The Circus Boys on the Plains; Or, The Young Advance Agents Ahead of the Show

"Bates!"

The voice of James Sparling rose above even the roar of the storm.

A uniformed attendant stepped into the little office tent occupied by the owner of the Great Sparling Combined Shows. Shaking the water from his dripping cap, he brought a hand to his forehead in precise military salute.

"How's the storm coming, Bates?" demanded the showman, with an amused twinkle in his eyes as he noted the bedraggled condition of his messenger.

"She's coming wet, sir," was the comprehensive reply.

And indeed "she" was. The gale was roaring over the circus lot, momentarily threatening to wrench the billowing circus tents from their fastenings, lift them high in the air preparatory to distributing them over the surrounding country. Guy ropes were straining at their anchorages, center and quarter poles were beating a nervous tattoo on the sodden turf. The rain was driving over the circus lot in blinding sheets.

The night was not ideal for a circus performance. However, the showmen uttered no protest, going about their business as methodically as if the air were warm and balmy, the moon and stars shining down over the scene complacently.

Now and again, as the wind shifted for a moment toward the showman's swaying office tent, the blare of the band off under the big top told him the show was moving merrily on.

"Bates, you are almost human at times. I had already observed that the storm was coming wet," replied the showman.

"Yes, sir."

"I have reason to be aware of the fact that 'she is coming wet,' as you so admirably put it. My feet are at this moment in a puddle of water that is now three inches above my ankles. Why shouldn't I know?"

"Yes, sir," agreed the patient attendant.

"What I want to know is how are the tents standing the blow?"

"Very well, sir."

"As long as there is a stitch of canvas over your head you take it for granted that the tops are all right, eh?"

"Yes, sir."

"The emergency gang is on duty, of course?"

"They're out in the wet, sir."

"Of course; that is where they belong on a night like this. But what were you doing out there? You have no business that calls you outside."

"I was helping a lady, sir."

"Helping a lady?"

"Yes, sir."

"What lady?"

"The English Fat Girl got mired on the lot, sir, and I was helping to get her out," answered the attendant solemnly.

"Pshaw!"

"Yes, sir."

"You will please attend to your own business after this. If the English Fat Girl gets mired again we will have the elephant trainer bring over one of the bulls and haul her out. She won't be so anxious to get stalled after that, I'm thinking," snapped the showman.

"Yes, sir."

"What act is on now under the big top?"

"The ground tumblers are in the ring, sir."

Mr. Sparling reflected briefly.

"Has Mr. Forrest finished his work for the evening?"

"I think so, sir. He should be off by this time."

"Can you get to the dressing tent without finishing the job of drowning at which you already have made such a good start?" demanded the showman quizzically.

"Yes, sir," grinned Bates.

"Then, go there."

The attendant started to leave the tent.

"Come back here!" bellowed the showman.

Bates turned patiently. He was not unused to the strange whims of his employer.

"What are you going to do when you get to the dressing tent?"

"I don't know, sir."

"I thought not. You are an intelligent animal, Bates.

Now listen!"

"Yes, sir."

Mr. Sparling scowled, surveying his messenger with narrowed eyes.

"Tell Mr. Philip Forrest that I wish to see him in my private car at the 'runs,'"-meaning that part of the railroad yards where the show had unloaded early that morning.

"Yes, sir."

"Wait! You seem anxious to get wet! Have the men strike my tent at once. It is likely to strike itself if they do not get busy pretty quick," added the showman, rising.

The messenger saluted, then hurried out into the driving storm, while Mr. Sparling methodically gathered up the papers he had been studying, stuffing them in an inside coat pocket.

"A fine, mellow night," he said to himself, peering out through the flap as he drew on his oilskins. Pulling the brim of his sombrero down over his eyes he stalked out into the storm.

A quick glance up into the skies told his experienced eyes that the worst of the storm had passed, and that there was now little danger of a blow-down that night. He started off across the circus lot, splashing through the mud and water, bound for his comfortable private car that lay on a siding about half a mile from the circus grounds.

He found a scene of bustle and excitement in the railroad yards, where a small army of men were rushing the work of loading the menagerie wagons on the first section, for the train was going out in three sections that night.

"It is a peculiar fact," muttered the showman, "that the worse the weather is, the louder the men seem called upon to yell. However, if yelling makes them feel any the less wet, I don't know why I should object."

The showman quickly changed his wet clothes and settled himself at the desk in his cosy office on board the private car. He had been there something like half an hour when the buzzing of an electric bell called the porter to the door of the car.

A moment later and Phil Forrest appeared at the door of the car.

"You sent for me, did you not, Mr. Sparling?"

"Why, good evening, Phil," greeted the showman, looking up quickly with a welcoming smile on his face.

"I call it a very bad evening, sir."

"Very well, we will revise our statement. Bad evening, Phil!"

"Same to you, Mr. Sparling," laughed the lad. "Yes, I think that fits the case very well indeed."

"And now that we have observed the formalities, come in and sit down. Are you wet?"

"No; I went to my car and changed before coming in. I thought a few minutes' delay would make no difference. Had you sent for me on the lot I would have reported more promptly."

"Quite right, my boy. No, there was nothing urgent. The storm did not interfere much with the performance, did it?"

"No. The audience was a little nervous at one time, but the scare quickly passed off."

"Where's your friend?"

"Teddy Tucker?"

"Yes."

"He was having an argument with the Strongest Man on Earth when I left the dressing tent," laughed Phil. "It was becoming quite heated."

"Over what?"

"Oh, Teddy insisted on sitting on the strong man's trunk while he took off his tights. There was a mud hole in front of Teddy's trunk and he did not wish to get his feet wet and muddy."

"So the Strongest Man on Earth had to wait, eh?" questioned the showman with an amused smile.

"Yes. Teddy was threatening to thrash him if he did not keep off until he got his shoes on."

Mr. Sparling leaned back, laughing heartily.

"Your friend Teddy is getting to be a very belligerent young man,

I fear."

"Getting to be?"

"Yes."

"It is my opinion that he always has been. Teddy can stir up more trouble, and with less provocation, than anyone I ever knew. But, you had something you wished to say to me, did you not?"

"To be sure I had. Something quite important. Have you had your lunch?"

"No; I came directly to the train from the lot."

"I am glad of that. I thought you would, so I ordered supper for two spread in the dining compartment. It must be ready by this time. Come. We will talk and eat at the same time. We have no need to hurry."

The showman and the Circus Boy made their way to the dining compartment, where a small table had been spread for them, which, with its pretty china, cut glass and brightly polished silver, made a very attractive appearance.

"This looks good to me," smiled Phil appreciatively.

"Especially on a night like this," answered Mr. Sparling. "Be seated, and we will talk while we are waiting for supper to be served."

Readers of the preceding volumes of this series will need no introduction to Phil Forrest and Teddy Tucker. They well remember how the Circus Boys so unexpectedly made their entry into the sawdust arena in "THE CIRCUS BOYS ON THE FLYING RINGS" after Phil by his quick wit had prevented a serious accident to the lion cage and perhaps the escape of the dangerous beast itself. Both boys had quickly worked their way into the arena, and after many thrilling experiences became full-fledged circus performers.

Again in "THE CIRCUS BOYS ACROSS THE CONTINENT," the lads won new laurels on the tanbark. It will be recalled, too, how Phil Forrest at the imminent risk of his own life trailed down and captured a desperate man, one of the circus employees who, having been discharged, had followed the Sparling Show, seeking to revenge himself upon it. It will be remembered that in order to capture the fellow, the Circus Boy was obliged to leap from a rapidly moving train and plunge down a high embankment.

But their exciting experiences were by no means at an end. The life of the showman is full of excitement and it seemed as if Teddy and Phil Forrest met with more than their share in "THE CIRCUS BOYS IN DIXIE LAND." Phil Forrest, while performing a mission for his employer, was caught by a rival circus owner, held captive for some days, then forced to perform in the rival's circus ring, leaping through rings of fire in a bareback riding act. The details of Phil's exciting escape from his captors are well remembered, as will be his long, weary journey over the railroad ties in his ring costume. It was in this story that the battle of the elephants was described, all due to the shrewd planning of Phil Forrest.

The following season found the Great Sparling Shows following a new route. In "THE CIRCUS BOYS ON THE MISSISSIPPI," the lads embarked with the circus, on boats, which carried them from town to town along the big river. It was on this trip that Phil Forrest met with the most thrilling experience of his life, and it was only his own pluck and endurance that saved him from a watery grave at the bottom of the Mississippi.

And now, for the fifth season, the Circus Boys are found under canvas again, headed for the far west.

"How are things going with you?" questioned Mr. Sparling after the two had seated themselves at the table in the dining compartment.

"Rather slowly, Mr. Sparling."

"How is that?"

"I haven't enough to do this season. I am afraid I shall get lazy, unless you give me something else to do."

"Let me see; how many acts have you this season?"

"I am on the flying trapeze, then I do a single bareback riding act and a double with Little Dimples, the same as I did last season."

The showman nodded reflectively.

"Besides which, you attend to numerous business details for me, manage the side shows, keep an eye on the candy butchers, make yourself responsible for the menagerie tent and other things too numerous to mention. Yes; you should have a few more things to do," grinned the showman. "I could run this show with a dozen men like you, Phil. In all my circus experience I never saw your equal."

Phil flushed. He did not like to be complimented. He did his work because he loved it, not wholly for the handsome salary that he was now drawing from the little red ticket wagon every week. Phil was ambitious; he hoped, as has been said before, to have a show of his own someday, and he let no day pass that he did not add to his store of knowledge regarding the circus business.

In this ambition Mr. Sparling encouraged him, in fact did everything possible to aid the lad in acquiring a far-reaching knowledge of the vocation he had chosen for his lifework.

"Thank you, Mr. Sparling. Let's talk about something else."

"We will eat first. You probably will enjoy that more than you do my compliments."

"I am sure of it," answered the lad with a twinkle in his eyes.

"I have been thinking of giving you some additional work."

Phil glanced up at his employer with quickened interest.

"Yes, I am thinking of closing you."

"You mean you are thinking of dropping me from the show?" asked the lad, gazing at the showman with steady, inquiring eyes.

"Well, I should hardly say that. I am afraid the Sparling Show could not get along without you. I am thinking very seriously of transferring you."

"Transferring me?" wondered Phil.

"Yes. By the way, do you know much about the advance work, the work ahead of the show?"

"Very little. I might say nothing at all, except what I have picked up by reading the reports of the car managers, together with the letters you write to these men."

"That is all right, as far as it goes, but there is a deal more to the advertising department of a show than you will ever learn from reports and correspondence."

"So I should imagine."

"Yes; the success, the very existence of a circus is dependent upon the work of the men ahead of it. Let that work be neglected and you would see how soon business would drop off and the gate receipts dwindle, until, one day, the show would find itself stranded."

"Nothing could strand the Sparling Show," interposed Phil.

"You are mistaken. Bad management would put this show out of business in two months' time. That is a point that I cannot impress upon you too strongly. Any business will fail if not properly attended to, but a circus is the most hazardous of them all."

"But the risk is worth taking," remarked Phil.

"It is. For instance, when a show has a business of sixteen or eighteen thousand dollars a day for several weeks, it rather repays one for all the trouble and worry he has gone through."

"I should say it does," answered Phil, his eyes lighting up appreciatively.

"And now we come to the point I have been getting at."

"Yes; what is it you have in mind for me?"

"I am going to ask you to join the advance for the rest of the season, Phil."

"I, join the advance?" questioned the lad in a surprised tone.

"Yes."

"And leave the show?"

"That will be a necessity, much as I regret to have you do so."

Phil's face took on a solemn expression.

"How would you like that?"

"I do not know, Mr. Sparling. I am afraid I should not know what to do with myself away from the glitter and the excitement of the big show."

"Excitement? My dear boy, you will find all the excitement you want ahead of the show. As for work, the work ahead is never finished. There is always plenty to do after you have finished your day's work. Besides, this branch of the business you must familiarize yourself with, if you are to go later into the executive branch of the circus business."

"I am ready to go wherever you may wish to send me,

Mr. Sparling," said the young man in a quiet tone.

"I knew you would be," smiled the showman.

"Where will you send me, and what am I to do?" asked Phil, now growing interested in the prospect of the change.

"I have decided to send you out on Advertising Car Number Three.

That is the busiest car of the three in advance of the show.

You ask what you are to do. I will answer-everything!"

"Car Three," mused the Circus Boy.

"Yes; it is in charge of Mr. Snowden," continued the showman with a twinkle in his eyes, but which Phil in his preoccupation failed to observe. "I am thinking that Snowden will give you all you want to do, and perhaps a little more."

"When do you wish me to join?"

"At once."

"Now?"

"You may start as soon as you are ready."

"I am ready, now," replied the lad promptly.

"I did not mean for you to leave in quite such a hurry as that," laughed Mr. Sparling. "Besides, this is rather a bad night to make a change. Take your time, get your things in shape, and leave when you get ready."

"Does Mr. Snowden know I am to join him?"

"Yes; I have already written him to that effect-that is, I told him you probably would join at an early day."

"Where is Car Three now?"

Mr. Sparling consulted his route card.

"It is in Madison, Wisconsin, today. This car keeps about four weeks ahead of the show, you know. We are in Flint, Michigan, today. Do you think you can get away tomorrow?"

"Certainly. Where do we show tomorrow?"

"Saginaw."

"It will be an easy jump from there to Madison."

"Yes; but you will not catch the car at Madison. I think you had better plan to join them at St. Paul the day after tomorrow. Will that suit you?"

"Yes. I suppose my dressing-room trunk will be carried right along with the show?"

"Of course. You will close your season before the show itself does; then you can return to us, though I shall not expect you to perform. You no doubt will be a little rusty by that time."

"I should say I would be. But, Mr. Sparling-" added the boy, a sudden thought coming to him.

"Yes?"

"What about Teddy? Does he remain with the show?"

"Teddy? I had forgotten all about that little rascal. Yes, he- but wait a moment. Upon reflection I think perhaps he had better go along with you. He wants to own a show one of these days, doesn't he?"

"I believe he does," smiled Phil.

"Then this will be a good experience for him. Besides, I should be afraid to trust him around this outfit if you were not here to look after him. He would put the whole show out of business first thing I knew. Yes, he had better go with you. And another thing-salaries in the advance are not the same, you know."

"I am aware of the fact, sir."

"You will draw the same salaries that other employees of Number Three do, and in addition to this I shall send you both my personal checks, so that you will be drawing the same money you now are."

"It is not necessary," protested Phil.

Mr. Sparling waved the objection aside.

"It is my plan. Go to your car and tell your friend to get ready now, and report to me in the morning at Saginaw for further instructions."

Phil rose. His face was flushed. He was now full of anticipation for the new life before him. And it was to be a new life indeed-a life full of astonishing experiences and adventures.

Phil bade his employer good night, and hurried away to his own car to tell the news to Teddy.

"Teddy, Teddy, wake up!" commanded Phil, hauling his companion from his berth in the sleeping car.

Teddy scrambled out into the aisle of the car and promptly showed fight.

"Here, what are you doing, waking me up this time of the night?" he demanded.

"I have great news."

"News?" questioned the boy, showing some slight signs of interest in the announcement.

"Yes, news, and good news, too."

"All right, I'm easy. What is it?"

"We are to join the advance."

"Advance of what?"

"The advance of the Sparling Shows, of course," glowed Phil.

Teddy grew thoughtful.

"What, and leave the show?"

"Certainly."

"Not for mine!"

"Oh, yes, you will! You know, we wish to learn all we can, and neither of us knows anything about that end of the business. It is a splendid opportunity, and we should be very grateful to Mr. Sparling for giving us the chance. Besides, it will be a very pleasant life. We shall be traveling in a private car, with no responsibilities beyond our work. Will it not be fine?"

"I-I don't know. I shall have to try it first. I decline to commit myself in advance. When do we go?"

"Tomorrow."

"Pshaw! Boss Sparling seems to be in an awful hurry to get rid of us. All right, I'll go. I need a rest, anyway-for my health. I've been working too hard so far this season."

"Too bad about you," scoffed Phil. "We leave from Saginaw as early tomorrow as we can get away. We shall have to get a few things from our dressing-tent trunks, then pack up the things we do not need, sending them on with the show."

"Do I take my donkey?" questioned Teddy, half humorously.

"Your mule? The idea! Now, what would you do with a donkey on an advance car, I should like to know?"

"He might make things interesting for the rest of the crowd."

"I should say he would! But, from what little I know of the advance, you will have plenty to interest you without having an ill-tempered donkey along. Good night, Teddy. This is our last night with the show for a long time to come."

Phil made his way to his own berth, where he promptly went to sleep, putting from his mind until the morrow all thought of what lay before him.

Early the next morning both lads were awake; by the time their section pulled in at Saginaw they had nearly completed the packing of their personal baggage.

The rest was quickly accomplished, after they had eaten their breakfast under the cook tent. All preparations made, a final interview with Mr. Sparling had, and good-byes said, the Circus Boys boarded a train just as the strains of the circus band were borne to their ears.

"The parade is on," said Phil as their train moved out.

"And we are not there to ride in it. We'll have to get up some sort of a parade for Car Number Three, I'm thinking," smiled Teddy.

Late that afternoon the boys reached St. Paul. After considerable searching about they finally found Car Number Three. Mr. Snowden was not on board, so, telling the porter who they were, the lads made themselves comfortable in the office of the car, a roomy compartment, nicely furnished, equipped with two folding berths, a desk, easy chairs and other conveniences.

"This is pretty soft, I'm thinking," decided Teddy.

"It is very nice, if that is what you mean," corrected Phil.

"That's what I mean. Do we live in here?"

"No; I should imagine we are to berth at the other end of the car."

"Let's go look at it."

The other end of the car comprised one long apartment with folding berths and benches for laying out the lithographs. At the far end was a steam boiler, used in making paste with which to post the bills. That compartment had nothing either of elegance or comfort.

"Do the men sleep on those shelves up there?" questioned Teddy of the porter.

"Shelves, sir? Hi calls them berths, sir," answered the porter, who was an Englishman.

"Humph!"

"What do you think of our new home, Teddy?" smiled Phil.

"I've seen better," grumbled the Circus Boy. "I think I prefer the stateroom. Where's the boss?"

"He's out just now looking over the work."

Teddy, with a scowl on his face, went outside to take a look at the car from the outside. The car was a bright red, with the name of the Sparling Shows spread over its sides in gilded letters.

"If the inside were half as good-looking as the outside, it would be some car," was Teddy's conclusion, after walking all around the car. "I think I'll go back and join the show."

"Oh, be sensible, Teddy," chided Phil. "We shall be very comfortable after we once get settled. Here comes Mr. Snowden, I think."

Approaching them, the boys saw a thin, nervous-appearing man of perhaps forty-five years of age.

"Are you Mr. Snowden?" asked Phil, politely.

"Yes; what do you want?"

"I am Phil Forrest, and this is my friend, Teddy Tucker. We have come on to join the car."

Mr. Snowden looked the lads over critically.

"Humph!" he said. "Come inside."

Whether or not his survey of them had been satisfactory neither lad knew.

"Now, what are you going to do on this car?" demanded the car manager sharply, when they had seated themselves in his office.

"That is for you to say, sir. We are at your disposal," replied Phil.

"What can you do?"

"We do not know. This is entirely new work for us. We have been performers back with the show, you know."

"Humph! Nice bunch to ring in on an advertising car!" grunted the manager. "Either of you know how to put up paper?"

"I think not."

"What do you mean by paper?" interposed Teddy.

The manager groaned.

"You don't know what paper is?"

"No, sir."

"Paper is advertising matter, any kind of show bills that are posted on billboards, barns or any other old place where we get the chance. Everything is paper on an advertising car. Forrest, I think I'll send you out on a country route tomorrow. Know what a country route is?"

"I think so."

"Well, in case you do not, I will tell you. Every day we send out men to post bills through the country. The routes are laid out by the contracting agent long before we get to a town. You go out in a livery rig, and you will have to drive from thirty to forty miles a day. You are an aerial performer, are you not?"

"Yes, sir."

"Then you will be able to climb barns all right. We will call you Car Number Three's barn-climber. We'll see how good a performer you really are. For the first few days I will send you out with one of the billposters; after that you will have to go it alone. If you are no good, back you go. Understand?"

"I think so. I shall do the best I can."

"And what do I do?" demanded Teddy.

The car manager eyed him disapprovingly.

"What do you do?"

"Yes."

"I have a nice gentlemanly job laid out for you. You will operate the steam boiler and make up the paste for the next day. You'll wish you had stayed back with the show before I get through with you."

"And I'll go there, too, if you talk like that to me," retorted

Teddy, flushing angrily.

"What's that? What's that?" snapped the manager. "See here, young man, I am in charge of this car. You will do as I tell you, and if you get noisy about it I'll show you how we do things on an advertising car. Get out of here before I throw you out."

"See here, you, I won't be talked to like that. I'll wring your neck for you, some fine day, first thing you know!" bellowed Teddy, now thoroughly aroused.

The manager grabbed the lad by the shoulders and shot him through the screen doors before Teddy had an opportunity to object.

Teddy, red-faced and boiling with rage, was about to project himself into the stateroom again when Phil motioned him to go away. Teddy did so reluctantly.

"Where do we sleep, Mr. Snowden?" inquired Phil, hoping to get the car manager in a more gentle frame of mind by changing the subject.

"Sleep on the roof, sleep in the cellar! I don't care where you sleep! You get out of here, too, unless you want me to throw you out!"

"I think you had better not do that, sir." Phil's voice was cool and pleasant.

"What's that! What's that! You dare to talk back to me.

I'll-"

"Wait a moment, Mr. Snowden. We might as well understand each other at the beginning."

The car manager's words seemed to stick in his throat. He gazed at the slender young fellow before him in amazement. Mr. Snowden was unused to having a man in his employ talk back to him, and for the moment it looked as though trouble were brewing in the stateroom of Car Number Three.

"Say it!" he exploded.

"I have very little to say, sir. But what I have to say will be to the point. I am well aware that discipline must be preserved here as well as back with the show. I shall always look up to you as my superior, and treat you in a gentlemanly and respectful manner. I shall hope that you, also, will treat me in a gentlemanly manner as long as I deserve it, at least."

"You-you threaten me, you young cub-you-"

"No; I do not threaten you. I am simply seeking to come to a friendly understanding with you."

"And-and if-if I decide to treat you as I do the rest of my men-what then?" sneered the manager.

"That depends. I can answer that question when I see how you do treat them. From what I have seen, I should imagine they do not lead a very happy existence," continued the Circus Boy with a pleasant smile.

"If I keep you on this car I'll use you as I please, and the quicker you understand that the better. Now, what do you propose to do?"

"I propose," said Phil, still preserving an even tone, "to do my duty and at the same time keep my self-respect. I propose, if you persist in directing insulting language at me, to give you a thrashing that will last you all the rest of the season."

Teddy, who had sat down on a pile of railroad ties beside the tracks, could see and hear all that was going on in the stateroom.

"Soak him, Phil!" howled the boy on the tie pile.

Snowden's eyes blazed and his fingers opened and closed convulsively.

With an angry growl he hurled himself straight at Phil Forrest.

"Be careful, Mr. Snowden!" warned the Circus Boy, stepping out of harm's way. "I am not looking for trouble, but I shall defend myself."

"I'll teach you to talk back to me. I'll-"

Just then the car manager stumbled over a chair and went down with a crash, smashing the chair to splinters.

"Mr. Sparling will not tolerate anything of this sort, I am sure," added Phil.

By this time, the manager was once more on his feet. His rage was past all control. With a roar of rage Snowden grabbed up a rung of the broken chair and charged his slender young antagonist.

A faint flush leaped into the face of Phil Forrest. His eyes narrowed a little, but in no other way did he show that his temper was in the least ruffled.

The chair rung was brought down with a vicious sweep, but to Snowden's surprise the weapon failed to reach the head of the smiling Circus Boy.

Then Phil got into action.

Like a flash he leaped forward, and the car manager found his wrists clasped in a vise-like grip.

"Let go of me!" he roared, struggling with all his might to free himself, failing in which he began to kick.

Phil gave the wrists a skillful twist, which brought another howl from Snowden, this time a howl of pain.

"I am not looking for trouble, sir. Will you listen to reason?" urged the lad.

"I'll-I'll-"

Snowden did not finish what he had started to say. Instead he moaned with pain, writhing helplessly in the iron grip of Phil Forrest.

"Do you give up? Have you had enough?"

"No!" gritted the car manager.

The Circus Boy tightened his grip ever so little.

"How about it?"

"Give him an extra twist for me," shouted Teddy.

"I give in! Let go quick! You'll break my wrists!"

"You promise to carry this thing no further if I release you?"

"I said I have had enough," cried Snowden angrily.

"That won't do. Will you agree to let me alone, if I release you now?" persisted Phil.

"Yes, yes! I've had all I want. This joke has gone far enough."

"Joke?"

"Yes."

"You have a queer idea of jokes," smiled Phil, releasing his man and stepping back, but keeping a wary eye on the car manager, as the latter settled back into a chair, rubbing his wrists. They still pained him severely.

"I am sorry if I hurt you, Mr. Snowden. But I had to defend myself in some way. I could have been much more violent, but I did not wish to be unnecessarily so."

"You were rough enough. I've got no use for a fellow who can't take a joke without getting all riled up over it. Get out of here!"

"What are you doing at this end of the car?" snarled the manager to Henry, the English porter, who had been peering into the office, wide-eyed. He had been a witness to the disturbance, but at the manager's command he hastily withdrew to his own end of the car.

"Shall we shake hands and be friends now, Mr. Snowden?" asked Phil.

"Shake hands?"

"Yes, of course."

"No. I'll not shake hands with you. I want nothing further to do with you. Either you get off this car, or I do. We can't both live on it at the same time."

"So far as I am concerned, we can do so easily," answered the

Circus Boy.

"I said either you or I would have to get off, and I mean exactly what I said."

The manager wheeled his chair about, facing his desk, and wrote the following telegram:

Mr. James Sparling,

Saginaw, Michigan.

I demand that you call back the two boys who joined my car today.

Either they close or I do. They're a couple of young ruffians.

If they remain another day I'll not be responsible for what I do

to them.

Snowden.

The car manager handed the message to Phil. "Read it," he snapped.

Phil glanced through the message, smiling broadly as he returned it to the manager.

"That certainly is plain and to the point."

"I'm glad you think so. Take that message to the telegraph office, and send it at once."

"Yes, sir."

Mr. Snowden had expected a refusal, but Phil rose obediently and left the car. He took the message to a telegraph office, Teddy accompanying him.

"Why didn't you finish him while you were about it, Phil?" demanded Teddy. "You had him just to rights."

"I did quite enough as it was, Teddy. I am very sorry for what

I did, but it had to come."

"It did. If you hadn't done it I should have had to," nodded Teddy rather pompously. "But I shouldn't have let him off as easily as you did. I certainly would have given him a rough-and-tumble."

"It is a bad enough beginning as it is. Now, Teddy, I want you to behave yourself and not stir up any trouble-"

"Stir up trouble? Well, I like that. Who's been stirring up trouble around here, I'd like to know. Answer me that!"

"I accept the rebuke," laughed Phil. "I am the guilty one this time, and I'm heartily ashamed to admit it at that."

"What do you think Mr. Sparling will do?"

"I don't know. I can't help but think he had some purpose in sending us on to join this car, other than that which he told us. However, time will tell. We are in for an unpleasant season, but we must make the best of our opportunity and learn all we can about this end of the business."

"I've learned enough this afternoon to last me for a whole season," answered Teddy grimly.

By the time they returned to the car the men had come in from the country routes, as had the lithographers who had been placing bills in store windows about the town.

"He's at it again," grinned Teddy, as the voice of the manager was heard roaring at the men. Snowden was charging up and down the car venting his wrath on the men, threatening, browbeating, expressing his opinion of all billposters in language more picturesque than elegant. Not a man replied to his tirade.

"Evidently they are used to that sort of treatment," nodded Phil. "Well it doesn't go with me at all. Come on; let's go in and see what it's all about."