Chapter 8 THE LAST CONDéS

WHEN Henri Jules de Bourbon succeeded to the Condé inheritance, he continued with filial piety to carry out all the improvements and additions to Chantilly which his father had planned. Fran?ois Mansart, the most fashionable architect of the period, had by that time nearly completed those unfortunate alterations which transformed the ancient feudal fortress into a species of Versailles. This Prince also built the parish church on a site presented by the Grand Condé to the inhabitants of the hamlet which had begun to form itself around the castle.

He completed the menagerie and by his orders Mansart built an orangery ending in a pavilion called by him Le Pavillon d'Oronthée. Statues of the Grand Condé, of Bossuet, of Molière, of Le N?tre, and of La Bruyère, executed by the most famous sculptors of the day, were placed along the Terrasse du Connétable; whilst marble copies of celebrated antiques were set up in the gardens and park. He spoke of Chantilly as "ses delices" and was never weary of planning improvements there. He also directed that the famous deeds of his father should be recorded on canvas by Sauveur Lecomte in accordance with directions left by that hero himself.

In 1688 the Prince de Condé entertained at Chantilly the Grand Dauphin, only son of Louis XIV, with whom he was on terms of great intimacy; and the apartments in the Petit Chateau occupied by that Prince were those once inhabited by the Grand Condé himself. A description of the entertainments given upon this occasion may be read in the Mercure de France of that year, as follows: "A great battue had been arranged, and the Dauphin appears to have been delighted by the enjoyment of such splendid sport. Luncheon was served on a big stone table in the middle of the forest.[12] On the centre of the table was placed a basket containing the most exquisite fruit, and during the repast mythological deities made their appearance whilst dances were performed to the sound of appropriate music. Every day-and the Dauphin remained for seven-some new diversion was contrived."

As Henri Jules de Condé grew older he seldom left Chantilly. His temper became more and more violent and difficult; and during his last years he rarely appeared at Court. He died in 1709, leaving a legacy to the Hospital at Chantilly, which had been founded by his grandmother, Charlotte de Montmorency.

The Duc de Bourbon, generally known as Louis III, Prince de Condé, died soon after his father. Louise Fran?oise, his wife, had presented him with six daughters and three sons; of whom the eldest, Louis Henri, succeeded to the title of Prince de Condé at the early age of eighteen.[13] He, like his predecessors, also spent great sums on the embellishment of Chantilly. By him were built the great stables-a monument unique of its kind-in which vast buildings more than two hundred horses and packs of hounds for fox, deer, and boar hunts, were housed. In the adjoining courtyards were lodged their numerous attendants-piqueurs, chasseurs, and stable-boys-and the carriages, coaches, etc., needed for such an establishment. The central cupola of this stupendous edifice was originally adorned with a statue of La Renommée, but this was destroyed by a cannon-ball during the Revolution of 1792.

The famous Duchesse de Berry, daughter of the Regent and wife of the younger grandson of Louis XIV, passed a whole week at Chantilly as the guest of this Prince; and great magnificence was displayed for her entertainment. Saint-Simon in his Mémoires relates an incident which happened during these festivities. On the farther side of the grand canal the Duke kept a very beautiful menagerie, full of rare animals and fine birds; and whilst the company were strolling about and playing games in the grounds a huge tiger escaped and prowled about the gardens to the terror of the gay revellers. After some time, however, and fortunately before any accident had occurred, the beast was captured and induced to return to his cage.

In consequence of the numerous royal visits paid to him, Louis Henri entirely remodelled the interior of the Grand Chateau. The King's Apartment was over the Museum; it extended from the Chapel to the so-called North Tower, and was composed of guard-rooms, long galleries, and vast chambers. That of the Queen was over the present Entrance-Hall, and ran as far as the Treasury towers. From it one could penetrate into the Chapel, which at that time was situated where is now the splendid staircase leading to the Museum.

During the time of this Prince the youthful Louis XV came to Chantilly from Reims. He arrived in the evening and the whole place was beautifully illuminated-so much so that "every detail of the building could be seen as if in broad daylight." The festivities on this occasion were many and various. The chase during the day and in the evening performances by an Italian comedy company engaged for the occasion, and by a famous ballet which lasted four-and-twenty hours.

In 1723, after the death of the Regent, the Duc de Bourbon became Prime Minister of France. His wife, Anne Marie de Bourbon, had died and his mistress, the famous Marquise de Prie, reigned supreme-an even more fascinating, and certainly a more intelligent woman than the Montespans, Pompadours, and Du Barrys, who so completely succeeded in captivating the Bourbon Kings. She possessed a beautiful voice, with which she interpreted Italian music, learnt during her stay in Turin where her husband for many years had been ambassador. She also, like Madame de Pompadour, patronised art and had portraits of herself painted by Rosalba and Vanloo. Her house was furnished with exquisite taste, and she understood to perfection the arts of the toilet. At first she devoted herself to a life of pleasure, but she soon saw the wisdom of becoming her lover's adviser-in-chief. In order to shield him against the intrigues of the Orleans family-as long as the King remained unmarried and without a nearer heir-she persuaded the Prime Minister that the Spanish Infanta, daughter of Philip V, who had been educated at the French Court and was intended to be the future Queen-Consort of France-though she was still a child of not much more than ten years old-should be sent back to her father. When this had been accomplished a marriage was speedily arranged with Maria Leczinska of Poland, although she was several years older than the young King. This act led to an immediate rupture with Spain and brought no political advantage to France. But in order to understand to the full the game played here by Madame de Prie, we should note that Maria Leczinska had been at first intended for Monsieur le Duc; wherefore by making her Queen of France she not only hoped to keep her lover to herself, but also to get ascendancy over the King through a queen whom she had helped to raise to so exalted a position. Somewhat unexpectedly, however, she found an implacable enemy in Cardinal Fleury, who was to Louis XV what Richelieu and Mazarin had been to his predecessors. He had been the young King's preceptor and exercised a great influence over him. When it occurred to Fleury that he might become Prime Minister in place of the Duc de Bourbon the latter, notwithstanding the strenuous efforts of Madame de Prie, was compelled to yield and to resign on the charge that he had confided affairs of State to unqualified persons. He retired to Chantilly with his mistress, where, the lady received a most discourteous welcome from Madame la Duchesse Douarière; and to the grief and dismay of the Duke a lettre de cachet from the King presently commanded her to retire to a property in Normandy which belonged to her long-neglected husband. The Duc de Bourbon never ceased to regret her, because, as he asserted, he felt that she was so devoted to his interests as to have subordinated every other sentiment. She only survived her humiliation a few years; but it was some time after her death before the childless Duke thought of remarrying. His choice fell upon a young princess of Hesse Rhinfeld, whose eldest sister had married the King of Sardinia. The new Duchess, who was barely fifteen, was as beautiful and graceful as she was good. This marriage put an end to the disgrace into which the Duke had fallen at Court; and from that time Louis XV, who very much admired the young chatelaine of Chantilly, never went to Compiègne without paying her a visit on the way. In memory of these Royal visits he sent her a beautiful spray of diamonds, which the Duc de Luignes in his Mémoires values at seventy-two thousand francs. The same writer adds that in the month of August 1738 the King came to Chantilly for a stag-hunt; and that he arrived at the Chateau in a gondola, accompanied by four Court ladies. The Duke and Duchess received this gay party and supper was immediately served, but next morning the heat was so excessive that the stag-hunt had to be abandoned. At nine o'clock, however, His Majesty promenaded upon the terrace, while airs from well-known operas were sung to amuse him. The Queen, Maria Leczinska, also enjoyed strolling about the gardens and driving through the park, where all sorts of games were specially devised for her.

In 1740 the Duc de Bourbon fell ill and died rather suddenly. His young wife survived him barely a year; and their only son, Louis Joseph, then but five years of age, was left to the charge of his grandmother. She presented him soon after to Louis XV as Prince de Condé, and it was then remarked that he was very fair and tall for his age. His uncle, the Comte de Charolais, meantime administered the property at Chantilly with great judgment and skill on behalf of his nephew and ward.

The young Prince was taken to Chantilly by his uncle for the first time at the age of fourteen, and all sorts of amusements suitable for his age were prepared for his pleasure. He at once conceived a great affection for the place, which continued for the rest of his life.

When he attained the age of seventeen his uncle Charolais considered it time for him to marry, and proposed to him several suitable matches. At one of the entertainments given to further this end the young Prince's choice fell on Charlotte de Rohan Soubise, a young lady renowned for her grace and beauty; and their marriage was celebrated at Versailles with great pomp. The young couple passed their honeymoon at Chantilly and, according to the chronicles of the old Chateau, they immediately commenced to display the traditional Condé taste for profuse hospitality. Balls, theatricals, garden-fêtes, etc., followed each other in quick succession for six weeks.

Plate XVI.

CHARLOTTE, PRINCESSE DE CONDé, WIFE OF LOUIS JOSEPH DE BOURBON.

Musée Condé.

Jean M. Nattier.

In 1756 their son and heir was born. At first he was known as the Duc d'Enghien but this was afterwards changed to Duc de Bourbon. The second child was a daughter, Louise de Condé, subsequently famed for her great intelligence and beauty. The Princess Charlotte de Soubise was a general favourite at Court; but in spite of her many social engagements she never neglected her maternal duties and always showed herself a most devoted wife and mother.

The Prince, notwithstanding his domestic felicity, considered it his duty to add a "sprig of laurel" to the trophies of his glorious ancestor, the Grand Condé. He therefore joined the army and greatly distinguished himself during the Seven Years' War. In 1762 he gained the victories of Grinningen and Johannesberg.

The sudden death of his wife the Princesse de Condé from an attack of diphtheria put an end to his conjugal happiness; but to Chantilly he always returned after his campaigns, so as to be in the old home and with his children. A highly cultured gentleman, he took intense interest in literature and scientific research, enriching with numerous volumes the library of the Chateau and adding thereto mineralogical and physiological collections of great value.

His only son, Louis Henri Joseph de Bourbon, when just fifteen was affianced to Louise Marie Thérèse Bathilde d'Orléans, five years his senior and an intimate friend of his sister Louise. Even in those days of early marriages this union was considered abnormal, and it was at first arranged that the young couple should wait for a time. But the youthful pair threatened to elope unless they were allowed to marry that same year, so with "un éclat de rire" the King gave his consent.

When Marie Antoinette as Dauphine visited Chantilly the grace and charm of the young Duchess, who presided over the brilliant fêtes given upon that occasion, were much admired. Louis Joseph, like the Grand Condé, was passionately devoted to the art of the stage, and his daughter-in-law, like so many great ladies of her time, was distinguished for her literary talents. She herself composed the comedies in which she, her husband, and her Royal guests took part.

The theatre at Chantilly, celebrated for its elaborate decorations and beautiful scenery, was approached by a terrace adorned by forty-eight marble vases; whence a double staircase led through the Salon d'Apollon. Palm-trees formed an avenue before its entrance, and the back of the theatre opened upon the garden, where a statue of Diana surrounded by waterfalls stood in the background. Amongst the improvements in the gardens first introduced by this Prince was a "Hameau," which was erected long before that in the Petit Trianon at Versailles.

From the time of Henri IV Chantilly, as we have seen, had been a favourite pleasure-resort for Royal personages. Louis XV used to combine excursions thither with his visits to Versailles. The King of Denmark, the hereditary Prince of Prussia, and Gustavus III, King of Sweden, were all entertained at the Chateau; and the latter presented to the Prince de Condé the magnificent cabinet containing many strange and curious minerals now at the Musée Condé.

In 1782 the Comte du Nord, afterwards the Emperor Paul of Russia, with his wife, Dorothea of Wurtemberg, paid a long visit to Chantilly. One of the Russian ladies-in-waiting, the Baroness Oberkirch, gives the following description of their stay: "We joined the Prince at eleven o'clock, which was the dinner-hour. This dinner, which opened the fêtes of the day-we were a hundred and fifty at table-was splendid, and quite in accordance with the traditions of this princely house, so famous for its magnificent hospitality. When we left the dining-hall we found carriages waiting for us. The Prince and the Duke, his son, themselves drove us along the avenues, where a thousand surprises were prepared for us. The trees were hung with flags and decorated with the Russian colours. After the drive we went to the theatre. They played The Friend of the House, The Supposed Poet, and The Fifteen-year-old Lover. The latter piece told the love-story of the Duc and Duchesse de Bourbon and had been played on the eve of their wedding. It ended with a fine ballet. On coming out we found the gardens illuminated and fireworks blazing all round, while the fa?ade of the Chateau was decorated with the heraldic bearings of the Emperor and Empress. Supper was served on the Isle d'Amour and then followed a ball which was so gay and full of merriment that it seemed to us a quite exceptional thing, since this is not usually the case amongst princes. The next morning a hunting-party was arranged, a diversion of which the Condé princes and princesses are particularly fond. A stag was hunted for three hours, and when at last he went into the water he was followed by the whole pack of hounds. The sight was really superb."

A picture representing this famous hunting-party was painted by Le Paon and presented to the Russian Emperor. It still hangs in one of the Imperial Palaces in St. Petersburg; but a copy was offered to the Duc d'Aumale by the Grand Duke Wladimir, which is now in the Musée Condé.

Another day the magnificent stables were visited and dinner was served in the central hall beneath the cupola. Much admiration was expressed for the gorgeous hangings which divided this part of the building from the rest. When the Royal party left the table these hangings were lifted on both sides, so as to exhibit the two hundred and forty horses stabled in either wing.

At that time two bronze horses stood beside the great fountain, which was completed in 1782. But they disappeared during the Revolution.

The hostess upon this occasion was the Princesse Louise de Condé, for the Duchesse de Bourbon, after but a few years of married life, separated herself from her gay young husband. This Princess inherited her father's great qualities. She had been educated in the same convent where a relation of hers, Henriette de Bourbon Condé, was Abbess under the name of Madame de Vermandois-a lady of whom it was rumoured that she had refused to marry Louis XV and had preferred the life of a convent to that of Queen of France! Over the young Princesse de Condé she exercised great influence and Princesse Louise tells us that she looked upon her as a mother, since she had never known her own. Of her father she saw very little; but in her childhood he used to send the Surveyor of the Province to her every Sunday to ask whether she wanted anything. At the age of twelve she left this peaceful life for Paris, where she attached herself to her cousin Princesse Bathilde d'Orléans, who presently became her sister-in-law.

These two Princesses had each a royal household of their own, with maids-of-honour and attendants; and they were permitted to receive the visits of relations and certain selected friends. The Duc de Bourbon, whose attachment to his sister was the one redeeming point in his otherwise unsatisfactory character, often came to see her, and it was during one of these visits that he first met his wife.

The Princesse Louise de Condé at this time was presented at Court, where her beauty and grace created a great sensation; and she then received the title of "Mademoiselle." The Duc d'Artois, third son of the Grand Dauphin, was greatly attracted by her, and a marriage between them was much discussed in Court circles. It was even said that it was desired by the people; but Louis XV, wishing to revenge himself upon Louis Joseph for having opposed the "pacte de famine,"[14] insisted on his grandson marrying Marie Thérèse of Savoy. This bitter disappointment, coming to her in yet tender years, made a deep impression upon the Princess, and from thenceforth she preferred solitude to worldly pleasure. She continued to reside in the Convent, refusing all other proposals of marriage, and devoting herself to literature. Later on in life she indulged in a platonic friendship with the Marquis de Gervaisais, who is said to have collaborated with her in the drama of Friendman. They often made excursions together from the watering-place of Bourbon d'Archambault, where the Princess had gone for her health, to visit the old Chateau de Bourbon; and it was during these excursions, amid ruins clad with ivy "as with a Royal mantle," that the young poet wrote this drama (subsequently acted at Bourbon d'Archambault), wherein he hymned the praises of his adored Princess. "L'ame n'a pas d'age, comme elle n'a pas de sexe" wrote her admirer.

But Louise de Condé, who at first had given herself up entirely to the joy of meeting with a kindred soul, recoiled suddenly on finding that this friendship was on both sides fast approaching passionate love. At a period of history when princely personages rarely denied themselves anything that attracted their fancy, it is remarkable to find a Princess who held such a high moral standard, and this also at a time when Madame du Barry was the supreme ruler of the Kingdom of France. The Princess went so far as to force herself to give up this friendship, because she became aware that her sentiments towards the poet were after all not wholly platonic, and that she, as a Princess of the Blood, could not marry him.

It is characteristic of the customs of the period that Louis Joseph looked very indulgently upon his daughter's friendship, and even proposed to secure for the Marquis de Gervaisais means for leaving his regiment at Saumur in order to come to Paris and thus be able to meet the Princess more freely. It was the lady herself who could not be induced to do aught that might bring a stain upon her name; and she wrote a most touching letter of farewell to Gervaisais, imploring him not to answer it, nor to try to meet her again, requests which his unbounded love for her induced him to accede to.

The festivities given in honour of the Russian Grand Duke were the last of the entertainments held at Chantilly; for, although the Princesse Louise in the absence of the Duchesse de Bourbon made a charming hostess, the separation of her brother from his wife, who had returned to her own family, cast an inevitable gloom over Chantilly. The young heir, the Duc d'Enghien, however, became warmly attached to his aunt, who acted as a mother to him. He was highly gifted and very proud of his famous ancestor, the Grand Condé. On taking his seat in the Parlement at the early age of sixteen he made a most able speech; whereupon the President remarked that never before had three members of the Condé family honoured the House of Peers at the same time. This, alas! was not for long; for we now approach that fateful year 1789, and the horrors of the French Revolution.

In July of that year, late in the evening, an adjutant of the Prince de Condé arrived breathless at the Chateau, bringing tidings of the terrible events which had just occurred in Paris. He told how a bullet aimed at the Royal carriage had killed a woman standing near; and how the King had been applauded when he appeared on the balcony bearing a "cocarde tricolore." On hearing this, the three Princes de Condé accompanied by Princess Louise departed next day for Versailles. Their advice to Louis XVI was "not to yield"-advice which the King was loth to follow. The three Condés, seeing that they could not prevail upon him to remain firm, determined to quit France so as to be able themselves to remain true to their Royalist principles. In taking leave of the King, Louis Joseph said that he would endeavour to serve the Monarchy abroad, since he could no longer serve it in France.

Plate XVII.

LOUIS JOSEPH DE BOURBON, PRINCE DE CONDE.

Musée Condé.

Madame de Tott.

The three Princes returned to Chantilly for one day only, and then left France for Germany. The youngest, the Duc d'Enghien, was destined never to see his ancestral home again. It must have been a touching spectacle to see the old Prince de Condé, accompanied by his daughter, his son the Duc de Bourbon, and his grandson the Duc d'Enghien, leaving the sumptuous abode of their ancestors, so full of glorious memories. The Comte d'Artois-afterwards Charles X-followed their example; and numerous French officers volunteered to make common cause with Prince Louis Joseph de Condé, whose name was associated so closely with the glories of France.

There still exists a history of Condé's army written by Bittard des Portes, wherein is related in detail the courage and fortitude with which these French emigrés endured their great privations. The Austrian General Würsmer, we are told, was deeply moved at the sight of Condé's regiment, which he styled "la vielle France militaire"; and Napoleon, in his Memoirs, when speaking of the Condés and their army abroad, wrote: "La France donna la mort à leur action, mais des larmes à leur courage. Tout dévo?ment est héro?que."