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Superseded

Superseded

Author: : May Sinclair
Genre: Literature
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Chapter 1 No.1

Prologue.-Miss Quincey Stops the Way

"Stand back, Miss Quincey, if you please."

The school was filing out along the main corridor of St. Sidwell's. It came with a tramp and a rustle and a hiss and a tramp, urged to a trot by the excited teachers. The First Division first, half-woman, carrying itself smoothly, with a swish of its long skirts, with a blush, a dreamy intellectual smile, or a steadfast impenetrable air, as it happened to be more or less conscious of the presence of the Head. Then the Second Division, light-hearted, irrepressible, making a noise with its feet, loose hair flapping, pig-tails flopping to the beat of its march. Then the straggling, diminishing lines of the Third, a froth of white pinafores, a confusion of legs, black or tan, staggering, shifting, shuffling in a frantic effort to keep time.

On it came in a waving stream; a stream that flickered with innumerable eyes, a stream that rippled with the wind of its own flowing, that flushed and paled and brightened as some flower-face was tossed upwards, or some crest, flame-coloured or golden, flung back the light. A stream that was one in its rhythm and in the sex that was its soul, obscurely or luminously feminine; it might have been a single living thing that throbbed and undulated, as girl after girl gave out the radiance and pulsation of her youth. The effect was overpowering; your senses judged St. Sidwell's by these brilliant types that gave life and colour to the stream. The rest were nowhere.

So at least it seemed to Miss Cursiter, the Head. That tall, lean, iron-grey Dignity stood at the cross junction of two corridors, talking to Miss Rhoda Vivian, the new Classical Mistress. And while she talked she watched her girls as a general watches his columns wheeling into action. A dangerous spot that meeting of the corridors. There the procession doubles the corner at a swinging curve, and there, time it as she would, the little arithmetic teacher was doomed to fall foul of the procession. Daily Miss Quincey thought to dodge the line; daily it caught her at the disastrous corner. Then Miss Quincey, desperate under the eye of the Head, would try to rush the thing, with ridiculous results. And Fate or the Order of the day contrived that Miss Cursiter should always be there to witness her confusion. Nothing escaped Miss Cursiter; if her face grew tender for the young girls and the eight-year-olds, at the sight of Miss Quincey it stiffened into tolerance, cynically braced to bear. Miss Cursiter had an eye for magnificence of effect, and the unseemly impact of Miss Quincey was apt to throw the lines into disorder, demoralising the younger units and ruining the spectacle as a whole. To-day it made the new Classical Mistress smile, and somehow that smile annoyed Miss Cursiter.

She, Miss Quincey, was a little dry, brown woman, with a soft pinched mouth, and a dejected nose. So small and insignificant was she that she might have crept along for ever unnoticed but for her punctuality in obstruction. As St. Sidwell's prided itself on the brilliance and efficiency of its staff, the wonder was how Miss Quincey came to be there, but there she had been for five-and-twenty years. She seemed to have stiffened into her place. Five-and-twenty years ago she had been arithmetic teacher, vaguely attached to the Second Division, and she was arithmetic teacher still. Miss Quincey was going on for fifty; she had out-lived the old Head, and now she was the oldest teacher there, twice as old as Miss Vivian, the new Classical Mistress, older, far older than Miss Cursiter. She had found her way into St. Sidwell's, not because she was brilliant or efficient, but because her younger sister Louisa already held an important post there.

Louisa was brilliant and efficient enough for anybody, so brilliant and so efficient that the glory of it rested on her family. And when she married the Greek master and went away Juliana stayed on as a matter of course, wearing a second-hand aureole of scholarship and supporting a tradition.

She stayed on and taught arithmetic for one thing. And when she was not teaching arithmetic, she was giving little dictations, setting little themes, controlling some fifty young and very free translators of Le Philosophe sous les Toils. Miss Quincey had a passion for figures and for everything that could be expressed in figures. Not a pure passion, nothing to do with the higher mathematics, which is the love of the soul, but an affection sadly alloyed with baser matter, with rods and perches, firkins and hogsheads, and articles out of the grocer's shop.

Among these objects Miss Quincey's imagination ran voluptuous riot. But upon such things as history or poetry she had a somewhat blighting influence. The flowers in the school Anthology withered under her fingers, and the flesh and blood of heroes crumbled into the dust of dates. As for the philosopher under the roofs, who he was, and what was his philosophy, and how he ever came to be under the roofs at all, nobody in St. Sidwell's ever knew or ever cared to know; Miss Quincey had made him eternally uninteresting. Yet Miss Quincey's strength was in her limitations. It was the strength of unreasoning but undying conviction. Nothing could shake her belief in the supreme importance of arithmetic and the majesty of its elementary rules. Pale and persistent and intolerably meek, she hammered hard facts into the brain with a sort of muffled stroke, hammered till the hardest stuck by reason of their hardness, for she was a teacher of the old school. Thus in her own way she made her mark. Among the other cyphers, the irrelevant and insignificant figure of Miss Quincey was indelibly engraved on many an immortal soul. There was a curious persistency about Miss Quincey.

Miss Quincey was not exactly popular. The younger teachers pronounced her cut and dried; for dryness, conscientiously acquired, passed for her natural condition. Nobody knew that it cost her much effort and industry to be so stiff and starched; that the starch had to be put on fresh every morning; that it was quite a business getting up her limp little personality for the day. In five-and-twenty years, owing to an incurable malady of shyness, she had never made friends with any of her pupils.

Her one exception proved her rule. Miss Quincey seemed to have gone out of her way to attract that odious little Laura Lazarus, who was known at St. Sidwell's as the Mad Hatter. At fourteen, being still incapable of adding two and two together, the Mad Hatter had been told off into an idiot's class by herself for arithmetic; and Miss Quincey, because she was so meek and patient and persistent, was told off to teach her. The child, a queer, ugly little pariah, half-Jew, half-Cockney, held all other girls in abhorrence, and was avoided by them with an equal loathing. She seemed to have attached herself to the unpopular teacher out of sheer perversity and malignant contempt of public opinion. Abandoned in their corner, with their heads bent together over the sums, the two outsiders clung to each other in a common misery and isolation.

Miss Quincey was well aware that she was of no account at St. Sidwell's. She supposed that it was because she had never taken her degree. To be sure she had never tried to take it; but it was by no means certain that she could have taken it if she had tried. She was not clever; Louisa had carried off all the brains and the honours of the family. It had been considered unnecessary for Juliana to develop an individuality of her own; enough for her that she belonged to Louisa, and was known as Louisa's sister. Louisa's sister was a part of Louisa; Louisa was a part of St. Sidwell's College, Regent's Park; and St. Sidwell's College, Regent's Park, was a part-no, St. Sidwell's was the whole; it was the glorious world. Miss Quincey had never seen, or even desired to see any other. That college was to her a place of exquisite order and light. Light that was filtered through the high tilted windows, and reflected from a prevailing background of green tiles and honey-white pine, from countless rows of shining desks and from hundreds of young faces. Light, the light of ideas, that streamed from the platform in the great hall where three times in the year Miss Cursiter gave her address to the students and teachers of St. Sidwell's.

Now Miss Cursiter was a pioneer at war with the past, a woman of vast ambitions, a woman with a system and an end; and she chose her instruments finely, toiling early and late to increase their brilliance and efficiency. She was new to St. Sidwell's, and would have liked to make a clean sweep of the old staff and to fill their places with women like Rhoda Vivian, young and magnificent and strong. As it was, she had been weeding them out gradually, as opportunity arose; and the new staff, modern to its finger-tips, was all but complete and perfect now. Only Miss Quincey remained. St. Sidwell's in the weeding time had not been a bed of roses for Miss Cursiter, and Miss Quincey, blameless but incompetent, was a thorn in her side, a thorn that stuck. Impossible to remove Miss Quincey quickly, she was so very blameless and she worked so hard.

She worked from nine till one in the morning, from two-thirty till four-thirty in the afternoon, and from six-thirty in the evening till any hour in the night. She worked with the desperate zeal of the superseded who knows that she holds her post on sufferance, the terrified tenacity of the middle-aged who feels behind her the swift-footed rivalry of youth. And the more she worked the more she annoyed Miss Cursiter.

So now, above all the tramping and shuffling and hissing, you heard the self-restrained and slightly metallic utterance of the Head.

"Stand back, Miss Quincey, if you please."

And Miss Quincey stood back, flattening herself against the wall, and the procession passed her by, rosy, resonant, exulting, a triumph of life.

Chapter 2 No.2

Household Gods

Punctually at four-thirty Miss Quincey vanished from the light of St. Sidwell's, Regent's Park, into the obscurity of Camden Town. Camden Town is full of little houses standing back in side streets, houses with porticoed front doors monstrously disproportioned to their size. Nobody ever knocks at those front doors; nobody ever passes down those side streets if they can possibly help it. The houses are all exactly alike; they melt and merge into each other in dingy perspective, each with its slag-bordered six foot of garden uttering a faint suburban protest against the advances of the pavement. Miss Quincey lived in half of one of them (number ninety, Camden Street North) with her old aunt Mrs. Moon and their old servant Martha. She had lived there five-and-twenty years, ever since the death of her uncle.

Tollington Moon had been what his family called unfortunate; that is to say, he had mislaid the greater portion of his wife's money and the whole of Juliana's and Louisa's; he, poor fellow, had none of his own to lose. Uncle Tollington, being the only male representative of the family, had been appointed to drive the family coach. He was a genial good-natured fellow and he cheerfully agreed, declaring that there was nothing in the world he liked better than driving; though indeed he had had but little practice in the art. So they started with a splendid flourishing of whips and blowing of horns; Tollington driving at a furious break-neck pace in a manner highly diverting and exhilarating to the ladies inside. The girls (they were girls in those days) sat tight and felt no fear, while Mrs. Moon, with her teeth shaking, explained to them the advantages of having so expert a driver on the box seat. Of course there came the inevitable smash at the corner. The three climbed out of that coach more dead than alive; but they uttered no complaints; they had had their fun; and in accidents of this kind the poor driver generally gets the worst of it.

Mrs. Moon at any rate found consolation in disaster by steadily ignoring its most humiliating features. Secure in the new majesty of her widowhood, she faced her nieces with an unflinching air and demanded of them eternal belief in the wisdom and rectitude of their uncle Tollington. She hoped that they would never forget him, never forget what he had to bear, never forget all he had done for them. Her attitude reduced Juliana to tears; in Louisa it roused the instinct of revolt, and Louisa was for separating from Mrs. Moon. It was then, in her first difference from Louisa, that Miss Quincey's tender and foolish little face acquired its strangely persistent air. Hitherto the elder had served the younger; now she took her stand. She said, "Whatever we do, we must keep together"; and she professed her willingness to believe in her uncle Tollington and remember him for ever.

To this Louisa, who prided herself on speaking the truth or at any rate her mind, replied that she wasn't likely to forget him in a hurry; that her uncle Tollington had ruined her life, and she did not want to be reminded of him any more than she could help. Moreover, she found her aunt Moon's society depressing. She meant to get on and be independent; and she advised Juliana to do the same.

Juliana did not press the point, for it was a delicate one, seeing that Louisa was earning a hundred and twenty pounds a year and she but eighty. So she added her eighty pounds to her aunt's eighty and went to live with her in Camden Street North, while Louisa shrugged her shoulders and carried herself and her salary elsewhere.

There was very little room for Mrs. Moon and Juliana at number ninety. The poor souls had crowded themselves out with relics of their past, a pathetic salvage, dragged hap-hazard from the wreck in the first frenzy of preservation. Dreadful things in marble and gilt and in papier-maché inlaid with mother-o'-pearl, rickety work tables with pouches underneath them, banner-screens in silk and footstools in Berlin wool-work fought with each other and with Juliana for standing-room. For Juliana, with her genius for collision, was always knocking up against them, always getting in their way. In return, Juliana's place at an oblique angle of the fireside was disputed by a truculent cabinet with bandy legs. There was a never-ending quarrel between Juliana and that piece of furniture, in which Mrs. Moon took the part of the furniture. Her own world had shrunk to a square yard between the window and the fire. There she sat and dreamed among her household gods, smiling now and then under the spell of the dream, or watched her companion with critical disapproval. She had accepted Juliana's devotion as a proper sacrifice to the gods; but for Juliana, or Louisa for the matter of that, she seemed to have but little affection. If anything Louisa was her favourite. Louisa was better company, to begin with; and Louisa, with her cleverness and her salary and her general air of indifference and prosperity, raised no questions. Besides, Louisa was married.

But Juliana, toiling from morning till night for her eighty pounds a year; Juliana, painful and persistent, growing into middle-age without a hope, Juliana was an incarnate reproach, a perpetual monument to the folly of Tollington Moon. Juliana disturbed her dream.

But nobody else disturbed it, for nobody ever came to their half of the house in Camden Street North. Louisa used to come and go in a brief perfunctory manner; but Louisa had married the Greek professor and gone away for good, and her friends at St. Sidwell's were not likely to waste their time in cultivating Juliana and Mrs. Moon. The thing had been tried by one or two of the younger teachers who went in for all-round self-development and were getting up the minor virtues. But they had met with no encouragement and they had ceased to come. Then nobody came; not even the doctor or the clergyman. The two ladies were of one mind on that point; it was convenient for them to ignore their trifling ailments, spiritual or bodily. And as soon as they saw that the world renounced them they adopted a lofty tone and said to each other that they had renounced the world. For they were proud, Mrs. Moon especially so. Tollington Moon had married slightly, ever so slightly beneath him, the Moons again marking a faint descent from the standing of the Quinceys. But the old lady had completely identified herself, not only with the Moons, but with the higher branch, which she always spoke of as "my family." In fact she had worn her connection with the Quinceys as a feather in her cap so long that the feather had grown, as it were, into an entire bird of paradise. And once a bird of paradise, always a bird of paradise, though it had turned on the world a somewhat dilapidated tail.

So the two lived on together; so they had always lived. Mrs. Moon was an old woman before she was five-and-fifty; and before she was five-and-twenty Juliana's youth had withered away in the sour and sordid atmosphere born of perishing gentility and acrid personal remark. And their household gods looked down on them, miniatures and silhouettes of Moons and Quinceys, calm and somewhat contemptuous presences. From the post of honour above the mantelshelf, Tollington, attired as an Early Victorian dandy, splendid in velvet waistcoat, scarf and chain-pin, leaned on a broken column symbolical of his fortunes, and smiled genially on the ruin he had made.

That was how Miss Quincey came to St. Sidwell's. And now she was five-and-forty; she had always been five-and-forty; that is to say, she had never been young, for to be young you must be happy. And this was so far an advantage, that when middle-age came on her she felt no difference.

Chapter 3 No.3

Inaugural Addresses

It was evening, early in the winter term, and Miss Cursiter was giving her usual inaugural address to the staff. Their number had increased so considerably that the little class-room was packed to overflowing. Miss Cursiter stood in the free space at the end, facing six rows of eager faces arranged in the form of a horse-shoe. She looked upon them and smiled; she joyed with the joy of the creator who sees his idea incarnate before him.

A striking figure, Miss Cursiter. Tall, academic and austere; a keen eagle head crowned with a mass of iron-grey hair; grey-black eyes burning under a brow of ashen grey; an intelligence fervent with fire of the enthusiast, cold with the renunciant's frost. Such was Miss Cursiter. She was in splendid force to-day, grappling like an athlete with her enormous theme-"The Educational Advantages of General Culture." She delivered her address with an utterance rapid but distinct, keeping one eye on the reporter and the other on Miss Rhoda Vivian, M.A.

She might well look to Rhoda Vivian. If she had needed a foil for her own commanding personality, she had found it there. But the new Classical Mistress was something more than Miss Cursiter's complement. Nature, usually so economical, not to say parsimonious, seemed to have made her for her own delight, in a fit of reckless extravagance. She had given her a brilliant and efficient mind in a still more brilliant and efficient body, clothed her in all the colours of life; made her a creature of ardent and elemental beauty. Rhoda Vivian had brown hair with sparkles of gold in it and flakes of red fire; her eyes were liquid grey, the grey of water; her lips were full, and they pouted a little proudly; it was the pride of life. And she had other gifts which did not yet appear at St. Sidwell's. There was something about her still plastic and unformed; you could not say whether it was the youth of genius, or only the genius of youth. But at three-and-twenty she had chosen her path, and gone far on it, and it had been honours all the way. She went up and down at St. Sidwell's, adored and unadoring, kindling the fire of a secret worship. In any other place, with any other woman at the head of it, such a vivid individuality might have proved fatal to her progress. But Miss Cursiter was too original herself not to perceive the fine uses of originality. All her hopes for the future were centred in Rhoda Vivian. She looked below that brilliant surface and saw in her the ideal leader of young womanhood. Rhoda was a force that could strike fire from a stone; what she wanted she was certain to get; she seemed to compel work from the laziest and intelligence from the dullest by the mere word of her will. What was more, her nature was too large for vanity; she held her worshippers at arm's length and consecrated her power of personal seduction to strictly intellectual ends. At the end of her first term her position was second only to the Head. If Miss Cursiter was the will and intelligence of St. Sidwell's, Rhoda Vivian was its subtle poetry and its soul. And Miss Cursiter meant to keep her there; being a woman who made all sacrifices and demanded them.

So now, while Miss Cursiter stood explaining, ostensibly to the entire staff, the unique advantages of General Culture, it was to Rhoda Vivian as to a supreme audience that she addressed her deeper thought and her finer phrase. If Miss Cursiter had not had to consult her notes now and again, she must have seen that Rhoda Vivian's mind was wandering, that the Classical Mistress was if anything more interested in her companions than in the noble utterances of the Head. As her grey eyes swept the tiers of faces, they lingered on that corner where Miss Quincey seemed perpetually striving to suppress, consume, and utterly obliterate herself. And each time she smiled, as she had smiled earlier in the day when first she saw Miss Quincey.

For Miss Quincey was there, far back in the ranks of the brilliant and efficient. Note-book on desk, she followed the quick march of thought with a fatigued and stumbling brain. She was painfully, ludicrously out of step; yet to judge by the light that shone now and then in her eyes, by the smile that played about the corners of her weak, tender mouth, she too had caught the sympathetic rapture, the intellectual thrill. Ready to drop was Miss Quincey, but she would not have missed that illuminating hour, not if you had paid her-three times her salary. It was her one glimpse of the larger life; her one point of contact with the ideal. Her pencil staggered over her note-book as Miss Cursiter flamed and lightened in her peroration.

"We have looked at our subject in the light of the ideals by which and for which we live. Let us now turn to the practical side of the matter, as it touches our business and our bosoms. Do not say we have no room for poetry in our crowded days." A score of weary heads looked up; there was a vague inquiry in all eyes. "You have your evenings-all of you. Much can be done with evenings; if your training has done nothing else for you it has taught you the economy of time. You are tired in the evenings, yes. But the poets, Shakespeare, Tennyson, and Browning, are the great healers and regenerators of worn-out humanity. When you are faint and weary with your day's work, the best thing you can do is to rise and refresh yourselves at the living wells of literature."

Long before the closing sentence Miss Quincey's MS. had become a sightless blur. But she had managed to jot down in her neat arithmetical way: "Poets = healers and regenerators."

The address was printed and a copy was given to each member of the staff.

Miss Quincey treasured up hers as a priceless scripture.

Miss Quincey was aware of her shortcomings and had struggled hard to mend them, toiling pantingly after those younger ones who had attained the standard of brilliance and efficiency. She joined the Teachers' Debating Society. Not that she debated. She had once put some elementary questions in an inaudible voice, and had been requested to speak a little louder, whereupon she sank into her seat and spoke no more. But she heard a great deal. About the emancipation of women; about the women's labour market; about the doors that were now thrown open to women. She was told that all they wanted was a fair field and no favour. (The speaker, a rosy-cheeked child of one-and-twenty, was quite violent in her repudiation of favour.) And Miss Quincey believed it all, though she understood very little about it.

But it was illumination, a new gospel to her, this doctrine of General Culture; it was the large easy-fitting formula which she had seemed to need. With touching simplicity she determined to follow the course recommended by the Head. Though by the time she had corrected some seventy manuscripts in marble-backed covers, and prepared her lesson for the next day, she had nothing but the fag-end of her brain to give to the healers and regenerators; as for rising, Miss Quincey felt much more like going to bed, and it was as much as she could do to drag her poor little body there. Still Miss Quincey was nothing if not heroic; night after night twelve o'clock would find her painfully trying to draw water from the wells of literature. She had begun upon Browning; set herself to read through the whole of Sordello from beginning to end. It is as easy as a sum in arithmetic if you don't bother your head too much about the Guelphs and Ghibellines and the metaphors and things, and if you take it in short fits, say three pages every evening. Never any more, or you might go to sleep and forget all about it; never any less, or you would have bad arrears. As there are exactly two hundred and thirteen pages, she calculated that she would finish it in ten weeks and a day. There was no place for Miss Quincey and her pile of marble-backed exercise-books in the dim and dingy first-floor drawing-room (Mrs. Moon and the bandy-legged cabinet would have had something to say to that). All this terrific intellectual travail went on in a dimmer and dingier dining-room beneath it.

Then one night, old Martha, disturbed by sounds that came from Miss Juliana's bedroom, groped her way fumblingly in and found Miss Juliana sitting up in her sleep and posing the darkness with a problem.

"If," said Miss Juliana, "three men can finish one hundred and nineteen hogsheads of Browning in eight weeks, how long will it take seven women to finish a thousand and forty-five-forty-five-forty-five, if one woman works twice as hard as eleven men?"

Martha shook her head and went fumbling back to bed again; and being a conscientious servant she said nothing about it for fear of frightening the old lady.

About a fortnight later, Rhoda Vivian, sailing down the corridor, came upon the little arithmetic teacher all sick and tremulous, leaning up against the hot-water pipes beside a pile of exercise-books. The sweat streamed from her sallow forehead, and her face was white and drawn. She could give no rational account of herself, but offered two hypotheses as equally satisfactory; either she had taken a bad chill, or else the hot air from the water-pipes had turned her faint. Rhoda picked up the pile of exercise-books and led her into the dressing-room, and Miss Quincey was docile and ridiculously grateful. She was glad that Miss Vivian was going to take her home. She even smiled her little pinched smile and pressed Rhoda's hand as she said, "A friend in need is a friend indeed." Rhoda would have given anything to be able to return the pressure and the sentiment, but Rhoda was too desperately sincere. She was sorry for Miss Quincey; but all her youth, unfettered and unfeeling, revolted from the bond of friendship. So she only stooped and laced up the shabby boots, and fastened the thin cape by its solitary button. The touch of Miss Quincey's clothes thrilled her with a pang of pity, and she could have wept over the unutterable pathos of her hat. In form and substance it was a rock, beaten by the weather; its limp ribbons clung to it like seaweed washed up and abandoned by the tide. When Miss Quincey's head was inside it the hat seemed to become one with Miss Quincey; you could not conceive anything more melancholy and forlorn. Rhoda was beautifully attired in pale grey cloth. Rhoda wore golden sables about her throat, and a big black Gainsborough hat on the top of her head, a hat that Miss Quincey would have thought a little daring and theatrical on anybody else; but Rhoda wore it and looked like a Puritan princess. Rhoda's clothes were enough to show that she was a woman for whom a profession is a superfluity, a luxury.

Rhoda sent for a hansom, and having left Miss Quincey at her home went off in search of a doctor. She had insisted on a doctor, in spite of Miss Quincey's protestations. After exploring a dozen dingy streets and conceiving a deep disgust for Camden Town, she walked back to find her man in the neighbourhood of St. Sidwell's.

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