awe. "Like mine-discrowned, and death in exile," replied the ghost; then it vanished. The Empress swooned and Napoleon III fell back in his chair as if about to faint. The medium in his first séance with the French Emperor succeeded only in materializing some flowers and a spirit hand, which the Emperor was permitted to grasp.

Celia Logan, the journalist, in writing of one of Home's séances at a nobleman's house in London, says:

"On this occasion the medium announced that he would produce balls of fire and illuminated hands. Failing in the former, he declared that the spirits were not strong enough for that to-night, and so he would have to confine himself to showing the luminous hands.

"The house was darkened and Home groped his way alone to the head of the broad staircase, where every few minutes a pair of luminous hands were thrown up. The audience was satisfied generally. One lady, however, was not, and whispered to me-she was a half-hearted Spiritualist-that it looked to her as if he had rubbed his own hands over with lucifer matches.

"The host stood near the mantel piece and had seen Home abstractedly place a small bottle upon it when he left the room for the staircase. That bottle the host quietly slipped into his pocket. Upon examination the next day it was found to contain phosphorated olive oil or some similar preparation.

"The host had declared himself to have seen Home float through the air from one side of the room to the other, lift a piano several feet in the air by simply placing a finger upon it, and had seen him materialize disembodied spirits; but after the discovery of the phosphorus trick he dropped Home at once."

It is a significant fact that the medium while giving séances in Paris in 1857 refused to meet Houdin, the renowned prestidigitateur.

I shall now attempt an exposé of Home's physical phenomena. Home's extraordinary feat of alternately cooling and heating a lump of coal taken from a blazing fire, as related by Mr. H. D. Jencken and others, is easily explained. It is a juggling trick. The "coal" is a piece of spongy platinum which bears a close resemblance to a lump of half burnt coal, and is palmed in the hand, as a prestidigitateur conceals a coin, a pack of cards, an egg, or a small lemon. The medium or magician advances to the grate and pretends to take a genuine lump of coal from the fire but brings up instead, at the tips of his fingers, the piece of platinum. In a secret breast pocket of his coat he has a small reservoir of hydrogen, with a tube coming down the sleeve and terminating an inch or so above the cuff. By means of certain mechanical arrangements, to enable him to let on and off the gas at the proper moment, he is able to accomplish the trick; for when a current of hydrogen is allowed to impinge upon a piece of spongy platinum, the metal becomes incandescent, and as soon as the current is arrested the platinum is restored to its normal condition.

The hand may be protected from burning in various ways, one method being the repeated application of sulphuric acid to the skin, whereby it is rendered impervious to the action of fire for a short period of time; another, by wearing gloves of amianthus or asbestos cloth. With the latter, worn in a badly lighted room, the medium, without much risk of discovery, can handle red hot coals or iron with impunity. The gloves may at the proper moment be slipped off and concealed about the person. A small slip of amianthus cloth placed on a newspaper would protect it from a hot coal and the same means could be used when a coal is placed in another's hand or upon his head.

As to the marvelous "levitation", either the witnesses of the alleged feat were under some hypnotic spell, or else they allowed their imaginations to run riot when describing the event. In the case of Lord Lindsay and Lord Adare, D. Carpenter in his valuable paper "On Fallacies Respecting the Supernatural" (Contemporary Review, Jan., 1876) says: "A whole party of believers affirm that they saw Mr. Home float out of one window and in at another, while a single honest skeptic declares that Mr. Home was sitting in his chair all the time." It seems that there were three gentlemen present besides the medium when the alleged phenomenon took place, the two noblemen and a "cousin". It is this unnamed hard-headed cousin to whom Dr. Carpenter refers as the "honest skeptic."

Many of Home's admirers have declared that he possessed the power of mesmerizing certain of his friends. These gentlemen were no doubt hypnotized and related honestly what they believed they had seen. Again, the expectancy of attention and the nervous tension of the average sitter in spirit-circles tend to produce a morbidly impressible condition of mind. Many mediums since Home's day have performed the act of levitation, but always in a dark room. Mr. Angelo Lewis, the writer on magic, reveals an ingenious method by which levitation is effected. When the lights are extinguished the medium-who, by the way, must be a clever ventriloquist-removes his boots and places them on his hands.

"I am rising, I am rising, but pay no attention", he remarks, as he goes about the apartment, where the sitters are grouped in a circle about him, and he lightly touches the heads of various persons. A shadowy form is dimly seen and a smell of boot leather becomes apparent to the olfactory senses of many present. People jump quickly to conclusions in such matters and argue that where the feet of the medium are, his body must surely be-namely, floating in the air. The illusion is further enhanced by the performer's ventriloquial powers. "I am rising! I am touching the ceiling!" he exclaims, imitating the sound of a voice high up. When the lights are turned up, the medium is seen (this time with his boots on his feet) standing on tip-toe, as if just descended from the ceiling.

Sometimes before performing the levitation act, he will say, "In order to convince any skeptic present, that I really float upwards, I will write the initials of my name, or the name of some one present, on the ceiling." When the lights are raised, the letters are seen written on the ceiling in a bold scrawling hand. How is it done? The medium has concealed about him a telescopic steel rod, something like those Chinese fishing rods at one time in vogue among modern disciples of Izaak Walton. This convenient rod when not in use folds up in a very small compass, but when it is shoved out to its full length, some three or four feet, with a bit of black chalk attached, the writing on the ceiling is easily produced. The magicians of ancient Egypt displayed their mystic rods as a part of their paraphernalia, while the modern magi bear theirs in secret. A tambourine, a guitar, a bell, or a spirit hand, rubbed with phosphorus, may also be fixed to this ingenious appliance, and floated over the heads of the spectators, and even a horn may be blown, through the hollow rod.

The materialization of a spirit hand which crept from beneath a table-cover, and showed itself to the "believers," was one of the most startling things in the repertoire of D. D. Home, as it was in that of Dr. Monck's, an English medium. An explanation of Monck's method of producing the hand may, perhaps, throw some light on Home's "materialization." A small dummy hand, artistically executed in wax, with the fingers slightly bent, is fastened to a broad elastic band about three feet in length. This band is attached to a belt about the performer's waist and passes down his left trouser leg, allowing the hand to dangle within the trouser a few inches above the ankle. I must not forget to explain that to the wrist of the hand is appended an elastic sleeve about five inches long. The medium and two sitters take their seats at a square table, with an over-hanging table-cloth. No one is allowed to be seated at the same side of the table with the medium. This is an imperative condition.

"Diminish the light, please," says the medium. Some one rises to lower the gas to the required dim religious light necessary to all spirit séances. "A little lower, please! Lower, lower still!" remarks the medium. Out the light goes. "Dear, me, but this is vexatious! Somebody light it again and be more careful!" he ejaculates. Under cover of the darkness the agile operator crosses his left foot over his right knee, pulls down the wax hand and fixes it to the toe of his boot by means of the elastic sleeve, the apparatus being masked from the sitters by the table cloth until the time comes for the spirit materialization. The three men place their hands on the table and wait patiently for developments. Presently a rap is heard under the table-disjointed knee of the medium,-and then mirabile dictu! the table-cloth shakes and a delicate female hand emerges and shows itself above the edge of the table. A guitar being placed close to the fingers, they soon strum the strings, or rather appear to do so, the medium being the deus ex machina. The cleverest part of the whole performance is the fact that the medium never takes his hands from the table. He quietly puts his left foot down on the floor and places his right foot heavily on the false hand-off it comes from the left foot and shoots up the trouser leg like lightning. The sitters may look under the table but they see nothing.

An ingenious improvement has been made to this hand-test by an American conjurer, one that enables the medium to produce the hand although his feet are secured by the sitter. "Be kind enough, sir," says the performer to the investigator, "to place your feet on mine. If I should move my feet ever so little, you would know it, would you not?" The sitter replies in the affirmative. The medium, as soon as he feels the pressure of the sitter's feet, withdraws his right foot from a steel shape made in imitation of the toe of his boot, and operates the spirit hand at his leisure. After the sitting, he of course, inserts his right foot into the shape and carries it off with him.

The production of spirit music was one of Home's favorite experiments. There are all sorts of ways of producing this music, the most ingenious of which I give:

The apparatus consists of a small circular musical box, wound up by clock work, and made to play whenever pressure is put upon a stud projecting a quarter of an inch from its surface. This box is strapped around the right leg of the medium just above his knee, and hidden beneath the trouser leg. When not in use it is on the under side of the leg. On the table a musical box is placed and covered with a soup tureen, or the top of a chafing dish. When the spectators are seated, the medium works the concealed musical box around to the upper part of his leg near the knee cap, and by pressing the stud against the under surface of the table, starts the music playing. In this way the second musical box seems to play and the acoustic effect is perfect. Perhaps Home used a similar contrivance; Dr. Monck did, and was caught in the act by the chief of the Detective Police.

Home during his séances on the Continent of Europe was accused of all sorts of trickery. Some asserted that he had concealed about him a small but powerful electric battery for producing certain illusions, mechanical contrivances attached to his legs for making spirit raps, and last but not least, as the medium states in his "Memoirs:" "they even accused me of carrying a small monkey about with me, concealed, trained to perform all sorts of ghostly tricks."

People also accused him of obtaining a great deal of his information about the spirits of the departed from tombstones like an Old Mortality, and bribing family servants. A more probable explanation may be found perhaps in telepathy.

There is one more phase of Home's mediumship, the moving of heavy pieces of furniture without physical contact, that must be spoken of. In mentioning it, Dr. Max Dessoir, author of the "Psychology of Conjuring,"[1] says: "We must admit that a few feats, such as those of Prof. Crookes with Home, concerning the possibility of setting inanimate objects in motion without touching them, appear to lie entirely outside the sphere of jugglery." In the year 1871, Prof. William Crookes, (now Sir William Crookes) Fellow of the Royal Society, a very eminent scientist, subjected Home to some elaborate tests in order to prove or disprove by means of scientific apparatus the reality of phenomena connected with variations in the weight of bodies, with or without contact. He declared the tests to be entirely satisfactory, but ascribed the phenomena not to spiritual agency, but to a new force, "in some unknown manner connected with the human organization," which for convenience he called the "Psychic Force." He said in his "Researches in the Phenomena of Spiritualism:" "Of all the persons endowed with a powerful development of this Psychic Force, and who have been termed 'mediums' upon quite another theory of its origin, Mr. Daniel Dunglas Home is the most remarkable, and it is mainly owing to the many opportunities I have had of carrying on my investigations in his presence that I am enabled to affirm so conclusively the existence of this force." Prof. Crookes' experiments were conducted, as he says, in the full light, and in the presence of witnesses, among them being the famous English barrister, Sergeant Cox, and the astronomer, Dr. Huggins. Heavy articles became light and light articles heavy when the medium came near them. In some cases he lightly touched them, in others refrained from contact.

FIG. 8. CROOKES' APPARATUS.

The first piece of the apparatus constructed by Crookes to test this psychic force consisted of a mahogany board 36 inches long by 9? inches wide and 1 inch thick. A strip of mahogany was screwed on at one end, to form a foot, the length being equal to the width of the board. This end of the board was placed on a table, while the other end was upheld by a spring balance, fastened to a strong tripod stand, as will be seen in Fig. 8.

"Mr. Home," writes Prof. Crookes, "placed the tips of his fingers lightly on the extreme end of the mahogany board which was resting on the support, whilst Dr. A. B. [Dr. Huggins] and myself sat, one on each side of it, watching for any effect which might be produced. Almost immediately the pointer of the balance was seen to descend. After a few seconds it rose again. This movement was repeated several times, as if by successive waves of the psychic force. The end of the board was observed to oscillate slowly up and down during the experiment.

"Mr. Home now, of his own accord, took a small hand-bell and a little card match-box, which happened to be near, and placed one under each hand, to satisfy us, as he said, that he was not producing the downward pressure. The very slow oscillation of the spring balance became more marked, and Dr. A. B., watching the index, said that he saw it descend to 6? lbs. The normal weight of the board as so suspended being 3 lbs., the additional downward pull was therefore 3? lbs. On looking immediately afterwards at the automatic register, we saw that the index had at one time descended as low as 9 lbs., showing a maximum pull of 6 lbs. upon a board whose normal weight was 3 lbs.

"In order to see whether it was possible to produce much effect on the spring balance by pressure at the place where Mr. Home's fingers had been, I stepped upon the table and stood on one foot at the end of the board. Dr. A. B., who was observing the index of the balance, said that the whole weight of my body (140 lbs.) so applied only sunk the index 1? lbs., or 2 lbs. when I jerked up and down. Mr. Home had been sitting in a low easy-chair, and could not, therefore, had he tried his utmost, have exerted any material influence on these results. I need scarcely add that his feet as well as his hands were closely guarded by all in the room."

The next series of experiments is thus described:

"On trying these experiments for the first time, I thought that actual contact between Mr. Home's hands and the suspended body whose weight was to be altered was essential to the exhibition of the force; but I found afterwards that this was not a necessary condition, and I therefore arranged my apparatus in the following manner:-

"The accompanying cuts (Figs. 9, 10 and 11) explain the arrangement. Fig. 9 is a general view, and Figs. 10 and 11 show the essential parts more in detail. The reference letters are the same in each illustration. A B is a mahogany board, 36 inches long by 9? inches wide, and 1 inch thick. It is suspended at the end, B, by a spring balance, C, furnished with an automatic register, D. The balance is suspended from a very firm tripod support, E.

FIG. 9. CROOKES' APPARATUS.

FIG. 10. CROOKES' APPARATUS.

"The following piece of apparatus is not shown in the figures. To the moving index, O, of the spring balance, a fine steel point is soldered, projecting horizontally outwards. In front of the balance, and firmly fastened to it, is a grooved frame, carrying a flat box similar to the dark box of a photographic camera. This box is made to travel by clock-work horizontally in front of the moving index, and it contains a sheet of plate-glass which has been smoked over a flame. The projecting steel point impresses a mark on this smoked surface. If the balance is at rest, and the clock set going, the result is a perfectly straight horizontal line. If the clock is stopped and weights are placed on the end, B, of the board, the result is a vertical line, whose length depends on the weight applied. If, whilst the clock draws the plate along, the weight of the board (or the tension on the balance) varies, the result is a curved line, from which the tension in grains at any moment during the continuance of the experiments can be calculated.

"The instrument was capable of registering a diminution of the force of gravitation as well as an increase; registrations of such a diminution were frequently obtained. To avoid complication, however, I will here refer only to results in which an increase of gravitation was experienced.

FIG. 11. CROOKES' APPARATUS.

"The end, B, of the board being supported by the spring balance, the end, A, is supported on a wooden strip, F, screwed across its lower side and cut to a knife edge (see Fig. 11). This fulcrum rests on a firm and heavy wooden stand, G H. On the board, exactly over the fulcrum, is placed a large glass vessel filled with water. I L is a massive iron stand, furnished with an arm and a ring, M N, in which rests a hemispherical copper vessel perforated with several holes at the bottom.

"The iron stand is 2 inches from the board, A B, and the arm and copper vessel, M N, are so adjusted that the latter dips into the water 1? inches, being 5? inches from the bottom of I, and 2 inches from its circumference. Shaking or striking the arm, M, or the vessel, N, produces no appreciable mechanical effect on the board, A B, capable of affecting the balance. Dipping the hand to the fullest extent into the water in N does not produce the least appreciable action on the balance.

"As the mechanical transmission of power is by this means entirely cut off between the copper vessel and the board, A B, the power of muscular control is thereby completely eliminated.

"For convenience I will divide the experiments into groups, 1, 2, 3, etc., and I have selected one special instance in each to describe in detail. Nothing, however, is mentioned which has not been repeated more than once, and in some cases verified, in Mr. Home's absence, with another person, possessing similar powers.

"There was always ample light in the room where the experiments were conducted (my own dining-room) to see all that took place.

"Experiment I.-The apparatus having been properly adjusted before Mr. Home entered the room, he was brought in, and asked to place his fingers in the water in the copper vessel, N. He stood up and dipped the tips of the fingers of his right hand in the water, his other hand and his feet being held. When he said he felt a power, force, or influence, proceeding from his hand, I set the clock going, and almost immediately the end, B, of the board was seen to descend slowly and remain down for about 10 seconds; it then descended a little further, and afterwards rose to its normal height. It then descended again, rose suddenly, gradually sunk for 17 seconds, and finally rose to its normal height, where it remained till the experiment was concluded. The lowest point marked on the glass was equivalent to a direct pull of about 5,000 grains. The accompanying Figure 12 is a copy of the curve traced on the glass.

SCALE OF SECONDS.

FIG. 12. DIAGRAM SHOWING TENSION IN CROOKES' APPARATUS UNDER THE INFLUENCE OF HOME.

"Experiment II.-Contact through water having proved to be as effectual as actual mechanical contact, I wished to see if the power or force could affect the weight, either through other portions of the apparatus or through the air. The glass vessel and iron stand, etc., were therefore removed, as an unnecessary complication, and Mr. Home's hands were placed on the stand of the apparatus at P (Fig. 9). A gentleman present put his hand on Mr. Home's hands, and his foot on both Mr. Home's feet, and I also watched him closely all the time. At the proper moment the clock was again set going; the board descended and rose in an irregular manner, the result being a curved tracing on the glass, of which Fig. 13 is a copy.

SCALE THE SAME AS IN FIG. 12.

FIG. 13. DIAGRAM SHOWING TENSION IN CROOKES' APPARATUS UNDER THE INFLUENCE OF HOME.

"Experiment III.-Mr. Home was now placed one foot from the board, A B, on one side of it. His hands and feet were firmly grasped by a by-stander, and another tracing, of which Fig. 14 is a copy, was taken on the moving glass plate.

SCALE THE SAME AS IN FIG. 12.

FIG. 14. DIAGRAM SHOWING TENSION IN CROOKES' APPARATUS UNDER HOME'S INFLUENCE.

"Experiment IV.-(Tried on an occasion when the power was stronger than on the previous occasions), Mr. Home was now placed 3 feet from the apparatus, his hands and feet being tightly held. The clock was set going when he gave the word, and the end, B, of the board soon descended, and again rose in an irregular manner, as shown in Fig. 15.

SCALE THE SAME AS IN FIG. 12.

FIG. 15. DIAGRAM SHOWING TENSION IN CROOKES' APPARATUS UNDER HOME'S INFLUENCE.

"The following series of experiments were tried with more delicate apparatus, and with another person, a lady, Mr. Home being absent. As the lady is non-professional, I do not mention her name. She has, however, consented to meet any scientific men whom I may introduce for purposes of investigation.

FIG. 16. SECOND CROOKES' APPARATUS.

"A piece of thin parchment, A, (Figs. 16 and 17), is stretched tightly across a circular hoop of wood. B C is a light lever turning on D. At the end B is a vertical needle point touching the membrane A, and at C is another needle point, projecting horizontally and touching a smoked glass plate, E F. This glass plate is drawn along in the direction H G by clockwork, K. The end, B, of the lever is weighted so that it shall quickly follow the movements of the centre of the disc, A. These movements are transmitted and recorded on the glass plate, E F, by means of the lever and needle point, C. Holes are cut in the side of the hoop to allow a free passage of air to the under side of the membrane. The apparatus was well tested beforehand by myself and others, to see that no shaking or jar on the table or support would interfere with the results: the line traced by the point, C, on the smoked glass was perfectly straight in spite of all our attempts to influence the lever by shaking the stand or stamping on the floor.

FIG. 17. SECTION OF APPARATUS IN FIG. 16.

"Experiment V.-Without having the object of the instrument explained to her, the lady was brought into the room and asked to place her fingers on the wooden stand at the points, L M, Fig. 16. I then placed my hands over hers to enable me to detect any conscious or unconscious movement on her part. Presently percussive noises were heard on the parchment, resembling the dropping of grains of sand on its surface. At each percussion a fragment of graphite which I had placed on the membrane was seen to be projected upwards about 1-50th of an inch, and the end, C, of the lever moved slightly up and down. Sometimes the sounds were as rapid as those from an induction-coil, whilst at others they were more than a second apart. Five or six tracings were taken, and in all cases a movement of the end, C, of the lever was seen to have occurred with each vibration of the membrane.

"In some cases the lady's hands were not so near the membrane as L M, but were at N O, Fig 17.

SCALE OF SECONDS.

FIG. 18. DIAGRAM SHOWING TENSION IN CROOKES' APPARATUS (FIG. 15 AND 16) OUTSIDE HOME'S INFLUENCE.

"The accompanying Fig. 18 gives tracings taken from the plates used on these occasions.

"Experiment VI.-Having met with these results in Mr. Home's absence, I was anxious to see what action would be produced on the instrument in his presence.

"Accordingly I asked him to try, but without explaining the instrument to him.

"I grasped Mr. Home's right arm above the wrist and held his hand over the membrane, about 10 inches from its surface, in the position shown at P, Fig. 17. His other hand was held by a friend. After remaining in this position for about half a minute, Mr. Home said he felt some influence passing. I then set the clock going, and we all saw the index, C, moving up and down. The movements were much slower than in the former case, and were almost entirely unaccompanied by the percussive vibrations then noticed.

"Figs. 19 and 20 show the curves produced on the glass on two of these occasions.

"Figs. 18, 19 and 20 are magnified.

"These experiments confirm beyond doubt the conclusions at which I arrived in my former paper, namely, the existence of a force associated, in some manner not yet explained, with the human organization, by which force increased weight is capable of being imparted to solid bodies without physical contact. In the case of Mr. Home, the development of this force varies enormously, not only from week to week, but from hour to hour; on some occasions the force is inappreciable by my tests for an hour or more, and then suddenly reappears in great strength.

SCALE THE SAME AS IN FIG. 18.

FIG. 19. DIAGRAM SHOWING TENSION IN CROOKES' APPARATUS (FIG. 16 AND 17) UNDER HOME'S INFLUENCE.

"It is capable of acting at a distance from Mr. Home (not unfrequently as far as two or three feet), but is always strongest close to him.

SCALE THE SAME AS ON FIG. 18.

FIG. 20. DIAGRAM SHOWING TENSION IN CROOKES' APPARATUS (FIG. 16 AND 17) UNDER HOME'S INFLUENCE.

"Being firmly convinced that there could be no manifestation of one form of force without the corresponding expenditure of some other form of force, I for a long time searched in vain for evidence of any force or power being used up in the production of these results.

"Now, however, having seen more of Mr. Home, I think I perceive what it is that this psychic force uses up for its development. In employing the terms vital force or nervous energy, I am aware that I am employing words which convey very different significations to many investigators; but after witnessing the painful state of nervous and bodily prostration in which some of these experiments have left Mr. Home-after seeing him lying in an almost fainting condition on the floor, pale and speechless-I could scarcely doubt that the evolution of psychic force is accompanied by a corresponding drain on vital force."

Sergeant Cox in speaking of the tests says, "The results appear to me conclusively to establish the important fact, that there is a force proceeding from the nerve-system capable of imparting motion and weight to solid bodies within the sphere of its influence."

One of the medium's defenders has written:

"Home's mysterious power, whatever it may have been, was very uncertain. Sometimes he could exercise it, and at others not, and these fluctuations were not seldom the source of embarrassment to him. He would often arrive at a place in obedience to an engagement, and, as he imagined, ready to perform, when he would discover himself absolutely helpless. After a séance his exhaustion appeared to be complete.

"There is no more striking proof of the fact that Home really possessed occult gifts of some sort-psychic force or whatever else the power may be termed-than he gave such amazing exhibitions in the early part of his history and was able to do so little toward the end. If it had been juggling he would, like other conjurors, have improved on his tricks by experience, or at all events, while his memory held out he would not have deteriorated."

Dr. Hammond's Experiments.

Dr. William A. Hammond, the eminent neurologist, of Washington, D. C., took up the cudgels against Prof. Crookes' "Psychic Force" theory, and assigned the experiments to the domain of animal electricity. He wrote as follows:[2] "Place an egg in an egg-cup and balance a long lath upon the egg. Though the lath be almost a plank it will obediently follow a rod of glass, gutta percha or sealing-wax, which has been previously well dried and rubbed, the former with a piece of silk, and the two latter with woolen cloth. Now, in dry weather, many persons within my knowledge, have only to walk with a shuffling gait over the carpet, and then approaching the lath hold out the finger instead of the glass, sealing wax or gutta percha, and instantly the end of the lath at L rises to meet it, and the end at L is depressed. Applying these principles, I arranged an apparatus exactly like that of Prof. Crookes, except that the spring balance was such as is used for weighing letters and was therefore very delicate, indicating quarter ounces with exactness, and that the board was thin and narrow.

FIG. 21. DR. HAMMOND'S APPARATUS.

"Applying the glass rod or stick of sealing-wax to the end resting by its foot on the table, the index of the balance at once descended, showing an increased weight of a little over three quarters of an ounce, and this without the board being raised from the table.

"I then walked over a thick Turkey rug for a few moments, and holding my finger under the board near the end attached to the balance, caused a fall of the index of almost half an ounce. I then rested my finger lightly on the end of the board immediately over the foot, and again the index descended and oscillated several times, just as in Mr. Home's experiments. The lowest point reached was six and a quarter ounces, and as the board weighed, as attached to the balance, five ounces, there was an increased weight of one and a quarter ounces. At no time was the end of the board raised from the table.

"I then arranged the apparatus so as to place a thin glass tumbler nearly full of water immediately over the fulcrum, as in Mr. Crookes' experiment, and again the index fell and oscillated on my fingers being put into the water.

"Now if one person can thus, with a delicate apparatus like mine, cause the index, through electricity, to descend and ascend, it is not improbable that others, like Mr. Home, could show greater, or even different electrical power, as in Prof. Crookes' experiments. It is well known that all persons are not alike in their ability to be electrically excited. Many persons, myself among them, can light the gas with the end of the finger. Others cannot do it with any amount of shuffling over the carpet.

"At any rate is it not much more sensible to believe that Mr. Home's experiments are to be thus explained than to attribute the results of his semi-mysterious attempts to spiritualism or psychic force?"