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The CEO'S Wrong Sister (The Black Sheep Bride)

The CEO'S Wrong Sister (The Black Sheep Bride)

Author: : Ava John
Genre: Adventure
She was never supposed to be his choice. When the Voss family's empire crumbles under the weight of catastrophic debt, a deal is struck with the most powerful man in the room Xavier Holt the Billionaire, and CEO of The Holt empire. The kind of man who walks into a room and changes its temperature. Everyone expected him to choose Madison Voss, the beautiful, polished, perfect Madison the golden daughter who had spent her whole life being chosen first. He chose Nora instead. Nora, the overlooked one. The difficult one, the sister who asked too many questions, refused to perform, and had spent twenty-six years being everything her family wished she wasn't. The black sheep. She doesn't want this marriage. She doesn't want him. She wants him to choose Madison and let her go back to her small apartment, her plants, her romance novels, and the quiet life she'd built for herself in the spaces her family forgot to look. But Xavier Holt doesn't negotiate. He doesn't explain. And he absolutely does not change his mind.

Chapter 1 The Girl Nobody Bets On

Nobody told Nora the meeting was about her.

That was the annoying but usual thing. The way they all sat around the formal dining table her father at the head. Her mother beside Madison, and Nora in the chair slightly that had always been slightly to the left, and nobody thought to mention that the man sitting across from them with the dark grey eyes, and the charcoal suit that probably cost more than the Voss family car was here, in some way, because of her.

She found out the same time everyone else did.

Which was to say, she found out when Xavier Holt looked directly at her father and said, "I'd like to marry your daughter," and then turned those dark grey eyes across the table and looked, not at Madison, but at Nora.

The room stopped.

Not figuratively. Literally. Her mother's hand froze halfway to her wine glass. Her father made a sound that wasn't quite a word. And Madison, she went very, very still.

Nora looked behind her. Purely on instinct. Just to make sure there wasn't another daughter standing there that she didn't know about. There wasn't, there was only the wall and the painting of the countryside her mother had bought at an auction twelve years ago and never quite liked.

She turned back around.

Xavier Holt was still looking at her.

He was, and she would hate herself for noticing this, later, in the privacy of her own room.

The man was extraordinarily good looking. Not in the approachable way. In the way that made you forget what you were about to say. Tall even sitting down, broad shouldered, dark hair with one piece falling slightly forward that he didn't bother to fix. His jaw was sharp enough to be its own argument and his eyes were the grey of a sky deciding whether to storm.

He did not look like a man who made mistakes.

Which made this all very confusing.

"I'm sorry," Nora said, because someone had to. "Did you just ..."

"Yes," he said.

"You looked at me."

"I did."

"Not at. ." She stopped herself. Gestured vaguely across the table without finishing the sentence because finishing the sentence felt cruel, and she wasn't cruel even when people deserved it, and Madison was sitting right there with a smile painted on her face that didn't reach anything above her cheekbones.

"I'm aware of who I looked at," Xavier said.

His voice was low, and unhurried. The kind of voice that didn't need volume because the room always got quiet for it anyway. He picked up his water glass, and took a measured sip, and set it back down with the precise ease of a man who had never once in his life been caught off guard.

Nora had been caught off guard. Enormously. She was still off guard. She was so far off guard she could no longer see guard from where she was standing.

"Xavier," her father started, recovering. "Perhaps we should discuss.."

"I've read the file," Xavier said simply. "I've made my decision."

"The file," Nora repeated.

"Yes."

"There's a file."

"There is."

She looked at her father. Gerald Voss had the specific expression of a man who had intended to control this conversation and was watching that intention walk quietly out of the room. He cleared his throat. "It was simply background. Standard due diligence for a .."

"For a what?" Nora said. "For a what, Dad?"

Her mother put her wine glass down. "Nora."

There it was, that word again. Worn smooth. Meaning everything it always meant don't, please, just this once, why must you always.

Nora looked back at Xavier Holt.

He was watching her with an expression she couldn't read not quite curiosity, not quite calculation. Something in between. Something that made her feel like she was a document he was reviewing, and had found more interesting than expected.

She did not find this flattering.

"I don't know what's happening," she said slowly, "but I'd like someone to explain it to me in full sentences. Starting from the beginning."

"We needed a solution," her father said. He had the grace to look at the table when he said it. "The debt, you know about the debt, Nora. Xavier has proposed a business arrangement that would resolve the situation entirely. In exchange for..."

"In exchange for a daughter," Nora said flatly.

The table went quiet again.

"An arrangement," her father said. "A marriage of mutual benefit. Xavier's company gains.."

"I don't need you to explain what I gain," Xavier said, without looking away from Nora. "I can explain that myself. When she's ready to hear it."

"I'm ready right now," Nora said.

Something moved across his face. Quick, almost nothing. She would have missed it if she hadn't been watching him the way she'd been watching him since he sat down with the wary attention of someone who understood instinctively that this man was worth paying attention to.

"Good," he said.

And then he just looked at her. For a moment that stretched like taffy, like the room had decided to take a breath and hold it. Like everyone at the table understood that something was happening between these two people that didn't require the rest of them.

Madison moved.

It was small, a shift in her seat, a repositioning of her perfectly manicured hands on the table. But Nora had spent twenty six years learning to read Madison's small movements the way sailors read weather.

She looked at her sister.

Madison smiled at her. Warm and sisterly. The smile she'd been perfecting since they were children, the one that looked like love from a distance and felt like something else entirely up close.

"Congratulations, Nora," she said softly.

And somehow, that was the most frightening thing that had happened in the last ten minutes.

Nora looked back at Xavier Holt.

He was still watching her. Patient, and certain. Very much unbothered. Like a man who had already decided how this ended, and was simply waiting for the rest of the room to catch up.

She thought about her small apartment. Her plants. Her Thursday mornings. Her romance novels stacked on the shelf in order of how many times she'd re-read them. Her quiet, independent, entirely her own life that nobody had thought to ask her about before apparently deciding to hand it to a stranger in a charcoal suit.

"I'd like to speak with you," she said to Xavier. "Alone."

Her mother made a sound. Her father straightened. Xavier simply nodded once like she'd said something obvious, like he'd been expecting her to say exactly this, and pushed back his chair.

"Of course," he said.

And stood up.

All six feet four inches of him.

Nora stood too, tipped her chin up. She refused absolutely refused to be impressed.

But deep down she knew she was a little impressed, she would take that to her grave.

Chapter 2 The Negotiation

The study was her father's territory.

Nora had always known this, the way you know things you've never been told directly in the particular way the room smelled like old wood and deliberate authority, in the way the bookshelves were arranged to impress rather than to be read, in the way even the chairs seemed to sit straighter in here than they did anywhere else in the house.

She had never liked this room.

She liked it even less now that Xavier Holt was standing in it.

He'd moved to the window of course he had, because apparently when you were that tall and that unreasonably put together you just naturally gravitated toward the most cinematic position in any given space. The city lights from outside caught the sharp line of his jaw, the dark of his hair, the way his suit sat on his shoulders like it had been constructed specifically for the purpose of making Nora Voss lose her train of thought.

She found her train of thought. She held onto it firmly.

"You have thirty seconds to explain yourself," she said, closing the study door behind her.

Xavier turned from the window. Unhurried. Like thirty seconds was a generous offer he might not even need.

"Which part would you like explained?"

"All of it. Start with why."

He looked at her for a moment that same look from the dining table, the one that made her feel like a document he found more interesting than expected. Then he moved to the chair across from her father's desk and sat down. Not behind the desk but ross from it. Like he was deliberately avoiding the power position.

She noticed that, yet she didn't know what to do with it.

"Sit down," he said.

"I'll stand."

Something moved at the corner of his mouth. Not quite a smile. The ghost of one. "Of course you will," he said quietly, and somehow it didn't sound like an insult.

Nora crossed her arms. "Why me?"

"Because you're the best choice."

"Madison is .."

"I know what Madison is," he said simply. Not unkindly. Just finished. Like the sentence didn't need completing because the conclusion was already obvious to anyone paying attention.

Nora stared at him.

In twenty six years nobody had said that to her. Nobody had looked at the two Voss sisters and pointed at Nora and said that one, the better choice, obviously. It should have felt good. It felt suspicious.

"You don't know me," she said.

"I know enough."

"The file," she said flatly.

"Yes."

"You had someone investigate my family."

"I had someone investigate a potential business arrangement. Your family was part of that arrangement."

"And I was part of that investigation."

"You were."

She let that sit for a moment. The casual precision of it. The way he said things like they were simply facts rather than things a person might reasonably object to. "And what exactly did your file tell you about me?"

He leaned back slightly in the chair, and crossed one ankle over his knee. The picture of ease. "That you pay a household bill your parents don't know about. That you've been doing it for fourteen months. That you asked the right questions tonight before anyone else thought to ask them. That when your father gave you a number that would make most people reach for something to hold onto you sat with it and started calculating instead."

Nora said nothing.

"It told me," he continued, "that you read romance novels at the stove and somehow don't burn the eggs. That your Thursday mornings are yours and yours alone and you guard them like they're the most important thing you own. That you have six plants in a apartment that gets almost no direct sunlight and every single one of them is alive."

The silence in the room was enormous.

"You had someone watch me," Nora said carefully.

"I had someone research you," he said. "There's a difference."

"Is there."

"Yes." He looked at her steadily. "I don't make decisions without information. This decision required information. I got it."

"And based on this information," Nora said slowly, "you decided to what. Purchase me along with my family's debt?"

For the first time something shifted behind his eyes. Quick and controlled but she caught it. "That's not what this is."

"Then what is it?"

"A proposal."

"A proposal implies choice."

"You have a choice," he said. "You can say no."

"And if I say no my family loses everything."

"Yes."

The honesty of it landed like a stone dropped in still water. No softening, no reframing, no diplomatic language to sand down the edges. Just yes. She appreciated it, and resented it simultaneously.

"That's not a choice," she said. "That's a trap with better lighting."

This time the corner of his mouth did something that was almost, almost a smile. "You're not what I expected," he said.

"What did you expect?"

"Less," he said simply.

Nora looked at him for a long moment. At the grey eyes, and the sharp jaw and the complete unnerving stillness of him a man who existed at a frequency most people couldn't access, who moved through the world like he had already read the script and was simply waiting for everyone else to catch up.

She thought about Madison at the dining table. That warm sisterly smile that had frightened her more than anything else in the room.

She thought about her father looking at Madison first. Always at Madison first.

She thought about her Thursday mornings and her plants and her novels and the life she'd built in the margins of a family that loved her like a footnote.

She uncrossed her arms.

"If I agree," she said. "And I am not saying I agree. But if I did. I have conditions."

Xavier said nothing. Just watched her.

"I want them in writing," she said. "Legally binding. My own lawyer reviews everything before I sign anything."

"Reasonable," he said.

"I want it specified that this is an arrangement. Not... " she gestured vaguely, " whatever performance you might be expecting. I won't be managed."

"I'm not interested in managing you," he said. Something in his voice shifted slightly when he said it. Something she couldn't quite name.

"And I want," she said, "a clause that states you cannot enter my bedroom without knocking."

The almost-smile again. Warmer this time. "Done," he said.

"You're agreeing very easily."

"You're asking for reasonable things."

"Most people in your position wouldn't think so."

"I'm not most people," he said.

She looked at him. He looked back. The study was very quiet around them, the kind of quiet that has weight and texture, the kind that means something is beginning whether you've agreed to it or not.

"I haven't said yes," she said.

"I know," he said.

"I'm going to need time."

"How much?"

"Twenty four hours."

He nodded once. Like twenty four hours was a perfectly acceptable timeline for a person to decide whether to hand over their entire life. Like he respected that she'd named a number rather than said I don't know or whatever you think.

He stood up.

All six feet four inches of him, unfolding from the chair with the kind of easy grace that should not be legal on a man making this many unreasonable requests. He straightened his jacket. He looked at her one more time no no that look, the document look, the one that made her feel like he was reading something in her that she hadn't written yet.

"Twenty four hours," he said.

He walked to the door, then paused with his hand on the frame, and looked back at her over his shoulder.

"For what it's worth," he said quietly. "Wrong sister is their assessment. Not mine."

And then he was gone.

Nora stood in her father's study alone for a long time.

She looked at the bookshelves arranged to impress rather than to be read.

She thought about what he'd said. About the file, and the way he'd agreed to her bedroom clause without batting an eye like it was the most obvious thing in the world that a woman should have a door that belonged to her.

She thought about Madison's smile.

She pulled her phone out of her pocket and opened her reading app to the romance novel she'd been in the middle of since Tuesday. The hero had just done something quietly devastating remembered something small about the heroine that she'd mentioned once in passing, and acted on it without announcement.

Nora stared at the page.

She thought about six plants in an apartment with almost no direct sunlight.

She closed the app burying herself in her thoughts, she had twenty four hours.

She already knew what her answer was going to be.

She just wasn't ready to know that she knew yet.

Chapter 3 The Morning After

The Morning After

Nora didn't sleep, she told herself it was the coffee she'd had at dinner the one she hadn't even wanted but had accepted because accepting small things was easier than explaining why you didn't want them. She told herself it was the noise of the house settling, the way old houses did, groaning quietly to themselves in the dark like they were working something out.

She did not tell herself it was Xavier Holt.

She lay on her back in her childhood bedroom the one that still had the shelf of books she'd read in secondary school, the one with the window that looked out onto the garden her mother had redesigned three times but never actually spent time in and stared at the ceiling and thought about absolutely nothing related to dark grey eyes or charcoal suits or the specific way a man's voice could be low enough to rearrange something in your chest without your permission.

Nothing like that at all.

Her phone said 2:47am.

She picked up her reading app. She was three quarters of the way through a romance novel she'd been rationing for a week because she always read too fast, and then had nothing left and the next book in the series wasn't out until March. The hero had just told the heroine something true about herself that she hadn't told him something he'd figured out on his own from paying attention.

Nora read the line twice.

She put her phone face down on the mattress.

She picked it back up.

She thought about six plants in an apartment with almost no direct sunlight and every single one of them is alive.

She put her phone down again.

"Stop it," she told the ceiling.

The ceiling had nothing useful to offer but she couldn't help it.

By morning she had made a list.

This was how Nora operated when things became too large to hold in her head, she made them into lists, broke them into pieces, gave them edges and order until they became manageable rather than enormous. It was a skill her family had never appreciated and several of her ex-boyfriends had found unromantic and she had decided somewhere around age twenty three was simply part of being her, and anyone who didn't like it was welcome to manage their own chaos.

The list had two columns.

The first column was titled Reasons To Say No and it was long. It included things like: I don't know this man. He had someone watch me. This is my life not a business transaction. Then Madison. The way he looked at me like he was reading something I hadn't written yet which is not a normal way for a person to look at another person, and I don't know what to do with it.

The second column was titled Reasons To Say Yes and it had three items.

The first was: the debt is real.

The second was: my family will lose everything.

The third was, and she stared at this one for a long time before she wrote it, and then she wrote it in smaller letters than everything else, like she could make it less true by making it smaller:

He said wrong sister is their assessment, not mine. And somehow it meant something to her.

She folded the list in half. Then in half again. Then she put it inside her most re-read romance novel on the shelf, the one with the broken spine and the dog-eared pages and the ending she had read so many times she could recite it from memory, and she got dressed.

Madison was in the kitchen when she came downstairs.

This was not unusual. What was unusual was the way Madison looked up when Nora walked in, it was quick, assessing, a flicker of something behind her eyes that was gone before Nora could name it. Then the smile came, warm and seamless and so perfectly constructed that someone who hadn't spent twenty six years studying it might have believed it entirely.

"Morning," Madison said.

"Morning."

Nora went to the kettle. She filled it. She stood with her back to her sister, and listened to the particular quality of the silence behind her the silence of someone who wanted to ask something and was deciding how.

"How are you feeling?" Madison asked.

"Fine."

"About last night."

"Also fine."

A pause. "Nora."

"Madison."

Another pause. Longer this time, Nora turned the kettle on, and got a mug from the cabinet, and got the teabag and did all the small mechanical things that filled the space while she waited for her sister to say what she actually wanted to say.

"You don't have to do this," Madison said finally.

Nora turned around.

Her sister was looking at her with an expression she had calibrated perfectly concern, warmth, the specific softness of someone saying something hard because they love you. It was a masterpiece. It really was. Twenty six years of practice and Madison had never once let the seams show to anyone who wasn't looking for them.

Nora was always looking for them.

"Is that right," she said.

"I mean it. If you're not comfortable, of this isn't what you want, you don't have to say yes just because Dad..."

"What would happen," Nora said carefully, "if I said no?"

Madison blinked. "Sorry?"

"If I said no. To Xavier Holt. What happens to the family?"

"We'd find another way. There's always another..."

"There isn't," Nora said simply. "You know there isn't. You knew before any of us, I could see it at that table last night. You've known about the debt for a while, haven't you?"

Madison's expression did something very small and very fast. "Dad told me some things, yes. He was worried and he needed..."

"He needed someone to talk to," Nora said. "And he came to you."

"He always comes to me, Nora, that's not..."

"I know," Nora said.

Not bitterly. Just factually. The way you state things that have always been true and have long since stopped surprising you. Her father came to Madison. Her mother called Madison's name like a prayer. The room had reached for Madison's hand in the dark.

These were simply the facts of her life.

She turned back to her tea.

"I'm going to call Xavier Holt this morning," she said. "I'm going to tell him I have more conditions. And then I'm going to see a lawyer."

Behind her the silence changed shape.

"So you're saying yes," Madison said.

"I'm saying I'm gathering information," Nora said. "There's a difference."

She picked up her tea, then picked up her romance novel from the counter where she'd left it last night the one with the list folded inside it, the one with the broken spine and the ending she knew by heart.

She looked at her sister one more time.

Madison was smiling. That smile, the warm seamless one, if only.

"I just want what's best for you," Madison said.

"I know," Nora said.

She went upstairs to make her phone call.

She thought about what was best for her the whole way up. She thought about it the way she thought about the ending of her favorite novel with the specific ache of someone who knows exactly how the story is supposed to go and is just waiting, impatiently, to get there.

She found Xavier Holt's number in the card he'd left on the dining table last night.

She looked at it for exactly thirty seconds.

She called.

He picked up on the second ring.

"I have more conditions," she said, without saying hello.

A pause. Brief. Then: "I expected you would."

"You're not going to like all of them."

"Probably not," he said. And she could hear it in his voice that almost-smile, the ghost of one, the one she had absolutely not been thinking about at 2:47 in the morning. "Tell me anyway."

Nora opened her romance novel to the folded list.

She told him.

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