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The view from Mont St. Eloy was fine, with the guns belching out flame on the plain in the midday sun.
One day I was painting the C.-in-C., and at lunch-time the news came in that General Trenchard was there. The C.-in-C. said: "Orpen must see 'Boom,' he's great," so I was taken off and we met him in the garden. A huge man with a little head and a great personality, proud of one thing only, that is, that he is a descendant of Jack Sheppard. With him, to my delight, was Maurice Baring (his A.D.C.). The General was told that I wanted to see the aerodromes, and Maurice shyly said: "May I take Orpen round, sir? I know him." Gee! How happy I was when the General said: "All right, you see to it, Baring."
I painted "Boom" a few days later in a beautiful chateau with the most wonderful old stables. They have all been burnt down since. "Boom" worked hard all the time I painted. A few days later Baring told me that he had spoken to "Boom" and told him how much I admired his head. "Boom" replied: "Damned if he showed it in his painting." And yet he was worshipped by all the flying boys.
About this time I had sent from England Maurice Baring's "In Memoriam" to Lord Lucas. It made a tremendous impression on me then, and still does. I think it is one of the greatest poems ever written, and by far the greatest work of art the war has produced.
Baring took me out for a great day round the aerodromes. We visited several and lunched with a Wing-Commander, Colonel Freeman, who was most kind, a great lover of books, a lot of which Maurice used to supply him with. After this, we visited a squadron where there was to be a test fight between a German Albatross, which had been captured intact, and one of our machines. The fight was a failure, however, as just after they got up something went wrong with the radiator of the Albatross; but later Captain Little did some wonderful stunts on a triplane. I also saw Robert Gregory there, but had no chance to speak to him. But I learnt that he was doing very well and was most popular in the squadron, and that he had painted some fine scenery for their theatre.
St. Pol possessed an open-air swimming-bath, a strange thing for St. Pol, but there it was-a fine large swimming-bath, full of warm water which came from some chemical works. I used to swim there every evening when I got back from work. The one thing that struck me at that time was the difference between nudity and uniform-while bathing one could look at and study all these fine lads, and I would think of one, "Gee! there's an aristocrat. What a figure! What refinement!" and of another, "What a badly-bred, vulgar, common brute!" Later they would both come out of their bathing-boxes, and the "brute" would be a smartly dressed officer carrying himself with ease and distinction, and the "aristocrat" would be an untidy, uncouth "Tommy" shambling along. Truly on sight one should never judge a man with his clothes on.