His Second Wife

On a train speeding toward New York, in one of the parlour cars two young women sat facing each other, talking and smiling, deeply absorbed. They took little apparent notice of any one else in the car, but most of the people near them kept throwing curious glances their way.

These glances differed vastly, as did the thoughts behind them. A tall, genial Westerner, who looked as though he had come from a ranch, smiled frankly and hungrily on the pair and told himself with emphasis, "Those two girls are fifty-fifty. I'd like a dozen of each brand." And a slim college boy with fresh, eager eyes kept darting quick looks from time to time at the older of the two, the blonde. He asked himself confusedly, "How'd I start in with a woman like her?" And exciting pictures rose in his mind. In the meantime an elderly lady, with a sharp, inquisitive air, had put down the ages of the girls at twenty-two and thirty.

"They're sisters," she decided, but then she nearly changed her mind. They were such contrasted types. The blonde gave an appearance of sleek and moneyed elegance, with carefully undulated hair, a rounded bust, and pretty features smooth and plump, with a retroussé nose and rich, full lips, and a manner of easy assurance. The brunette was younger and less developed, slim and lithe, her curling black hair rebellious, her features more clean-cut and clear, with wide, eager lips and warm brown eyes set wide apart.

"Nevertheless, they are sisters," the little lady firmly concluded. "The family resemblance is quite unmistakable." And frowning in perplexity, "But if they are sisters," she went on, "why is only one in mourning?" She looked at the younger of the two, who was simply dressed in black; and then at the blonde, whose sable cloak put back from her shoulders revealed a stylish travelling suit. "And why is one rich and the other poor?"

Meanwhile a young woman nearby, with a fat, discontented face, regarded the blonde with envy and thought:

"She's an actress with her maid. Why can't Harry allow me a maid, a real clever one like that? Men see these actresses on the stage and get to expecting things from their wives-without being willing to pay for it! Think what that girl could make of me!"

A quiet, able-looking woman sitting just across the aisle, who travelled for a clothing store, was watching the "maid," the brunette, and was thinking, "She makes her clothes herself. She has been the beauty of her small town. She's smart, too, and original. That collar was a clever idea-and that fichu of lace. A pity she's in mourning."

But the large fat man behind the two girls had little thought for the brunette. His heavy eyes, quite motionless, were upon the older girl. He took in her sensuous shoulders, the rounded contour of her bust, her glossy coiffure, the small, fine hairs at the back of her neck. And he thought, "Yes, she has been loved pretty well." She was talking, and he could just hear her voice, soft and provocative, like the little gloved hand on her chair. By her eyes, which were of a violet hue, he saw she was aware of his gaze. Something gleamed in them that sent a thrill far down into his sluggish soul.

In the meantime a kindly old lady, whose eyes were fixed on the brunette, noticed how hard she was listening, noticed the fresh expectancy in her parted lips and clear brown eyes, and asked with a touch of sadness:

"I wonder what's waiting for you in New York? I'm afraid I don't like this companion of yours. And you're so very young, my dear, and eager and gay. And you are to be so beautiful."

And while all these conjectures were being made about them both, the brunette was wrapt in her own inner fancies, vivid and exciting. Listening to her sister, swift thoughts and expectations mingled with the memories of the life behind her. As she stared out of the window, fields and woods and houses kept whirling back out of her view-and so it was with her memories. It was hard to keep hold of any one.

She had lived with her father, a lonely old man in a small, quiet town in Ohio, down in the lower part of the State. He was dead, and she was going to live with her married sister in New York. He was dead and his daughter was not sad, though she'd been his only close companion and had loved him tenderly. And this brought a guilty feeling now, which she fought down by telling herself there had been little sadness in his death. She pictured her father making his speech at the unveiling of the Monument. How happy and proud he had appeared. For half his life old Colonel Knight had exhorted his fellow townsmen and painted dark the shame of their town: "The only county seat in Ohio with no soldiers' monument, sir!" He had held countless meetings, he had gone begging to his neighbours, and every dollar he himself could save had gone into that dream of his. At last he had triumphed; and after all the excitement of his final victory, the old soldier had made his speech, and died.

Around him and the monument and the old frame house on River Street, the lazy, shallow river, the high school near the court house, Demley's Tavern across the square, the line of shops on either side, the new "movie" theatre of pink tile, and the old yellow church on the corner-the pictures of her life trooped by, the pictures of her last few years-with the miracle, the discovery that she herself, Ethel Knight, who had always been considered "plain," was slowly now developing into a beautiful woman. That brought memories which thrilled-various faces of men, young and old, looks and glances, words overheard, and countless small attentions. But these came in mere fragments, rising only to be whirled back again into the past, as the train sped on toward the city.

She was going to live in New York with her married sister, Amy Lanier. And from looking out of the car window, Ethel would turn quickly, throw a swift glance at her sister and smile. Amy seemed quite wonderful-Amy with her elegance, her worldly assurance, her smiling good-humour and knowledge of "life," her apparent content, her sense of well being, of being a joy to look at and love; Amy who had an adoring husband, Amy who spent money like water, Amy with dash and beauty and style.

"New York just fairly shimmering in everything she wears!" thought

Ethel.

Amy's sable cloak was long. She had worn it at the funeral, with a black skirt and a heavy veil. But the veil she had put into her bag as soon as they had left the town, and the cloak thrown back revealed rich colours, the glitter and glint of a diamond brooch; and she wore a small blue feathered hat which threw out changing colours in the play of light in the car. There was to be no more mourning. Amy didn't believe in that; she was good-humouredly arguing her young sister out of it. And Ethel, smiling back at her, saw how sensible it was. She felt death and sadness slipping away, and the life in the city opening.

Since Amy's marriage five years ago, Ethel had only seen her twice-once when Amy had come home, appearing resplendent with Joe her husband in a large new touring car, and had sent a wave of excitement through the quiet little town; and again when she had asked Ethel to visit her for a week in New York. That had been a glamourous week, but it had not been repeated. For nearly three years they had not met. In that time had come the change in Ethel's own appearance. And glancing now at Amy, she read in those clear, smiling eyes that Amy was relieved and pleased and surprised at the striking beauty which had come to her young sister. There was even a tone of expectancy in Amy's talk of their life in New York.

"She thinks I'll get on finely!" This exciting thought kept rising repeatedly in Ethel's mind. And with it came the sturdy resolve, "I mustn't be too humble now, or too dependent on her. I must show her I'm somebody all by myself-that I won't be a burden on her hands. I've got to make a life of my own-find work perhaps-or marry!"

Then all such resolutions would merge in the images vivid and new, which kept rising in her mind, of the life she would have in the city.

She had a good voice. Old Mr. Riggs, the organist in the yellow church at home, had planted that idea deep in her mind. If only her voice could be brought out! She hadn't much money for teachers, but how she would work if she got a chance! In her heart she knew she had no great voice, but gaily she let her fancy go and pictured herself on the stage. . . . This image passed and was replaced by a platform in an immense auditorium crowded with cheering women and girls. Suffrage banners were all about, and she was speaking to the crowd. Her voice rang clear and resolute. . . . There were other dreams and pictures-of dances in New York cafés, of theatre parties, trips to Paris, hosts of friends. And the vague thought flashed into her mind:

"What possibilities for life-in me-me-Ethel Knight!"

She went on listening, building. She took in fragments of what Amy said and mingled them with things she had read and pictures she'd seen in books, magazines and Sunday papers; or with things that she had heard in the long discussions in her club of high school girls, over suffrage, marriage, Bernard Shaw. She thought of the opera, concerts, plays. She saw Fifth Avenue at night agleam with countless motors, torrents of tempestuous life-and numberless shop windows, hats and dainty gowns and shoes. She pictured herself at dinners and balls, men noticing her everywhere. "As they are doing now," she thought, "this very minute in this car!" Out of all the pictures rose one of a church wedding. And then this picture faded, and changed to that of her father's funeral in the old frame yellow church. She frowned, her brown eyes saddened and suddenly grew wet with a deep homesick tenderness. But in a few moments she smiled again; once more her pulse-beat quickened. For Amy was talking good-humouredly. And Ethel's eyes, now curious, now plainly thrilled, now quizzical, amused and pleased, kept watching her, and she asked herself:

"Shall I ever be like that?"

The picture she had of her sister grew each moment more warm and desirable. Eagerly she explored it by the quick questions she threw out.

They were coming into the city now, in a dusk rich with twinkling lights. In the car the passengers were stirring. Amy stood up to be brushed-sleek and alluring, worldly wise-and the fat man in the chair behind her opened wide his heavy eyes. Then Ethel stood up-and in the poise of her figure, slim and lithe with its lovely lines, in her carriage, in her slender neck, in her dark face with its features clear, her lips a little parted, and in the look in her brown eyes-there was something which made glances turn from all down the softly lighted car. There was even a brief silence. And Ethel drew a sudden breath, as from close behind her the soft voice of the darky porter drawled:

"Yes'm-yes'm-dis is New York. We's comin' right into de station now."

"Well, Ethel my love, we're here at last! . . . It must be after midnight. I wonder when I'll get to sleep? . . . Not that I care especially. What a quaint habit sleeping is."

She had formed the habit long ago of holding these inner conversations. Her father had been a silent man, and often as she faced him at meals Ethel had talked and talked to herself in quite as animated a way as though she were saying it all aloud. Now she sat up suddenly in bed and turned on the light just over her head, and amiably she surveyed her room. It was a pretty, fresh, little room with flowered curtains, a blue rug, a luxurious chaise longue and a small French dressing table. Very cheerful, very empty. "It looks," she decided, "just like the bed feels. I'm the first fellow who has been here.

"No," she corrected herself in a moment, "that's very ignorant of you, my dear. This is a New York apartment, you know. All kinds of other fellows have been in this room ahead of me; and they've lain awake by the hour here, planning how to get married or divorced, or getting ready to write a great book or make a million dollars, or sing in grand opera or murder their child. All the things in the newspapers have been arranged in this spot where I lie! Now I'll turn out the light," she added, "and sink quietly to rest!"

But in the dark she lay listening to the strange low hub-hub from outside. And it made her think of what she had seen an hour before, when at the open window, resting her elbows on the sill, she had begun to make her acquaintance with her backyard-a yawning abyss of brick and cement which went down and down to cement below, and up and up to a strip of blue sky, and to right and to left went stretching away with rows and rows of windows. And now as the murmurs and quick low cries, piano music, a baritone voice and a sudden burst of laughter, came to her ears, she gravely named her neighbours:

"Wives and husbands, divorcees, secret lovers, grafters, burglars, suffragettes, actresses and anarchists and millionaires and poor young things-all spending a quiet evening at home. And that's so sensible in you all. You'll need your strength for tomorrow."

From the city far and near came numberless other voices. From street cars, motors and the L, from boats far off on the river this calm and still October night, from Broadway and from Harlem and the many teeming slums, came the vast murmuring voice of the town. And she thought:

"I'm becoming a part of all this!" She listened a little and added, "It breathes, like something quite alive." She smiled and added approvingly, "Quite right, my dear, just breathe right on. But don't go and breathe as though you were sleeping. Keep me company tonight."

Suddenly she remembered how in their taxi from the train, as they had sped up Park Avenue all agleam with its cold blue lights and she had chattered gaily of anything that came into her head, twice she had caught in her sister's eyes that glimmer of expectancy. "Amy feels sure I will be a success!" Ethel thrilled at the recollection, and thought, "Oh, yes, you're quite a wag, my love; and as soon as you get over being so young you'll probably make a name for yourself. No dinner or suffrage party will ever again be quite complete without your droll dry humour. . . . I suppose I ought to be going to sleep!"

And she yawned excitedly. From somewhere far in the distance there came to her ears the dull bellowing roar of an ocean liner leaving dock at one o'clock to start the long journey over the sea.

"I'm going to Paris, too!" she resolved. Her fancy travelled over the ocean and roamed madly for awhile, with the help of many photographs which she had seen in magazines. But she wearied of that and soon returned.

"Well, what do I think of Amy's home?"

She went over in her memory her eager inspection of the apartment. The rooms had been dark when they arrived; for they had not been expected so soon, and a somewhat dishevelled Irish maid had opened the door and let them in. With a quick annoyed exclamation, Amy had switched on the lights; and room after room as it leaped into view had appeared to Ethel's eyes like parts of a suite in some rich hotel. And although as her sister went about moving chairs a bit this way and that and putting things on the table to rights, it took on a little more the semblance of somebody's home, still that first impression had remained in Ethel's mind.

"People have sat in this room," she had thought, "but they haven't lived here. They haven't sewed or read aloud or talked things out and out and out."

To her sister she had been loud in her praise. What a perfectly lovely room it was, what a wonderful lounge with the table behind it, and what lamps, what a heavenly rug and how well it went with the curtains! When Amy lighted the gas logs, Ethel had drawn a quick breath of dismay. But then she had sharply told herself:

"This isn't an old frame house in Ohio, this is a gay little place in New York! You're going to love it, living here! And you're pretty much of a kid, my dear, to be criticizing like an old maid!" She had gone into Amy's room, and there her mood had quickly changed. For the curtains and the deep soft rug, the broad low dressing table with its drop-light shaded in chintz, the curious gold lacquered chair, the powder boxes, brushes, trays, the faint delicious perfume of the place; and back in the shadow, softly curtained, the low wide luxurious bed-had given to her the feeling that this room at least was personal. Here two people had really lived-a man and a woman. There had come into Ethel's brown eyes a mingling of confused delight and awkward admiration. And her sister, with a quick look and a smile, had lost the slightly ruffled expression her face had worn in the other rooms. She had regained her ascendancy.

It had not been until Ethel was left in her own small room adjoining, that with an exclamation of remembrance and surprise she had stopped undressing, opened her door and listened in the silence. "How perfectly uncanny!" Frowning a moment, puzzled, her eye had gone to the only other room in the apartment, down at the end of the narrow hall. The door had been closed. She had stolen to it and listened, but at first she had not heard a sound. Then she had given a slight start, had knocked softly and asked, "May I come in?" A woman's voice with a hostile note had replied, "Yes, ma'am." She had entered. And a moment later, down on her knees before a grave little girl of two who sat at a tiny table soberly having her supper, Ethel had cried:

"Oh, you adorable baby!"

For a time she had tried to make friends with the child, but the voice of the nurse had soon cut in. And in the motherly Scotch face Ethel had detected again a feeling of hostility. "What for?" she had asked. And the answer had flashed into her mind. "She's angry because Amy hasn't been in to see Susette." And Ethel had frowned. "It's funny. If I had been away three days-"

She had gone back to her own room and began slowly to take off her things. And a few minutes after that, she had heard a gruff kindly voice, a man's heavy tread and a glad little cry from Amy's room.

"Joe has come home," she had told herself. "I wonder how he and I will get on."

And she had met him a little later with no slight uneasiness. But this had been at once dispelled. Rather tall and full of figure, with thick curling hair and close-cut moustache, Joe Lanier at thirty-five still gave to his young sister-in-law the impression of kindly friendliness she had had from him some years before. There was nothing to be afraid of in Joe. But she had noticed the change in his face, the slightly tightened harassed expression. And she had thought:

"You poor man. How hard you have been working."

And yet she could not say he looked tired, for at dinner his talk had been almost boyish in its welcoming good humour. Later he had drawn her aside and had said with a touch of awkwardness:

"No use in talking about it, of course. I just want you to know I'm so glad you're here." She had clutched his hand:

"That's nice of you, Joe." And then she had turned from him, and with a sudden quiver inside she had added quite inaudibly: "Oh, Dad, dearest! I'm so homesick! Just this minute-if I could be back!"

But she had liked Joe that evening.

She remembered the hungry light in his eyes. He and Amy had soon gone to their room. And as Ethel thought about them now, lying here alone in the dark she felt again that vague delight and confused expectancy.

"How much of all this is coming to me? . . Everything, I guess, but sleep!"

A wisp of her hair fell on her nose, and she blew it back with a vicious, "Pfew!"

Her first month in town was a season of shopping and of warm anticipations-and then came a sudden crash. Afterward it was hard to remember. For tragedy entered into these rooms, and it was not easy to look back and see them clearly as they had been. That first month became confused, the memories uneven; in some spots clear and vivid, in others hazy and unreal.

"I want you to be gay, my dear," Amy told her at the start. "You've been through such a lonely time. And what earthly good will it do poor Dad to have you go about in black? You're here now and you've got to make friends and a place for yourself. If he were alive I know he'd agree. He'd want you to have every chance."

So they started in to shop. And though Ethel had her memories, her moods of homesick longing for the old soldier who was gone, these soon became less frequent. There was little time to be lonely or sad.

Amy herself felt new youth these days. Relieved of the first uneasiness with which she had gone to Ohio to bring her young sister to New York, surprised and delighted at finding how the awkward girl she had known had developed since the last time they had met, Amy now took Ethel about to get her "clothes fit to be seen in." And as with intent little glances she kept studying "Ethel's type" in order to set off her charms, the slightly bored expression, the look of disillusionment left Amy's pretty countenance. For Ethel's freshness had given to Amy new zest and belief in her own life, in its purpose and importance. To get Ethel clothes, to show her about, to find her friends, to give her a gay winter in town and later to make a good match for her-these aims loomed large in Amy's mind. She felt her own youth returning, and she prolonged this period. She wanted Ethel all to herself. She even shut her husband out.

"You can rest up a bit," she told him, "for what's coming later on." And Joe, with a good-natured groan at the prospect of late hours ahead, made the most of the rest allowed to him.

Each morning the two sisters fared forth in a taxi. And Amy began to reveal to her sister the dazzling world of shops in New York: shops large and small, American, French and English, shops for gowns and hats and shoes, and furs and gloves and corsets. At numberless counters they studied and counselled, and lunching at Sherry's they shopped on. And the shimmer and sheen of pretty things made life a glamourous mirage, in which Ethel could feel herself rapidly becoming a New Yorker, gaining assurance day by day, feeling "her type" emerge in the glass where she studied herself with impatient delight.

There were little reminders now and then of what she had left behind her. One day in a department store, as they stood before a counter looking at silk stockings, all at once to Ethel's ears came the deep tones of an organ, and turning with a low cry of surprise she looked over the bustling throngs of women to an organ loft above, where a girl was singing a solo in a high sweet soprano voice. In a flash to Ethel's mind there came a vivid picture of the old yellow church at home. And with a queer expression looking about her at the crowds, she exclaimed, "How funny!" She was again reminded of church when one afternoon in a large darkened chamber she sat with scores of women whose eyes were fixed as though in devotion upon a softly lighted stage where "models" kept appearing. What lovely figures some of them had. Others rather took her breath, and gave her the feeling she'd had before in her sister's bedroom. But then as her eye was caught again by the rapt faces all about, she chuckled to herself and thought, "There ought to be candles and incense here!"

She was appalled at the prices. And as the exciting days wore on, uneasily in her room at night she would sit down with pencil and paper and ask, "How much did I spend today?" Her father had left her nothing but the shabby old frame house. This she had sold to a friend of his, and the small fund thus secured she had resolved to husband.

"Oh, Ethel, go slow, you little fool. This is every penny you have in the world."

But the adorable things she saw, and the growing hunger she felt as she began to notice with a more discerning eye the women in shops and on the streets-just why they were so dashing and how they got this and that effect-all swept aside her caution, the easier because of the fact that everything she bought was charged.

One evening in a large café she sat watching Amy who was dancing with her husband. It was at the time when the new style dances were just coming into vogue. In Ohio they had been only a myth. But Amy was a beautiful dancer; and watching her now, Ethel reflected, "She expects me to be like that. If I'm not, she'll be disappointed, ashamed. And why shouldn't I be! What do you ever get in this world if you're always saving every cent? You miss your chance and then it's too late. I'll be meeting her friends in a few weeks more. I've simply got to hurry!" And with Amy's dancing teacher she arranged for lessons-at a price that made her gasp. But the lessons were a decided success.

"You've a wonderful figure for dancing," the teacher said confidingly, "and a sense for rhythm that most of these women haven't any idea of." He smiled down at her and she fairly beamed.

"Oh, how nice!" sighed Ethel. Something in the little look which flashed between them gave her a thrill of assurance. And this feeling came again and again, in the shops and while she was seated at luncheon in some crowded restaurant, or on the streets or back at home, where even Joe was beginning to show his admiring surprise.

"You're making a fine little job of it," she heard him say to Amy one night.

She caught other remarks and glances from strangers, men and women. And Ethel now began to feel the whole vast bustling ardent town centred on what in her high-school club, as they read Bernard Shaw, they had quite frankly and solemnly spoken of as "Sex." All the work and the business, the scheming and planning and rush for money, were focussed on this. And for this she was attracting those swift admiring glances. What she would be, what she wanted to be, what she now ardently longed to become, grew clearer to her day by day. For the picture was there before her eyes. Each day it grew more familiar, as at home in Amy's room she watched her beautiful sister, a stranger no longer to her now, seated at her dressing table good-humouredly chatting, and meanwhile revealing by numberless deft little things she was doing the secrets of clothes and of figure, and of cheeks and lips and eyes, with subtle hints behind it all of the ancient magic art of Pan. She felt Amy ceaselessly bringing her out. This gave her thrills of excitement. And looking at her sister she asked:

"Shall I ever be like that?"

And they kept talking, talking. And through it all the same feeling was there, the sense of this driving force of the town.

With the sturdy independence which was so deep a part of her, Ethel strove to hold up her end of these intent conversations and show that she had views of her own. She was no old-fashioned country girl, but modern, something different! They had discussed things in her club which would have shocked their mothers, discussed them long and seriously. They had spoken of marriage and divorce, of love and having children, and then had gone eagerly on to suffrage, jobs and "mental science," art, music and the rest of life. She had gathered there an image of New York as a glittering region of strong clever men and fascinating women, who not only loved to dance but held the most brilliant discussions at dinners livened by witty remarks-a place of vistas opening into a world of great ideas. And now with her older sister, she questioned her about it all, the art and all the "movements," the "salons" and the clever talk. She asked:

"Do you know any suffragists? Do you know any men who write plays or novels, or any musicians or painters-or actresses?" And again and again by an air of assurance Ethel tried to hide her dismay, as her sister subtly made all this seem like a school-girl's fancies.

"Yes," Amy would say good-humouredly, "there are such people, I suppose-plenty of them, all over town. And they talk and talk and hold meetings, and they go to high-brow plays-and some women even work. But it doesn't sound very thrilling, does it? I don't know. They never seem to me quite real."

And then Amy would go on to hint what did seem real to her in life. And again that picture of the town, all centred on what emerged from the shops and poured into the cafes to dance, was painted for her sister.

But behind her smiling manner of one with an intimate knowledge of life, Amy would glance at the girl by her side in a curious, rather anxious way. For vaguely she knew that years ago when she herself had come to New York, she too had had dreams and imaginings of what her young sister called "the real thing." And she knew that these had dropped away-at first in the struggle, which for her had been so intense and narrowing, to gain a foothold in the town; then through rebuffs from the clever friends of Joe Lanier when she married him; and later through a feeling of lazy acceptance of her lot. But Ethel's talk and Ethel's eyes recalled what had been left behind. And Amy thought of her present friends, and again with a little uneasy pang she put off their meeting with Ethel. For they did not seem good to her then, and the picture she found herself painting of their lives and her own appeared a bit flat and trivial in the light of Ethel's eagerness. They dressed and went shopping, they went to tea dances, they dined in cafés or in their homes, rushed off in taxis to musical plays, and had supper and danced. They loved and were loved, they "played the game."

"My dear," she said decisively, "it's not what you say that interests men; it's how you look and what you have on."

But despite her air of assurance and her own liking of her life, she felt the picture growing flat, and so she added quietly:

"Oh, my friends aren't all I'd like. They never are, if you've anything in you. If you really want to be somebody-" and here her whole expression changed to one of resolute faith in herself-"you need just one thing, money. And you can't do anything about that, you have to wait for your husband. Joe's a dear, of course, and he's working hard. And he's getting it, too, he's getting it!" A gleam of hunger almost fierce came into her clear violet eyes. "I want a larger apartment-I've picked out the very one. And I want a car, a limousine. I know just how I'll paint it a mauve body with white wheels. And I want a house on Long Island. I've picked out the very spot-just next to Fanny Carr's new place."

As her sister spoke of these ideals, again Ethel had that feeling of church, but only for a moment.

"Who's Fanny Carr?" she asked alertly.

Amy was slowly combing her hair, and she smiled with kindly tolerance, for her little confession had brought back her faith in herself and her future.

"Fanny was a writer once-"

"Oh, really!"

"Yes. She ran a department on one of the papers." It had been the dress pattern page, but Amy did not mention that. Instead she yawned complacently. "Oh, she dropped it quick enough-she thought it rather tiresome. She's one of the cleverest women I know. She'd have got a long way up in the world, if it weren't for her second husband-"

"Her second?"

"Yes. The first one didn't do very well. She told me once, 'If you want to get on, change your name at least once in every three years.' Her second, as it happened, was no better than the first. But she was clever enough by then to get an able lawyer; and when it came to the divorce, Fanny succeeded in keeping the house, the one out on Long Island."

"Oh," said Ethel tensely. Her sister shot a look at her.

"I don't care especially for Fanny's ideas about husbands," she said.

"But at least she has a love of a home." And Amy went on to explain to

her sister the value and importance of being able to give "week ends."

Again the gleam came into her eyes.

"It's money, my dear, it's money. They are the same women in Newport exactly-just like all the rest of us-only they are richer. That's all-but it is everything. Put me in a big house out there, and my friends wouldn't know me in a few years."

A cloud came on her face as she looked in the glass.

"But that's just the trouble. A few years more and I'll be too late. You've got to get there while you're young. And there's so little time. You lose your looks. It's all very well for some women to talk about ideas and things-and travel and-and children. I did, too, I talked a lot-oh, how I wanted everything! But one has to narrow down. Thank heaven, Ethel, you've years ahead. I've only got a few more left-I'm already thirty-one. And my type ages fast in this town, if you do the things you're expected to do. But you-oh, Ethel, I want you to marry well! Not a millionaire-that's rather hard, and besides he'd probably be too fat-but the kind who will be a millionaire, who has it written all over his face and makes you feel it in his voice! Don't sell yourself too cheap, my dear! Don't go running about with men who'll keep you poor for the rest of your days. They talk so well-some of them do; and it sounds so fine-ideas and books and pictures and-I knew one who was an architect. And it's all very well for later on, but what you've got to do right at the start-while you have the looks and youth-is to find the man who can give you a house where all those other people will be tumbling to get in-because you'll have the money-you'll be able to entertain-and give them what they really want-in spite of all their talking."

Once more, with a weary sigh, she dropped the religious intensity, and smiled as she wistfully added:

"That's where some man can put you. They do, you know, they do it. Some man does it every day. You can see his name in the papers. Dozens of wives get to Newport each year. And what do they do it on? Money!

"That's romance enough for me, my dear. And if you want work and a career, the most fascinating kind I know is to study the man you've married-find what's holding him back and take it away-what's pushing him on and help it grow! You've got to narrow, narrow down! You may want a lot of children. They're loves, of course, to have around. But you run a big risk in that. I could give you so many cases-mothers who have just dropped out. If you want to really get on in this town, you've got to stick to your husband and make your husband stick to you! There are things about that you will learn soon enough. It comes so naturally, once you are in it-married, I mean. And that's your hold.

"And if you love him as I love Joe," she added almost in a whisper, "you find it so easy that often you forget what it is you're trying to do, what you're really doing it for. You're just happy and you shut your eyes. But then you wake up and use it all-everything-to drive him on. You can do that while you are still young and have what he wants-the looks, I mean-and can make him see that any number of other men would be glad to step into his shoes. But you give them only just enough to keep your husband from feeling too safe. You hold them off, you make him feel that he's everything to you if he'll work and give you what you ought to have! And unless you're a fool you don't listen to this talk of women's rights and women doing the work of men. You keep on your own ground and play the game. And you keep making him get what you need-before it's too late!" All at once she gave a sharp little laugh. "It's a kind of a race, you see," she said.

The night after this talk, Ethel lay in her bed, and tried to remember and think it out. How new and queer and puzzling. So many vistas she had dreamed of had been closed on every hand.

"What's the matter with me?"

The matter was that her old ideals and standards were being torn up by the roots, roots that went deep down into the soil of life in the town in Ohio. But Ethel did not think of that. She scowled and sighed.

"Well, this is real! I was dreaming! And after all, this is much the same, but different in the way you get it. This is New York. One thing is sure," she added. "Amy needs every dollar Joe can make-and she must not have me on her hands. I've got to find what I really want-a job or a man-and be quick about it!"

It threw a tinge of uneasiness into those breathless shopping tours. And it changed her attitude toward Joe. He had not counted for much at first; he had been a mere man of business; and business men had had little place in her dreams of friends in the city. But watching him now she changed her mind.

Joe Lanier was what is called "a speculative builder." He was an architect, building contractor and real estate gambler, all in one. He put up apartment buildings "on spec," buildings of the cheaper sort, most of them up in the Bronx, and sold them at a profit-or a loss, as the case might be. He dealt in the rapidly shifting values of neighbourhoods in the changing town. "The gamble in it is the fun," he remarked to Ethel one evening. Joe was just the kind of a man, as Amy had told her sister, to make a big sudden success of his work. Unfortunately he was tied to a partner, Nourse by name, who held him back. This man Amy keenly disliked. She said that Nourse was a perfect grind, a heavy tiresome creature who thought business was everything in the world.

"Sometimes I really believe he forgets it's for making money," Amy declared. "He's as anxious about it as an old hen, and he wants it steady as a cow. He detests me, as I do him. He has stopped coming here, thank heaven. And the time is not so far away when I'll make Joe see that he's got to lose his partner."

Joe's image gained steadily in importance to Ethel's awakening eyes. Of his force as a man, all that she saw made her more and more certain that Amy was right. Joe was the kind who was bound to succeed. He not only worked hard, his work was a passion. At night and on Sunday mornings he could sit for hours absorbed in the tiresome pages of real estate news in his paper. He went out for strolls in the evenings; one night he asked Ethel to come along; and his talk to her about buildings, the growth of the city by leaps and bounds, now in this direction, now in that, caught her imagination at once. Joe felt the town as a living thing, as she had felt it that first night. Different? Yes, this was business. But even business, to her surprise, as Joe saw and felt it, had a strange thrilling romance of its own.

And she soon noticed something else that drew her to Joe. Almost every evening he would sit down at his piano and start playing idly. As a rule he played dance music, popular songs from Broadway. But sometimes leaning back he would drift into other music. And though his hand would bungle and only sketch it, so to speak-in his black eyes, scowling slightly over the smoke of his cigar, would come a look which Ethel liked. But vaguely she felt that Amy did not, that it even made her uneasy. For almost invariably at such times, Amy would come behind him, her plump softly rounded arm would find its way down over his shoulder-and little by little the music would change and would come back to Broadway.

When Joe heard one evening that Ethel was "mad to learn to sing," he took her by the arm at once and marched her over to the piano. And they had quite a session together-till Amy suggested going out to a new cabaret she had heard of that day. Her voice sounded hurt and strained. And Ethel from that night on dropped all mention of singing.

Her curiosity deepened toward this city love affair, this husband and wife who apparently had left so many things out of their lives, things vital in the Ohio town. The sober wee girl in the nursery kept just as quiet as before. Often Ethel opened that door and went in and tried to make friends with its grave shy little inmate and the hostile nurse. And returning to her room she would frown and wonder for a time. But the pretty things piling in from the shops, and the gay anticipations, soon crowded such questioning out of her mind. Swiftly this household was growing more real, the rooms familiar, intimate; the day's routine with its small events were becoming parts of her life. Her own room was familiar now, for by many touches she'd made it her own. And the dining-room and the living room, where she grew acquainted with Joe, these too assumed an intimate air. Most of all, her sister's room grew more and more vivid in her thoughts, though this was still far from familiar, It held too much, it meant too much.

"Shall I ever live with a man like that?"

The way they looked at each other at times! The way they seemed keeping watch on each other. If Joe were out very late at night, Amy would almost invariably grow uneasy and absentminded, and there would be a challenging note in the way she greeted him on his return. On one such occasion Ethel was in Amy's room. She went out when Joe came in; but a queer little gasping sigh behind gave her a start and a swift thrill, for although she did not turn around she knew they were in each other's arms. And again, late one afternoon when the sisters came home and found Joe at work with a tired anxious look on his face, his wife came up behind him. And the picture of her small gloved hand upon Joe's heavy shoulder remained in Ethel's memory. It seemed so soft and yet so strong.

"She can do anything with him she likes. When I marry somebody how will it be?"

Upon the living-room mantel was a photograph of Amy. And on the smooth and pretty face with the lips slightly parting, and in the smiling violet eyes, there was the expression of something which Ethel did not quite name to herself-for she had forgotten the night long ago in her high-school club when they had sturdily tackled the word "sensual" and what it meant. But the picture grew familiar and real, filled in by the living presence here of this woman who so carefully tended her beautiful body, her glossy hair, her cheeks and lips; this sister with so many moods, now intent and watchful, now good-humoured, indolent, now expectant, hungry, now smilingly content and gay.

And as the picture grew more real, warm and close and thrilling, it symbolized for Ethel that mysterious force which she could feel on every side, driving the throngs of humanity-in this city where so many things she had once deemed important were fading rapidly away. That hungry hope of a singer's career, that craving for work and self-education, trips to Paris, London, Rome, books, art and clever people, "salons," brilliant discussions of life; and deeper still, those mysterious dreams about having children and making a home-all began to drop behind, so quietly and easily that she barely noticed the change.

For this was happening in a few weeks, in the first whirl and excitement of those dazzling streets and shops, those models, gowns, hats, gloves and shoes. "It's not what you say that interests men-it's how you look and what you have on." The image of her sister grew vivid in Ethel's eager mind. And with it came the question, now ardent though still a little confused:

"Shall I ever be like that?"