9 Chapters
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"Go to the chief's lodge, Gretchen, and stay until the Potlatch, and I will come to visit you." Such were the words of Mrs. Woods, as her final decision, after long considering the chief's request.
The forest lodge of the old chief of the Cascades was picturesque without and within. Outwardly, it was a mere tent of skins and curious pictography, under the shadows of gigantic trees, looking down on the glistening waters of the Columbia; inwardly, it was a museum of relics of the supposed era of the giant-killers, and of the deep regions of the tooth and claw; of Potlatches, masques and charms of medas and wabenoes; of curious pipes; of odd, curious feathers, and beautiful shells and feather-work and pearls. But, though all things here were rude and primitive, the old chief had a strong poetic sense, and the place and the arrangement of everything in it were very picturesque in its effect, and would have delighted an artist. On a hill near were grave-posts, and a sacred grove, in which were bark coffins in trees. Near by was an open field where the Indian hunters were accustomed to gather their peltries, and where visiting bands of Indians came to be hospitably entertained, and feasts were given à la mode de sauvage. From the plateau of the royal lodge ran long forest trails and pathways of blazed trees; and near the opening to the tent rose two poles, to indicate the royal rank of the occupant. These were ornamented with ideographic devices of a historical and religious character.
The family of Umatilla consisted of his squaw, an old woman partly demented, and Benjamin, who was now much of the time away with the schoolmaster.
The old chief was very kind to his unfortunate wife, and treated her like a child or a doll. Benjamin was about to take as his bride an Indian girl whom the English called Fair Cloud, and she was a frequent visitor at the tent.
To this patriarchal family Gretchen came one day, bringing her violin. Fair Cloud was there to receive her, and the crazy old squaw seemed to be made happy by the sight of her white face, and she did all that she could in her simple way to make her welcome. She gave her ornaments of shells, and pointed out to her a wabeno-tree, in whose tops spirits were supposed to whisper, and around which Indian visitors sometimes danced in the summer evenings.
The Indian maid was eager to hear the violin, but the old chief said: "It is the voice of the Merciful; let it be still-the god should not speak much."
He seemed to wish to reserve the influence of the instrument for the Potlatch, to make it an object of wonder and veneration for a time, that its voice might be more magical when it should be heard.
There was a kind of tambourine, ornamented with fan-like feathers, in the lodge. Fair Cloud used to play upon it, or rather shake it in a rhythmic way. There was also a war-drum in the lodge, and an Indian called Blackhoof used to beat it, and say:
"I walk upon the sky,
My war-drum 'tis you hear;
When the sun goes out at noon,
My war-drum 'tis you hear!
"When forkèd lightnings flash,
My war-drum 'tis you hear.
I walk upon the sky,
And call the clouds; be still,
My war-drum 'tis you hear!"
The tribes of the Oregon at this time were numerous but small. They consisted chiefly of the Chinooks, Vancouvers, the Walla Wallas, the Yacomars, the Spokans, the Cayuses, the Nez-Percés, the Skagits, the Cascades, and many tribes that were scarcely more than families. They were for the most part friendly with each other, and they found in the Oregon or Columbia a common fishing-ground, and a water-way to all their territories. They lived easily. The woods were full of game, and the river of salmon, and berries loaded the plateaus. Red whortleberries filled the woodland pastures and blackberries the margins of the woods.
The climate was an almost continuous April; there was a cloudy season in winter with rainy nights, but the Japanese winds ate up the snows, and the ponies grazed out of doors in mid-winter, and spring came in February. It was almost an ideal existence that these old tribes or families of Indians lived.
An Indian village on the Columbia.
Among the early friends of these people was Dick Trevette, whose tomb startles the tourist on the Columbia as he passes Mamaloose, or the Island of the Dead. He died in California, and his last request was that he might be buried in the Indian graveyard on the Columbia River, among a race whose hearts had always been true to him.
The old chief taught Gretchen to fish in the Columbia, and the withered crone cooked the fish that she caught.
Strange visitors came to the lodge, among them an Indian girl who brought her old, withered father strapped upon her back. The aged Indian wished to pay his last respects to Umatilla.
Indians of other tribes came, and they were usually entertained at a feast, and in the evening were invited to dance about the whispering tree.
The song for the reception of strangers, which was sung at the dance, was curious, and it was accompanied by striking the hand upon the breast over the heart at the words "Here, here, here":
"You resemble a friend of mine,
A friend I would have in my heart-
Here, here, here.
"My heart is linked to thine;
You are like a friend of mine-
Here, here, here.
"Are we not brothers, then;
Shall we not meet again-
Here, here, here?
"Mi, yes, we brothers be,
So my fond heart sings to thee-
Here, here, here.
"Ah! yes, we brothers be;
Will you not answer me-
Here, here, here?"
Gretchen was happy in the new kind of life. She did not fear the Indians; in fact, the thing that she feared most was the promised visit of Mrs. Woods. She was sure that her foster-mother's spirit would change toward the Indians, but the change had not yet come.
One evening the schoolmaster came to call. He was bent upon a mission, as always. The family gave him a seat outside of the tent, and gathered around him, and they talked until the stars came out and were mirrored in the Columbia.
One of the first questions asked by the old chief was, "Is Eagle's Plume (Benjamin) brave?" (a good scholar).
"Yes, brave at times; he must learn to be brave always. He must always keep his better self. The world would be good if people would learn to keep their better selves. Do you see?"
"Yes."
"A chief should conquer himself first; obey the will of the Great Manitou-do you see?"
"Yes, but how can we know his will?"
"It is his will that we be our best minds. Forgive, and so make bad people good, and return good for bad. Do you see?"
"Yes, boy, do you see?" (to Benjamin).
"Yes, yes, I see what white man means. But white man do not so. He cheat-he kill."
"Boston tilicum, what do you say?" asked the chief.
"White man does not follow his best heart when he cheats and kills. It is wrong. All men should be brothers-see?"
"Yes, I have tried to be a brother. I have no shed blood-I live in peace-like yonder river. The stars love to shine on the peaceful river. Benjamin will learn. I go away when the swallows go, and no more come when the swallows bring the spring on their wings again. Teach Benjamin to be his good self all the time; make him good here."
All the Indian visitors who came to the place examined the violin cautiously, and the Indian hunters seemed to regard Gretchen with suspicion. When any asked her to play for them, the old chief would answer: "Not now, but at the Potlatch-then it speak and you will hear; you will hear what it says."
But, of all the people that came to the lodge, no one could have been more curious than Mrs. Woods. She had been living in terror of the threatened events of the October feast, and yet she wished to make the Indians believe that she was indifferent to their ill-will, and that she possessed some hidden power that gave her security.
She approached the lodge slowly on the occasion of her visit, picking red whortleberries by the way. Benjamin watched her nervous motions, and felt that they implied a want of respect, and he grew silent and looked stoical. Gretchen went out to meet her, and brought her to the old chief.
Afar loomed Mount Hood.
It was a beautiful day, one of those long dreams of golden splendor that glorify the banks of the Oregon. Eccentric Victor Trevette and his Indian wife were at the lodge, and the company were joined by the Rev. Jason Lee, who had come up the Columbia in the interests of the mission in the Willamette Valley. Seattle[B] was there, from the Willamette, then young, and not yet the titular chief of Governor Stevens.[C] It was a company of diverse spirits-Trevette, the reputed gambler, but the true friend of the Indian races; Lee, who had beheld Oregon in his early visions, and now saw the future of the mountain-domed country in dreams; sharp-tongued but industrious and warm-hearted Mrs. Woods; the musical German girl, with memories of the Rhine; and the Indian chief and his family. The Columbia rolled below the tall palisades, the opposite bank was full of cool shadows of overhanging rocks, sunless retreats, and dripping cascades of glacier-water. Afar loomed Mount Hood in grandeur unsurpassed, if we except Tacoma, inswathed in forests and covered with crystal crowns. The Chinook winds were blowing coolly, coming from the Kuro Siwo, or placid ocean-river from Japan; odoriferous, as though spice-laden from the flowery isles of the Yellow Sea. Warm in winter, cool in summer, like the Gulf winds of Floridian shores, the good angel of the Puget Sea territories is the Chinook wind from far Asia, a mysterious country, of which the old chief and his family knew no more than of the blessed isles.
"It is a day of the Great Manitou," said the old chief. "He lights the sun, and lifts his wings for a shadow, and breathes on the earth. He fills our hearts with peace. I am glad."
"I only wish my people in the East knew how wonderful this country is," said Jason Lee. "I am blamed and distrusted because I leave my mission work to see what great resources here await mankind. I do it only for the good of others-something within me impels me to do it, yet they say I neglect my work to become a political pioneer. As well might they censure Joshua."
"As a missionary," said the old hunter, "you would teach the Indians truth; as a pioneer, you would bring colonies here to rob them of their lands and rights. I can respect the missionary, but not the pioneer. See the happiness of all these tribal families. Benjamin is right-Mrs. Woods has no business here."
"Adventurer," said Mrs. Woods, rising upon her feet, "I am a working-woman-I came out here to work and improve the country, and you came here to live on your Injun wife. The world belongs to those who work, and not to the idle. It is running water that freshens the earth. Husband and I built our house with our own hands, and I made my garden with my own hands, and I have defended my property with my own hands against bears and Injuns, and have kept husband to work at the block-house to earn money for the day of trouble and helplessness that is sure some day to come to us all. I raise my own garden-sass and all other sass. I'm an honest woman, that's what I am, and have asked nothing in the world but what I have earned, and don't you dare to question my rights to anything I possess! I never had a dollar that I did not earn, and that honestly, and what is mine is mine."
"Be careful, woman," said the hunter. "It will not be yours very long unless you have a different temper and tongue. There are black wings in the sky, and you would not be so cool if you had heard the things that have come to my ears."
Mrs. Woods was secretly alarmed. She felt that her assumed boldness was insincere, and that any insincerity is weakness. She glanced up a long ladder of rods or poles which were hung with Potlatch masks-fearful and merciless visages, fit to cover the faces of crime. She had heard that Umatilla would never put on a mask himself, although he allowed the custom at the tribal dances. Mrs. Woods dropped her black eyes from the ominous masks to the honest face of the chief.
"There," said she, lifting her arm, "there sits an honest man. He never covered his heart with a mask-he never covered his face with a mask. He has promised me protection. He has promised to protect the school. I can trust a man who never wears a mask. Most people wear masks-Death takes the masks away; when Death comes to Umatilla, he will find great Umatilla only, fearless and noble-honest and true, but no mask. He never wore a mask."
"But, woman," said Umatilla, "you are wearing a mask; you are afraid."
"Yes, but I can trust your word."
"You seek to please me for your own good."
"Yes-but, Umatilla, I can trust your word."
"The word of Umatilla was never broken. Death will come to Umatilla for his mask, and will go away with an empty hand. I have tried to make my people better.-Brother Lee, you have come here to instruct me-I honor you. Listen to an old Indian's story. Sit down all. I have something that I would say to you."
The company sat down and listened to the old chief. They expected that he would speak in a parable, and he did. He told them in Chinook the story of
THE WOLF BROTHER.
An old Indian hunter was dying in his lodge. The barks were lifted to admit the air. The winds of the seas came and revived him, and he called his three children to him and made his last bequests.
"My son," he said, "I am going out into the unknown life whence I came. Give yourself to those who need you most, and always be true to your younger brother."
"My daughter," he said, "be a mother to your younger brother. Give him your love, or for want of it he may become lonely and as savage as the animals are."
The two older children promised, and the father died at sunset, and went into the unknown life whence he came.
The old Indian had lived apart from the villages of men for the sake of peace; but now, after his death, the oldest son sought the villages and he desired to live in them. "My sister," he said, "can look out for my little brother. I must look out for myself."
But the sister tired of solitude, and longed to go to the villages. So one day she said to her little brother: "I am going away to find our brother who has taken up his abode in the villages. I will come back in a few moons. Stay you here."
But she married in the villages, and did not return.
The little brother was left all alone, and lived on roots and berries. He one day found a den of young wolves and fed them, and the mother-wolf seemed so friendly that he visited her daily. So he made the acquaintance of the great wolf family, and came to like them, and roam about with them, and he no longer was lonesome or wished for the company of men.
One day the pack of wolves came near the villages, and the little boy saw his brother fishing and his sister weaving under a tree. He drew near them, and they recognized him.
"Come to us, little brother," said they, sorry that they had left him to the animals.
"No-no!" said he. "I would rather be a wolf. The wolves have been kinder to me than you.
"My brother,
My brother,
I am turning-
am turning
Into a wolf.
You made me so!
"My sister,
My sister,
I am turning-
I am turning
Into a wolf.
You made me so!"
"O little brother, forgive me," said the sister; "forgive me!"
"It is too late now. See, I am a wolf!"
He howled, and ran away with the pack of wolves, and they never saw him again.
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"Jason Lee, be good to my people when I am gone, lest they become like the little brother.
"Victor Trevette, be good to my people when I am gone, lest they become like the little brother."
The tall form of Marlowe Mann now appeared before the open entrance of the lodge. The Yankee schoolmaster had been listening to the story. The old chief bent his eye upon him, and said, "And, Boston tilicum, do you be good to Benjamin when I am gone, so that he shall not become like the little brother."
"You may play, Gretchen, now-it is a solemn hour; the voices of the gods should speak."
Gretchen took her violin. Standing near the door of the tent, she raised it to her arm, and the strains of some old German music rose in the glimmering air, and drifted over the Columbia.
"I think that there are worlds around this," said the old chief. "The Great Spirit is good."
The sun was going down. High in the air the wild fowls were flying, with the bright light yet on their wings. The glaciers of Mount Hood were flushed with crimson-a sea of glass mingled with fire. It was a pastoral scene; in it the old history of Oregon was coming to an end, after the mysteries of a thousand years, and the new history of civilization was beginning.
Evening came, and the company dispersed, but the old chief and Gretchen sat down outside of the tent, and listened to the murmuring music of the Dalles of the Columbia, and breathed the vital air. The Columbia is a mile wide in some places, but it narrows at the Dalles, or shelves and pours over the stone steps the gathered force of its many tides and streams. Across the river a waterfall filled the air with misty beauty, and a castellated crag arose solitary and solemn-the remnant of some great upheaval in the volcanic ages.
A castellated crag arose solitary and solemn.
The red ashes of the sunset lingered after the fires of the long day had gone down, and the stars came out slowly. The old chief was sad and thoughtful.
"Sit down by my feet, my child," he said to Gretchen, or in words of this meaning. "I have been thinking what it is that makes the music in the violin. Let us talk together, for something whispers in the leaves that my days are almost done."
"Let me get the violin and play to you, father; we are alone."
"Yes, yes; get the music, child, and you shall play, and we will talk. You shall sit down at my feet and play, and we will talk. Go, my little spirit."
Gretchen brought her violin, and sat down at his feet and tuned it. She then drew her bow, and threw on the air a haunting strain.
"Stop there, little spirit. It is beautiful. But what made it beautiful?"
"My bow-don't you see?"
Gretchen drew her bow, and again lifted the same haunting air.
"No-no-my girl-not the bow-something behind the bow."
"The strings?"
"No-no-something behind the strings."
"My fingers-so?"
"No-no-something behind the fingers."
"My head-here?"
"No-something behind that."
"My heart?"
"No-no-something behind that."
"I?"
"Yes-you, but something behind that. I have not seen it, my girl-your spirit. It is that that makes the music; but there is something behind that. I can feel what I can not see. I am going away, girl-going away to the source of the stream. Then I will know everything good is beautiful-it is good that makes you beautiful, and the music beautiful. It is good that makes the river beautiful, and the stars. I am going away where all is beautiful. When I am gone, teach my poor people."
Gretchen drew his red hand to her lips and kissed it. The chief bent low his plumed head and said:
"That was so beautiful, my little spirit, that I am in a haste to go. One moon, and I will go. Play."
Gretchen obeyed. When the strain died, the two sat and listened to the murmuring of the waters, as the river glided down the shelves, and both of them felt that the Spirit of Eternal Goodness with a Father's love watched over everything.
The old chief rose, and said again:
"When I am gone to my fathers, teach my poor people." He added: "The voice of the good spirits ask it-the All-Good asks it-I shall go away-to the land whence the light comes. You stay-teach. You will?"
"Yes," said Gretchen-a consciousness of her true calling in life coming upon her, as in an open vision-"I will be their teacher."
The old chief seemed satisfied, and said: "It is well; I am going away."
Much of the chief's talk was acted. If he wished to speak of a star, he would point to it; and he would imitate a bird's call to designate a bird, and the gurgle of water when speaking of a running stream. He spoke Chinook freely, and to see him when he was speaking was to learn from his motions his meaning.
FOOTNOTES:
[B] See Historical Notes.
[C] See Historical Notes.
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