The Masculine Cross

Universal prevalence of the Cross-Mistakes-The Cross not of Christian Origin-Christian Veneration of the Cross-The Roman Ritual-The Cross equally honoured by the Gentile and Christian Worlds-Druidical Crosses-The Copt Oak of Charnwood Forest-Assyrian Crosses in British Museum-Pectoral Crosses-Egyptian Crosses-Greek Cross-St.

Andrew's Cross-Planetary Signs and Crosses-Monogram of Christ at Serapis-Cross in India-Pagodas in form of Crosses-Mariette Bey's Discovery-Buddhist and Roman Crosses-Chinese Crosses-Kampschatkan Crosses-American Crosses-Cross among the Red Indians-The Royal Commentaries of Peru-Mexican Ideas relative to the Cross-The Spaniards in America-Sign of the Cross-Cross as an Amulet-Hot-cross Buns-Tertullian on the Use of the Cross.

The universal prevalence of the cross as an ornament and symbol during the last eighteen centuries in the Christian church has led to some great, if not grave, mistakes. It has been supposed, and for various obvious reasons very naturally so, to be of exclusively Christian origin, and to represent materially no more than the instrument by which the founder of that religion was put to death; and, spiritually or symbolically, faith in the sacrificial atoning work he then completed. There are not a few people about who, having become imbued with this idea, rush to the hasty conclusion that wherever the cross is found, and upon whatever monuments, it indicates a connection with Christianity, and is therefore of comparatively modern origin. History, in consequence, becomes a strange and unfathomable mystery, especially when it belongs to kingdoms of well-known great antiquity, amongst whose symbols or ornaments the cross is plentiful, and the mind finds itself involved in a confusion from which it cannot readily extricate itself. Never was there a greater blunder perpetrated, or a more ignorant one, than the notion of the figure of the cross owing its origin to the instrument of Christ's death, and the Christian who finds comfort in pressing it to his lips in the hour of devotion or of trouble must be reminded that the ancient Egyptian did a similar thing.

The fact is, there is great similarity between the cross worship, or veneration if you please, of ancient and modern times. Christians, we know, are apt to repudiate the charge of rendering worship to this symbol, but it is clear from what is printed in some of their books of devotion that some sort of worship is actually rendered, though disguised under other names. As to the veneration thus offered being right or wrong, we here say nothing; the fact only concerns us so far as it relates to the subject we have in hand.

If we open the Tablet (Roman Catholic newspaper) for the 26th of November, 1853, we read:-"Those of our readers who have visited Rome will, doubtless, have remarked, at the foot of the stairs which descend from the square of the Capitol to the square of the Campo Vaccino, under the flight of steps in front of the Church of St. Joseph, and over the door of the Mamertine prison, a very ancient wooden crucifix, before which lamps and wax tapers are constantly burning, and surrounded on all sides with exvotos and testimonies of public thanksgiving. No image of the crucified Saviour is invested with greater veneration.... The worship yielded to the holy crucifix of Campo Vaccino is universal at Rome, and is transmitted from generation to generation. The fathers teach it to the children, and in all the misfortunes and all the trials of life the first idea is almost always to have recourse to the holy crucifix, the object of such general veneration, and the source of so many favours. It is, above all, in sickness that the succour of the holy image is invoked with more confidence and more eagerness.... There are few families in Rome who have not to thank the holy crucifix for some favour and some benefit.... In the interval of the sermons and other public exercises of devotion the holy crucifix, exposed on the high altar in the midst of floods of light, saw incessantly prostrated before it a crowd of adorers and suppliants.... As soon as the holy image of the Saviour had appeared on the Forum, the Holy Father advanced on the exterior flight of steps of the church to receive it, and when the shrine had arrived at the base of the stairs of the Church of San Luca, at some paces from the flight of steps on which the Holy Father stood, in rochet, stole, and pallium of red velvet, he bowed before the holy crucifix and venerated it devoutly."

In harmony with this, the Missal supplies us with prayers and hymns in the service for Good Friday, addressed directly to the cross.

"We adore Thy cross, O Lord, and we praise and glorify Thy holy resurrection; for by the wood of the cross the whole world is filled with joy."

"O faithful cross, O noblest tree,

In all our woods there is none like thee.

No earthly groves, no shady bowers

Produce such leaves, such fruit, such flowers.

Sweet are the nails and sweet the wood,

Which bore a weight so sweet and good."

"O lovely tree, whose branches bore

The royal purple of His gore,

How glorious does thy body shine,

Supporting members so divine.

Hail, cross! our hope, on thee we call

Who keep this paschal festival;

Grant to the just increase of grace,

And every sinner's guilt efface."

There is something unusually remarkable about the popularity of the cross; we can hardly point to a time when, or to a part of the world where, it has not been in favour. It has entered into the constitution of religions of the most opposite character, has been transmitted from one to another, and though originally belonging to the rudest form of pagan idolatry, is now esteemed highly by those who profess to have adopted the loftiest ideal of civilised worship. After mentioning the fact of its popularity in the pagan world, Mr. Maurice remarks: "Let not the piety of the Catholic Christian be offended at the preceding assertion, that the cross was one of the most usual symbols among the hieroglyphics of Egypt and India. Equally honoured in the Gentile and the Christian world, this emblem of universal nature-of that world to whose four quarters its diverging radii pointed-decorated the hands of most of the sculptured images in the former country, and in the latter stamped its form upon the most majestic shrines of their deities."

Here we may profitably glance at a few different parts of the world and at some of the past ages, in tracing out the possible origin and meaning of this symbol. In Britain there have been found monuments so ancient and with such surroundings that but for certain peculiar marks they would unhesitatingly have been put down as Druidical. They are marked with the cross, and in the estimation of some, as we have already pointed out, that is regarded as conclusive proof of Christian origin. The inference, however, is a false one, the monuments are too old for Christianity, and the cruciform etchings upon them belong to another religious system altogether. It is known that the Druids consecrated the sacred oak by cutting it into the shape of a cross, and so necessary was it regarded to have it in this form, that if the lateral branches were not large enough to construct the figure properly, two others were fixed as arms on either side of the trunk. The cross having been thus constructed, the Arch-Druid ascended and wrote the name of the Deity upon the trunk at the place of intersection, and on the extremities of the arms.

The peculiar interest attached to this idol lies in the fact that it is described by the best authorities as the Gallic or Celtic Tau. "The Tau," says Davies in his Celtic Researches, "was the symbol of the Druidical Jupiter. It consisted of a huge grand oak deprived of all its branches, except only two large ones which, though cut off and separated, were suspended from the top of its trunk-like suspended arms." The idol, say others, was in reality a cross, the same in form as the linga.

A few years ago, near the hill of Bardon, in the middle of Charnwood forest, in the county of Leicester, there grew and perhaps still grows, a very old tree called the Copt Oak. This tree, there is reason to believe, was more than two thousand years old, and once formed a Celtic Tau. Forty years ago, a writer who knew the tree well, said that its condition then suggested very distinctly the possibility of the truthfulness of the story. It was described as a vast tree, then reduced to a mere shell between two and three inches only in thickness, perforated by several openings, and alive only in about one-fourth of the shell; bearing small branches, but such as could not have grown when the tree was entire; then it must have had branches of a size not less than an oak of ordinary dimensions. This was evident from one of the openings in the upper part of the shell of the trunk, exactly such as a decayed branch would produce. The tree was evidently of gigantic size in its earlier days, as shown by its measurement at the date we are speaking of. The remains of the trunk were twenty feet high, the height proper for the Tau, and the circumference at the ground was twenty-four feet; at the height of ten feet the girth was twenty, giving a diameter of nearly seven feet. This tree, we have said, was called the Copt Oak; the epithet copt, or copped, may be derived from the Celtic cop-a head, and evidently indicates that the tree had been headed and reduced to the state of a bare trunk. The idol, as already described, was formed by cutting away the branches of the tree, which was always a large one, and affixing a beam, forming a cross with the bare trunk.[1]

From time immemorial the Copt Oak has borne a celebrity that bears out the tradition of its ancient sacredness. Potter, the historian of the forest of Charnwood, writes that it was one of the three places at which Swanimotes were held, always in the open air, for the regulation of rights and claims on the forest; and persons have been known even in late times to have attended such motes. "At this spot," he says, "it may be under this tree, Edric the Forester is said to have harangued his forces against the Norman invasion; and here too, in the Parliamentary troubles of 1642, the Earl of Stamford assembled the trained bands of the district." "These facts," says Dudley, "mark the Copt Oak extraordinary, and show, that notwithstanding the lapse of two thousand years, the trunk was at that distant period a sacred structure, a Celtic idol; and that it is illustrative of antiquarian records."

Still further back in history than the foregoing are we able to trace this singular figure. If we visit the Assyrian galleries of the British Museum we shall observe life-size effigies in stone of the kings Samsi-Rammanu, B.C. 825, and Assur-Nazir-Pal, B.C. 880; suspended from the necks of these monarchs and resting upon their breasts are prominently sculptured Maltese crosses about three inches in length and width; they are in a good state of preservation, and will amply repay anyone for the trouble of an inspection, should they be desirous of pursuing this enquiry. In the Roman Catholic dictionaries we find these ornaments described as pectoral crosses-crosses of precious metal worn at the breast by bishops and abbots as a mark of their office, and sometimes also by canons, etc., who have obtained the privilege from Rome. It is stated these pectorals were not generally used by the Roman ecclesiastics till the middle of the sixteenth century; however that may be, it is a fact, as proved by the Assyrian sculptures, that they are nearly, if not more than, three thousand years old, and not the least interesting feature distinguishing them is their perfect similarity of design. It is strange that we moderns-the disciples of Christ-should have had supplied to us at that remote period the pattern of an ornament or symbol which we are accustomed to regard as emblematic of essential features of our religion, but it is true.

Look across now to Egypt and we find monuments and tombs literally bedizened with the cross, and that too in a variety of shapes. Long, long before Christ, the Ibis was represented with human hands and feet, holding the staff of Isis in one hand, and a globe and cross in the other. Here we are in one of the most ancient kingdoms of the world-a kingdom so ancient that its years are lost in obscurity-yet still the cross is found. Whatever it may have represented in other countries, and whatever may be its meaning here, from the positions in which it is found and from its constant association with ecclesiastical personages and offices, it was evidently one of the most sacred of their symbols. Two forms, among others, are common, one a simple cross of four limbs of equal length, the other that shaped like the letter X; the first is generally known as the Greek cross, the second as that of St. Andrew, both however being of the same form and owing their different appearance only to the position in which they are placed.

It is well known, probably, to most of our readers that the astronomical signs of certain of the planets consist of crosses, crescents, circles, and in ancient Egypt these were precisely the same as those now used. Saturn was represented by a cross surmounting a ram's horn, Jupiter by a cross beneath a horn, Venus by a cross beneath a circle, the Earth by a cross within a circle, Mercury by a cross surmounted by a circle and crescent, and Mars by a cross above a circle. These may still be seen in almanacs, and on the large coloured bottles in the windows of the druggist. In the hands of Isis, Osiris, and Hermes, corresponding with the Venus, Jupiter, and Mercury of the Greeks, are also found the above signs.

When the temple of Serapis, at Alexandria, was destroyed by one of the Christian emperors, it is related by several historians, Socrates and Sozomen, for instance, that beneath the foundation was discovered the monogram of Christ; and that considerable disputing arose in consequence thereof, the Gentiles endeavouring to use it for their own purposes, and the Christians insisting that the cross, being uneasy beneath the weight or dominion of the temple, overthrew it.

If we turn to India we find the cross almost as common as in Egypt and Europe, and not the least interesting feature of the matter is the curious fact that a number of the pagodas are actually cruciform in structure. Jagannath is the name of one of the mouths of the Ganges, upon which was built the great pagoda where the Great Brahmin or High Priest resided. We were told years ago, by travellers, that the form of the choir or interior was similar in proportion to all the others, which were built upon the same model, in the form of a cross. The pagoda at Benares, also, was in the figure of a cross, having its arms equal. After the above, in importance, was the pagoda at Muttra; this likewise was cruciform. One of these temples, that at Chillambrum on the Coromandel coast, is said to be four miles in circumference. Here there are seven lofty walls one within the other round the central quadrangle, and as many pyramidal gateways in the middle of each side which form the limbs of a vast cross, consisting altogether of twenty-eight pyramids. There are, therefore, fourteen in a row, which extend more than a mile in one continuous line.

What has been called, and perhaps justly so, the oldest religious monument in the world was discovered a few years ago by Mariette Bey, near the Great Pyramid. For ages it had lain there, buried in the sand-how many we cannot tell, but very many we know; enough to carry us back to a very remote past. And this, too, like the Indian temples, was in the shape of a cross. Renan visited it in 1865, and though he found it in many particulars different from those known elsewhere, he described the interior, which much recalled the chamber of the Great Pyramid, as in the form of T, the principle aisle being divided in three rows, the transverse aisle in two.

Mr. Fergusson, the architect, also saw it, and, while admiring its simple and chaste grandeur of style, with some astonishment described the form of the principal chamber as that of a CROSS. And this was the plan of both tomb and temple in the earliest ages, testifying to the great veneration paid to this symbol.

There is a remarkable resemblance between the Buddhist crosses of India and those used by the Christian Roman Church. The cross of the Buddhist is represented with leaves and flowers springing from it, and placed upon a Calvary as by the Roman Catholics. It is represented in various ways, but the shaft with the cross-bar and the Calvary remain the same. The tree of life and knowledge, or the jamba tree, in their maps of the world, is always represented in the shape of a cross, eighty-four yoganas, or 423 or 432 miles high, including the three steps of the Calvary.

From India we naturally turn to China, and, though its use there is involved in a deal of mystery, the cross is found among their hieroglyphics, on the walls of their pagodas and on the lamps which they used to illuminate their temples.

In Kamschatka, Baron Humboldt found the cross and remains of hieroglyphics similar to those of Egypt.

Passing into America, we find that what could only be described as perfect idolatry prevailed with respect to the veneration paid to the cross. Throughout Mexico and some parts of South America the emblem is constantly found, and in many instances is evidently of great antiquity. Some travellers have explained their presence by attributing them to the Spaniards, but those people found them there when they arrived, and were greatly astonished at the spectacle, not knowing how to account for it. A lieutenant of Cortez passed over from the island of Cosumel to the continent, and coasted the peninsula of Yucatan as far as Campeachy. Everywhere he was struck with the evidences of a higher civilisation, and was astonished at the sight of numerous large stone crosses, evidently objects of worship, which he met with in various places.

At Cozuma an ancient cross is still standing. Here there is a temple of considerable size, with pyramidal towers rising several stories above the rest of the building, facing the cardinal points. In the centre of the quadrangular area within stands a high cross, constructed of stone and lime like the rest of the temple, and ten palms in height. The natives regard is as the emblem of the god of rain.

The discovery of the cross amongst the Red Indians as an object of worship, by the Spanish missionaries, in the fifteenth century, completely mystified them, and they hardly knew whether to attribute it to a good or an evil origin-whether it was the work of St. Thomas or of the Devil. The symbol was not an occasional spectacle in odd places, as though there by accident, it met them on all sides; it was literally everywhere, and in every variety of form. It mattered not whether the building was old or new, inhabited or ruined and deserted, whether it was a temple or a palace, there was the cross in all shapes and of all materials-of marble, gypsum, wood, emerald, and jasper. What was, perhaps, still more remarkable was the fact that it was associated with certain other things common on the Babylonian monuments, such as the bleeding deity, the serpent and the sacred eagle, and that it bore the very same names by which it was known in Roman Catholic countries, "the tree of subsistence," "the wood of health," "the emblem of life." In this latter appellation there was a parallel to the name by which it was known in Egypt, and by which the holy Tau of the Buddhists has always been known; thus placing, as has been said, any supposition of accidental coincidence beyond all reasonable debate.

In the Royal Commentaries of Peru, we have some interesting allusions to the cross and to the general sanctity with which it was surrounded. In the city of Cozco, the Incas had one of white marble, which they called a crystalline jasper, but how long they had had it was unknown. The Inca, Garcillasso de la Vega, said he left in the year 1560, in the cathedral church of that city; it was then hanging upon a nail by a list of black velvet; formerly, when in the hands of the Indians, it had been suspended by a chain of gold and silver. The form is Greek, that is, square; being as broad as it was long, and about three fingers wide. It was previously kept in one of the royal apartments, called Huaca, which signified a consecrated place. The record says that though the Indians did not adore it, yet they held it in great veneration, either for the beauty of it, or for some other reason which they knew not to assign; and so was observed amongst them, until the Marquess Don Francisco Pizarro entered the valley of Tumpiz, when by reason of some accidents which befel Pedro de Candia they conceived a greater esteem and veneration for it. The historian complains that the Spaniards, after they had taken the imperial city, hung up this cross in the vestry of a church they built, whereas, he says, they ought to have placed a relic of that kind upon the high altar, adorning it with gold and precious stones; by which respect to a thing the Indians esteemed sacred, and by assimilating the ordinances of the Christian religion as near as was possible with those which the law of nature had taught this people, the lessons of Christianity would thereby have become more easy and familiar, and not seemed so far estranged from the principles of their own Gentilism.

This cross is again mentioned in another part of the Royal Commentaries, and two travellers are described as being filled with admiration at seeing crosses erected on the top of the high pinnacles of the temples and palaces; the which, it is said, were introduced from the time that Pedro de Candia, being in Tumpiz, charmed or tamed the wild beasts which were let loose to devour him, and which, simply by virtue of the cross which he held in his hand, became gentle and domestic. This was recounted with such admiration by the Indians, who carried the news of the miracle to Cozco, that when the inhabitants of the city understood it they went immediately to the sanctuary where the jasper cross already mentioned stood, and, having brought it forth, they with loud acclamations adored and worshipped it, conceiving that though the sign of the cross had for many ages been conserved by them in high esteem and veneration yet it was not entertained with such devotion as it deserved, because they were not as yet acquainted with its virtues. Believing that the sign of the cross had tamed and shut the mouths of the wild beasts, they imagined that it had a like power to deliver them out of the hands of their enemies.

On both the northern and southern continents of America the cross was believed to possess the power of restraining evil spirits, and was the common symbol of the god of rain and of health. The people prayed to it when their country needed water, and the Aztec goddess of rains held one in her hand. At the feast celebrated to her honour in the spring, when the genial shower was needed to promote fertilisation, they were wont to conciliate the favour of Centeotl, the daughter of heaven and goddess of corn, by nailing a boy or girl to a cross, and after they had been so suspended for awhile piercing them with arrows shot from a bow. The Muyscas, less sanguinary than the Mexicans in sacrificing to the god of the waters, extended a couple of ropes transversely over some lake or stream, thus forming a gigantic cross, and at the point of intersection threw in their offerings of food, gems, and precious oils.

Quetyalcoatl, god of the winds, bore as his sign of office a mace like the cross of a bishop; his robe was covered with the symbol, and its adoration was connected throughout with his worship.

There is, of course, no doubt whatever that the Spaniards took the cross with them to America, and scattered it about so much in such varied directions that their own became so intermingled with the native ones as to make it difficult to distinguish one from the other; but the fact remains that what there was of cordiality in the reception they met with from the aborigines, was due in no small degree to their use of the same emblem on their standards; when this became apparent the astonishment was mutual. Many travellers have told us of these ancient crosses, and some of them while expressing doubts as to their antiquity, have yet supplied us with evidence of the same. Mr. Stephens is one of these. In his Incidents of Travel in Central America, he supplies us with some wonderful Altar Tablets found at Palenque, the principal subject in one of which is the cross. It is surmounted by a strange bird, and loaded with indescribable ornaments. There are two human figures, one on either side of the cross, evidently of important personages; both are looking towards the cross, and one seems in the act of making an offering. The traveller says:-"All speculations on the subject are of course entitled to little regard, but perhaps it would not be wrong to ascribe to those personages a sacerdotal character. The hieroglyphics doubtless explain all. Near them are other hieroglyphics which remind us of the Egyptian mode of recording the name, history, office, or character of the persons represented. This tablet of the cross has given rise to more learned speculations than perhaps any others found at Palenque. Dupaix and his commentators, assuming for the building a very remote antiquity, or at least, a period long antecedent to the Christian era, account for the appearance of the cross by the argument that it was known and had a symbolical meaning among ancient nations long before it was established as the emblem of the Christian faith."

Near Miztla, "the city of the moon," is a cavern temple excavated from the solid rock in the form of a cross, 123 feet in length and breadth, the limbs being about 25 feet in width.

Other relics have been found in abundance in the same part of the world, proving how well known this emblem was before the advent of Christianity. In the Mexican Tribute Tables, we were told a few years ago by a writer in the Historical Magazine, small pouches or bags frequently occur. Appendages to dress, they are tastefully formed and ornamented with fringe and tassels. A cross of the Maltese or more ordinary form (Greek or Latin) is conspicuously woven or painted on each. They appear to have been in great demand, a thousand bundles being the usual Pueblo tax.

The practice of marking the cross on their persons and wearing it in their garments was once common with some if not with all the occupants of the Southern Continent. The Abipones of Paraguay tatooed themselves by pricking the skin with a thorn. They all wore the form of a cross impressed on their foreheads, and two small lines at the corner of each eye, extending towards the ears, besides four transverse lines at the root of the nose, between the eyebrows, as national marks. What these figures signified no one was able to tell. The people only knew this, that the custom had been handed down to them by their ancestors. Not only were crosses marked on their foreheads, but woven in the red woollen garments of many of them. This was long before they knew anything of the Christian religion.

The "hot cross bun," eaten in this country on Good Friday, is supposed by many to be exclusively Christian in its origin; whereas it is no more than a reproduction of a cake marked with a cross which was duly offered in the heathen temples to such living idols as the serpent and the bull. It was made of flour, honey and milk, or oil, and at certain times was eaten with much ceremony by both priests and people.

There was also used in the Pagan times the monogram of a cross upon a heart, the meaning of which was according to Egyptologists, "goodness." "This figure," says Sir G. Wilkinson, "enclosed in a parallelogram, in which form it would signify 'the abode of good,' was depicted or sculptured upon the front of several houses in Memphis and Thebes."

A very ancient Ph?nician medal was found many years ago in the ruins of Citium, on which were inscribed the cross, the rosary, and the lamb. An engraving of this may be seen in Higgins' Celtic Druids and in Dr. Clark's Travels.

The connection of the cross with Paganism originally, and its ultimate assumption by the Christian church, is curiously and strikingly brought out by Tertullian in his Apologeticus and Ad Nationes. These treatises, we may observe, are so much alike that the former has sometimes been regarded as a first draft of the latter, which is nearly double the length. Probably, however, they are entirely different productions, one being addressed to the general public and the other to the rulers and magistrates.

Charged with worshipping a cross, he says:-"As for him who affirms that we are the priesthood of a cross, we shall claim him as our co-religionist. A cross is in its material a sign of wood; amongst yourselves also the object of worship is a wooden figure. Only, whilst with you the figure is a human one, with us the wood is its own figure. Never mind for the present what is the shape, provided the material is the same; the form, too, is of no importance, if so be it be the actual body of a god. If, however, there arises a question of difference on this point, what, let me ask, is the difference between the Athenian Pallas or the Pharia Ceres, and wood formed into a cross, when each is represented by a rough stock without form, and by the merest rudiment of a statue of unformed wood? Every piece of timber which is fixed in the ground in an erect position is a part of a cross, and indeed the greater portion of its mass. But an entire cross is attributed to us, with its transverse beam, of course, and its projecting seat. Now you have the less to excuse you, for you dedicate to religion only a mutilated imperfect piece of wood, while others consecrate to the sacred purpose a complete structure. The truth however, after all, is that your religion is all cross, as I shall show. You are indeed unaware that your gods in their origin have proceeded from this hated cross. Now every image, whether carved out of wood or stone, or molten in metal, or produced out of any other richer material, must needs have had plastic hands engaged in its formation. Well then, this modeller, before he did anything else, hit upon the form of a wooden cross, because even our own body assumes as its natural position the latent and concealed outline of a cross. Since the head rises upwards and the back takes a straight direction and the shoulders project laterally, if you simply place a man with his arms and hands out-stretched, you will make the general outline of a cross. Starting then from this rudimental form and prop, as it were, he applies a covering of clay, and so gradually completes the limbs and forms the body, and covers the cross within with the shape which he meant to impress upon the clay; then from this design, with the help of compasses and leaden moulds, he has got all ready for his image which is to be brought out into marble, or clay, or metal, or whatever the material be of which he has determined to make his god. This then is the process: after the cross-shaped frame the clay; after the clay the god. In a well-understood routine the cross passes into a god through the clayey medium. The cross then you consecrate, and from it the consecrated deity begins to derive its origin. By way of example let us take the case of a tree which grows up into a system of branches and foliage, and is a reproduction of its own kind, whether it springs from the kernel of an olive, or the stone of a peach, or a grain of pepper which has been duly tempered under ground. Now if you transplant it or take a cutting off its branches for another plant, to what will you attribute what is produced by the propagation? Will it not be to the grain, or the stone, or the kernel? Because as the third stage is attributable to the second, and the second in like manner to the first, so the third will have to be referred to the first, through the second as the mean. We need not stay any longer in the discussion of this point, since by a natural law every kind of produce throughout nature refers back its growth to its original source; and just as the product is comprised in its primal cause, so does that cause agree in character with the thing produced. Since then, in the production of your gods, you worship the cross which originates them, here will be the original kernel and grain from which are propagated the wooden materials of your idolatrous images. Examples are not far to seek. Your victories you celebrate with religious ceremony as deities, and they are more august in proportion to the joy they bring you. The frames on which you hang up your crosses-these are as it were the very core of your pageants. Thus in your victories the religion of your camp makes even crosses objects of worship; your standards it adores, your standards are the sanction of its oaths, your standards it prefers before Jupiter himself. But all that parade of images and that display of pure gold, are as so many necklaces of the crosses. In like manner also in the banners and ensigns, which your soldiers guard with no less sacred care, you have the streamers and vestments of your crosses. You are ashamed, I suppose, to worship unadorned and simple crosses."

We give this passage at length because it emphasises what we are urging in connection with this subject, viz., that the cross is common to both Christianity and Paganism, that the latter possessed it ages before the former, and is therefore more likely to have originated it. We speak with some reserve on this latter point for want of proper and full evidence. It may of course be possible that in a purer and more enlightened age the cross was known and used; we shall probably, however, find our researches stop short in Pagan times, in which we shall have to look for the generally recognised meaning of the symbol.

It is remarkable in the quotation just made, that Tertullian never attempts to refute the charge brought by the Pagans against the Christians of his time of worshipping the cross; he merely retaliates by asserting that they did the very same thing in a somewhat different manner. "As for him," he says, "who affirms that we are the priesthood of a cross, we shall claim him as our co-religionist.... What, let me ask, is the difference between the Athenian Pallas or the Pharian Ceres, and wood formed into a cross?"

He further identifies himself and his religion with the Pagans in this particular by saying:-"In all our movements, our travels, our going out and coming in, putting on our shoes, at the bath, at the table, in lighting our candles, in lying down, in sitting down: whatever employment occupies us, we mark our forehead with the sign of the cross." How much all this reminds us of the universality of the symbol in pre-Christian times. We can scarcely point to an age or to a century in which it did not in some way enter into its history, its theology, its social and domestic life. Again and again have monuments been discovered which put the date of its use further back than had been imagined, and some have been brought to light which carry the story back into very remote antiquity indeed. In the wilds of Central India, for instance, a little over twenty years back, the late Mr. Mulheran, C.E., discovered two of the oldest crosses ever met with. They were granite monoliths, perfect in structure, and very much like those to be found here and there in the western parts of Cornwall. One was ten feet nine inches in height, and the other eight feet six inches; each being in the midst of a group of cairns and cromlechs or dolmens, which Colonel Taylor describes as similar in character to some which he formerly surveyed near the village of Rajunkolloor, within the Principality of Shorapoor, in the Deccan. Their extreme antiquity is inferred from the fact, as stated by the European officer who first discovered them, that the vicinity of the groups of cromlechs and crosses had, at some remote period, been cultivated; that parts of the hills had been cut into terraces, and supported by large stone banks or walls; but that the country for miles in every direction was, and had been for centuries and centuries, entirely uninhabited, and was grown over with dense forests. It has been estimated that, as this elevated and long-neglected region has been the possession of the low castes, or non-Aryan helots, from time immemorial, we may confidently assume that the monoliths in question were erected by the aboriginal population of the soil-a population which was driven, not improbably three thousand years, at the least, before the advent of Christ, from the richer plains below by the first Aryan invader who had crossed the five streams, and found a temporary refuge in the nearest range of hills to the west of Chandar, until another foe-the Mogul-appeared upon the scene, and finally subdued both the conqueror and his victims. "Here then," says a reviewer, "amongst these now fragmentary people from the débris of a widely-spread primeval race (to borrow a phrase from a recent writer on the non-Aryan languages of the Continent), we find the symbol of the cross, not only expressing the same mystery as in all other parts of the world, but its erection, doubtless, dating from one of the very earliest migrations of our species." It is impossible to adduce any clearer or stronger proof of its primitive antiquity than this.

It has been suggested by some writers, who, for some reason or other, objected to the recognition of the cross as an emblem of great antiquity, that the stone structures which were erected in the British Islands by the Druids, Saxons, and Danes, owed their cruciform character to the necessities of the situation rather than to any other cause; that the stones were placed across each other as a matter of mere convenience, and not with the view of forming a cross, and that these monuments, which served as instruments of Druidical superstition before the implanting of the Gospel in Britain, were afterwards appropriated to the use of Christian memorials by being formed in the figure of a cross or marked with this emblem. It is admitted, of course, that those cruciform structures were thus appropriated, but of what use will it be to repudiate the antiquity of examples whose age has been far surpassed in other parts of the world. The crosses of India, just alluded to, remain to be accounted for, and even when they have been as summarily disposed of as the British ones, there are the crosses suspended from the necks of the Assyrian kings, whose existence cannot possibly be accounted for by the above hypothesis. It was not necessity or convenience that designed a Maltese cross, a thousand years before the Christian era, of precisely the same form as that which is worn by men and women in this nineteenth century, nor probably was it a merely ornamental taste; we are rather disposed to believe that the secret lies in the symbolical meaning, which has ever been attached to the form.

The universality of the cross as a religious symbol is certainly a most astounding fact, and the more so because it has evidently always represented the same fundamental idea in connection with the theological systems, in all ages, of the Old and New Worlds. If but one of these mythologies possessed it, there might be little difficulty in tracing out the significance of the coincidence between its existence there and in Christian theology, but prevailing as it does universally, and destined as it is to retain its connection with the religion of man, it excites feelings of the most profound wonderment and surprise. Lipsius and other early writers, in reference to this matter, declared their sincere belief that the numerous cruciform figures to be found on the monuments of antiquity were of a typical character, and expressed a sentiment which looked forward to the cross of Christ; a few others doubted this, and suggested difficulties, while Gibbon ridiculed the whole matter, as it thus stood, from beginning to end. The belief, however, that the cross in Pagan lands was in some incomprehensible manner connected with the same object or idea as in the Christian church was not easily got rid of, and was considerably deepened by the testimony of missionaries to the New World that amongst people of apparently different origin and of altogether different attributes, the cross was common as an object of worship and veneration. So universal has the presence of this symbol and its attendant worship been found that it has been said to form a complete zone about the habitable globe, extending as it does from Assyria into Egypt, and India, and Anahuac, in their ruined temples; to the pyramidal structures of East and West, and to those in Polynesia, especially the islands of Tonga, Viti, and Easter; "as it appears upon numberless vases, medals, and coins of the earliest known types, centuries anterior to the introduction of Christianity; and as its teaching is expressed in the concordant customs, rites, and traditions of former nations and communities, who were widely separated from, and for the most part ignorant of, the existence of each other, and who possessed, so far as we are aware, no other emblematical figure in common." Egypt, Assyria, Britain, India, China, Scandinavia, the two Americas-all were alike its home, and in all of them was there analogy in the teaching respecting its meaning.

* * *

Forms of the Cross-Ancient Maltese Cross-Phallic Character of some Crosses-Offensive Forms of the Cross in Etruscan and Pompeian Monuments-Thor's Battle-axe-The Buddhist Cross-Indian Crosses-The Fylfot or Four-footed Cross-Danish Poem of the Thors of Asgard-Legend of Thor's Loss of his Golden Hammer-Original Meaning of these Crosses-Reception of Christianity amongst the Britons-Plato and the Cross-The Mexican Tree of Life-Rain Makers-The Winds-Various Meanings attributed to the Cross-The Crux Ansata-Phallic Attributes-Coins, Gaulish and Jewish-Roman Coins-The Lake Dwellings-The Cross in the Pa

triarchal Age.

In studying the origin and signification of the pre-Christian cross, we, naturally of course, turn our attention to the forms in which it is delineated; these are both numerous and varied-so varied indeed that a writer, some years ago, in the Edinburgh Review stated that his commonplace-book contained nearly two hundred representations, which he had found combined as often as not with other emblems of a sacred character, and which had been collected from all parts of the world. We may notice a few of the principal which are really, generally speaking, types of all.

Most people are familiar with the Maltese cross-that consisting of four triangles meeting in a central circle, or as it is generally described, the cross with the four delta-like arms conjoined to or issuing from the nave of a wheel or a diminutive circle. It derives its name from its discovery on the island of Malta, and from its adoption by the Knights of St. John for their coat-of-arms. There is no doubt it is one of the most ancient forms of the cross we are acquainted with, as it is found, as we have already stated, on the sculptures of the Assyrian monarchs long before the Christian era, and may be seen on the sculptures in the British Museum. In some of the Nineveh monuments representing subject-people bringing tribute to the king, it occurs in the form of ear-rings.

In Assyria, it is believed to have been the emblem of royalty, as it is found on the breasts of the most powerful of the rulers. As it was known originally in Malta, it was of a very different character to the ornament worn either by the Assyrian monarch or by the modern inhabitants of civilised nations. It was indeed of so gross a character, that the Knights of St. John soon set to work to make something more decent of it-something which while not altogether discarding the old form, should yet be inoffensive to the eye of the more modest onlooker. It was made up, in fact, of four gigantic phalli carved out of the solid granite, similar to the form in which it is found in the island of Gozyo, and on some of the Etruscan and Pompeian monuments.

The reason why it assumed a phallic character in the locality which gives it its name, is not perhaps clear, but the study of Assyrian antiquities has revealed the meaning attached to it in the palmy days of Nineveh and Babylon; it referred to the four great gods of the Assyrian pantheon-Ra, and the first triad-Ana, Belus, and Hea; and when inserted in a roundlet, as may be seen in the British Museum, it signified Sansi, or the sun ruling the earth as well as the heavens. It was therefore the symbol of royalty and dominion, which accounts for its presence on the breasts of kings.

On the Etruscan and Pompeian monuments generally, this cross is as gross and offensive in form as in ancient Malta, but it is found in a character as unobjectionable as in Assyria, on the official garments of the Etruscan priesthood. It has been found in Asia Minor, Cyprus, and Sicily; and Dr. Schliemann discovered many examples of it (with other crosses) on the vases which he dug from the seat of ancient Troy. It was also found in what was described as a "magnificent cruciform mosaic pavement, discovered about thirty years ago in the ruins of a Gallo-Roman villa at Pont d'Oli (Pons Aul?), near Pau, in the Basses-Pyrenees, accompanied by several other varieties of the cross, including the St. George and the St. Andrew, all glowing in colours richly dight, and surrounding a colossal bust of Proteus, settled in the midst of his sea monsters."

The cross generally regarded as the most notable type of that emblem, because it is said to have figured in the religious systems of more peoples than any other, is that known as "Thor's hammer," or "Thor's battle-axe." It may, perhaps, also be set down as the most ancient of the crosses-how many years back it dates we cannot say, several thousands evidently. It consisted of the last letter of the Samaritan alphabet, the tau or tav in its decussated or most primitive form, and may be described, as it has been sometimes, as a cruciform hammer.

It derived its name from being borne in the hand of Thor, as the all-powerful instrument by means of which his deeds recorded in the Eddas were accomplished. "It was venerated by the heroes of the north as the magical sign which thwarted the power of death over those who bore it; and the Scandinavian devotee placed it upon his horn of mead before raising it to his lips, no doubt for the purpose of imparting to it the life-giving virtues." To this hour it is employed by the women of India and of the north-eastern parts of Africa as a mark of possession or taboo, which they generally impress upon the vessels containing their stores of grain, &c.

A writer in the Edinburgh Review of January, 1870, hazards the opinion that this was the mark which the prophet was commanded to impress upon the foreheads of the faithful in Judah, as recorded in Ezekiel ix. 4. He gives no reason or authority for this statement, but probably derived it from St. Jerome and others of his time, who said that the letter tau was that which was ordered to be placed on the foreheads of those mourners. Jerome says that the Hebrew letter tau was formerly written like a cross.

As to the name of this cross, the popular designation is clearly a mistake, since its origin dates back centuries before the mythology of the north was developed. In India it was known as the swastika of the Buddhists, and served as the monograms of Vishnu and Siva. Such are its associations and uses at the present day, and, no doubt, they have been the same from the very advent of the religions of these respective deities. The enquirer has, however, not even here measured the limit of its antiquity, for in China it was known as the Leo-tsen long before the Sakya-Buddha era, and was portrayed upon the walls of their pagodas and upon the lanterns used to illumine their most sacred precints. It has ever been the symbol of their heaven. In the great temple of Rameses II., at Thebes, it is represented frequently with such associations as conclusively prove that its significance was the same in the land of the Nile as in China. All over the East it is the magic symbol of the Buddhist heaven; the chief ornament on the sceptres and crowns of the Bompa deities of Thibet, who dispute the palm of antiquity with all other divinities; and is beautifully pressed in the Artee, or musical bell, borne by the figure of Balgovina, the herald or messenger of heaven. The universality of the use of this symbol is proved by its prevalence as well in Europe as in Asia and Africa. Among the Etruscans it was used as a religious sign, as is shown by its appearance on urns exhumed from ancient lake-beds situated between Parma and Pacenza. Those taken from the Lacustrine cemeteries are thought to date back to 1000 B.C. On the terra-cotta vases of Alba Longa the same sign is impressed, and served as the symbol of Persephone, the awful queen of the shades, the arbiter of mortal fate; while on the roll of the Roman soldier it was the sign of life. On the old Runic monuments it is ever present. Even in Scotland it is found on sculptured stones of unknown age. The most numerous examples of this form, however, are found in the sculptures of Khorsabad, and in the ivories from Nimroud; here occur almost all the known varieties. It has been observed, too, in Persia; and is used to this day in Northern India to mark the jars of sacred water taken from the Indus and Ganges. It is especially esteemed by the inhabitants of Southern India as the emblem of disembodied Jaina saints. Very remarkable illustrations of it, carved in the most durable rock, and inserted in the exterior walls of temples and other edifices of Mexico and Central America, also occur, which may be seen in Lord Kingsborough's Mexican Antiquities. It is found on innumerable coins and medals of all times and of all peoples; from the rude mintages of ?gina and Sicily, as well as from the more skilful hands of the Bactrian and Continental Greeks. It is noteworthy, too, in reference to its extreme popularity, or superstitious veneration in which it has been almost universally held, that the cross-patée, or cruciform hammer, was one of the very last of purely pagan symbols which were religiously preserved in Europe long after the establishment of Christianity. To the close of the Middle Ages the stole, or Isian mantle, of the Cistercian monk was usually adorned with it; and men wore it suspended from their necklaces in precisely the same manner as did the vestal-virgins of pagan Rome. It may be seen upon the bells of many of our parish churches in the northern, midland, and eastern counties, as at Appleby, Mexborough, Hathersage, Waddington, Bishop's Norton, West Barkwith, and other places, where it was placed as a magical sign to subdue the vicious spirit of the tempest. It is said to be still used for the like purpose, during storms of wind and rain, by the peasantry in Iceland and in the southern parts of Germany.[2]

This cross is also known as the "Fylfot," or "Fytfot" (four-footed cross), or "Gammadion"-"the dissembled cross under the discipline of the secret." Jewitt, who has written in an interesting manner upon the subject, supports what we have already stated in the foregoing pages with the observation that this is one of the most singular, most ancient, and most interesting of the whole series of crosses. Some say it is composed of four gammas, conjoined in the centre, which as numerals expressed the Holy Trinity, and by its rectangular form symbolised the chief corner-stone of the Church. We mentioned that it was known in India as the swastika of the Buddhists; we note further that it is said to be formed of the two words "su" (well) and "asti" (it is), meaning "it is," or "it is well;" equal to "so be it," and implying complete resignation. "From this the Swastikas, the opponents of the Brahmins, who denied the immortality of the soul, and affirmed that its existence was finite and connected only with the body upon earth, received their name; their monogrammatic enblem, or symbol, being the mystic cross formed by the combination of two syllables, su + ti = suti, or swasti."[3]

The connection of this cross with Thor, the Thunderer, is not without its signification and importance, in considering the forms and origin of these emblems and their transmission from the Pagan to the Christian world. Thor was said to be the bravest of the sons of Odin, or Woden, and Fria, or Friga, the goddess of earth. (From Thor, of course, we get our Thursday; from Woden, Wednesday; and from Friga, Friday). "He was believed to be of the most marvellous power and might; yea, and that there were no people throughout the whole world that were not subjected unto him, and did not owe him divine honour and service; and that there was no puissance comparable to his. His dominion of all others most farthest extending itself, both in heaven and earth. That, in the aire he governed the winds and the clouds; and being displeased did cause lightning, thunder, and tempest, with excessive raine, haile, and all ill weather. But being well pleased by the adoration, sacrifice, and service of his suppliants, he then bestowed upon them most faire and seasonable weather; and caused corne abundantly to grow, as all sorts of fruits, &c., and kept away the plague and all other evil and infectious diseases."

Thor's emblem was a hammer of gold, represented as a fylfot, and with it he destroyed his enemies the Jotuns, crushed the head of the great Mitgard serpent, killed numbers of giants, restored the dead goats to life that drew his car, and consecrated the pyre of Baldur. This hammer, boomerang like, had the property, when thrown, of striking the object aimed at and then returning to the thrower's hand. Mr. Jewitt thinks we have, in this, a curious insight into the origin of the form of the emblem itself. He says:-"I have remarked that the fylfot is sometimes described as being formed of four gammas conjoined in the centre. When the form of the boomerang-a missile instrument of barbaric nations, much the shape of the letter V with a rounded instead of acute bottom, which, on being thrown, slowly ascends in the air, whirling round and round, till it reaches a considerable height, and then returns until it finally sweeps over the head of the thrower and strikes the ground behind him-is taken into consideration, and the traditional returning power of the hammer is remembered in connection with it, the fylfot may surely be not inappropriately described as a figure composed of four boomerangs, conjoined in the centre. This form of fylfot is not uncommon in early examples, and even on a very ancient specimen of Chinese porcelain it occurs at the angles of the pattern-it is the ordinary fylfot, with the angles curved or rounded.

Ancient literature abounds in curious and sensational stories about the wonders accomplished by Thor with the assistance of this hammer. Once he lost his weapon, or tool, and with it his power, by stratagem however he regained both.

The Danish poem, called the "Thorr of Asgard," as translated by De Prior, says:-

"There rode the mighty of Asgard, Thor,

His journey across the plain;

And there his hammer of gold he lost,

And sought so long in vain.

'Twas then the mighty of Asgard, Thor,

His brother his bidding told-

Up thou and off to the Northland Fell,

And seek my hammer of gold.

He spake, and Loki, the serving-man,

His feathers upon him drew;

And launching over the salty sea,

Away to the Northland flew."

Greeting the Thusser king, he informed him of the cause of his visit, viz., that Thor had lost his golden hammer. Then the king replied that Thor would never again see his hammer until he had given him the maiden Fredenborg to wife. Loki took back this message to Thor, who disguised himself as the maiden in woman's clothes, and was introduced to the king as his future bride. After expressing his astonishment at the wonderful appetite of the maiden, he ordered eight strong men to bring in the hammer and lay it across the lap of the bride. Thor immediately threw off his disguise and seized the hammer, with which, after he had slain the king, he returned home.

The fylfot cross is frequently found on Roman pottery in various parts of England, as for instance on the famous Colchester vase, on which is depicted a gladiatorial combat, the cross being distinctly marked on the shields of the combatants. Another fine example is found on a Roman altar of Minerva at High Rochester. "The constant use of the symbol," says Jewitt, "through so many ages, and by so many and such varied peoples, gives it an importance which is peculiarly striking."

To sum up this part of the subject then, we have amongst numerous others the following chief forms of the cross common in all parts of the world. The Latin, a long upright with shorter cross beam; the Greek, an upright and bar of equal lengths; the St. Andrews, in the form of a letter X; the Maltese, four triangles conjoined to a circular centre; the Hammer of Thor; and the Crux Ansata, or handled cross.

The question now arises, what was the origin or original meaning of these crosses? Uninformed Christians are generally under the impression that all refer to one and the same thing, viz., the instrument of the death of Jesus Christ: historical evidence just produced, however, clearly disproves that, and what we may say further will add additional weight to the argument.

It has been noticed that the Britons received Christianity with remarkable readiness, and this has been attributed to the following among other circumstances, viz., the impression which they held in common with the Platonists and Pythagoreans, that the Second Person of the Deity was imprinted on the universe in the form of a cross. We have already explained that the Druids in their groves were accustomed to select the most stately and beautiful tree as an emblem of the Deity they adored, and having cut off the side branches, affixed two of them to the highest part of the trunk in such a manner as that those branches, extending on each side like the arms of a man, together with the body, should present to the spectator the appearance of a huge cross, and that on the bark of the tree, in various places, was actually inscribed the letter T,-Tau.

"Some have gone so far as to suppose a Celtic origin for the word cross, and have derived it from Crugh and Cruach, which signify a cross in that language, though others suppose these have a much more probable origin in the Hebrew and Chaldee. Chrussh, signifies boards or pieces of timber fastened together, as we should say, cross-wise; the word is so used in Exodus xxvii. 6. This seems a very natural and probable etymology for the term, but it may also allude more to the agony suffered on such an erection, and then its origin perhaps may be traced to Chrutz, 'agitation.' This word also means to be 'kneaded,' and broken to pieces like clay in the hands of a potter. Chrotshi, in Chaldee, we are told by Parkhurst, means accusations, charges, revilings, reproach, all of them terms applied to Jesus Christ in his sufferings. Pliny shows that the punishment of the cross among the Romans was as old as Tarquinus Priscus; how much older it is perhaps difficult to say.

"Plato, born 430 years before Christ, had advocated the idea of a Trinity, and had expressed an opinion that the form of the Second Person of it was stamped upon the universe in the form of a cross. St. Augustine goes so far as to say that it was by means of the Platonic system that he was enabled to understand properly the doctrine of the Trinity."

Perhaps, originally, the cross had but one meaning, whatever its form; it is probable that it was so. However that may be, it is certain that as time went on and its form varied, different significations were attached to it. It represented creative power and eternity in Egypt, Assyria, and Britain; it was emblematical of heaven and immortality in India, China, and Scandinavia; it was the sign of freedom from physical suffering in the Americas; all over the world it symbolised the Divine Unity-resurrection and life to come.

"In the Mexican tongue it bore the significant and worthy name, 'Tree of our Life,' or 'Tree of our Flesh.' It represented the god of rains and of health, and this was everywhere its simple meaning. 'Those of Yucatan,' say the chroniclers, 'prayed to the cross as the god of rains when they needed water.' The Aztec goddess of rains bore one in her hand, and at the feast celebrated to her honour in the early spring (as we have previously noted) victims were nailed to a cross and shot with arrows. Quetzalcoatl, god of the winds, bore as his sign of office a mace like the cross of a bishop; his robe was covered with them strewn like flowers, and its adoration was throughout connected with his worship."

We have mentioned that "when the Muyscas would sacrifice to the goddess of waters, they extended cords across the tranquil depths of some lake, thus forming a gigantic cross, and that at the point of intersection threw in their offerings of gold, emeralds and precious oils. The arms of the cross were designed to point to the cardinal points, and represent the four winds, the rain bringers. To confirm this explanation, let us have recourse to the simpler ceremonies of the less cultivated tribes, and see the transparent meaning of the symbol as they employed it.

"When the rain maker of the Lenni Lenape would exert his power, he retired to some secluded spot and drew upon the earth the figure of a cross, placed upon it a piece of tobacco, a gourd, a bit of some red stuff, and commenced to cry aloud to the spirits of the rains. The Creeks at the festival of the Busk, celebrated to the four winds, and according to the legends instituted by them, commenced with making the new fire. The manner of this was to place four logs in the centre of the square, end to end, forming a cross, the outer ends pointing to the cardinal points; in the centre of the cross the new fire is made."[4]

"As the emblem of the winds which disperse the fertilising showers," says Brinton, "it is emphatically the tree of our life, our subsistence, and our health. It never had any other meaning in America, and if, as has been said, the tombs of the Mexicans were cruciform, it was perhaps with reference to a resurrection and a future life as portrayed under this symbol, indicating that the buried body would rise by the action of the four spirits of the world, as the buried seed takes on a new existence when watered by the vernal showers. It frequently recurs in the ancient Egyptian writings, where it is interpreted life; doubtless, could we trace the hieroglyph to its source, it would likewise prove to be derived from the four winds."[5]

The Buddhist cross to which allusion has been made was exactly the cross of the Manicheans, with leaves and flowers springing from it, and placed upon a Mount Calvary as among the Roman Catholics. The tree of life and knowledge, or the Jambu tree, in their maps of the world, is always represented in the shape of a Manichean cross 84 yojanas, or 423 miles high, including the three steps of the Calvary. This cross, putting forth leaves and flowers (and fruit also, Captain Wilford was informed), is called the divine tree, the tree of the gods, the tree of life and knowledge, and productive of whatever is good and desirable, and is placed in the terrestrial Paradise. Agapius, according to Photius, maintained that this divine tree, in Paradise, was Christ himself. In their delineation of the heavens, the globe of the earth is filled with this cross and its Calvary. The divines of Thibet, says Captain Wilford, place it to the S.W. of Meru, towards the source of the Ganges. The Manicheans always represented Christ crucified upon a tree, among the foliage. The Christians of India, though they did not admit of images, still entertained the greatest veneration for the cross. They placed it on a Calvary in public places and at the meeting of cross roads, and even the heathen Hindus in these parts paid also great regard to it.

Captain Wilford was presented by a learned Buddhist with a book, called the Cshetra-samasa, which contained several drawings of the cross. Some of these his friend was unable to explain to him, but whatever the variations of the cross were in other particulars, they were declared to be invariable as regards the shaft and two arms; the Calvary was sometimes omitted. One of these crosses seemed to puzzle the Buddhist completely, or he would not say either what he thought or knew about it. It consisted of the ordinary cross with shaft and cross-bar, pointed at the ends, but with two other bars intersecting the right angles formed by the shaft and cross-bar, thus giving six points. No one can look at this cross, and not at once discern its phallic character. Some writers affect to laugh at this, but we have ample evidence that at times such a meaning has been attributed to the cross. In connection with this, Dr. Inman makes some remarks which we shall do well to consider, whether we receive them or not; there may be nothing in them, and there may be much. He says:-"There can be no doubt, I think, in the mind of any student of antiquity, that the cross is not originally a Christian emblem; nay, the very fact that the cross was used as a means of executing criminals shows that its form was familiar to Jews and Romans. It was used partly as an ornament, and partly in certain forms of religious worship. The simple cross, with perpendicular and transverse arms of equal length, represented the nave and spokes of the solar wheel, or the sun darting his rays on all sides. As the wheel became fantastically developed so did the cross, and each limb became so developed at the outer end as to symbolise the triad. Sometimes the idea was very coarsely represented; and I have seen, amongst some ancient Etruscan remains, a cross formed of four phalli of equal length, their narrow end pointing inwards; and in the same work another was portrayed, in which the phallus was made of inordinate length so as to support the others high up from the ground; each was in itself a triad. The same form of cross was probably used by the Ph?nicians, who appear to have colonised Malta at a very early period of their career; for they have left a form of it behind them in the shape of a cross similar to that described above, but which has been toned down by the moderns, who could not endure the idea of an union between grossness and the crucifix, and the phalli became as innocent as we see them in the Maltese cross of to-day."

So many traces of the cross, as used in ancient times in all parts of the world, meet us on every hand that we find it difficult within the limited space at our command even to enumerate them; we have already traversed in our account a greater part of the known world, and still vast numbers of instances remain unnoticed. Almost as varied as its principal forms are the explanations offered respecting its origin and significance. We are told by some that for its origin we must go to the Buddhists and to the Lama of Thibet, who is said to take his name from the cross, called in his language Lamh. Higgins quotes Vallence as saying that the Tartars call the cross Lama, from the Scythian Lamh, a hand, synonymous to the Yod of the Chaldeans; and that it thus became the name of a cross, and of the high priest with the Tartars; and with the Irish, Luarn, signifying the head of the church, an abbot, &c.

The last form of cross to which we shall here allude is that known as the Crux Ansata, or Handled Cross. Whatever may be the signification of that instrument, or ornament, it is certain that no other has ever been so variously explained, or has been so successful in puzzling those who have sought to give it a meaning. Some have said it was a Nilometer, or measure of the rise of the Nile; one-a bishop-thought it was a setting stick for planting roots; another said it represented the Law of Gravitation. Don Martin said it was a winnowing fan; Herwart said it was a compass; Pococke said it represented the four elements. Others, again, suggest that it may be only a key. "It opened," says Borwick, "the door of the sacred chest. It revealed hidden things. It was the hope of life to come." And he continues, "However well the cross fit the mathematical lock, the phallic lock, the gnostic lock, the philosophical lock, the religious lock, it is quite likely that this very ancient and almost universal symbol was at first a secret in esoteric holding, to the meaning of which, with all our guessing, we have no certain clue."

This cross has certainly a most remarkable connection with the ancient history of Egypt, being found universally represented on the monuments, the tombs, the walls, and the wrapping cloths of the dead; hence, evidently, the idea that it is peculiarly Egyptian and its ascription of "Key of the Nile." From Socrates, Sozomen, Theodoret, and Ruffinus, we learn that it was known to the Egyptian Christians at the close of the fourth century as the symbol of eternal life. Later on, Dr. Max Uhlman wrote, "that the handle cross means life, is manifest from the Rosetta inscription and other texts." Z?ckler, another German author, notices the opinion of Macrobius that it was the hieroglyphic sign of Osiris, or the sun, it being a fact that when the ancient Egyptians wished to symbolise Osiris, they set up a staff with an eye upon it, because in antiquity the sun was known as the eye of God, and then claims that the round portion represented the orb of the sun, the perpendicular bar signifying the rays of the high mid-day sun, and the shorter horizontal bar symbolising the rays of the rising or setting sun. The discovery of this emblem by M. Mariette in a niche of the holy of holies in the ancient temple of Denderah, points significantly to its importance and peculiar sacredness, and it has been thought probable that it was the central object of interest in the inner precincts of the temple.

It seems that the Egyptian priests, when asked for an explanation of this cross, evaded the question by replying that the Tau was a "divine mystery."

However varied the explanations offered may be, and whatever the mystery said to surround this object, the feature always remains,-its symbolisation of life and regeneration. From this, its phallic character was very easily inferred-its derivation from the lingam-yoni symbol, said Barlow, seemed a very natural process. The junction of the yoni with the cross, in Dr. Inman's judgment, sufficiently proved that it had a phallic or male signification; a conclusion which certain unequivocal Etruscan remains fully confirmed. "We conclude, therefore," says this writer, "that the ancient cross was an emblem of the belief in a male creator, and the method by which creation was initiated."

Not the least remarkable exemplification of the universal prevalence of the cross both as to time and country, is found amongst coins and medals: here as in other things it is ever prominent. Take the ancient Gaulish coins, for instance, and the fylfot and ordinary Greek cross abound; take the ancient British coins of the age long prior to Christianity, and the same thing occurs. "On Scandinavian coins, as well as those of Gaul, the fylfot cross appears, as it also does on those of Syracuse, Corinth, and Chalcedon. On the coins of Byblos, Astarte is represented holding a long staff, surmounted by a cross, and resting her foot on the prow of a galley. On the coins of Asia Minor, the cross is also to be found. It occurs as the reverse of a silver coin, supposed to be of Cyprus, on several Cilician coins; it is placed beneath the throne of Baal of Tarsus, on a Ph?nician coin of that time, bearing the legend 'Baal Tharz.' A medal possibly of the same place, with partially obliterated Ph?nician characters, has the cross occupying the entire field of the reverse side. Several, with inscriptions in unknown characters, have a ram on one side and the cross and ring on the other. Another has the sacred bull, accompanied by this symbol; others have a lion's head on obverse, and a cross and circle on the reverse."[6]

Strangely enough, even Jewish money is marked with this emblem, the shekel bearing on one side what is usually called a triple lily or hyacinth; the same forming a pretty floral cross.

On Roman coins the cross was of very frequent occurrence, and illustrations of good examples may be seen in the pages of the Art Journal for the year 1874. An engraving of the quincunx, or piece of five unci?, is given, bearing on one side a cross, a V, and five pellets; and on the other a cross only. This is an example of the earlier periods; of course when we come to the later periods the emblem is still more frequent. These coins are often found in ancient graves and sarcophagi, and these latter again supply examples of various familiar forms of crosses of very remote antiquity,-not simply the adornment of coffin and gravecloths, but the actual construction of the tomb or grave-mound in that form. Fine specimens of these have been discovered at Stoney-Littleton, at New Grange, at Banwell, Somerset, at Adisham, at Hereford, at Helperthorpe, and in the Isle of Lewis.

"Before the Romans, long before the Etruscans, there lived in the plains of northern Italy a people to whom the cross was a religious symbol, the sign beneath which they laid their dead to rest; a people of whom history tells nothing, knowing not their name, but of whom antiquarian research has learned this, that they lived in ignorance of the laws of civilisation, that they dwelt in villages built on platforms over lakes, and that they trusted in the cross to guard, and may be to revive their loved ones whom they committed to the dust. Throughout Emilia are found remains of these people; these remains form quarries whence manure is dug by the peasants of the present day. These quarries go by the name of terramares. They are vast accumulations of cinders, charcoal, bones, fragments of pottery, and other remains of human industry. As this earth is very rich in phosphates it is much appreciated by agriculturists as a dressing for their land. In these terramares there are no human bones. The fragments of earthenware belong to articles of domestic use; with them are found querns, moulds for metal, portions of cabin floors, and great quantities of kitchen refuse. They are deposits analogous to those which have been discovered in Denmark and Switzerland. The metal discovered in the majority of these terramares is bronze; the remains belong to three distinct ages. In the first none of the fictile ware was turned on the wheel or fire-baked. Sometimes these deposits exhibit an advance of civilisation. Iron came into use, and with it the potter's wheel was discovered, and the earthenware was put in the furnace. When in the same quarry these two epochs are found, the remains of the second age are always superposed over those of the bronze age. A third period is occasionally met with, but only occasionally; a period when a rude art introduced itself, and representatives of animals or human beings adorned the pottery. Among the remains of this period is found the first trace of money, rude little bronze fragments without shape.

"Among other remains in these lake-dwellings, pottery has been in many cases found, and these vessels bear, on the bottom, crosses of various forms, as well also curious solid double cones. That which characterises the cemeteries of Golasecca, says M. de Mortillet, and gives them their highest interest, is this:-first, the entire absence of all organic representations; we only found three and they were exceptional, in tombs not belonging to the plateau; secondly, the almost invariable presence of the cross under the vases in the tombs. When we reversed the ossuaries, the saucer-lids, or the accessory vases, we saw almost always, if in good preservation, a cross traced thereon ... the examination of the tombs of Golasecca proves, in a most convincing, positive, and precise manner, that which the terramares of Emilia had only indicated, but which had been confirmed by the cemetery of Villanova; that above a thousand years before Christ, the cross was already a religious emblem of frequent employment."[7]

"There is every reason to suppose that the cross was a symbol of more import in the early patriarchal ages than is generally imagined. It was not only the first letter, but it was also the emblem, of Taut, the Mercury, the word, the messenger of the gods, the angel, as we may say, of his presence, himself a god among the Egyptians and the Britons, whose god Teutates was analagous both in name and nature; a winged messenger. M. Le Clerc, one of the ablest mythologists who ever wrote, has shown that the Teutates of the Gauls, the Hermes of the Greeks, the Mercury of the Romans, were all one and the same.

The Ethiopic letter Taui, or Taw, says Lowth, still retains the form of a cross, X; and the Samaritan T, which the Ethiopians are said to have borrowed from the Samaritans, was in the form of a X cross. In several Samaritan coins, says Montfaucon, to be found in the collections of medallists, the letter Tau is engraved in the form of a cross, or Greek Chi, and he gives as his authority Origen and Jerome.

The Jewish High-priest, we are informed by the Rabbis, was anointed on his investiture, while he who anointed him drew on his forehead with his finger the figure of the Greek letter Chi, X."[8]

* * *

Heathen Ideas of a Trinity-The Magi-Ancient Theologies-The Indian Trinity-The Sculptures of Elephanta-The Sacred Zennar-Temples consecrated to Indian Trinities-The Greek Trident-Attributes of Brahm-The Hindu Meru-Narayana-The Trimurti-Gods of Egypt.

"Many of the heathens are said to have had a notion of a Trinity," wrote a contributor to an encyclop?dia, some eighty years ago. Now that altogether fails to reach the truth, for heathen nations are known to scholars to have had very definite ideas indeed about a sacred Triad; in fact, as another writer has said, there is nothing in all theology more deeply grounded, or more generally allowed by them, than the mystery of the Trinity. The Chaldeans, Ph?nicians, Greeks, and Romans, both in their writings and their oracles, acknowledged that the Supreme Being had begotten another Being from all eternity, whom they sometimes called the Son of God, sometimes the Word, sometimes the Mind, and sometimes the Wisdom of God, and asserted to be the Creator of all things.

Among the sayings of the Magi, the descendants of Zoroaster, was one as follows:-"The Father finished all things, and delivered them to the Second Mind."

We learn from Dr. Cudworth that, besides the inferior gods generally received by all the Pagans (viz.: animated stars, demons, and heroes), the more refined of them, who accounted not the world the Supreme Deity, acknowledged a Trinity of divine hypostases superior to them all. This doctrine, according to Plotinus, is very ancient, and obscurely asserted even by Parmenides. Some have referred its origin to Pythagoreans, and others to Orpheus, who adopted three principles, called Phanes, Uranus, and Cronus. Dr. Cudworth apprehends that Pythagoras and Orpheus derived this doctrine from the theology of the Egyptian Hermes; and, as it is not probable that it should have been first discovered by human reason, he concurs with Proclus in affirming that it was at first a theology of divine tradition, or revelation, imparted first to the Hebrews, and from them communicated to the Egyptians and other nations; among whom it was depraved and adulterated.

Plato, also, and his followers, speak of the Trinity in such terms, that the primitive fathers have actually been accused of borrowing the doctrine from the Platonic school.

In Indian theology there is no more prominent doctrine than that of a Divine Triad governing all things, consisting of Brahma, Vishnu, and Siva. By Brahma, they mean God, the Creator; by Vishnu (according to the Sanscrit), a preserver, a comforter, a cherisher; and by Siva, a destroyer and avenger. To these three personages, different functions are assigned, in the Hindoo system of mythologic superstition, corresponding to the different significations of their names. They are distinguished, likewise, besides these general titles, in the various sastras and puranas, by an infinite variety of appellations descriptive of their office.

Whatever doubts may arise respecting the Indian Trinity, they will very speedily be dispelled by a view of that wonderful and magnificent piece of sculpture which is found in the celebrated cavern of Elephanta, which has so often been described by travellers, and which has ever been such a source of amusement to them. This, it is said, proves that from the remotest era, the Indian nations have adored a Triune Deity. In this cavern, the traveller beholds, with awe and astonishment, carved out of the solid rock, in the most conspicuous part of the most ancient and venerable temple in the world, a bust nearly twenty feet in breadth, and eighteen feet in altitude, gorgeously decorated, the image of the great presiding Deity of that sacred temple. The bust has three heads united to one body, and adorned with the oldest symbols of the Indian theology, is regarded as representing the Creator, the Preserver, and the Regenerator of mankind. Owing to the gross surroundings of these characters, respectively denominated Brahma, Vishnu, and Siva, any comparison cannot be instituted with the Christian Trinity; yet the worship paid to that triple divinity incontestably evinces that, on this point of faith, the sentiments of the Indians are congenial with those of the Chaldeans and Persians. Nor is it only in this great Deity with three heads that these sentiments are demonstrated, their veneration for that sacred number strikingly displays itself in their sacred books-the three original Vedas-as if each had been delivered by one personage of the august Triad, being confined to that mystic number; by the regular and prescribed offering up of their devotions three times a day; by the immersion of their bodies, during ablution, three times in the purifying wave; and by their constantly wearing next their skin the sacred Zennar, or cord of three threads, the mystic symbol of their belief in a divine all ruling Triad.

The sacred Zennar, just mentioned, is of consequence enough to demand a fuller notice. Its threads can be twisted by no other hand than that of a Brahmin, and he does it with the utmost solemnity and many mystic rites. Three threads, each measuring ninety-six hands, are first twisted together; then they are folded into three, and twisted again, making it to consist of nine,-that is three times three threads; this is folded again into three, but without any more twisting, and each end is then fastened with a knot. Such is the Zennar, which being put upon the left shoulder, passes to the right side, and hangs down as low as the fingers can reach.

"The Hindoos," says M. Sonnerat, "adore three principal deities, Brouma, Chiven, and Vichenou, who are still but One; which kind of Trinity is there called Trimourti, or Tritvamz, and signifies the reunion of three powers. The generality of modern Indians adore only one of these three divinities, but some learned men, besides this worship, also address their prayers to the Three united. The representation of them is to be seen in many pagodas, under that of human figures with three heads, which, on the coast of Orissa, they call Sariharabrama; on the Coromandel coast, Trimourti; and Tretratreyam, in the Sanscrit. It is affirmed by Maurice that this latter term would not have been found in Sanscrit had not the worship of a Trinity existed in those ancient times, fully two thousand five hundred years ago, when Sanscrit was the current language of India."

There have been found temples entirely consecrated to this kind of Trinity; such as that of Parpenade, in the kingdom of Travancore, where the three gods are worshipped in the form of a serpent with a thousand heads. The feast of Anandavourdon, which the Indians celebrate to their honour, on the eve of the full moon, in the month of Pretachi, or October, always draws a great number of people, "which would not be the case," says Sonnerat, "if those that came were not adorers of the Three Powers."

Mr. Forster writing, in 1785, on the Mythology of the Hindoos, says:-"A circumstance which forcibly struck my attention, was the Hindoo belief in a Trinity. The persons are Sree Mun Narrain, the Mhah Letchimy (a beautiful woman), and a Serpent, which are emblematical of strength, love, and wisdom. These persons, by the Hindoos, are supposed to be wholly indivisible. The one is three, and the three are one. In the beginning, they say that the Deity created three men to whom he gave the names of Brimha, Vystnou, and Sheevah. To the first was committed the power of creating mankind, to the second of cherishing them, and to the third that of restraining and correcting them." The sacred persons who compose this Trinity are very remarkable; for Sree Mun Narrain, as Mr. Forster writes the word, is Narayen, the supreme God; the beautiful woman is the Imma of the Hebrews; and the union of the sexes in the Divinity, is perfectly consonant with that ancient doctrine maintained in the Geeta, and propagated by Orpheus, that the Deity is both male and female.

Damascius, treating of the fecundity of the divine nature, cites Orpheus as teaching that the Deity was at once both male and female, to show the generative power by which all things were formed. Proclus upon the "Tim?us of Plato," among other Orphic verses, cites the following: "Jupiter is a man, Jupiter is also an immortal maid." In the same commentary, and in the same page we read that all things were contained in the womb of Jupiter.

The serpent is the ancient and usual Egyptian symbol for the divine Logos.

M. Tavernier, on his entering one of the great pagodas, observed an idol in the centre of the building, sitting cross-legged in the Indian fashion, upon whose head was placed une triple couronne; and from this triple crown four horns extended themselves, the symbol of the rays of glory, denoting the Deity to whom the four quarters of the world were under subjection. According to the same author, in his account of the Benares pagoda, the deity of India is saluted by prostrating the body three times, and he is not only adorned with a triple crown, and worshipped by a triple salutation, but he bears in his hand a three-forked sceptre, exhibiting the exact model of the trident of the Greek Neptune.

Now here we must allude to some very remarkable discoveries respecting the Trident of Neptune and the use of a similar symbol of authority by the Indian gods.

Mr. Maurice points out that the unsatisfactory reasons given by mythologists for the assignment of the trident to the Grecian deity, exhibit very clear evidence of its being a symbol that was borrowed from some more ancient mythology, and did not naturally, or originally belong to Neptune. Its three points, or tines, some of them affirm to signify the different qualities of the three sorts of waters that are upon the earth, as the waters of the ocean, which are salt; the water of fountains, which is sweet; and the water of lakes and ponds, which, in a degree, partakes of the nature of both. Others, again, insist that this three-pronged sceptre alludes to Neptune's threefold power over the sea, viz., to agitate, to assuage, and to preserve. These reasons are, all of them, in his estimation, mighty frivolous, and amount to a confession of their total ignorance of its real meaning.

The trident was, in the most ancient periods, the sceptre of the Indian deity, and may be seen in the hands of that deity in one of the plates (iv.) of M. d'Ancarville's third volume, and among the sacred symbols sculptured in Elephanta cavern, as pictured by Niebuhr in his engravings of the Elephanta antiquities. "It was, indeed," says Maurice, "highly proper, and strictly characteristic, that a threefold deity should wield a triple sceptre, and I have now a very curious circumstance to unfold to the reader, which I am enabled to do from the information of Mr. Hodges, relative to this mysterious emblem. The very ancient and venerable edifices of Deogur, which are in the form of immense pyramids, do not terminate at the summit in a pyramidal point, for the apex is cut off at about one seventh of what would be the entire height of the pyramid were it completed, and, from the centre of the top, there rises a circular cone, that ancient emblem of the sun. What is exceedingly singular to these cones is, that they are on their summits decorated with this very symbol, or usurped sceptre, of the Greek Ποσειδων. Thus was the outside of the building decorated and crowned, as it were, with a conspicuous emblem of the worship celebrated within, which from the antiquity of the structure, raised in the infancy of the empire after cavern-worship had ceased, was probably that of Brahma, Vishnu, and Siva: for we have seen that Elephanta is, in fact, a temple to the Indian Triad, evidenced in the colossal sculpture that forms the principal figure of it, and excavated probably ere Brahma had fallen into neglect among those who still acknowledge him as the creative energy, or different sects had sprung up under the respective names of Vishnu and Siva. Understood with reference to the pure theology of India, such appears to me to be the meaning of this mistaken symbol; but a system of physical theology quickly succeeded to the pure; and the debased, but ingenious, progeny, who invented it, knew too well how to adapt the symbols and images of the true and false devotion. The three sublime hypostases of the true Trinity were degraded into three attributes; in physical causes the sacred mysteries of religion were attempted to be explained away; its doctrines were corrupted, and its emblems perverted. They went the absurd length of degrading a Creator (for such Brahma, in the Hindoo creed, confessedly is) to the rank of a created Dewtah, which has been shewn to be a glaring solecism in theology.

"The evident result then is, that, nothwithstanding all the corruption of the purer theology of the Brahmins, by the base alloy of human philosophy, under the perverted notion of three attributes, the Indians have immemorially worshipped a threefold Divinity, who, considered apart from their physical notions, is the Creator, the Preserver, and the Regenerator. We must again repeat that it would be in the highest degree absurd to continue to affix the name of Destroyer to the third hypostasis in their Triad, when it is notorious that the Brahmins deny that anything can be destroyed, and insist that a change alone in the form of objects and their mode of existence takes place. One feature, therefore, in that character, hostile to our system, upon strict examination vanishes; and the other feature, which creates so much disgust and gives such an air of licentiousness to his character, is annihilated by the consideration of their deep immersion in philosophical speculations, of their incessant endeavours to account for the divine operations by natural causes, and to explain them by palpable and visible symbols."

No image of the supreme Brahma himself is ever made; but in place of it his attributes are arranged, as in the temple of Gharipuri, thus:

Brahma Power Creation Matter The Past Earth

Vishnu Wisdom Preservation Spirit The Present Water

Siva Justice Destruction Time The Future Fire

Captain Wilford in the 10th vol. of the Asiatic Researches writes of Meru or Moriah, the hill of God, and he says:-"Poly?nus calls Mount Meru or Merius, Tri-coryphus. It is true that he bestows improperly that epithet on Mount Meru, near Cabul, which is inadmissible. Meru, with its three peaks on the summit, and its seven steps, includes and encompasses really the whole world, according to the notions of the Hindus and other nations previously to their being acquainted with the globular shape of the earth." Basnage, in his history of the Jews, says "there are seven earths, whereof one is higher than the other; for the Holy Land is situated upon the highest earth, and Mount Moriah (or Meru) is in the middle of that Holy Land. This is the hill of God so often mentioned in the Old Testament, the mount of the congregation where the mighty King sits in the sides of the north, according to Isaiah, and there is the city of our God. The Meru of the Hindoos has the name of Sabha, or the congregation, and the gods are seated upon it in the sides of the north. There is the holy city of Brahma-puri, where resides Brahma with his court in the most pure and holy land of Ilavratta."

Thus Meru is the worldly temple of the Supreme Being in an embodied state, and of the Tri-Murtti or sacred Triad, which resides on its summit, either in a single or threefold temple, or rather in both: for it is all one, as they are one and three. They are three, only with regard to men who have emerged out of it they are but one: and their threefold temple and mountain, with its three peaks, become one equally. Mythologists in the west called the world, or Meru with his appendages, the temple of God, according to Macrobius. Hence this most sacred temple of the Supreme Being is generally typified by a cone or pyramid, with either a single chapel on its summit, or with three; either with or without steps.

This worldly temple is also considered by the followers of Buddha as the tomb of the son of the spirit of heaven. His bones, or limbs, were scattered all over the face of the earth, like those of Osiris and Jupiter Zagreus. To collect them was the first duty of his descendants and followers, and then to entomb them. Out of filial piety, the remembrance of this mournful search was yearly kept up by a fictitious one, with all possible marks of grief and sorrow, till a priest came and announced that the sacred relics were at last found. This is practised to this day by several Tartarian tribes of the religion of Buddha; and the expression of the bones of the son of the spirit of heaven is peculiar to the Chinese, and some tribes in Tartary.

Hindu writers represent Narayana moving, as his name implies, on the waters, in the character of the first male, and the principle of all nature, which was wholly surrounded in the beginning by tamas, or darkness, the Chaos and primordial Night of the Greek mythologists, and, perhaps, the Thaumaz or Thamas of the ancient Egyptians; the Chaos is also called Pracriti, or crude Nature, and the male deity has the name of Purusha, from whom proceeded Sacti, or, the power of containing or conceiving; but that power in its first state was rather a tendency or aptitude, and lay dormant and inert until it was excited by the bija, or vivifying principle, of the plastic Iswara. This power, or aptitude, of nature is represented under the symbol of the yoni, or bhaga, while the animating principle is expressed by the linga: both are united by the creative power, Brahma; and the yoni has been called the navel of Vishnu-not identically, but nearly; for, though it is held in the Vedanta that the divine spirit penetrates or pervades all nature, and though the Sacti be considered as an emanation from that spirit, yet the emanation is never wholly detached from its source, and the penetration is never so perfect as to become a total union or identity. In another point of view Brahma corresponds with the Chronos, or Time of the Greek mythologists: for through him generations pass on successively, ages and periods are by him put in motion, terminated and renewed, while he dies and springs to birth alternately; his existence or energy continuing for a hundred of his years, during which he produces and devours all beings of less longevity. Vishnu represents water, or the humid principle; and Iswara fire, which recreates or destroys, as it is differently applied; Prithivi, or earth, and Ravi, or the sun, are severally trimurtis, or forms of the three great powers acting jointly and separately, but with different natures and energies, and by their mutual action excite and expand the rudiments of material substances. The word murti, or form, is exactly synonymous with ε?δωλα, of the supreme spirit, and Homer places the idol of Hercules in Elysium with other deceased heroes, though the God himself was at the same time enjoying bliss in the heavenly mansions. Such a murti, say the Hindus, can by no means affect with any sensation, either pleasing or painful, the being from which it emanated; though it may give pleasure or pain to collateral emanations from the same source; hence they offer no sacrifices to the supreme Essence, of which our own souls are images, but adore Him with silent meditation; while they make frequent homas or oblations to fire, and perform acts of worship to the sun, the stars, the earth, and the powers of nature, which they consider as murtis, or images, the same in kind with ourselves, but transcendently higher in degree. The moon is also a great object of their adoration; for, though they consider the sun and earth as the two grand agents in the system of the universe, yet they know their reciprocal action to be greatly affected by the influence of the lunar orb according to their several aspects, and seem even to have an idea of attraction through the whole extent of nature. This system was known to the ancient Egyptians; for according to Diodorus, their Vulcan, or elemental fire, was the great and powerful deity, whose influence contributed chiefly toward the generation and perfection of natural bodies; while the ocean, by which they meant water in a collective sense, afforded the nutriment that was necessary; and the earth was the vase, or capacious receptacle, in which this grand operation of nature was performed: hence Orpheus described the earth as the universal mother, and this is the true meaning of the Sanscrit word Amba.

Further information respecting the male and female forms of the Trimurti has been gathered as follows:-

Atropos (or Raudri), who is placed about the sun, is the beginning of generation; exactly like the destructive power, or Siva among the Hindus, and who is called the cause and the author of generation: Clotho, about the celestial moon, unites and mixes: the last, or Lachesis, is contiguous to the earth: but is greatly under the influence of chance. For whatever being is destitute of a sensitive soul, does not exist of its own right; but must submit to the affections of another principle: for the rational soul is of its own right impassable, and is not obnoxious to affections from another quarter. The sensitive soul is a mediate and mixed being, like the moon, which is a compound of what is above and of what is below; and is to the sun in the same relation as the earth is to the moon. Major Wilford says:-"Well Pliny might say, with great truth, the refinements of the Druids were such, that one would be tempted to believe that those in the east had largely borrowed from them. This certainly surpasses everything of the kind I have ever read or heard in India."

These three goddesses are obviously the Parc?, or fates, of the western mythologists, which were three and one. This female tri-unity is really the Tri-murtti of the Hindus, who call it the Sacti, or energy of the male Tri-murtti, which in reality is the same thing. Though the male tri-unity be oftener mentioned, and better known among the unlearned than the other; yet the female one is always understood with the other, because the Trimurtti cannot act, but through its energy, or Sacti, which is of the feminine gender. The male Trimurtti was hardly known in the west, for Jupiter, Pluto, and Neptune have no affinity with the Hindu Trimurtti, except their being three in number. The real Trimurtti of the Greeks and Latians consisted of Cronus, Jupiter and Mars, Brahma, Vishnu and Siva. To these three gods were dedicated three altars in the upper part of the great circus at Rome. These are brothers in their Calpas; and Cronus or Brahma, who has no Calpa of his own, produces them, and of course may be considered as their father. Thus Brahma creates in general; but Vishnu in his own Calpa, assumes the character of Cronus or Brahma to create, and he is really Cronus or Brahma: he is then called Brahma-rupi Janardana, or Vishnu, the devourer of souls, with the countenance of Brahma: he is the preserver of his own character.

These three were probably the Tripatres of the western mythologists, called also Tritopatores, Tritogeneia, Tris-Endaimon, Trisolbioi, Trismacaristoi, and Propatores. The ancients were not well agreed who they were: some even said that they were Cottus, Briareus, and Gyges, the sons of Tellus and the sun. Others said that they were Amalcis, Protocles, and Protocless, the door-keepers and guardians of the minds. Their mystical origin probably belonged to the secret doctrine, which the Roman college, like the Druids, never committed to writing, and were forbidden to reveal. As the ancients swore by them, there can be little doubt but that they were the three great deities of their religion.

Disentangling the somewhat intricate and involved web of Indian mythology, and putting the matter as simply as possible, we may say the deities are only three, whose places are the earth, the intermediate region, and heaven, namely Fire, Air, and the Sun. They are pronounced to be deities of the mysterious names severally, and (Prajapati) the lord of creatures is the deity of them collectively. The syllable O'ru intends every deity: it belongs to (Paramasht'hi) him who dwells in the supreme abode; it pertains to (Brahma) the vast one; to (Deva) God; to (Ad'hyatma) the superintending soul. Other deities, belonging to those several regions, are portions of the three gods; for they are variously named and described on account of their different operations, but there is only one deity, the Great Soul (Mahanatma). He is called the Sun, for he is the soul of all beings. The Sun, the soul of (jagat) what moves, and of that which is fixed; other deities are portions of him.

The name given by the Indians to their Supreme Deity, or Monad, is Brahm; and notwithstanding the appearance of materialism in all their sacred books, the Brahmins never admit that they uphold such a doctrine, but invest their deities with the highest attributes. He is represented as the Vast One, self-existing, invisible, eternal, imperceptible, the only deity, the great soul, the over-ruling soul, the soul of all beings, and of whom all other deities are but portions. To him no sacrifices were ever offered; but he was adored in silent meditation. He triplicates himself into three persons or powers, Brahma, Vishnu, and Siva, the Creator, the Preserver, and the Destroyer, or Reproducer; and is designated by the word Om or Aum by the respective letters of which sacred triliteral syllable are expressed the powers into which he triplicates himself.

The Metempsychosis and succession of similar worlds, alternately destroyed by flood and fire and reproduced, were doctrines universally received among the heathens: and by the Indians, the world, after the lapse of each predestined period of its existence, was thought to be destroyed by Siva. At each appointed time of its destruction, Vishnu ceases from his preserving care, and sleeps beneath the waters: but after the allotted period, from his navel springs forth a lotus to the surface, bearing Brahma in its cup, who reorganises the world, and when he has performed his work, retires, leaving to Vishnu its government and preservation; when all the same heroes and persons reappear, and similar events are again transacted, till the time arrives for another dissolution.

After the construction of the world by Brahma, the office of its preservation is assumed by Vishnu. His chief attribute is Wisdom: he is the Air, Water, Humidity in general, Space, and sometimes, though rarely, Earth: he is Time present, and the middle: and he is the Sun in the evening and at night. His colour is blue or blackish; his Vahan, the Eagle named Garuda; his allotted place, the Air or intermediate region, and he symbolises Unity. It is he who most commonly appears in the Avatars or Incarnations, of which nine in number are recorded as past: the most celebrated of which are his incarnations as Mateya or the Fish Rama, Krishna, and Buddha: the tenth of Kalki, or the Horse, is yet to come. It is from him that Brahma springs when he proceeds to his office of creation.

The destroying and regenerating power, Siva, Maha-deva, Iswara, or Routrem is regarded metaphysically as Justice, and physically as Fire or Heat, and sometimes Water. He is the Sun at noon: his colour is white, with a blue throat, but sometimes red; his Vahan is the bull, and his place of residence the heaven. As destruction in the material world is but change or production in another form, and was so held by almost all the heathen philosophers, we find that the peculiar emblems of Siva are, as we have already shown, the Trident, the symbol of destruction; and the Linga or Phallus, of regeneration.

The three deities were called Trimurtti, and in the caverns of Ellora they are united in a Triune bust. They are collectively symbolized by the triangle. Vishnu, as Humidity personified, is also represented by an inverted triangle, and Siva by a triangle erect, as a personification of Fire; while the Monad Brahm is represented by the circle as Eternity, and by a point as having neither length, nor breadth, as self-existing, and containing nothing. The Brahmans deny materialism; yet it is asserted by Mr. Wilford, that, when closely interrogated on the title of Deva or God, which their most sacred books give to the Sun, they avoid a direct answer, and often contradict themselves and one another. The supreme divinity of the Sun, however, is constantly asserted in their scriptures; and the holiest verse in the Vedas, which is called the Gayatri, is:-"Let us adore the supremacy of that divine sun, the Godhead, who illuminates all, who recreates all, from whom all proceed, to whom all must return, whom we invoke to direct our understanding aright in our progress towards his holy seat."

It has been said that in India is to be found the most ancient form of that Trinitarian worship which prevails in nearly every quarter of the known world. Be that as it may, it is not in India where the most remarkable phase of the worship is to be found; for that we turn to Egypt. Here we meet with the strange fact that no two cities worshipped the same triad. "The one remarkable feature in nearly all these triads is that they are father, mother, and son; that is, male and female principles of nature, with their product."

Mariette Bey says:-"According to places, the attributes by which the Divine Personage is surrounded are modified; but in each temple the triad would appear as a symbol destined to affirm the eternity of being. In all triads, the principal god gives birth to himself. Considered as a Father, he remains the great god adored in temples. Considered as a Son, he becomes, by a sort of doubling, the third person of the triad. But the Father and the Son are not less the one god, while, being double, the first is the eternal god; the second is but the living symbol destined to affirm the strength of the other. The father engenders himself in the womb of the mother, and thus becomes at once his own father and his own son. Thereby are expressed the uncreatedness and the eternity of the being who has had no beginning, and who shall have no end."

Generally speaking, the gods of Egypt were grouped in sets of three, each city having its own Trinity. Thus in Memphis we find Ptah, Pasht and Month; in Thebes, Amun-Ra, Athor and Chonso; in Ethiopia, Noum, Sate and Anucis; in Hermonthis, Monthra, Reto and Harphre; in Lower Egypt, Seb, Netphe and Osiris; in Thinnis, Osiris, Isis and Anhur; in Abousimbel and Derr, Ptah, Amun-Ra and Horus-Ra; in Esné, Neph, Neboo and Haké; in Dabad, Seb, Netpe and Mandosti; in Ambos, Savak, Athor and Khonso; in Edfou, Horket, Hathor and Horsenedto. The trinity common throughout the land is that of Osiris, Isis and Horus.

Dr. Cudworth translates Jamblichus as follows, quoting from the Egyptian Hermetic Books in defining the Egyptian Trinity:-"Hermes places the god Emeph as the prince and ruler over all the celestial gods, whom he affirmeth to be a Mind understanding himself, and converting his cogitations or intellections into himself. Before which Emeph he placeth one indivisible, whom he calleth Eicton, in which is the first intelligible, and which is worshipped only by silence. After which two, Eicton and Emeph, the demiurgic mind and president of truth, as with wisdom it proceedeth to generations, and bringeth forth the hidden powers of the occult reasons with light, is called in the Egyptian language Ammon: as it artificially affects all things with truth, Phtha; as it is productive of good, Osiris; besides other names that it hath according to its other powers and energies." Upon this, Dr. Cudworth remarks:-"How well these three divine hypostases of the Egyptians agree with the Pythagoric or Platonic Trinity of,-first, Unity and Goodness itself; secondly, Mind; and, thirdly, Soul,-I need not here declare. Only we shall call to mind what hath been already intimated, that Reason or Wisdom, which was the Demiurgus of the world, and is properly the second of the fore-mentioned hypostases, was called also, among the Egyptians by another name, Cneph; from whom was said to have been produced or begotten the God Phtha, the third hypostasis of the Egyptian Trinity; so that Cneph and Emeph are all one. Wherefore, we have here plainly an Egyptian Trinity of divine hypostases subordinate, Eicton, Emeph or Cneph, and Phtha."

Mr. Sharpe, in his Egyptian Inscriptions, mentions the fact that there is in the British Museum a hieroglyphical inscription as early as the reign of Sevechus of the eighth century before the Christian Era, showing that the doctrine of the Trinity in Unity already formed part of their religion, and stating that in each of the two groups, Isis, Nephthis and Osiris, and Osiris, Isis, and Horus, the three gods made only one person. Also that the sculptured figures on the lid of the sarcophagus of Rameses III., now at Cambridge, show us the King, not only as one of a group of three gods, but also as a Trinity in Unity in his own person. "He stands between the goddesses, Isis and Nepthys, who embrace him as if he were the lost Osiris, whom they have now found again. We further know him to be in the character of Osiris by the two sceptres which he holds; but at the same time the horns upon his head are those of the goddess Athor, and the ball and feathers above are the ornaments of the god Ra."

Nearly all writers describe the Egyptian Trinity as consisting of the generative, the destructive, and the preserving powers. Isis answers to Siva. Iswara, or Lord, is the epithet of Siva. Osiris, or Ysiris, as Hellanicus wrote the Egyptian name, was the God at whose birth a voice was heard to declare, "that the Lord of all nature sprang forth to light."

A peculiar feature in the ancient trinities is the way in which the worship of the first person is lost or absorbed in the second, few or no temples being found dedicated to Brahma. Something very much like this often occurs among Christians; we are surrounded by churches dedicated to the second and third persons in the trinity, and to saints, and to the Mother of Christ, but none to the Father.

It has been noticed that while we find inscribed upon the monuments of Egypt a vast multitude of gods, as in India, the number diminishes as we ascend. Amun Ra alone is found dedicated upon the oldest monuments, in three distinct forms, into one or other of whose characters all the other divinities may be resolved. Amun was the chief god, the sacred name, corresponding with the Aum of the Indians, also, probably, the Egyptian On. According to Mr. Wilkinson, the Egyptians held Kneph, Neph, Nef, or Chnoubus, "as the idea of the Spirit of God which moved upon the face of the waters." He was the Spirit, animating and perpetuating the world, and penetrating all its parts; the same with the Agathod?mon of the Ph?nicians, and like him, was symbolized by the snake, an emblem of the Spirit which pervades the universe. He was commonly represented with a Ram's head; and though the colour of the Egyptian divinities is perhaps more commonly green than any other, he is as frequently depicted blue. He was the god of the Nile, which is indirectly confirmed by Pindar; and by Ptolemy, who says that the Egyptians gave the name of Agathod?mon to the western, or Heracleotic branch. From his mouth proceeded the Mundane egg, from which sprung Phtah, the creative power. Mr. Wilkinson proceeds:-"Having separated the Spirit from the Creator, and purposing to act apart and defy each attribute, which presented itself to their imagination, they found it necessary to form another deity from the creative power, whom they call Phtah, proceeding from the former, and thence deemed the son of Kneph. Some difference was observed between the power, which created the world, and that which caused and ruled over the generation of man, and continued to promote the continuation of the human species. This latter attribute of the divinity was deified under the appellation Khem. Thus was the supreme deity known by the three distinct names of,

Kneph, Phthah, Khem:

to these were joined the goddesses Sate, Neith, and Buto; and the number of the eight deities was completed by the addition of Ra, or Amun-Ra," this last, however, was not a distinct god, but a name common to each person of the triad: and, indeed, to all the three names above the name of Amun was constantly prefixed.[9]

Phthah corresponds with the Indian Brahma, and the Orphic Phanes, and appears in several other forms. In one form he is represented as an infant-often as an infant Priap?an figure, and deformed.

The deity called Khem by Mr. Wilkinson, and Mendes by Champollion, is common on the monuments of Egypt, and is recognised as corresponding with the Pan of the Greeks. His chief attribute is heat, which aids the continuation of the various species, and he is generally coloured red, though sometimes blue, with his right arm extended upwards. His principal emblems are a triple-thonged Flagellum and a Phallus. He corresponds with Siva of the Indians, his attributes being similar, viz., Destroying and Regenerating. He is the god of generation, and, like Siva, has his Phallic emblem of reproduction; the triple-thonged flagellum is regarded by some as a variation of the trident, or of the axe of Siva. He has for a vahan the Bull Mneuis, as Sivi has the Bull Nandi. The Goat Mendes was also consecrated to him as an emblem of heat and generation; and it is well known that this animal is constantly placed in the hands of Siva. "In short," says Mr. Cory, "there is scarcely a shade of distinction between Khem and Siva: the Egyptians venerated the same deity as the Indians, in his generative character as Khem, when they suspended the flagellum, the instrument of vengeance, over his right hand; but in his destroying character, as the ruler of the dead, as Osiris, when they placed the flagellum in his hands as the trident is in that character placed in the hand of Siva."

In the Chaldean oracles, so far as they have been preserved, the doctrine of a triad is found everywhere. Allowing for the existence of much that is forged amongst these oracles, as suggested by Mr. Cory and others, we may reasonably conclude that there still remains a deal that is ancient and authentic. They teach as a fundamental tenet that a triad shines throughout the whole world, over which a Monad rules. This triad is Father, Power, and Intellect, having probably once been Air, Fire, and Sun.

Amongst the Laplanders the Supreme God was worshipped as Jumala, and three gods were recognised as subordinate to him. The first was Thor of the Edda; the second Storjunkare, his vicegerent, the common household god; and the third Beywe, the Sun.

With regard to the Ph?nicians and Syrians, Photius states that the Kronus of both was known under the names of El, Bel, and Bolathen.

The Sidonians, Eudemus said, placed before all things Chronus, Pothas, and Omichles, rendered by Damascius as Time, Love, and Cloudy Darkness, regarded by some as no other than the Khem, Phthah, and Amun Kneph of the Egyptians.

The Heracles or Hercules of the Greeks, known as Arcles of the Tyrians, was a triple divinity, described by Hieronymus as a dragon, with the heads of a bull, of a lion, and of a man with wings.

Among the Philistines also we find their chief god Dragon, who is the Ouranus of Sanchoniatho. It appears also that Baal was a triple Divinity: while Chemosh, the abomination of the Moabites, and Baal Peor, of the Midians, seem to be the Priap?an Khem of Egypt, the god of heat and generation. The Edessenes also held the triad, and placed Monimus and Azizus as contemplars with the Sun.[10]

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