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Kafir Stories Seven Short Stories

Kafir Stories Seven Short Stories

Author: : William Charles Scully
Genre: Literature
Kafir Stories Seven Short Stories by William Charles Scully

Chapter 1 No.1

THIS is how it all happened. They met at the canteen on Monday morning at eight o'clock-Jim Gubo, the policeman, and Kalaza, who had just been released from the convict station where, for five long years, he had been expiating a particularly cruel assault with violence upon a woman. 'Ntsoba, the fat Fingo barman, leant lazily over the counter, but as the regular customers for the morning "nip" had all departed, and no one else had yet come, he went outside and sat in the sunshine, smoking his oily pipe with thorough enjoyment.

He did not in the least mind leaving Jim Gubo in the canteen, because Jim and he had long since come to an understanding, and this with the full approval of the proprietor. Jim was, so to say, free of the house, and got his daily number of tots of poisonous "dop" brandy measured out in the thick glass tumbler, the massive exterior of which was quite out of proportion to the comparatively limited interior space. These tots (and an occasional bottle) were Jim's reward for not exercising too severe a supervision over the canteen, and for always happening to be round the corner when a row took place. Moreover, the till, besides being as yet nearly empty, was well out of reach; the counter was high and broad, and the shelving, sparsely filled with filthy looking black bottles, was fixed well back, so as to be out of the way of the whirling kerries which were often in evidence, especially on Saturday afternoons. The great brown, poisonous looking hogsheads-suggestive of those very much swollen and unpleasant looking fecund female insects which are to be found in the nethermost chamber of the city of the termites, and which lay thousands of eggs daily-had safety taps, of which 'Ntsoba's master kept the keys.

Jim Gubo and Kalaza talked about many things-of life at the convict station, for Kalaza was the nephew of Jim's father's second wife, and Jim consequently knew all about his companion; of the decadence of the times, in which it was so difficult for a poor man to live without working; of the strictness with which the locations were managed; of how the inspectors inquired inconveniently as to strangers therein sojourning, and chiefly about the decline in Jim's particular line of business.

"Son of my father," said Jim, "times are very bad indeed. There is little or no stock-stealing going on. The farmers come to the office and report losses of sheep; we are sent to hunt for the thieves, but instead of catching them, we find that the sheep have simply strayed into some other farmer's flock. Will you believe it; for two months we have not run in a single thief?"

"Mawo," replied Kalaza, "how very discouraging."

"Yes, and Government thinks we are not doing our duty, and my officer says we are no good."

"But can you not make them steal, or make the magistrate think they do?" rejoined Kalaza, after a pause.

"Wait a bit, that is what I am coming to," said Jim, in a low tone. "There is one man whom I know to be a thief, but though I have tried to, over and over again, I cannot catch him."

"Who is that?"

"Maliwe, the son of Zangalele, the Kafir whose brother Tambiso gave evidence against you when you were tried by the judge."

Here the beady eyes of Kalaza gave a kind of snap, and he leant forward with an appearance of increased interest.

"Tell me about Maliwe," he said.

"Maliwe," replied Jim, "is the shepherd of Gert Botha, whose farm is near the Gangili Hill, where the two rivers join."

Kalaza pondered for a few seconds, and then asked:

"But what makes you think he steals?"

"Well, you know what a Kafir is. Maliwe lives alongside the sheep, in a hut on the mountain-all alone. The kraal is far from the homestead. Gert Botha never gives his servants enough to eat, and Maliwe must often be hungry. There you have it-a man hungry night after night, and close to him a kraal fall of fat sheep. You know!"

"Does Maliwe ever go to beer-drinks?"

"Not often, for being a Kafir, the Fingoes would most likely beat him to death. No, he lives quietly and to himself. He has been in Botha's service since just after he was circumcised, three years ago. He gets a cow every year as wages, and each cow as he receives it is given to old Dalisile, who lives on another part of Botha's farm, and whose daughter Maliwe is paying lobola for. They say he means to earn two more cows and then to marry the girl. But I fear he is hopeless."

Kalaza again pondered, his beady eyes twinkling incessantly.

"Do you ever employ detectives now?" he asked.

"Oh, yes," said Jim lightly, "we do so now and then. But he that is hired must prove that duty has been done before he gets paid."

"How so?"

"By making some one guilty, and causing him to be sentenced by the magistrate. When he has done this, the detective gets fifteen shillings. Well, I must go to the camp. Have a drink?"

'Ntsoba came lazily in at Jim's call, and handed him a tot. This Jim took into his mouth. He rolled it round his gums, he wagged his tongue in it. He let it flow far back into his throat, and then brought it forward again. Kalaza came and stood before him, and opened his mouth wide. Into this, Jim deliberately, and with an aim so sure that not a drop was lost, squirted about half the tot. Kalaza thereupon wagged his tongue, rolled the liquor round ins gums, and then swallowed it slowly.

At the door of the canteen they parted.

"Good-bye, son of my father," said Kalaza.

"Yes, my friend," replied Jim, and walked away slowly towards the police camp.

Kalaza shouldered his stick and went off quickly in the direction of the native location.

Chapter 2 No.2

Maliwe drove home his flock at sunset, and penned them safely in the kraal, which was constructed of heavy thorn bushes. The old kapater goat, which acted as bellwether of the flock, strode proudly into the enclosure, well ahead of the others, and took his station on a rock which rose up in the middle. On this he lay down, chewing his cud and surveying the sheep which lay thickly around him. Maliwe then closed the gate, tied it securely with a reim, and pulled several large bushes against it. He then walked on to his little hut, situated only a few yards distant.

He had carried in from the veldt a small number of dry sticks, and he now placed a few of the smallest of these in a little heap on the raised stone which served as fireplace. He then drew out his tinder-box from the leather bag which he always carried. This bag was simply the skin of a kid, the head of which had been cut off, and the body drawn out through the aperture at the neck thus made. He struck a spark with his flint, and when the tinder glowed, he shook out a little of it on to some dry grass, which soon blazed up, and which he then placed under the twigs. In a few minutes he had a cheerful fire, and then he untied his little three-legged pot from where it hung from one of the wattles of the roof. This pot was half full of mealies already cooked, and which he simply meant to warm for his supper. The remainder of his week's ration of meat (the skinny ribs of a goat that had died of debility down near his master's homestead) was also hanging from the roof, but with a sigh he determined to reserve that delicacy for the morrow, remembering that two days would elapse before a fresh supply was due. His dog, Sibi-a starved looking mongrel greyhound-lay at his feet and gazed up with expectant eyes, waiting for the handful of tough mealies which would be flung to him when his master had finished supper.

It was a clear starlit night in Spring. Supper over, Maliwe sat on the ground just outside the floor of the hut, and thought of Nalai, the daughter of old Dalisile, for whom he was paying lobola. In a month more, another year's service would be completed, and another cow would be his. This he meant to take as he had taken the two already earned, and deliver to his prospective father-in-law. His mother had promised him the calf of her only cow as soon as it should be weaned, and then he hoped that old Dalisile, skinflint as he was, would deliver the girl, trusting him for payment of the fifth and last beast in course of time. In two or, at the outside, three months this calf would be weaned. It was a red bull with white face and feet-he knew every mark, and one might almost say every hair on the animal, having looked at it so often. It was a remarkably fine calf, but Maliwe thought it took a strangely long time in growing up. He lit his pipe, and dreamt dreams. Soon he would be no longer alone in his hut. He loved the girl Nalai, and she seemed to love him, so the future was bright. She was tall and straight, still unbent by that toil which is the portion of the female Kafir. Her teeth gleamed very white, and her breast swelled each year more temptingly over the edge other red blanket. As boy and girl they had grown up together, and long before she was of a marriageable age, he had determined eventually to marry her. So he went away and worked for three long years; his strong, self-contained nature needing nothing but this one fixed idea to steady it. Maliwe was not what is known as a "School Kafir." He was quite uncivilised in every respect, and was utterly heathen. He could speak no word of any language except his own, and he believed implicitly in "Tikoloshe" and the "Lightning Bird."

His pipe finished, Maliwe arose and fetched a musical instrument from the hut. This consisted of a stick about three feet long, bent into a bow by a string made of twisted sinews. About eight inches from one end was fixed a small dry gourd, with a hole large enough, to admit a five shilling piece cut out of the side furthest from the point of attachment. Music is made on such an instrument by holding it so that that part of the gourd where the aperture is, is pressed against the naked breast, and then twanging on the string with a small stick. About four notes can be extracted by a skilful player. The result is not cheerful, and to the civilised ear the strains of a Jew's harp are preferable. But the twanging eased the burthen of longing which Maliwe bore, and no lute-player in passionate Andalusia ever poured out his love in melody with more genuine feeling than did this savage on his "U-hade."

Maliwe had waited through these long years-and how long are not the years under such circumstances?-with a kind of contented impatience, and as time went by, the impatience waxed and the contentment waned. With the premonition of genuine love he had seen the budding woman of today in the child of three years ago. He had worked and waited. His reward was now near, and anticipation was sweet. In imagination he saw the little brown babies with the weasel-tooth necklets, tumbling about the hut and toddling up the path to meet him when he drove home his nock in the evening, whilst Nalai stood at the door looking with pride on their progeny.

Sibi, the dog, gave a low growl, and then rushed along the footpath barking furiously. A man emerged from the darkness, keeping the dog at bay with his kerrie. Maliwe, seeing nothing suspicious about the stranger, called off the dog, which retired still growling into the hut. The man approached.

"Greeting, Maliwe," he cried. "Do you not know me?"

"Greeting," replied Maliwe, "but I do not know you. Where are you thinking of?" [A native idiom. It means "Where are you going to?"]

"Hear him," cried the visitor. "He does not know me. He does not know Kalaza, the only Fingo his father Zangalele ever made a friend of. He does not know the man who used to cut sticks for him when he was a little boy."

"Sit down, Kalaza," replied Maliwe, "I meant no offence. I do not remember you, but if you were my father's friend, you are mine."

So they went into the hut, and they refreshed the fire, and they talked, and they put some dry mealies to roast with fat in the three-legged pot, and they talked of Maliwe's relations, of old Dalisile, and of his daughter Nalai whom Maliwe was going to marry.

Kalaza said that he lived in Kwala's location beyond the Keiskamma, that he was a very rich man with a large herd of cattle, and that he was now seeking two cows lately received as lobola for one of his daughters from a man in the Albany district, and which were supposed to have strayed homewards. He also said, that although a Fingo, he always preferred the society of Kafirs, and that for this reason he had come to spend the night with Maliwe instead of with the Fingoes in the village location.

By and by the mealies began to "pop" in the pot, so guest and host began to chew them. "It is sad to be old and have such bad teeth," said Kalaza, as he paused in his chewing. "Have you not got a little meat?"

Maliwe stood up, and reaching to the roof of the hut, handed down the emaciated ribs of the goat. Kalaza took the meat, turned it over critically, and handed it back.

"That is the meat of an old, tough goat," he said, "I could no more chew that than the mealies."

"I am very sorry," replied Maliwe, "but I have none other."

At this Kalaza sighed, said he was an old man, and he supposed times had changed since he was young, but in his day no old man would be so treated by the son of his best friend. Maliwe remained silent for some time, and then said politely that he was a servant, and had to be content with what food his master gave him. Breaking up some tobacco in his hand, he reached it over to Kalaza, asking if he cared, to smoke. Kalaza refused the offer, saying that since becoming old he had been unable to enjoy tobacco on an empty stomach. He then sighed heavily, and sat looking at the fire until the silence became oppressive.

By and by Maliwe asked if he would not go to sleep, and then Kalaza began to wax indignant.

"You call yourself a man," he said, "and you let your father's best friend die of hunger. Did I not know you had been circumcised, I should think you were still a boy."

"Friend of my father," replied Maliwe, "I have given you all I have. Do you want to eat my dog?"

"Given me all you have? What are those animals that I hear bleating outside?"

"My master's sheep."

"Your master's sheep? Ho! ho! When hungry men are about, sheep have no master. Would your father have let me die rather than take a hamel from the flock of a rich, lazy boer, who never counts his sheep. Many a sheep your father and I have lifted in the old days. We never wanted meat. If my son were to let your father hunger, I would break his head."

In the foregoing remarks the tempter had accidentally hit upon a fact. Gert Botha, after a three years' experience of Maliwe's honesty and carefulness, very seldom took the trouble to count his sheep.

"Friend of my father," said Maliwe, "I have never yet taken what belonged to another. If you say my father stole, it may be so-but such must have happened when he was young. He is now dead. When I was a lad he told me he would kill me if I stole."

"Just as you say, when he was young," rejoined Kalaza. "And are you, then, old? I wonder does old Dalisile know what a coward he is giving his daughter to. In the good old days he would have sent you to show that you could steal like a man-a young man-before you got your wife. But it does not matter, I shall not die tonight, although I am old."

All this time Maliwe sat looking fixedly at the speaker, who, after a pause, continued:

"My son Tentu wants a wife. I will go to Dalisile tomorrow and see whether seven fat oxen will not tempt him to return your three skinny cows, and send his daughter to my kraal across to Keiskamma, I have heard of Nalai, and I think she will suit Tentu; at my kraal she will never want milk."

Here again chance favoured the tempter. The one dread of Maliwe's life was the rivalry of a rich suitor.

Maliwe bent his head over his knees, and remained in this posture for a few minutes. He then stood up suddenly and strode out of the hut. Just afterwards a sound as of sheep rushing about might have been heard coming from the direction of the kraal. Kalaza heard it, and smiled. A few minutes elapsed, and then Maliwe returned, carrying a young sheep with its throat cut on his shoulder. This he flung down on to the ground before Kalaza, saying:

"Friend of my father, here is meat. Eat!"

Maliwe then seized his stick, called Sibi the dog, and left the hut. Kalaza skinned the sheep, and eat about a third of the meat, selecting the choicest parts. He then buried the remainder of the carcase, with the skin, in the loose, dry dung at the side of the kraal. Having done this he walked off quickly in the direction of the village.

After leaving the hut, Maliwe climbed a rocky ridge, which rose steeply for about a hundred yards at the back of the kraal. On the comb of the ridge stood an immense boulder, and Maliwe spent the rest of the night sitting to lee-ward of this, Sibi, the dog, curled up at his feet, growling at intervals, and every now and then looking in the direction of the hut, which was, like the kraal, out of sight, with cars cocked and nostrils dilated.

Chapter 3 No.3

It was evening. In the old mission house the frugal supper was over, and the missionary, his wife, the two lady-teachers, the eleven native female boarders and the native probationer, all knelt down to prayers. The eleven boarders and the probationer had come in at the sound of the bell, the eldest boarder leading, and the probationer bringing up the rear.

A few seconds later, the old black housemaid and cook combined strode heavily in and knelt down just inside the door. Prayers over, Miss Elizabeth Blake, the senior lady teacher, sat down to the harmonium and played the first few bars of a hymn. Then the little congregation stood up and sang. They kept good time, and their singing was fairly in tune, but the voices of some of the native girls were very harsh and shrill, and somewhat spoilt the general effect. The probationer, Samuel Gozani, led the singing from his place close to the instrumentalist. The choir stood facing the right-hand end of the harmonium, and the leader stood just on Miss Blake's left hand, and to see the choir he had to look over her head. The hymn happened to be Luther's "Ein feste Burg ist unser Gott"; it was sung in English, but the Reverend Gottlieb Schultz, the missionary, forgetting the English words, drifted into the original German at the second verse, rather to the detriment of the performance. Miss Blake sang out her clear, simple soprano tones, very rich in the low notes. She was a handsome girl, rather stout, with blue eyes and dull yellow hair. Her face was somewhat pale from overwork and want of fresh air. Altogether, she had a strongly Teutonic look, and was, in fact, almost an exact counterpart of what her German mother had been at her age. Of her Irish father she showed absolutely no trace in either appearance or character.

Whilst the hymn was being sung, the probationer's earnest eyes rested as often on the yellow-haired girl at the harmonium as on his particular charge, the dusky choir. The eleven girls stood in a crescent, some modest and demure enough, but others looking bold, their wanton, roving eyes and generously developed figures being much in evidence. The youngest girl might have been twelve years of age, and the eldest twenty. The latter, a girl named Martha Kawa, was of a much lighter colour than any of her schoolmates, but her physiognomy was of the usual Kafir type. Her father was an Englishman, and her mother a Gaika Kafir; she had passed her childhood in a native hut, and when, five years previously, she was sent to the mission, she was in a condition of absolute savagery. In the mission school her Aryan blood told; she kept easily ahead of the other girls, and took all the best prizes.

The hymn over, the girls curtsied "good-night" to the missionary and his wife, and went to the dormitory escorted by the junior teacher. This room was the very picture of neatness. The whitewashed walls were decorated with Biblical pictures and illuminated texts, and the beds, with blue counterpanes and snow-white linen, were without crease or wrinkle. On each bed, near the foot, the occupier's shawl was folded, and the manner of folding varied considerably. Small prizes were given for the best folding designs, and considerable individuality was shown in the competition. Several of the designs were marvels of ingenuity, and indicated a true artistic faculty.

In a few moments, eleven dusky heads were reposing on eleven snowy pillows.

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