The Son of Monte-Cristo, Volume I (of 2)

In the month of July of the year 1829, a man created a great sensation in Paris, and even attracted the attention of the lions of society. Where he came from-who he was-what was his past life-none knew; and the mystery surrounding him only tended to make the hero of the season more interesting.

The Count of Monte-Cristo, from Italy-from Malta-no one knew whence-had unlimited credit with the banking house of Danglars, one of the largest in Paris; owned the finest mansion-a superb villa-at Auteuil, and the handsomest turnout on the road, which he presented to a banker's wife, without letting any one know his reason for doing so; all this was sufficient to make him the central point around which revolved the social gossip of the day. But, besides this, the handsome stranger makes his appearance at the theatres in the company of a lady in Grecian dress, whose transcendent beauty and countless diamonds awake alike admiration and cupidity. Like moths around the flame, society flutters about the legendary count, and it is principally the golden youth who find in him their centre of attraction. Among the latter were more especially Albert Morcerf, the son of a general, Debray, a young and talented attaché at the Foreign Office, Beauchamp, and Chateau-Renaud, who served as the asteroids of the new star in the Parisian sky.

Sometimes they were joined at those famous dinners which only a Monte-Cristo understood how to give, by a Count Andrea Cavalcanti, who at first appeared there with his father, Major Cavalcanti. Although he was a stranger, he was received in society through his acquaintance with Monte-Cristo and with Baron Danglars, in whose banking house he had a large sum on deposit.

The young count, a perfect Apollo, with classically-cut features, did not fail to produce an impression upon Eugenie, a proud, black-eyed brunette, the only daughter of the millionnaire Danglars; and as the millions of the father, in conjunction with the peculiar beauty of the daughter, began to interest the count, it was not long before they thought of marriage. Danglars, who had been a heavy loser in certain speculations of which the public was ignorant, hoped to rehabilitate himself with the millions of his prospective son-in-law, and therefore there was nothing to prevent the marriage of the proud Eugenie and the handsome Andrea.

One July evening, representatives of the high financial society, and a few members of the aristocracy, were invited to Danglars' house to witness the signing of the marriage contract of the only daughter of the house with the Italian, Count Andrea Cavalcanti, of the princely house of Cavalcanti. At five o'clock, when the guests arrived, they found all the rooms in the mansion brilliant with wax-lights.

The bride was simply yet tastefully attired: a white satin dress trimmed with lace of the same color; a single white rose, which was half hidden in her raven black hair, formed the only ornament of the young lady, whose jewels, it was well known, represented a fortune. The young count was surrounded by representatives of the gilded youth, who give the tone in the Jockey Club, and are the recognized authorities for all Europe in questions of taste, fashion, and sport.

Baron Danglars was the centre of a group of bankers, to whom he developed his celebrated projects which had increased his millions, taking good care, however, not to mention his losses. Madame Danglars, the handsome mother of the pretty Eugenie, was surrounded by a circle of young and old cavaliers, who paid court to her with the greatest ceremony, and whose adorations were accepted by the lady as a tribute due her, although it could not be denied that she favored the young attaché Debray.

The lawyers were already there, yet the ceremony appeared to be purposely delayed, as if they were waiting for the arrival of a missing guest. And this was indeed the case.

When the footman announced the Count of Monte-Cristo a stir was created among the guests. The star of the evening was overwhelmed with questions, which he paid no attention to, but quietly busied himself with the three representatives of the Danglars family.

The way he observed the young Count Cavalcanti was very strange, though very few noticed it, as the Count of Monte-Cristo was relating a robbery which had been committed in his house, in which one of the thieves had been murdered, most probably by his own comrade. No one noticed the pallor of Count Cavalcanti, as they were too much interested in Monte-Cristo's story. When he had finished, the ceremony was proceeded with.

The marriage contract between Mademoiselle Eugenie and Count Andrea Cavalcanti was read, the millions mentioned therein causing a sensation even among the cream of the financial and aristocratic world, and the signing of the paper was next in order. This circumstance recalled to Madame Danglars the absence of a friend of the house, the procureur du roi Villefort, and she asked Monte-Cristo whether he knew where he was.

"I am indirectly the cause of the absence of the procureur du roi," said the count, as if to apologize. "The man who was murdered in my house was recognized as a former galley-slave named Caderousse, and a letter was found in his pocket which bore a remarkable address."

Every one crowded around the count, while the young bridegroom slowly walked toward a neighboring room.

"Could you tell us the address?" asked Madame Danglars.

"Certainly," replied the count. "You will all laugh over it. It was none other than that of the hero of our reunion to-night-Count Andrea Cavalcanti."

The surprised guests turned around as if to exact an explanation from the latter. He had, however, already left the room. The servants were searching all over the house for him, when a new commotion was heard.

The dazed servants returned from their search, and behind them appeared a detective accompanied by several policemen.

"I am looking for a man named Andrea Cavalcanti," said the detective, in the well-known monotonous way which never fails to make an impression even upon those who are not principals.

"By what right?" asked Danglars, who could not suppress his uneasiness.

"Andrea Cavalcanti is charged with having murdered the galley-slave Caderousse, with whom he was formerly chained in the galleys."

Like lightning from a clear sky this announcement fell upon the aristocratic assembly. Madame Danglars fainted, the policemen searched the house, but could not find the culprit, the guests ran here and there like a flock of sheep surprised by a fox, the servants stood motionless with dazed faces, consternation and confusion reigned supreme.

* * *

No one among all the company in Danglars' house possessed their self-possession so much as just the one who was the least expected to do so.

Two days after the catastrophe, when Eugenie's most intimate friend, the music teacher, Louise d'Armilly, came to condole with her, the proud daughter of the banker repulsed her with a disdainful laugh.

"I am not made for marriage," she said; "at first I was engaged to Monsieur de Morcerf, whose father shot himself a few days ago, in a fit of remorse at having acquired his wealth by dishonorable means; then I was to be married to Prince Cavalcanti, to add to the millions which my father possesses, or which he perhaps does not call his own, the imaginary wealth of a-jail-bird."

"What should be done now?" asked her modest friend in an anxious tone.

"Fate shows my path," answered Eugenie, firmly. "I am not intended to become the slave of a hypocritical and egotistical man. You are aware that my inclination pushes me toward the stage, where my voice, my beauty, and my independent spirit will assure me success. The time has now arrived when I must decide: here, the scandal and contempt of the crowd; there, applause, fame, and honor. I foresaw it all, though I did not think it would come in such a shameful way. I have fifty thousand francs pin-money, and my jewels are worth as much more. Order a carriage; I have passports for both of us; in an hour we depart for Belgium."

Louise listened to her friend speechless with astonishment; although she knew the firmness of her character, she was not prepared for so much independence.

"But we two girls alone," she hesitatingly said, "cannot-"

"I have looked out for that, too," replied Eugenie, calmly; "the passport is made out in the name of Monsieur Leon d'Armilly and sister; while you go for the carriage I will pack the trunks, and change myself into Monsieur Leon d'Armilly."

Louise mechanically left the room to order the carriage to come to Danglars' house. When she came back an elegant young man stood near the trunks, whom no one would have recognized at the first glance as the proud and courted beauty, Eugenie Danglars. With great difficulty the two girls carried the trunk through a side door of the house and deposited it at the next street corner. There the coachman awaited them, and in a quarter of an hour they had left Paris.

Let us now return to Prince Cavalcanti, alias Benedetto, the hero of the interrupted party at the banker Danglars' house.

With that cunning peculiar to criminals who scent danger from afar, he had made his exit at the right time. After he had pocketed the diamonds which formed a part of Eugenie's trousseau, and which were exposed in the parlor, he scaled the window, slipped an overcoat over his dress, and made his way out of the house. In thirty minutes he reached an out-of-the-way suburb of Paris. Without losing a minute of his precious time, he took a carriage, and left the city under the pretence of having to catch a friend, who had departed for the chase on the previous day. The big tip he gave the driver spurred the latter on, and at the end of an hour Benedetto found himself at Loures, where he discharged his driver, saying that he would spend the night there.

Benedetto now formed a decisive plan. He did not remain in Loures, but went on foot to Chapelle-en-Serval, a mile distant, where he arrived covered with dirt and dust, and entered the nearest inn, telling the host that he had fallen from his horse. "If you could get me a coach or a horse, so that I could return to Compiegne, I would be very grateful to you."

The host really had a horse at his disposal, and in a quarter of an hour Benedetto, accompanied by the host's son, was on the road to Compiegne, which he reached about midnight. After he had discharged the boy at the market-place of the little city, he went to the inn called the Bell and Bottle, which he had patronized in former times, and to which he was admitted now.

After Benedetto had eaten a hearty supper, he inquired if he could get a room on the ground floor, but was forced to accept one on the first story, as the other had been taken by a young man who had just arrived with his sister.

The hunted culprit was so tired out by his exertions that he fell into a deep sleep, and did not wake up early next morning, as he had intended, but at nine o'clock. Struck by an indescribable fear, he quickly dressed himself and peered through the window blinds. He recoiled in terror, for his first glance had fallen upon two policemen who leaned against the doors with their guns in their hands. His first thoughts were that he was followed and was lost. He quickly collected himself, suppressed his excitement, and seizing a piece of paper, scribbled these words on it with a lead pencil:

"I have no money, but do not desire to owe anything. The inclosed diamond pin will fully pay for my bill. I was ashamed to acknowledge this, and therefore left at five o'clock."

After he had attached the pin to the paper, he opened the door and crawled up the chimney with the agility of a chimney-sweep. Here, however, the difficulty was to continue his way without being perceived by any one. He therefore returned and entered another chimney, intending to wait there until all danger was over. He already began to think himself saved, when he lost his balance and crashed with a loud noise through the opening and into a room which was occupied, as was betrayed by a sudden scream.

A young man and a lady were in the room. The latter had uttered the cry, while the former pulled vigorously at the bell-rope.

"Rescue me-hide me!" were the first words the villain spoke. He was about to say more, but the words stuck in his throat, for he had recognized the young man as Eugenie Danglars.

"Andrea, the murderer!" exclaimed the two women.

"Have mercy! rescue me!" implored Benedetto.

"It is too late," replied Eugenie, "the door is being opened."

At the same moment, the policemen, followed by the whole inn staff, entered the room. Benedetto saw he was lost. He pulled out a dagger, as if he wished to attack his captors, but desisted when he saw it would be fruitless.

"Kill yourself!" exclaimed Eugenie, with the accent of a tragedy queen.

"Bah!" replied Benedetto, "it is too early yet; the whole thing is a misunderstanding, and I have friends."

With great coolness he held out his hands to the policemen, who put handcuffs on them.

"Give my regards to your father, Mademoiselle Danglars, and do not be ashamed. You are my bride, and we ought to have been man and wife to-day," said Benedetto, sarcastically, as he left the room with the policemen, leaving Eugenie exposed to the curious and contemptuous glances of the waiters.

* * *

The procureur du roi, Villefort, was one of the most respected and influential men in Paris, and his reputation as district-attorney was spotless. Married the second time to a handsome and refined lady, Monsieur de Villefort spent his leisure time in the society of his wife, a grown daughter by his first marriage, named Valentine, his little son, Edouard, presented to him by his second wife, and his old father, Noirtier de Villefort, in an elegant mansion in the Faubourg St. Honore.

The only grief he had was the condition of his father, who had been stricken with paralysis, which had not only robbed him of the use of his limbs, but of his speech too. The old man could only make himself understood by his beloved grandchild Valentine, and by a faithful servant named Barrois, by the rising and falling of his eyelids.

In the house of this immensely respected man, certain things had happened within a few months which attracted general attention, though no one could explain them. The parents of the deceased Madame de Villefort, who had been staying at their son-in-law's house on a visit, had died suddenly one after the other, the doctors being unable to assign any other cause for their deaths than apoplexy. These facts would not have caused any talk, since the two persons who had died were both very old, had they not been followed almost immediately by the deaths of the old servant of Monsieur Noirtier and of Valentine, the blooming daughter of the procureur du roi, and the bride of a young officer named Morrel, under circumstances which looked very much like poisoning.

It was a terrible time for Monsieur de Villefort, who saw himself obliged, in his official capacity, to investigate his own household. After long observation, he had a terrible suspicion, which was confirmed by a hundred little things, that his own wife was the four-times murderess!

The reasons which actuated her to commit these terrible crimes were very clear. Valentine, the step-daughter, possessed a large fortune which she had inherited from her dead mother; she was the sole heiress of the grandparents who had died so suddenly; upon the death of Valentine all her wealth would revert to Monsieur de Villefort, and his sole heir would be his son.

Villefort, the husband, struggled terribly with Villefort, the district-attorney; he tried to ward off the guilt from his wife, but his efforts were fruitless. It was the same day on which the sensational case of Prince Cavalcanti, alias Benedetto, was before the Court of Special Sessions, and Monsieur de Villefort was forced to attend the sitting in his official capacity as district-attorney. Before he went he sent for his wife, who wished to attend the trial of a case which caused great excitement all over Paris.

Madame de Villefort came to his room fully dressed for the street, being under the impression that her husband would ask her to accompany him to the court-house. She trembled, however, when she noticed his face, which was torn by conflicting passions.

"Where do you get the poison from, madame, which you are in the habit of using?" asked the procureur du roi, in a tone of command.

Madame de Villefort turned deathly pale.

"I do not understand what you mean," she stammered.

"I mean," said the man of the law, "where do you keep the poison with which you murdered my parents-in-law, Barrois, and my daughter, Valentine?"

Stunned by this terrible charge Madame de Villefort fell to the floor; she no longer dared to deny the accusation, and was oppressed by a feeling of deep despair.

"Every crime, madame," continued the procureur du roi, "has its penalty; yours will be the scaffold. This expiation, however, would be as terrible for me as for you. Fate has left you to pay for your deeds by your own hand. You have, perhaps, still a few drops of poison left, which will save both you and me the scandal of a public hanging. I am going to the court-house, and I hope that when I return you will have expiated your crimes."

With a cry, the unhappy woman became unconscious, while Monsieur de Villefort, hardly able to collect his thoughts, left the room and rode to attend the Cavalcanti-Benedetto case.

* * *