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Victoria Crane's office was nothing like what I'd expected.
I'd imagined something dark and intimidating, all leather and shadows like Adrian's world. Instead, I found myself in a space that belonged in a high-end magazine - white marble floors, floor-to-ceiling windows overlooking the harbor, and artwork that probably cost more than small countries' GDP.
The woman behind the glass desk was equally unexpected. Tall and elegant, with silver hair pulled back in a perfect chignon and wearing a cream-colored suit that probably cost more than my old car. She looked like she should be running a Fortune 500 company, not managing the eastern territory for Adrian Blackwood.
"Elena," she said, rising from her chair with fluid grace. "You're prettier than I expected. That's going to be a problem."
"Excuse me?"
"Pretty girls think they can get by on their looks. They rely on men to protect them, to make decisions for them." Victoria's smile was sharp as a blade. "In this business, pretty girls end up dead."
I felt my spine straighten. "Good thing I'm not just a pretty girl."
"No?" Victoria circled around the desk, studying me like a predator evaluating prey. "What are you then?"
"I'm the woman who manipulated Adrian Blackwood into walking into a trap, then stood between him and a gun." I met her gaze steadily. "I'm the woman who's still breathing while Dmitri Volkov is not."
Victoria stopped in front of me, and for a moment, something that might have been approval flickered in her eyes. "Better. But manipulating Adrian when he's already half in love with you isn't the same as surviving in this world on your own merits."
"Then teach me."
"Oh, I intend to." She moved to a cabinet and withdrew a crystal decanter filled with amber liquid. "But first, you need to understand what you're asking for. Drink?"
"It's barely noon."
"In our world, darling, it's always five o'clock somewhere." She poured two glasses, handing me one. "Besides, you're going to need it for what comes next."
I took the glass, the weight of it solid in my hands. "What comes next?"
"Your first lesson." Victoria settled into the chair across from me, crossing her legs elegantly. "Tell me, Elena, what do you think power is?"
The question caught me off guard. I'd expected training in weapons, maybe surveillance, certainly something more practical than philosophy.
"I... control, I suppose. The ability to make people do what you want."
"Wrong." Victoria's voice was sharp as a whip crack. "That's force, not power. Any thug with a gun can make people do things. Power is much more sophisticated."
"Then what is it?"
"Power is making people want to do what you want them to do." She took a sip of her drink, never breaking eye contact. "It's the ability to shape reality itself, to make others believe that your version of the truth is the only one that matters."
"That sounds like manipulation."
"It is manipulation. The highest form of it." Victoria smiled, and it was beautiful and terrifying. "And you, my dear, are going to learn to be a master at it."
She stood, moving to the window. "Adrian rules through fear and loyalty. He's the sword that cuts down enemies, the shield that protects what he values. But every king needs a queen, and a queen's power is different."
"How?"
"A queen rules through influence. Through the ability to make others believe that serving her is serving their own best interests." Victoria turned back to me. "Adrian can make people afraid to betray him. You're going to learn to make them never want to."
The implications of her words settled over me like a silk shroud. "You want me to become a puppet master."
"I want you to become a queen." Victoria's smile was predatory. "But first, you need to understand the game we're playing. And the first rule of the game is simple: information is currency."
She pressed a button on her desk, and a moment later, the door opened. A young man entered - mid-twenties, attractive in a carefully cultivated way, wearing an expensive suit that didn't quite disguise the wariness in his eyes.
"Marcus," Victoria said without looking at him. "Meet Elena. Elena, this is Marcus Chen. He works for the Harbor Commission and has been very helpful in ensuring our shipments arrive without... complications."
Marcus shifted uncomfortably. "Ms. Crane, I wasn't expecting-"
"Of course you weren't. That's the point." Victoria's voice was silk over steel. "Marcus, I want you to tell Elena about your wife."
The color drained from Marcus's face. "My wife?"
"Jennifer, isn't it? Lovely woman. Art teacher at St. Catherine's Elementary. She has no idea what you do for us, does she?"
"Please, Ms. Crane-"
"Answer the question, Marcus."
"No," he whispered. "She doesn't know."
"And your daughter? Emma, age seven. She's in her mother's class this year, isn't she?"
Marcus's hands were shaking now. "Yes."
"Such a pretty little girl. It would be a shame if something happened to disrupt her happy little life." Victoria's smile never wavered. "You understand what I'm saying, don't you, Marcus?"
"Yes, ma'am."
"Good. You can go now. And Marcus? The next shipment is Tuesday. I trust everything will go smoothly."
Marcus practically fled from the room, leaving me alone with Victoria and the weight of what I'd just witnessed.
"That," Victoria said, settling back into her chair, "was power. Not a single threat was made, no violence was suggested. But Marcus will do exactly what we need him to do, and he'll do it with a smile."
"Because you threatened his family."
"I did no such thing." Victoria's eyes glittered with cold amusement. "I simply reminded him of what he has to lose. The threat was all in his mind, which makes it infinitely more effective than any gun."
I thought about what I'd seen, the way Marcus had crumbled without a single explicit threat being made. "You're using his love for his family against him."
"I'm using his love for his family to ensure his cooperation. There's a difference." Victoria leaned forward. "Love is the most powerful weapon in our arsenal, Elena. More powerful than fear, more reliable than greed. People will do anything to protect what they love."
"Like Adrian protects me."
"Like Adrian protects you," she agreed. "But the question is: what are you willing to do to protect him?"
The question hung in the air between us, heavy with implication. I thought about the gallery, about standing between Adrian and Dmitri's gun, about the way I'd felt when I thought I might lose him.
"Anything," I said quietly.
"Good. Then you're ready for your first assignment."
Victoria stood, moving to another cabinet. When she turned back, she was holding a file folder.
"There's a man," she said, sliding the folder across the desk. "Thomas Brennan. He's a federal prosecutor who's been asking uncomfortable questions about Adrian's businesses. Questions that could cause problems for us."
I opened the folder, studying the photographs inside. Thomas Brennan was in his fifties, gray-haired and serious-looking. There were pictures of him at work, at home, with what appeared to be his family.
"What do you want me to do about him?"
"Nothing dramatic. Nothing that would draw attention." Victoria's smile was sharp. "I want you to convince him that pursuing Adrian is not in his best interests."
"How?"
"That's for you to figure out. But I will give you one piece of advice: everyone has something they value more than their principles. Find out what Brennan values, and you'll have your answer."
I stared at the file, at the pictures of a man who was probably just doing his job. "What if I can't do it?"
"Then you're not ready to be Adrian's queen." Victoria's voice was matter-of-fact. "But I don't think that's the case. I think you're more capable than you realize."
"When do I start?"
"Today. Brennan has lunch at the same restaurant every Tuesday. Rossini's, on Fifth Street. Be there at one o'clock."
"And then?"
"Then you learn what you're really made of." Victoria raised her glass in a mock toast. "Welcome to the game, Elena. Try not to disappoint me."
---
Rossini's was the kind of restaurant that screamed expensive without being ostentatious. The kind of place where federal prosecutors could have lunch without attracting attention. I'd chosen my outfit carefully - a navy blue dress that was professional but not severe, expensive enough to fit in but not so flashy as to draw unwanted attention.
Thomas Brennan was already seated when I arrived, alone at a corner table, reading through what looked like legal documents while he ate. He was smaller than he'd appeared in the photographs, more ordinary. The kind of man who faded into the background, which probably made him very good at his job.
I took a seat at the bar, ordering a glass of wine and pretending to read the menu while I studied him. He ate methodically, pausing occasionally to make notes in the margins of his papers. Wedding ring on his left hand, expensive watch, shoes that had been resoled at least once.
A man who valued quality but wasn't flashy about it. A man who-
"Excuse me, are you waiting for someone?"
I looked up to find Brennan standing beside my chair, his expression polite but curious.
"Just myself," I said, offering him a smile. "I'm afraid I'm one of those people who actually enjoys eating alone."
"Nothing wrong with that." He hesitated, then extended his hand. "Thomas Brennan."
"Elena Morrison," I lied smoothly, taking his hand. His grip was firm, his palm slightly calloused. A man who worked with his hands as well as his mind.
"Would you like to join me?" he asked. "I hate to see someone eating alone, especially someone as lovely as yourself."
Perfect. I let him think it was his idea.
"That's very kind of you," I said, allowing him to help me to his table. "Are you sure I won't be intruding?"
"Not at all. I was just reviewing some work documents. Nothing that can't wait."
He was charming, I had to give him that. Attentive without being pushy, interesting without being overbearing. Under different circumstances, I might have actually enjoyed his company.
"What kind of work?" I asked, settling into the chair across from him.
"Legal. I'm a prosecutor." He said it without pride or shame, just a simple statement of fact. "And you?"
"Art history. I work for a gallery downtown." Another lie, but one that would be easy to maintain. "Much less noble than your work, I'm afraid."
"I wouldn't say that. Art is important. It's what makes us human, what elevates us above mere survival." He signaled the waiter for another glass of wine. "What kind of art does your gallery specialize in?"
We talked about art, about the city, about nothing and everything. He was intelligent, cultured, genuinely interested in what I had to say. The kind of man who would make a good husband, a good father.
The kind of man who was going to make this very difficult.
"You seem troubled," he said during a lull in the conversation. "Is everything all right?"
"I'm sorry, I don't mean to be poor company." I gave him a rueful smile. "I've just been dealing with some... personal issues lately."
"Anything you'd like to talk about? Sometimes it helps to discuss things with a stranger."
"It's probably nothing. Just..." I paused, as if debating whether to continue. "Do you ever feel like you're living someone else's life? Like you're not really yourself?"
Something flickered in his eyes. Recognition, maybe, or understanding. "More often than I care to admit."
"It's just that I always thought I knew who I was, what I wanted. But lately, I've been questioning everything." I took a sip of wine, letting the silence stretch between us. "I'm sorry, you must think I'm crazy."
"Not at all." His voice was gentle. "I think you're someone who's brave enough to ask the hard questions. That's rarer than you might think."
"Is it?"
"In my line of work, I meet a lot of people who've stopped asking questions. Who've decided that the world is what it is, and there's no point in trying to change it." He met my eyes. "But you're different. I can see it."
"Different how?"
"You're still fighting. Still trying to figure out who you're supposed to be." He smiled, and it was warm and genuine. "That gives me hope."
Hope. The word hit me like a physical blow. This man, this good man who was just trying to do his job, was talking about hope. And I was here to destroy him.
"Mr. Brennan-"
"Thomas, please."
"Thomas." I took a breath, steeling myself for what I had to do. "Can I ask you something?"
"Of course."
"Do you ever wonder if you're fighting a losing battle? If the people you're trying to prosecute are too powerful, too connected to ever really face justice?"
Something shuttered in his expression. "Why do you ask?"
"No reason. Just curious about how someone in your position deals with that kind of... frustration."
"I deal with it by remembering that someone has to try. Someone has to stand up and say that the law applies to everyone, regardless of wealth or power." His jaw tightened. "Even if it means making enemies. Even if it means putting yourself at risk."
"That's very noble."
"It's not about nobility. It's about responsibility." He leaned forward, and I could see the passion burning in his eyes. "If good people don't stand up to corruption, then who will? If we don't fight for justice, then what's the point of having laws at all?"
"What if fighting meant losing everything else? Your family, your safety, your future?"
"Then that's the price of doing what's right." His voice was quiet but absolute. "Some things are worth more than personal comfort."
I stared at him, this man who was so different from Adrian, so different from the world I was learning to navigate. A man who believed in justice, in right and wrong, in the possibility of making the world better.
A man I was supposed to destroy.
"I should go," I said suddenly, standing from the table. "Thank you for lunch, Thomas. It was... enlightening."
"Elena, wait-"
But I was already walking away, leaving him sitting alone at the table with his principles and his hope and his doomed crusade against men like Adrian Blackwood.
Men like me.
---
"How did it go?" Victoria asked when I called her from the car.
"It didn't."
"Excuse me?"
"I couldn't do it. I couldn't manipulate him." I gripped the steering wheel tighter. "He's a good man, Victoria. He's just trying to do his job."
"And his job is to destroy everything Adrian has built." Victoria's voice was ice-cold. "His job is to take away the man you claim to love."
"I know what his job is."
"Do you? Because from where I'm sitting, it sounds like you're having second thoughts about whose side you're on."
"I'm on Adrian's side. I will always be on Adrian's side." The words came out fiercer than I'd intended. "But I won't destroy innocent people to protect him."
"Innocent?" Victoria laughed, and it was sharp as broken glass. "Thomas Brennan has sent dozens of people to prison, Elena. He's destroyed families, ruined lives, all in the name of his precious justice. How is that innocent?"
"He's upholding the law."
"He's serving a system that was never designed to include people like us. A system that would grind Adrian into dust without a second thought." Victoria's voice softened, becoming almost maternal. "You're not thinking clearly, darling. You're letting sentiment cloud your judgment."
"Maybe sentiment is what separates us from them."
"No, Elena. What separates us from them is that we're honest about what we are. We don't hide behind noble ideals or pretend that our violence is somehow more justified than theirs." Victoria paused. "You have a choice to make. You can be Adrian's queen, or you can be a naive little girl who thinks the world runs on fairy tales and happy endings. But you can't be both."
The line went dead, leaving me alone with my thoughts and the weight of what I'd failed to do.
I thought about Thomas Brennan, sitting alone at that restaurant, probably wondering about the strange woman who'd asked him uncomfortable questions and then fled. I thought about his belief in justice, his willingness to sacrifice everything for his principles.
And I thought about Adrian, about the way he'd looked at me when I'd stood between him and Dmitri's gun. About the love in his eyes and the darkness in his soul and the future he'd offered me.
A future that required me to become someone I wasn't sure I could be.
Someone who could destroy good men without flinching.
Someone who could rule through fear and manipulation and the careful application of pain.
Someone who could be worthy of standing beside Adrian Blackwood.
I closed my eyes and made my choice.
Then I turned the car around and drove back to Rossini's, where Thomas Brennan was probably finishing his lunch and getting ready to return to his crusade against the darkness.
A crusade that was about to come to an end.
Because I was Adrian's queen, and queens protected their kings.
No matter the cost.