Chapter 10 No.10

Long, smoldering clouds spread in the western sky, and to the east silver mists lay on the purple gloom of the wilderness.

Finally, when the great moon climbed the heavens and cast its ghastly radiance upon the bushes, it made a new and more brilliant crimson of the campfire, where the flames capered merrily through its mesquit branches, filling the silence with the fire chorus, an ancient melody which surely bears a message of the inconsequence of individual tragedy-a message that is in the boom of the sea, the sliver of the wind through the grass-blades, the silken clash of hemlock boughs.

No figures moved in the rosy space of the camp, and the search of the moonbeams failed to disclose a living thing in the bushes. There was no owl-faced clock to chant the weariness of the long silence that brooded upon the plain.

The dew gave the darkness under the mesquit a velvet quality that made air seem nearer to water, and no eye could have seen through it the black things that moved like monster lizards toward the camp. The branches, the leaves, that are fain to cry out when death approaches in the wilds, were frustrated by these uncanny bodies gliding with the finesse of the escaping serpent. They crept forward to the last point where assuredly no frantic attempt of the fire could discover them, and there they paused to locate the prey. A romance relates the tale of the black cell hidden deep in the earth, where, upon entering, one sees only the little eyes of snakes fixing him in menaces. If a man could have approached a certain spot in the bushes, he would not have found it romantically necessary to have his hair rise. There would have been a sufficient expression of horror in the feeling of the death-hand at the nape of his neck and in his rubber knee-joints.

Two of these bodies finally moved toward each other until for each there grew out of the darkness a face placidly smiling with tender dreams of assassination. "The fool is asleep by the fire, God be praised!" The lips of the other widened in a grin of affectionate appreciation of the fool and his plight. There was some signaling in the gloom, and then began a series of subtle rustlings, interjected often with pauses, during which no sound arose but the sound of faint breathing.

A bush stood like a rock in the stream of firelight, sending its long shadow backward. With painful caution the little company travelled along this shadow, and finally arrived at the rear of the bush. Through its branches they surveyed for a moment of comfortable satisfaction a form in a grey blanket extended on the ground near the fire. The smile of joyful anticipation fled quickly, to give place to a quiet air of business. Two men lifted shot-guns with much of the barrels gone, and sighting these weapons through the branches, pulled trigger together.

The noise of the explosions roared over the lonely mesquit as if these guns wished to inform the entire world; and as the grey smoke fled, the dodging company back of the bush saw the blanketed form twitching; whereupon they burst out in chorus in a laugh, and arose as merry as a lot of banqueters. They gleefully gestured congratulations, and strode bravely into the light of the fire.

Then suddenly a new laugh rang from some unknown spot in the darkness. It was a fearsome laugh of ridicule, hatred, ferocity. It might have been demoniac. It smote them motionless in their gleeful prowl, as the stern voice from the sky smites the legendary malefactor. They might have been a weird group in wax, the light of the dying fire on their yellow faces, and shining athwart their eyes turned toward the darkness whence might come the unknown and the terrible.

The thing in the grey blanket no longer twitched; but if the knives in their hands had been thrust toward it, each knife was now drawn back, and its owner's elbow was thrown upward, as if he expected death from the clouds.

This laugh had so chained their reason that for a moment they had no wit to flee. They were prisoners to their terror. Then suddenly the belated decision arrived, and with bubbling cries they turned to run; but at that instant there was a long flash of red in the darkness, and with the report one of the men shouted a bitter shout, spun once, and tumbled headlong. The thick bushes failed to impede the route of the others.

The silence returned to the wilderness. The tired flames faintly illumined the blanketed thing and the flung corpse of the marauder, and sang the fire chorus, the ancient melody which bears the message of the inconsequence of human tragedy.

Previous
Download Book
Next

You might like

Between the Lines.

Literature Henry Bascom Smith

Between the Lines by Henry Bascom Smith

Read Now

The 2010 CIA World Factbook

Literature United States. Central Intelligence Agency.

The 2010 CIA World Factbook by United States. Central Intelligence Agency.

Read Now

The Tragedy of Pudd'nhead Wilson

Literature Mark Twain

Pudd'nhead Wilson (1894) is a novel by American writer Mark Twain. Its central intrigue revolves around two boys-one, born into slavery, with 1/32 black ancestry; the other, white, born to be the master of the house. The two boys, who look similar, are switched at infancy. Each grows into the other's social role. The story was serialized in The Century Magazine (1893–4), before being published as a novel in 1894. The setting is the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century. David Wilson, a young lawyer, moves to town and a clever remark of his is misunderstood, which causes locals to brand him a "pudd'nhead" (nitwit). His hobby of collecting fingerprints does not raise his standing in the eyes of the townsfolk, who consider him to be eccentric and do not frequent his law practice. "Pudd'nhead" Wilson is left in the background as the focus shifts to the slave Roxy, her son, and the family they serve. Roxy is one-sixteenth black and majority white, and her son Valet de Chambre (referred to as "Chambers") is 1/32 black. Roxy is principally charged with caring for her inattentive master's infant son Tom Driscoll, who is the same age as her own son. After fellow slaves are caught stealing and are nearly sold "down the river" to a master in the Deep South, Roxy fears for her son and herself. She considers killing her boy and herself, but decides to switch Chambers and Tom in their cribs to give her son a life of freedom and privilege. The narrative moves forward two decades. Tom Driscoll (formerly Valet de Chambre), has been raised to believe that he is white and has become a spoiled aristocrat. He is a selfish and dissolute young man. Tom's father has died and granted Roxy her freedom in his will. She worked for a time on river boats, and saved money for her retirement. When she finally is able to retire, she discovers that her bank has failed and all of her savings are gone. She returns to Dawson's Landing to ask for money from Tom.

Read Now

A Connecticut Yankee in King Arthur's Court

Literature Mark Twain

This novel tells the story of Hank Morgan, the quintessential self-reliant New Englander who brings to King Arthur's Age of Chivalry the "great and beneficent" miracles of nineteenth-century engineering and American ingenuity. Through the collision of past and present, Twain exposes the insubstantiality of both utopias, destroying the myth of the romantic ideal as well as his own era's faith in scientific and social progress. A central document in American intellectual history, A Connecticut Yankee in King Arthur's Court is at once a hilarious comedy of anachronisms and incongruities, a romantic fantasy, a utopian vision, and a savage, anarchic social satire that only one of America's greatest writers could pen.

Read Now

The Motor Girls

Literature Margaret Penrose

"Now you've got it, what are you going to do with it?" asked Jack Kimball, with a most significant smile at his sister Cora.

Read Now

The Moorland Cottage

Literature Elizabeth Cleghorn Gaskell

Looking for an engaging and emotionally resonant read from a novelist who was inspired by the works of both Charles Dickens and Charlotte Bronte? Elizabeth Gaskell's 1850 short novel The Moorland Cottage offers up a unflinching slice of nineteenth-century family life, with a particular focus on family dynamics in an era where sons were openly favored.

Read Now