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Chapter 18 THE POLITICAL ECONOMY OF ART (1857-1858)
The humble work of the drawing-classes at Great Ormond Street was teaching Ruskin even more than he taught his pupils. It was showing him how far his plans were practicable; how they should be modified; how they might be improved; and especially what more, beside drawing-classes, was needed to realize his ideal. He was anxiously willing to co-opera
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